The Institution of Modernism and the Discourse of Culture: Hellenism, Decadence, and Authority from Walter Pater to T
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Idea of the West in the Magic Mountain Literary and Cultural Approaches
Master of Arts Thesis Euroculture University of Groningen Palacký University of Olomouc March 2012 Idea of The West in The Magic Mountain Literary and Cultural Approaches Submitted by: Gonca Topal S2043831 Supervised by: Professor W.E. Krul Dr. Jozef Matula Goettingen, Germany 20.03.2012 Table of Contents I. Introduction …....................................................................................... 1 I.i.Introduction to the Novel and Translations ........................................... 2 I.ii Methods of Analysis …......................................................................... 3 I.iii Specific Approach to the Novel and Past Studies ..….......................... 5 I.iv Defining 'The West' Through Literature …................….................... 8 II. Settembrini and Castorp …..................................................................... 11 II.i Initial Impressions on Settembrini …................................................... 11 II.ii Castorp's Links to Mann …................................................................. 14 II.ii.i Tradition …................................................................................ 16 II.iii Settembrini the Pedagogue …............................................................ 18 II.iii.i Classicism …............................................................................. 19 II.iv The Initial Advice …........................................................................... 19 II.v Settembrini's Links to Mann ….......................................................... -
RILKE and the MODERNIST TRADITION: a BRIEF LOOK at “ARCHAIC TORSO of ••• APOLLO”* Pyeaam ABBASI**
Uluslararası Sosyal Araştırmalar Dergisi The Journal of International Social Research Cilt: 6 Sayı: 24 Volume: 6 Issue: 24 Kış 2013 Winter 2013 www.sosyalarastirmalar.com Issn: 1307-9581 RILKE AND THE MODERNIST TRADITION: A BRIEF LOOK AT “ARCHAIC TORSO OF ••• APOLLO”* Pyeaam ABBASI** Abstract The twentieth century is associated with drastic changes as well as disintegration of old beliefs and grand narratives. Modern poets felt that it was high time they searched for new potentialities of language and made changes in form in order to express and explore changes the world was experiencing. The oneness of the world within and the world without is not peculiar to Rilke. He explores human consciousness as well as the interaction between human and the non-human world. This paper argues that his poetry is an invitation to the reader to participate and create. In “Archaic Torso of Apollo” the transfixed poet finds the torso full of life and vitality, a complete work of art and suggestive of the modernist tradition. As a modern poet Rilke would see the world within and the world without as the same aspects of each other. He believes that existence consists of interactions between things and the perceiving selves and that the inner world, familiar to our consciousness, is continuous with, even identical to, the material world we think of as exterior to our conscious selves. The interaction between the poet (subject) and the torso (subject) creates the sense of transformation. The article concludes that transformation seems to be the most critical change that the modern man needs to experience in the chaotic and disjointed world of the 20 th century. -
Herbert Brenon Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Herbert Brenon 电影 串行 (大全) Quinneys https://zh.listvote.com/lists/film/movies/quinneys-7272298/actors The Clemenceau https://zh.listvote.com/lists/film/movies/the-clemenceau-case-3520302/actors Case Yellow Sands https://zh.listvote.com/lists/film/movies/yellow-sands-8051822/actors The Heart of Maryland https://zh.listvote.com/lists/film/movies/the-heart-of-maryland-3635189/actors The Woman With Four https://zh.listvote.com/lists/film/movies/the-woman-with-four-faces-17478899/actors Faces Empty Pockets https://zh.listvote.com/lists/film/movies/empty-pockets-62333808/actors Honours Easy https://zh.listvote.com/lists/film/movies/honours-easy-12124839/actors Wine, Women and https://zh.listvote.com/lists/film/movies/wine%2C-women-and-song-56291174/actors Song The Custard Cup https://zh.listvote.com/lists/film/movies/the-custard-cup-62595387/actors Moonshine Valley https://zh.listvote.com/lists/film/movies/moonshine-valley-6907976/actors The Eternal Sin https://zh.listvote.com/lists/film/movies/the-eternal-sin-21869328/actors Life's Shop Window https://zh.listvote.com/lists/film/movies/life%27s-shop-window-3832153/actors Laugh, Clown https://zh.listvote.com/lists/film/movies/laugh%2C-clown-1057743/actors God Gave Me Twenty https://zh.listvote.com/lists/film/movies/god-gave-me-twenty-cents-15123200/actors Cents The New Magdalen https://zh.listvote.com/lists/film/movies/the-new-magdalen-15865904/actors The Passion Flower https://zh.listvote.com/lists/film/movies/the-passion-flower-16254009/actors Sin https://zh.listvote.com/lists/film/movies/sin-16908426/actors -
Literaturelk the DECADENTS
Literaturelk Around the World THE DECADENTS France. At the end of the 19th century a group of French poets, including Rimbaud, Verlaine and Mallarmé, formed a movement and called themselveb 'Les Décadents'. They aspired to set literature and art free from the materialistic preoccupations of industrialised society.They saw art as the highest expression of the human spirit, stating that art and life are strictly linked. These poets rejected the traditional values of society choosing instead an immoral and irregular lifestyle, free of any conventions or rules. England. Oscar Wilde (1854-1900), the decadent, anti-conformist and dandy, who introduced himself to America with the famous phrase 'I have nothing to declare except my genius', is often linked to his French predecessors, however, he did not isolate V Gabriele D'Annunzio himself from the world, but instead craved popularity and fame. The epitome of the reading in his dandy is the protagonist of his novel The Picture of Dorían Gray (even if he is represented `Vittoriale degli italiani', the negatively). monumental citadel created by Italy. 'Decadentismo' is an Italian artistic movement influenced by the French and the Italian writer between 1921 and British Decadent Movement.Although differing in their approaches, like the other two 1938 in Gardone movements, it championed the irrational and the idiosyncratic against the advancing Riviera, on the tide of scientific rationalism and mass culture at the turn of the 20th century. Brescian Riverside of Lake Garda. Gabriele D'Annunzio (1863-1938) is generally considered the main representative of the Italian Decadentismo. He played a prominent role in Italian literature from 1889 to 1910 and after that in political life from 1914 to 1924. -
The Scopic Past and the Ethics of the Gaze
Ivan Illich Kreftingstr. 16 D - 28203 Bremen THE SCOPIC PAST AND THE ETHICS OF THE GAZE A plea for the historical study of ocular perception Filename and date: SCOPICPU.DOC Status: To be published in: Ivan Illich, Mirror II (working title). Copyright Ivan Illich. For further information please contact: Silja Samerski Albrechtstr.19 D - 28203 Bremen Tel: +49-(0)421-7947546 e-mail: [email protected] Ivan Illich: The Scpoic Past and the ethics of the Gaze 2 Ivan Illich THE SCOPIC PAST AND THE ETHICS OF THE GAZE A plea for the historical study of ocular perception1 We want to treat a perceptual activity as a historical subject. There are histories of the rise and fall of the Roman Empire, of the formation of a working class in Great Britain, of porridge in medieval Europe. We ourselves have explored the history of the experienced (female) body in the West. Now we wish to outline the domain for a history of the gaze - der Blick, le regard, opsis.2 The action of seeing is shaped differently in different epochs. We assume that the gaze can be a human act. Hence, our historical survey is carried out sub specie boni; we wish to explore the possibilities of seeing in the perspective of the good. In what ways is this action ethical? The question arose for us when we saw the necessity of defending the integrity and clarity of our senses - our sense experience - against the insistent encroachments of multimedia from cyberspace. From our backgrounds in history, we felt that we had to resist the dissolution of the past by seemingly sophisticated postmodern catch phrases, for example, the deconstruction of conversation into a process of communication. -
Download Between the Lines 2017
the LINES Vanderbilt University, 2016–17 RESEARCH and from the LEARNING UNIVERSITY LIBRARIAN Places and Spaces International exhibit unites students, faculty and staff in celebrating mapping technology Dear colleagues and friends, ast spring, the Vanderbilt Heard Libraries hosted Places & Spaces: Mapping Science, It is my pleasure to share with you Between the Lines, a publication of an international exhibition the Jean and Alexander Heard Libraries. In words, numbers and images, celebrating the use of data we offer a glimpse into the many ways our libraries support and enhance Lvisualizations to make sense of large MAPPING SCIENCE teaching, learning and research at Vanderbilt. Between the Lines will data streams in groundbreaking ways. introduce you to the remarkable things happening in the libraries and The campuswide exhibit proved to be perhaps even challenge your perception of the roles of libraries and intellectually enriching and socially unifying, according to campus leaders. librarians. We are grateful to the many donors and friends who made “The Places & Spaces: Mapping Science much of this work possible. exhibit brought together students, faculty and staff to celebrate technological The past academic year has been one of change for Vanderbilt’s Heard advances in data visualization that Libraries with new faces, new library services, new spaces and new facilitate our understanding of the world I programs. It has also been a year of continuity as we build collections, around us,” says Cynthia J. Cyrus, vice make resources accessible and provide contemplative and collaborative provost for learning and residential affairs. “From the disciplines of science and Ptolemy’s Cosmo- spaces for research and study. -
Catalogue-Assunta-Cassa-English.Pdf
ASSUNTA CASSA 1st edition - June 2017 graphics: Giuseppe Bacci / Daniele Primavera photography: Emanuele Santori translations: Angela Arnone printed by Fastedit - Acquaviva Picena (AP) e-mail: [email protected] website: www.assuntacassa.it Assunta Cassa beyond the horizon edited by Giuseppe Bacci foreward by Giuseppe Marrone critical texts by Rossella Frollà, Anna Soricaro, Giuseppe Bacci 4 - Assunta Cassa - Beyond the horizon The Quest of Assunta Cassa for Delight and Dynamic Beauty Giuseppe Marrone Sensuality, movement, technique whose gesture, form and that rears up when least expected, reaching the apex and trac- matter are scented with the carnal thrill of dance it conveys, ing out perceptual geometries that perhaps no one thought compelling it on the eye, calling out to it and enticing the viewer, could be experimented. the recipient of the work who is dazed by an emotion stronger The art of Assunta Cassa has something primal in its emotional than delighted connection, and feels the inner turmoil triggered factor, no one should miss the thrill of experiencing her works by the virtuous explosions of colour and matter. The subject, in person, absorbing some of that passion, which enters the the dance, the movement, the steps that shift continuous exist- mind first and then sinks deeper into the spheres of perception. ence, igniting a split second and fixing it forever on the canvas. Sensuality and love, tenderness and passion, move with and Dynamic eroticism, rising yet immobile, fast, uncontrollable in in the dancing figures, which surprise with their natural seeking mind and in passion, able to erupt in a flash and unleash the of pleasure in the gesture, the beauty of producing a human fiercest emotion, the sheer giddiness of the most intense per- movement, again with sheer spontaneity, finding the refined ception. -
Prospero's Monsters: Authenticity, Identity, and Hybridity in the Post-Colonial Age
Bowling Green State University ScholarWorks@BGSU 18th Annual Africana Studies Student Research Africana Studies Student Research Conference Conference and Luncheon Feb 12th, 10:30 AM - 11:50 AM Prospero's Monsters: Authenticity, Identity, and Hybridity in the Post-Colonial Age Dominique Pen Follow this and additional works at: https://scholarworks.bgsu.edu/africana_studies_conf Part of the African Languages and Societies Commons Pen, Dominique, "Prospero's Monsters: Authenticity, Identity, and Hybridity in the Post-Colonial Age" (2016). Africana Studies Student Research Conference. 3. https://scholarworks.bgsu.edu/africana_studies_conf/2016/002/3 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Africana Studies Student Research Conference by an authorized administrator of ScholarWorks@BGSU. Pen1 Prospero’s Monsters: Authenticity, Identity, and Hybridity in the Post-Colonial Age Dominique Pen M.A. Candidate, Art History, School of Art 18th Annual Africana Studies Student Research Conference Pen2 In 2005, Yinka Shonibare was offered the prestigious distinction of becoming recognized as a Member of the Most Excellent Order of the British Empire (MBE). As an artist whose work is characterized by his direct engagement with and critiques of power, the establishment, colonialism and imperialism, in many cases specifically relating to Britain’s past and present, some questioned whether he was going to refuse the honor. This inquiry was perhaps encouraged -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245
An Antihumanist Reinterpretation of the Philosophy of Singularity 2016/27 245 Kaygı Uludağ Üniversitesi Fen-Edebiyat Fakültesi Felsefe Dergisi Uludağ University Faculty of Arts and Sciences Journal of Philosophy Sayı 27 / Issue 27│Güz 2016 / Fall 2016 ISSN: 1303-4251 Research Article Araştırma Makalesi Dilara BİLGİSEL İstanbul Bilgi Üniversitesi, Sosyal ve Beşeri Bilimler Fakültesi, İstanbul-Türkiye Istanbul Bilgi University, Faculty of Social Sciences, Philosophy and Social Thought, Istanbul-Turkey [email protected] An Antihumanist Reinterpretation of the Philosophy of Singularity Abstract This article takes a close look at the discussion of singularity in Jean-Luc Nancy’s The Inoperative Community and Being Singular Plural as an attempt to negate the subject/object dichotomy and create a new context for a re-evaluation of resistance. With its aim of refuting individualistic subjectivity, the philosophy of singularity puts forward that the humanist point of view unnecessarily polarizes individuality and community. By placing a challenging scenario of antihumanism against the humanist sense of responsibility, the philosophy of singularity questions whether it is possible to do philosophy without saying ‘I’. This antihumanist stance, which replaces the ‘I’/‘other’ differentiation with Nancy’s ‘the other of another,’ chooses to strengthen the link between ontology and resistance in the notion of coexistence, beyond traditional hypotheses on immanence or transcendence. In order to discover the manifestation of coexistence within the frame of an antihumanist philosophy of singularity, this article begins with digging deep under the notion of individualistic subjectivity to show that it embodies a hollow and plastic category. Following this, Nancy’s stress on the term ‘ecstasy’ will be grounded upon the Freudian theory of drives and the concept of coexistence will be situated in a dark realm that the humanist worldview would expect in the least. -
Adopting a Posthumanist Ethics to Inform Value Sensitive Design
philosophies Article The Ecological Turn in Design: Adopting a Posthumanist Ethics to Inform Value Sensitive Design Steven Umbrello Institute of Ethics and Emerging Technologies (IEET), University of Turin, 10124 Turin, Italy; [email protected] Abstract: Design for Values (DfV) philosophies are a series of design approaches that aim to incorpo- rate human values into the early phases of technological design to direct innovation into beneficial outcomes. The difficulty and necessity of directing advantageous futures for transformative technolo- gies through the application and adoption of value-based design approaches are apparent. However, questions of whose values to design are of critical importance. DfV philosophies typically aim to enrol the stakeholders who may be affected by the emergence of such a technology. However, regardless of which design approach is adopted, all enrolled stakeholders are human ones who propose human values. Contemporary scholarship on metahumanisms, particularly those on posthumanism, have decentred the human from its traditionally privileged position among other forms of life. Arguments that the humanist position is not (and has never been) tenable are persuasive. As such, scholarship has begun to provide a more encompassing ontology for the investigation of nonhuman values. Given the potentially transformative nature of future technologies as relates to the earth and its many assemblages, it is clear that the value investigations of these design approaches fail to account for all relevant stakeholders (i.e., nonhuman animals). This paper has two primary objectives: (1) to argue for the cogency of a posthuman ethics in the design of technologies; and (2) to describe how existing DfV approaches can begin to envision principled and methodological ways of incorporating Citation: Umbrello, S. -
Homoeroticism in Neoclassical Poetics: French Translations of the Ideal Male Nude in Late-Eighteenth-Century Word and Image
Homoeroticism in neoclassical poetics: French translations of the ideal male nude in late-eighteenth-century word and image. Satish Padiyar, University College London, PhD. 1999 BIBL LONDON flnv. 1 Abstract The thesis consists of four chapters, an Introduction and a Conclusion. The Introduction considers the theoretical frameworks within which recent readings of the late-eighteenth-century French homoerotic ideal male nude have been developed; and how these readings have in turn emerged from a wider extra-art-historical discourse on the sexual politics of representation and the representation of sexual politics. A clear picture of the ideal male nude as a contested field emerges; and a justification of the materials which will be used in the thesis clarifies their critical engagement with these polemical debates surrounding the object of study. Chapter 1 is in two parts. Part one deals with the possibilities of a textual representation of homosexuality in French neoclassical poetics by focusing on the notion of 'anacréontisme' as a synonym for 'veiled' homoeroticism. Contrary to the present understanding of the notion, it is argued here, by recourse to successive French translations of the Greek source text, that homosexuality was explicitly problematized in the development of anacréontisme as a critical term, rather than consensually hidden. Part two reviews a social history of homosexuality in eighteenth-century France, in order to contextualize the preceding anacreontic debate. A Kantian reading of the beau ideal, in Chapter 3, attempts to contradict the now dominant understanding of this figure as being simply a high-cultural sign of patriarchal dominance. The chapter traces the philosophical coordinates of the beau ideal from the late seventeenth century until the moment when this figure coincides with the Kantian transcedental aesthetic, and thereby propels it into an anti-ideological space.