Madison Council Bulletin Fall 2010
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FIRST NATIONS EXPERIENCE See Back Cover
PDF Compressor Pro Q2 3 Program Guide KENW-TV/FM Eastern New Mexico University February 2017 FIRST NATIONS EXPERIENCE See Back Cover 2 PDF Compressor Pro When to watch from A to Z listings for 3-1 are on pages 18 & 19 Channel 3-2 – February 2017 American Woodshop – Saturdays, 6:30 a.m.; Report from Santa Fe – Saturdays, 6:00 p.m. Thursdays, 11:00 a.m. Rick Steves’ Europe – Sundays, 12:00 noon (5th, 19th only); America’s Heartland – Saturdays, 6:30 p.m. Mondays, 10:30 p.m. America’s Test Kitchen – Saturdays, 7:30 a.m.; Mondays, 11:30 a.m. Rough Cut – Saturdays, 7:00 a.m. Antiques Roadshow – Sara’s Weeknight Meals – Mondays, 11:00 a.m. Mondays, 7:00 p.m./8:00 p.m. (20th, 27th only)/11:00 p.m.; Scully/The World Show – Tuesdays, 5:00 p.m. Sundays, 7:00 a.m. Second Opinion – Sundays, 6:30 a.m./6:00 p.m. Are You Being Served? Again – Saturdays, 8:00 p.m. Sewing with Nancy – Saturdays, 5:00 p.m. Ask This Old House – Saturdays, 4:00 p.m. Sit and Be Fit – Monday, Wednesday, Friday, 12:00 noon Austin City Limits – Saturdays, 9:00 p.m./12:00 midnight Song of the Mountains – Thursdays, 8:00 p.m. Barbecue University – Thursdays, 11:30 a.m Sportslook – Thursdays, 9:00 p.m. BBC Newsnight – Fridays, 5:00 p.m. Star Gazers – Wednesdays, 10:57 p.m.; Saturdays, 10:57 a.m./9:57 p.m.; BBC World News – Weekdays, 6:30 a.m./4:30 p.m. -
Abstract a Case Study of Cross-Ownership Waivers
ABSTRACT A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST by Rachel L. Seeman Media ownership is an important regulatory issue that is enforced by the Federal Communications Commission. The FCC, Congress, court and public interest groups share varying viewpoints concerning what the ownership limits should be and whether companies should be granted a waiver to be excused from the rules. News Corporation is one media firm that has a history of seeking these waivers, particularly for the New York Post and television stations in same community. This study conducted a qualitative framing analysis of news articles from the New York Times and the Wall Street Journal to determine if the viewpoints expressed by the editorial boards were reflected in reports on News Corp.’s attempt to receive cross-ownership waivers. The analysis uncovered ten frames the newspapers used to assist in reporting the events and found that 80% of these frames did parallel the positions the paper’s editorial boards took concerning ownership waivers. A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications by Rachel Leianne Seeman Miami University Oxford, OH 2009 Advisor: __________________________________ (Dr. Bruce Drushel) Reader: __________________________________ (Dr. Howard -
President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 21, folder “President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. nATE: October 2, 1974 10M: Ron Nessen I -......1A : Warren Rustand MEETING With Joe Alsop (Los Angeles Time Syndicate, Washington Post Syndicate) DATE Anytime during December 1974. PURPOSE To personally congratulate Joe Alsop on his career as a distinguished columnist and to provide him an opportunity, in the last month of his column, to interview the President. FORMAT Oval Office (if lunch also, lunch in the Residence) 45 minutes. Participants: The President Joe Alsop (The President should .be offered the option of following a late morning interview with a private lunch for Joe Alsop, with Ron Nessen and perhaps a few other White House _aides present) SPEECH MATERIAL ! None required. PRESS COVERAGE White House photographer; no announcement, but to confirm when column runs. BACKGROUND : 1. In a recent column, which I showed you, Joe Alsop announced his retirement from his column. -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Paul Mccartney MP3 Коллекция. Часть 1 Mp3, Flac, Wma
