David Stout

David Stout has rapidly established Venice, Nikita Das Portrait and Mick himself as one of the UK’s most versatile Playing Away (Bregenzer Festspiele); . His repertoire ranges widely, Robin Oakapple Ruddigore ( North); encompassing early music with period Baron Douphol La traviata (Royal Opera instruments, Mozart, Verdi, Puccini, House); Don Juan From the House of the Britten, the bel canto repertoire and Dead (Teatro Massimo di Palermo); contemporary and twentieth-century Hercule Alceste (Chelsea Opera Group); works. He has earned a formidable and Alfio Cavalleria Rusticana (Endellion reputation for his stage charisma, refined Festival). acting and presence on stage, as well as for being a great colleague whom other Stout’s extensive concert repertoire singers, conductors and directors are keen includes Verdi Requiem with the Royal to work with again and again. Philharmonic Orchestra at the ; Handel Messiah and Brahms In the 2021-21 season he sings Bartolo Il Requiem with the Hallé Orchestra; Bach St barbiere di Siviglia (Den Norske Opera) John Passion with Polyphony at St John’s and Ford (Grange Park Opera). In Smith Square, Bach St John Passion with the 2019-20 season he made his role the Aurora Orchestra at King’s Place; and debut as Henry Kissinger Nixon in China Mozart Requiem with the Bournemouth (Scottish Opera) and sang Harašta The Symphony Orchestra; as well as Haydn “David Stout’s Figaro was Cunning Little Vixen (Welsh National Nelson Mass, Polyphemus Acis and Opera). Galatea, Beethoven Missa Solemnis, Orff assertive, quick-witted Carmina Burana, Tippett A Child of Our Recent highlights include a critically Time, Vaughan Williams A Sea Symphony, and warmly sung, an acclaimed Posa Don Carlo and Sancho Walton Belshazzar’s Feast, Rossini Stabat impressive role debut.” Pança (Grange Park Mater, Elgar The Dream of Gerontius,

Opera); Roucher Andrea Chénier (Royal Mendelssohn Elijah and Britten War Opera House, Covent Garden); title role Requiem. Recent recordings include Opera Figaro Gets a Divorce and Leporello Don Sullivan The Beauty Stone, Haydn Giovanni (Grand Théâtre de Genève); Creation, Mahler Lieder eines fahrenden Marcello La bohème and Frank in Gesellen and Wolf Eichendorff Lieder. Puccini’s Edgar (Scottish Opera); Leporello , Napoleon in Prokofiev’s War and Peace, Gratiano The Merchant of Venice, title roles Le nozze di Figaro and Valid for use until 1 August 2021 Figaro Gets A Divorce (Welsh National For updated versions please contact Opera); title role Le nozze di Figaro and [email protected] Fritz Kothner Die Meistersinger (both English National Opera); Sancho Panca Don Quichotte (Bregenzer Festspiele); Dulcamara L’elisir d’amore (Theater St Gallen); Donner Das Rheingold, Sandoval Le Duc d’Albe, Paolo Simon Boccanegra and title role Falstaff (all with Sir Mark Elder and the Hallé); and Aeneas with the English Concert at the Bristol Old Vic.

Other operatic appearances include Axel Oxenstierna in Foroni’s Cristina, regina di Svezia and The Dark Fiddler A Village Romeo and Juliet (Wexford Festival); Monterone , Schaunard La bohème, Zaretski Eugene Onegin and Pish Tush Mikado (English National Opera); Papageno Die Zauberflöte, Dr. Falke Die Fledermaus, Ping , Le Dancaïre , Harašta and Buddha Wagner Dream (); Angelotti , Roucher Andrea Chenier, Gratiano The Merchant of

Rayfield Allied Member of the International Artist 9-12 The Stableyard Managers’ Association Broomgrove Road London SW9 9TL, UK Rayfield Allied acts as agent only and can www.rayfieldallied.com accept no responsibility as principal E-mail [email protected] Telephone +44 (0) 20 3 176 5500 Facsimile +44 (0) 700 602 4143