An Apres Morris Song Archive
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Moody's Anecdotes and Illustrations Related in His Revival Work by The
[Transcriber's Notes] Here are the definitions of some unfamiliar (to me) terms. antediluvian Person who lived before the Biblical Flood. Very old or old-fashioned. cavil Raise irritating and trivial objections; find fault unnecessarily. conies Rabbits Chromo (chromolithograph) Colored print livery (clothing) Distinctive uniform. tares Weedy plants of the genus Vicia, especially the common vetch. Several weedy plants that grow in grain fields. MOODY'S ANECDOTES AND ILLUSTRATIONS. RELATED IN HIS REVIVAL WORK BY THE GREAT EVANGELIST DWIGHT L. MOODY. FULLY ILLUSTRATED FROM GUSTAVE DORE REVISED EDITION. EDITED BY REV. J. B. McClure. CHICAGO: Rhodes & McClure Publishing Co. 1899 Entered according to act of Congress, in the year 1896 by the Rhodes & McClure Publishing Company, in the Office of the Librarian of Congress, Washington, D. C. All Rights Reserved. PREFACE. The breathless interest given to Mr. Moody's anecdotes while being related by him before his immense audiences, and their wonderful power upon the human heart, suggested to the compiler this volume, and led him to believe and trust that, properly classified and arranged in book form, they would still carry to the general reader a measure of their original potency for good. The best anecdotes have been selected and carefully compiled under appropriate headings, alphabetically arranged, making the many stories easily available for the private reader and public teacher. Mr. Moody's idiom has been strictly preserved. He tells the story. "Gold" will be found scattered through the volume, which includes Mr. Moody's terse declarations of many precious and timely truths. The compiler acknowledges the benefit received from the extended reports of the Tabernacle meetings given in the Daily press of Chicago, also the Hippodrome services reported in the New York papers, and the volume of Addresses revised by Mr. -
Torah Study – Instructor, Ron Parashas Vayechi Genesis 47:28 – 50:26 Haftaras Vayechi – 1 Kings 2:1–12
Torah Study – Instructor, Ron Parashas Vayechi Genesis 47:28 – 50:26 Haftaras Vayechi – 1 Kings 2:1–12 Review: Jacob and his household have arrived in Egypt. Joseph has provided for them and they have prospered. They have lands and the family is growing. The famine has passed. Chapter 47 28 – 31 After Israel has been in Egypt for about 17 years and at the age of 147, Jacob senses that his time is about to come to leave this world. Jacob is aware of the promises that were made to his fathers. He knows that his family will eventually go back to the land of Canaan. He asked Joseph to make sure he was taken back to Canaan and buried. Joseph agreed and swore to him that he would personally get it done. With Joseph’s pledge to bury his father in the land of Canaan, Jacob bow’s to Joseph from his bed, thus fulfilling the dream that Joseph had as a young man. Now even the sun and moon did bow to him, not just the eleven stars. Just as this prophetic dream came to pass about Joseph, there is another prophetic word about Yeshua that will come to pass. Lets look at it. Romans 14 6 He who observes a day as special does so to honor the Lord. Also he who eats anything, eats to honor the Lord, since he gives thanks to God; likewise the abstainer abstains to honor the Lord, and he too gives thanks to God. 7 For none of us lives only in relation to himself, and none of us dies only in relation to himself; 8 for if we live, we live in relation to the Lord; and if we die, we die in relation to the Lord. -
The Dakini Project
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2014 The Dakini Project Kimberley Harris Idol University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Comparative Literature Commons Repository Citation Idol, Kimberley Harris, "The Dakini Project" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2094. http://dx.doi.org/10.34917/5836113 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE DAKINI PROJECT: TRACKING THE “BUTTERFLY EFFECT” IN DETECTIVE FICTION By Kimberley Harris Idol Bachelor of Arts in Literature Mount Saint Mary’s College 1989 Master of Science in Education Mount Saint Mary’s College 1994 Master of Arts in Literature California State University, Northridge 2005 Master of Fine Arts University -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
When December Burns Cold Like a Stone Rise to the Unknown I Now
When December Burns Cold like a stone rise to the unknown I now drown in despair when December burns Locked in one’s mind my state of being, denial Drag me away with your toxin this bliss lasts just for one moment What’s left of this world? Where’s your true purpose? These flames seem to wait atop a hill Breath to the wind I’m built up with sin What can you find beneath my ashes? See hope in others’ eyes this earth leaves nothing to thrive living beside the dead upon stacks of burial mounds My skin starts to boil The stench is too grim to bear But now there's no turning back I will not perish in dissent Cold like a stone Rise to the unknown I now drown in despair When December burns Where's your god? Where's your faith when we all die the same? The smoke now rises, the sky turns pale This is my end, my farewell Your life leaves nothing for me Burn me again and again I stand alone on this hill Flames succumb all around Black like coal In the unknown I now burn In December Jeremy Farfan - Guitar, Vocals Efrain Farfan - Guitar, Vocals Manolo Estrada - Drums Martin Tune - Bass Recorded at Atomic Sound, Red Hook Brooklyn April 20 and May 28, 2019 Recorded by Dakota Bowman Mixed by Neil Kernon Mastered by Alan Douches at West West Side Music Starved For Energy I'm Crawling through earth and through stone I gasp for one last breath of your innocent silence Covered in dirt I know you bare this hurt alone Contemplating suicide A look inside this tangled mind A noose that hangs six feet high Can you see it sway? The clouds now merge With obscure shades of grey The fields then burn With the smell of decay What more can be said For a wind thats passed This unspoken whisper Lingers in smoke as dead eyes stare down! I drown my tears over flames That vanish snow And I can't fight the dark that's consumed me My sanity has left me here. -
MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music. -
Pub Sing Book Compiled and Arranged by Mike
PUB SING WITH MIKE PAGNANI Compiled and Arranged by Mike Pagnani [email protected] CHANTIES Compiled and Arranged by Mike Pagnani [email protected] Ch1 PAY ME MY MONEY DOWN Pay me oh Pay me Pay me my Money Down! Pay me or go to Jail Pay me my Money Down! Thought I heard our Captain say / Tomorrow is our sailing day Soon as the boat was clear of the bar / He knocked me down with the end of a spar I wish I was Mr. Howard's Son / Sit in the house and drink good rum I wish I was Mr. Steven's Son / Sit on the dock and watch work done Ch2 DRUNKEN SAILOR Weigh-Hey an' up she rises Weigh-Hey an' up she rises Weigh-Hey an' up she rises Early in the morning What do you do with a drunken sailor What do you do with a drunken sailor What do you do with a drunken sailor Early in the morning Shave his face with a rusty razor... Throw him by the leg in a runnin' bowline... Soak him in oil 'til he sprouts a flipper... Put him in the scuppers with the hosepipe on him... Give him a taste of the salt and water... Stick to his back a mustard plaster... Note: While there are more verses than could fit on a single page, the above are all considered to be traditional verses. Compiled and Arranged by Mike Pagnani [email protected] Ch3 BARRET'S PRIVATEERS Oh the year was 1778 How I wish I was in Sherbrook Now! When a letter of Marque came from the King To the scummiest vessel I'd ever seen God Damn Them All! I was told we'd cruise the seas for American gold Fire no gun, Shed no Tear Now I'm a broken man on a Halifax Pier The last of Barrett's Privateers! Oh Eclid Barrett cried the town.. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. -
KISS Game Features Matrix
KISS Game Features Matrix Premium Limited Game Pro KISS - I Want to Rock and Roll all Night! Edition Edition Main Experience the greatest rock show under glass Attractions Custom speech from Paul Stanley and Gene Simmons Rock with 10 famous tracks performed by "KISS" Shoot balls under the "Demon's" (Gene) head sculpt for fast ball return action from the spinning disc Lock balls in the "Demon's" head, start m-ball and watch them come spitting out of his mouth Play the "Starchild" (Paul) mini play area, complete the targets and get the ball in the hidden hole Game Watch the "Starchild" pinball levitate across the stadium at the start of "Love Gun Multiball" Features Spinning disc under the "Demon" for fast ball return action "Demon" ball trough feeding ball through the "Demon's" head and out of his mouth "Demon" 3 ball lock trough assembly with ball eject device Enormous, molded "Demon" head sculpt "Starchild's" ball levitating, "Love Gun" ball transfer mechanism on back panel. "Starchild" single drop target with coil assisted trip mechanism Static "Starchild" custom action figure with guitar Animated "Starchild" custom action figure with guitar "Starchild" decorative molded amplifier "Starchild" mini play area 16 LED iconic progress grid 4 bank "KISS" stand up target bank 4 bank "KISS" drop target bank 4 bank "ARMY" stand up target bank 2 "Lite Lock" stand up targets Spinning target assembly Left plastic ramp feeds to chrome left wire ramp Right plastic ramp that feeds to chrome