Paul McCartney MP3 Коллекция. Часть 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: MP3 Коллекция. Часть 1 Country: Russia Released: 2005 Style: Soft Rock, Pop Rock MP3 version RAR size: 1575 mb FLAC version RAR size: 1605 mb WMA version RAR size: 1274 mb Rating: 4.4 Votes: 936 Other Formats: DTS MMF AIFF MIDI AA MOD WMA Tracklist McCartney 1 –Paul McCartney The Lovely Linda 2 –Paul McCartney That Would Be Something 3 –Paul McCartney Valentine Day 4 –Paul McCartney Every Night 5 –Paul McCartney Hot As Sun Glasses Soicide 6 –Paul McCartney Junk 7 –Paul McCartney Man We Was Lonely 8 –Paul McCartney Oo You 9 –Paul McCartney Momma Miss America 10 –Paul McCartney Teddy Boy 11 –Paul McCartney Singalong Junk 12 –Paul McCartney Maybe I'm Amazed 13 –Paul McCartney Kreen - Akrore Ram 14 –Paul & Linda McCartney Too Many People 15 –Paul & Linda McCartney 3 Legs 16 –Paul & Linda McCartney Ram On 17 –Paul & Linda McCartney Dear Boy 18 –Paul & Linda McCartney Uncle Albert - Admiral Halsey 19 –Paul & Linda McCartney Smile Away 20 –Paul & Linda McCartney Heart Of The Country 21 –Paul & Linda McCartney Monkberry Moon Delight 22 –Paul & Linda McCartney Eat At Home 23 –Paul & Linda McCartney Long Haired Lady 24 –Paul & Linda McCartney Ram On 25 –Paul & Linda McCartney The Back Seat Of My Car 26 –Paul & Linda McCartney Another Day 27 –Paul & Linda McCartney Oh Woman, Oh Why Wild Life 28 –Wings Mumbo 29 –Wings Bip Bop 30 –Wings Love Is Strange 31 –Wings Wild Life 32 –Wings Some People Never Know 33 –Wings I Am Your Singer 34 –Wings Bip Bop Link -
Annual Report of the Librarian of Congress
ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I. -
The Sound of Music
FOOTHILL MUSIC THEATRE PRESENTS THE TONY, GRAMMY, AND ACADEMY AWARD-WINNING CLASSIC THE SOUND OF MUSIC Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse Directed by Milissa Carey Music Direction by William Liberatore July 19 – August 5, 2018 Smithwick Theatre, Los Altos Hills LOS ALTOS HILLS, CA (1 June 2018) -- Los Altos Hills will be alive with The Sound of Music this summer, when multi-award winning Foothill Music Theatre presents the Tony, Grammy, and Academy Award-winning musical. This beloved musical, set in Austria in 1938, follows novice Maria Rainer who becomes the governess for the von Trapp family, capturing the hearts of the seven children and their father, a widowed naval captain. As the Nazis occupy Austria, the family is forced make decisions which forever change their lives, fleeing their home in pursuit of freedom. Director Milissa Carey, music director William Liberatore, and choreographers Brett and C.J. Blankenship breathe new life into this classic tale of hope, love, and family. The Sound of Music will play July 19- August 5, 2018 (press opening: July 20) at the Smithwick Theatre, I-280 & El Monte Road, Los Altos Hills. Tickets ($12 - $32) and information can be found at www.foothill.edu/theatre or by phone at (650) 949-7360. For nearly six decades, audiences of all ages have adored The Sound of Music, the final musical composed by legendary songwriting team Oscar Hammerstein II and Richard Rodgers (South Pacific, Oklahoma!, The King and I). The sweet and sweeping score includes favorites such as “My Favorite Things,” “Do Re Mi,” “Edelweiss,” and the title song. -
Paul Mccartney, 1980-1999
Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date. -
The Beatles SBTS-Bind up PDF Book
THE BEATLES SBTS-BIND UP PDF, EPUB, EBOOK Steve Turner | 384 pages | 14 Apr 2011 | Carlton Books Ltd | 9781847327130 | English | London, United Kingdom The Beatles SBTS-Bind Up PDF Book Not available This product is currently unavailable. Kae Tempest. World War II. Preferred contact method Email Text message. Temporary or permanent? Follow us. They performed with a changing cast of accompanists and under a changing list of band names before settling on their final members and name. Bestselling Series. If you have changed your email address then contact us and we will update your details. McCartney in particular remained musically active, both in the pop field, producing new albums every few years, and in the field of classical music—in he completed Liverpool Oratorio ; in he supervised the recording of another symphonic work of large ambition, Standing Stone ; and in he released a new classical album, Working Classical. They nevertheless continued for several more years to record and release new music and maintained a level of popularity rarely rivaled before or since. Top Questions. Taylor Jenkins Reid. Chuck Crisafulli. Print Cite. June 18, , Liverpool , George Harrison b. Civil War. In early , after equally tumultuous appearances on American television , the same phenomenon erupted in the United States and provoked a so-called British Invasion of Beatles imitators from the United Kingdom. In these months, fascination with the Beatles—at first confined to young British fans of popular music—breached the normal barriers of taste, class, and age, transforming their recordings and live performances into matters of widespread public comment. Rescuers found a year-old black woman trapped in the kitchen during the fire because Your order is now being processed and we have sent a confirmation email to you at. -
Mesa Arts Center Presents
MESA ARTS CENTER PRESENTS THE GERSHWIN LEGACY EDUCATOR RESOURCE GUIDE Grades 9-12 1 TABLE OF CONTENTS Curriculum Connections ………….………….…………...3 Classroom Activities & Questions ….……..…........4 Vocabulary .………………….…………...….………..…..….5 The Gershwin Brothers..…………..……….…….….…..6 Ellis Island Interactive Experience……….……..…….7 Migration Poetry Activity……………………………..….8-9 Rhapsody in Blue Reflection……………….……..…….10 Contact Info & Other Resources……...…….….....11 THE GERSHWIN LEGACY George Gershwin was the son of Russian Jewish immigrants, an American composer, painter, pia- nist, and jazz innovator. Together with his lyricist brother, Ira, the Gershwin brothers created iconic musical works that are still celebrated today. This Educator Resource Guide invites learners to research Gershwin, walk through Ellis Island, write & analyze poetry, and experience Gershwin’s music. 2 CURRICULUM CONNECTIONS THE GERSHWIN LEGACY Arizona History & Social Sciences State Standards HS.H4.2 — Explain how artistic, philosophical, and scientific ideas have developed and shaped society and institutions. HS.H4.4 — Examine how a diverse society can be a force for unity and/or disunity. HS.G3.1 — Analyze the reciprocal nature of how historical events and the diffusion of ideas, technologies, and cultural practices have influenced migration patterns and the distribution of human population. Arizona Music Theory & Composition State Standards MU.CR.1.MC.HS2a — Describe and demonstrate how sounds and musical ideas can be used to represent sonic events, memories, visual images, concepts, texts, or storylines. MU.CN.11.MC.HS2a — Analyze how context can inform the expressive intent and meaning of a musical composition. MU.CN.11.MC.HS2b — Analyze how music is affected by one’s knowledge outside the arts. Arizona English Language Arts State Standards 9-12.W.5 — Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. -
Guys and Dolls Short
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONTINUES FIFTH SEASON WITH “GUYS AND DOLLS” March 21-April 28, 2013 Music and Lyrics by Frank Loesser Book by Jo Swerling and Abe Burrows Based on “The Idyll of Miss Sarah Brown” and “Blood Pressure” by Damon Runyon Berkeley, CA (February 11, 2013) – Berkeley Playhouse continues its fifth season with the Tony Award- winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. This oddball romantic comedy, about which Newsweek declared, “This is why Broadway was born!,” finds gambler Nathan Detroit desperate for money to pay for his floating crap game. To seed his opportunity, he bets fellow gambler Sky Masterson a thousand dollars that Sky will not be able to make the next girl he sees, Save a Soul Mission do-gooder Sarah Brown, fall in love with him. While Sky eventually convinces Sarah to be his girl, Nathan fights his own battles with Adelaide, his fiancé of 14 years. Often called “the perfect musical,” GUYS AND DOLLS features such bright and brassy songs as “A Bushel and a Peck” “Luck Be a Lady,” and “Adelaide's Lament.” GUYS AND DOLLS premiered on Broadway in 1950; directed by renowned playwright and director George S. -
Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip.