July 1908) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

July 1908) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1908 Volume 26, Number 07 (July 1908) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 26, Number 07 (July 1908)." , (1908). https://digitalcommons.gardner-webb.edu/etude/538 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Sajjvt CECI^l^ ^ . :/gS3Cj/ For all Price 15 cents\\ LOVERS of, $1.50 Per ^(ear MUSIC A ^Theodore Passer,pSS^frPMadelphia, Pennsylvania 417 Harry C. J ev Hammond New Publications Tenor Presser Collection No. 108 March Album Oratorio SUMMER SUBSCRIPTION OFFER. SUMMER ISSUES WORTH WHILE. Robert Schumann Concert In order that everyone interested in music The contents of the July and August issues may become acquainted with The Etude we of The Etude intimate in some slight degree For Four Hands SELECTED WORKS Recital will send any three of the summer issues, from the strength of future issues. Judge for your¬ for the PIANOFORTE June to September, inclusive, for only 25 cents. self of the practical value, human interest, Knox Conservatory This price enables anyone to make a fair trial educational importance and timeliness of these Price, 75 Cents Galesburg, Ill. of our Journal for a nominal price. It is an few- leading features prepared for our Summer This is a volume of miscellaneous pieces selected from all the well-known opus numbers and containing e allowed for ob- excellent opportunity for teachers to get their issues: practically all the popular pieces by this master. It pupils interested in a magazine that furnishes is rather more comprehensive 'nan any Schumann much valuable information and inspiration, to “Lessons with Kullak,” by William H. Album as yet offered, contain’ v not the very easiest Kemittaneea should be made by post-office or express Sherwood. nor the most difficult, bat tr money orders, bank cheek or draft, or registered say nothing of the forty or more pieces of which are test liked and mos generally played. It is Crane Normal Institute of Music letter. United States postage stamps are always music. Urge your pupils and musical acquaint¬ The most noted of American virtuosi contributes an such a volume as the progress re student will be proud received for cash, Money sent in fetters is dan- article upon the great German musical director, which and happy to possess; an a Training school for supervisors of music. Voice culftjt® gerous, and we a 1 not responsible for Its safe ances to take advantage of this offer. We are is the next best thing to a lesson with Kullak. Mr. sight-reading, ear-training, harmony, form, music history arrival. Sherwood also gives valuable information relating to DISCONTINUANCE.—If you wish the making these summer issues the best of the Liszt, Deppe and Moszkowski. chorus-conducting methods, practice teaching. Graduates continued an explicit notice must be year. Pupils reading The Etude during the hold important positions in colleges, city and normal schools. within four months after the paid Presser Collection No. Ill vacation season retain their interest and come Lessons on “Etude” Music. POTSDAM, N. Y. seription expires. Explicit dir Well-Known Fables Set to Music t the time of expiration. back more enthusiastic for their fall studies. Hereafter every piece inserted in The Etude will RENEWAL_No receipt Is sent for -newnls. On be thoroughly and adequately explained by well-known VOCAL or INSTRUMENTAL the wrapper of the next issue writers and teachers. Although this does not pretend Sonata Album be printed the date to which j to approach the value of the services of a teacher “in Verses by Jessica Moore HUGH A. CLARKE, Mus. Doc. laid up, which serves aa the flesh,” our readers will find these notes of greatest Music by Geo. L. Spaulding SOME CHOICE PREMIUMS. importance in teaching The Etude music, and we are FOR THE PIANOFORTE LESSONS BY MAIL SCRIPTS.—All manuscripts Intended for publica¬ sure that they will prove a veritable boon to many. tion should be addressed to THE ETUDE, 1712 We make special mention of several articles Price. 50 Cents In Harmony, Counterpoint and Composition Chestnut Street, and should be written on one side covering almost any number of subscriptions, “From Beethoven to Liszt,” by Amy Fay. Compiled by L. KOHLER Mr. Spaulding’s work is too well known to call for of the sheet only. Contributions on topics con¬ nected with music-teaching and music-study are which would be particularly valuable and at¬ , 75 Cents extended comment. But this particular volume is 4632 Chester Avenue, - Philadelphia, Pa. unique of its kind. It consists of sixteen little pieces solicited. Those that are not available will be re¬ tractive at this season of the year. Subscrip¬ which may be played or sung, each piece taking its turned. subject. She studied with ! title from one of Aisop's Fables, each fable haying ADVERTISING RATES will be sent on application. tions to The Etude are easily obtained; Deppe. Her article is very i been versified and set to an appropriate and original Forms close on 10th of each month for the suc¬ fsn ceeding month’s Issue. sample copies are free, and a sample copy left melody. The pieces all lie in the first or early second “Turning Points in the Careers of Great Mu¬ grade, and display the same freshness of melody and THEODORE PRESSER, is almost always a subscription if the person is attractive musical qualities as are to be found in the PIANO TUNING 1712 Chestnut St., Philadelphia, Pa. at all interested in music. Even on premiums tak¬ sicians,” by H. T. Finck. composer’s well-known “ Tunes and Rhymes for the Entered at Philadelphia P. O. as Second-class Matter. ing a large number of subscriptions there are The noted critic describes the important events in the Playroom.” and other works. This volume is gotten lives of great masters whioh have sent them upward and up in handsome form, very clearly engraved and uni¬ REGULATING and REPAIRING many of our premium workers who have a onward in the art work. form in genera! make-up with the other popular vol¬ umes by this writer. running account, and have already subscrip¬ A Complete Course of Self-instruction tions to their credit so that it means in that for the Professional or Amateur case only an additional few. If interested fur¬ Presser Collection No. 110 CONTENTS ther get our full premium list. New Songs Without Words By J. Cree Fischer For one subscription see special note on post¬ “THE ETUDE” - July, 1908 First Pianoforte FOR THE PIANOFORTE PRICE $1.75 cards. Preparatory to those of Mendelssohn Editorial . For two subscriptions “Six Poems for the A work of great practical value. Arranged systematic¬ The Mid-summer Practice Hour, Piano,” by E. A. MacDowell, a celebrated Instructor RICHARD FERBER ally in lessons and thoroughly illustrated, making a book Ernest von Musselmann instances of exploded musical tales and traditions. This that can be used for self-instruction, correspondence Thoughts for Teachers.E. M. Dunham work by a celebrated American. article is valuable in assisting teachers in correcting Price, 75 Cents courses or text book in schools and conservatories. A For three subscriptions a fountain pen, gold erroneous impressions. valuable lesson is that on the tuning, regulating and repair- Letters From Our Readers. C. CZERNY The Acquisition of a Loose Wrist. point. This volume is of rare educational importance, con¬ i ngof reed organs. We think a work of this kind will A New Series of Theoretical Articles, by sisting of a beautiful set of modem lyrics (fifteen in appeal to teachers and musicians who live in the smaller Lessons with Kullak.TV'. 11. Sherwood For four subscriptions a silk umbrella, either Op. 599 P^e. 50 Cen< number) for the pianoforte, which, in addition to being towns and rural districts rarely visited by professional Variety in Pieces.George Anderson Thomas Tapper. 26 or 28-inch frame. unusually interesting and attractive in themselves, tuners, and then not oftener than once a year. It.will also From Beethoven to Liszt.Amy Fay Mr. Tapper, one of the best-known of-American musi¬ may be used as a preparation for the “Songs Without be a valuable work for a young man or woman who wishes Prize Essay Winners . For five subscriptions a Maelzel Metronome, Words” of Mendelssohn and for other classical works cal educators, will commence a new series of theoretical to add to the income from teaching by keeping pupils The Questionable Advantages of Foreign or a pair of French opera glasses. articles. They are being prepared in such a manner of similar grade and scope. These pieces are all of the pianos in order. Study .A. it. Hausrath that our readers will find them immediately useful and earlier grades, easier than those of Mendelssohn. For nine subscriptions the newest style comprehensible. They are all melodious, expressive and harmonious, Is the Piano a Disadvantage? by Thomas mmmsm well contrasted in rhythm and musical content. The THEO. PRESSER, Philadelphia, Pa. Tapper, C. B.
Recommended publications
  • TOCC0557DIGIBKLT.Pdf
    MORITZ MOSZKOWSKI: ORCHESTRAL MUSIC, VOLUME TWO by Martin Eastick History has not served Moszkowski well. Even before his death in 1925, his star had been on the wane for some years as the evolving ‘Brave New World’ took hold after the Great War in 1918: there was little or no demand for what Moszkowski once had to offer and the musical sensitivities he represented. His name did live on to a limited extent, with the odd bravura piano piece relegated to the status of recital encore, and his piano duets – especially the Spanish Dances – continuing to be favoured in the circles of home music-making. But that was about the limit of his renown until, during the late 1960s, there gradually awoke an interest in nineteenth-century music that had disappeared from the repertoire – and from people’s awareness – and the composers who had been everyday names during their own lifetime, Moszkowski among them. Initially, this ‘Romantic Revival’ was centred mainly on the piano, but it gradually diversified to music in all its forms and continues to this day. Only very recently, though, has attention been given to Moszkowski as a serious composer of orchestral music – with the discovery and performance in 2014 of his early but remarkable ‘lost’ Piano Concerto in B minor, Op. 3, providing an ideal kick-start,1 and the ensuing realisation that here was a composer worthy of serious consideration who had much to offer to today’s listener. In 2019 the status of Moszkowski as an orchestral composer was ramped upwards with the release of the first volume in this Toccata Classics series, featuring his hour-long, four-movement symphonic poem Johanna d’Arc, Op.
    [Show full text]
  • INTERNATIONAL COMMERCIAL ARBITRATION 5.9 Electronic
    INTERNATIONAL COMMERCIAL ARBITRATION 5.9 Electronic Arbitration ii Dispute Settlement N O T E The Course on Dispute Settlement in International Trade, Investment and Intellectual Property consists of forty modules. This module has been prepared by Mr. O. Cachard at the request of the United Nations Conference on Trade and Development (UNCTAD). The views and opinions expressed in this module are those of the author and not necessarily those of the United Nations, WTO, WIPO, ICSID, UNCITRAL or the Advisory Centre on WTO Law. The designations employed and the presentation of the material do not imply an expression of any opinion whatsoever on the part of the United Nations concerning the legal status of any country, territory, city or areas or of its authorities, or concerning the delimitation of its frontiers or boundaries. In quotations from the official documents and the jurisprudence of international organizations and tribunals countries are designated as reported. The United Nations holds copyright to this document. The course is also available in electronic format on the UNCTAD website (www.unctad.org). Copies may be downloaded free of charge on the understanding that they will be used for teaching or study and not for a commercial purpose. Appropriate acknowledgement of the source is requested. UNCTAD/EDM/Misc.232/Add.20 Copyright © United Nations, 2003 All rights reserved 5.9 Electronic Arbitration iii TABLE OF CONTENTS Note ii What you will learn 1 1. Dispute Resolution Methods in Electronic Commerce 3 1.1 Introduction 3 1.2 Advantages of Online Dispute Resolution 6 1.2.1 Cost-effectiveness 6 1.2.2 Effectiveness of Solutions, Recommended or Imposed 7 1.3 Assessing Methods of Online Dispute Resolution 8 1.3.1 Determining Factors 9 1.3.2 Consequences of a Decision 9 1.4 Conclusion…….
    [Show full text]
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • New International Manual of Braille Music Notation by the Braille Music Subcommittee World Blind Union
    1 New International Manual Of Braille Music Notation by The Braille Music Subcommittee World Blind Union Compiled by Bettye Krolick ISBN 90 9009269 2 1996 2 Contents Preface................................................................................ 6 Official Delegates to the Saanen Conference: February 23-29, 1992 .................................................... 8 Compiler’s Notes ............................................................... 9 Part One: General Signs .......................................... 11 Purpose and General Principles ..................................... 11 I. Basic Signs ................................................................... 13 A. Notes and Rests ........................................................ 13 B. Octave Marks ............................................................. 16 II. Clefs .............................................................................. 19 III. Accidentals, Key & Time Signatures ......................... 22 A. Accidentals ................................................................ 22 B. Key & Time Signatures .............................................. 22 IV. Rhythmic Groups ....................................................... 25 V. Chords .......................................................................... 30 A. Intervals ..................................................................... 30 B. In-accords .................................................................. 34 C. Moving-notes ............................................................
    [Show full text]
  • Dictionary of Braille Music Signs by Bettye Krolick
    JBN 0-8444-0 9 C D E F G Digitized by the Internet Archive in 2012 with funding from National Federation of the Blind (NFB) http://archive.org/details/dictionaryofbraiOObett LIBRARY IOWA DEPARTMENT FOR THE BLIND 524 Fourth Street Des Moines, Iowa 50309-2364 Dictionary of Braille Music Signs by Bettye Krolick National Library Service for the Blind and Physically Handicapped Library of Congress Washington, D.C. 20542 1979 MT. PLEASANT HIGH SCHOOL LIBRARY Library of Congress Cataloging in Publication Data Krolick, Bettye. Dictionary of braille music signs. At head of title: National Library Service for the Blind and Physically Handicapped, Library of Congress. Bibliography: p. 182-188 Includes index. 1. Braille music-notation. I. National Library Service for the Blind and Physically Handicapped. II. Title. MT38.K76 78L.24 78-21301 ISBN 0-8444-0277-X . TABLE OF CONTENTS FOREWORD vii PREFACE ix HISTORY OF THE BRAILLE MUSIC CODE ... xi HOW TO LOCATE A DEFINITION xviii DICTIONARY OF SIGNS (A sign that contains two or more cells is listed under its first character.) . 1 •* 1 •• 16 • • •• 3 •• 17 •> 6 •• 17 •• •• 7 •• 17 •• 7 •• 17 •• •• 7 •• 17 •• •• 8 •• 18 •• •• 8 •• 18 •• •• 9 •• 19 •• •• 9 •• 19 • • •• 10 •• 20 • • •• 12 •• 20 •• 14 •• 20 •• •• 14 •• 22 • • •• •• 15 • • 27 •• •• •« •• 15 • • 29 •• • • •« 16 30 •• •• 16 • • 30 30 i: 46 ?: 31 11 47 r. 31 ;: 48 •: 31 i? 58 ?: 31 i; 78 ::' 34 :: 79 a 34 ;: si 35 ;? 86 37 ;: 90 39 ':• 96 40 ;: 102 43 i: 105 45 ;: 113 46 FORMATS FOR BRAILLE MUSIC 122 Format Identification Chart 125 Music in Parallels
    [Show full text]
  • David D. Clark
    Designs for an Internet David D. Clark Dra Version 3.0 of Jan 1, 2017 David D. Clark Designs for an Internet Status is version of the book is a pre-release intended to get feedback and comments from members of the network research community and other interested readers. Readers should assume that the book will receive substantial revision. e chapters on economics, management and meeting the needs of society are preliminary, and comments are particularly solicited on these chapters. Suggestions as to how to improve the descriptions of the various architectures I have discussed are particularly solicited, as are suggestions about additional citations to relevant material. For those with a technical background, note that the appendix contains a further review of relevant architectural work, beyond what is in Chapter 5. I am particularly interesting in learning which parts of the book non-technical readers nd hard to follow. Revision history Version 1.1 rst pre-release May 9 2016. Version 2.0 October 2016. Addition of appendix with further review of related work. Addition of a ”Chapter zero”, which provides an introduction to the Internet for non-technical readers. Substantial revision to several chapters. Version 3.0 Jan 2017 Addition of discussion of Active Nets Still missing–discussion of SDN in management chapter. ii 178 David D. Clark Designs for an Internet A note on the cover e picture I used on the cover is not strictly “architecture”. It is a picture of the Memorial to the Mur- dered Jews of Europe, in Berlin, which I photographed in 2006.
    [Show full text]
  • Evidence Concerning the Function of Nocturnal Call Notes of Migratory Birds
    390 Vol. 64 EVIDENCE CONCERNING THE FUNCTION OF NOCTURNAL CALL NOTES OF MIGRATORY BIRDS By WILLIAM J. HAMILTON III Nearly all birds which migrate at night give characteristic flight calls, but only re- cently has any attempt been made to investigate these quantitatively. Ball (1952) and Vleugel (1954, 1960) relied on the unaided ear to register the notes of migrants aloft. Graber and Cochran (1959, 1960) have successfully recorded call notes with a parabola pointed skyward. A tape recorder automatically monitored a 1% minute portion of each lo-minute interval through the night. The data collected in these studies have been used to interpret the volume of migration, its speciescomposition, and the conditions under which it takes place. The function of night calls has not been a major concern of these workers. There has been no lack of speculation concerning the significance of night calls, however. Some suggest that the calls are not adaptive. Ball ( 1952) supposedthat the dawn surge of call notes of thrushes might be inspired by hunger and light from the oncoming dawn. Hudson (1923) postulated that the calls were an expression of fear in the unfamiliar night, an idea shared by a number of others. But it seemsunlikely that a behavior pat- tern which is so frequent and characteristic is functionless. A frequently suggestedfunc- tion of the night calls is that they serve to hold flocks together. A corollary to this is the suggestion that young benefit from the experience of adults by travelling in their company (Brewster, 1886). Another related idea implies that the calls are mutually stimulating, each call urging flight partners onward (Tyler, 1916; others).
    [Show full text]
  • Music Braille Code, 2015
    MUSIC BRAILLE CODE, 2015 Developed Under the Sponsorship of the BRAILLE AUTHORITY OF NORTH AMERICA Published by The Braille Authority of North America ©2016 by the Braille Authority of North America All rights reserved. This material may be duplicated but not altered or sold. ISBN: 978-0-9859473-6-1 (Print) ISBN: 978-0-9859473-7-8 (Braille) Printed by the American Printing House for the Blind. Copies may be purchased from: American Printing House for the Blind 1839 Frankfort Avenue Louisville, Kentucky 40206-3148 502-895-2405 • 800-223-1839 www.aph.org [email protected] Catalog Number: 7-09651-01 The mission and purpose of The Braille Authority of North America are to assure literacy for tactile readers through the standardization of braille and/or tactile graphics. BANA promotes and facilitates the use, teaching, and production of braille. It publishes rules, interprets, and renders opinions pertaining to braille in all existing codes. It deals with codes now in existence or to be developed in the future, in collaboration with other countries using English braille. In exercising its function and authority, BANA considers the effects of its decisions on other existing braille codes and formats, the ease of production by various methods, and acceptability to readers. For more information and resources, visit www.brailleauthority.org. ii BANA Music Technical Committee, 2015 Lawrence R. Smith, Chairman Karin Auckenthaler Gilbert Busch Karen Gearreald Dan Geminder Beverly McKenney Harvey Miller Tom Ridgeway Other Contributors Christina Davidson, BANA Music Technical Committee Consultant Richard Taesch, BANA Music Technical Committee Consultant Roger Firman, International Consultant Ruth Rozen, BANA Board Liaison iii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................
    [Show full text]
  • Vol. 4. Contents. No.2
    Price, Its Cents. 53.76 Worth of MUSIC in This Number. Vol. 4. No.2. Contents. GENERAL ..........•......................... , ...• page 55 What Care I? (Poetry).-Comical Chords. EDITORIAL ...................................... page 56 Paragraphs.-The People's l\fusical Taste. l\fUSICAL ................ ........................ page 66 Piano Recitals at the St. Louis Fair. l\1ISCELLANEOUS ......... .. ..................... page 58 The Musician to His Love (Poetry) .-Major and Mmor. -Love and Sorrow (Poetry).-New York.-Pleyel. -Anecdote of Beethoven.-Donizetti's Piano -Forte. -l\fnsic and IUedicine.-Answers to Correspondents. -What the PTess Think of lt.-Smith and Jones. MUSIC IN THIS NUMBER. " Careless Elegance," Geo. Schleiffarth ......... page fi7 "Peep o' Day Waltz," Alfred von Rochow ...... page 70 " The Banjo," Claude Melnotte .........•........ page 72 " Greetings of Love" (Duet), Wm. Siebert ...... page 74 ~· 'l'hou'rt Like Unto a Flower," A. Rubinstein ... page 78 "Because 1 Do," J. L. Molloy .................... page 80 "Goldbeck's Harmony" .........................._ page Si KUNKEL BROS., Publishers, ST. LOUIS, MISSOURI. COPYRIGHT, KUNKEL BROS., 1S8l. 50 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1881. "USED BY ALL THE GREAT ARTISTS" THE AJR'll'JI§'Jf§. AR'lfli§'Jf§, LIEBLING, HE~RY F. MILLE~ PI) NOS SHERWOOD, PERRY, PRESTON, ARE PRONOUNCED THE BEST HENRIETTA MAURER, BY '£HE MRS. SHERWOOD, HOFFMAN, Leadin Artists of the Present Time, PEASE, AND ARE USED Bl' THEM CHARLES R. ADAMS, P. BIUGNOLI, IN PUBLIC AND PRIVATE. CLARA LOUlSE KET"LOGG, ANNIE LOUISE CARY, EMMA TIIURSRY, These celebrated instruments arc the favorites, at1d are MARIE ROZE, used in the finest concerts in the principal cities of TOll! KARL, i\mericn. W. II. l<'ESSENDEN, The characteristir.s which have given these Pianos their l\1.
    [Show full text]
  • Trade Review Trade Chat
    Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 122 THE MUSICAL CRITIC AND TRADE REVIEW. December 5th, ABROAD. each of which had a sale of 100,000 copies. The prospects of a large sale of " The Ideal" are very The seven hundred and fifty-fourth concert of TRADE REVIEW promising, as it contains practical exercises and a the " Monday Pops," as they are called, took [On account of the crowded condition of our concise review of rudiments. We find in it many place October 31st at St. James' Hall, London. ohimns we are obliged to transfer some of our hymns and anthems of merit, especially well adapted A new opera, "L'Amicodi Casa," by Signor trade matter to the musical department.] for the purpose of the book. Cortesi, has been successfully produced at Flor- ' The Banner of Victory," a selection of songs, duets, ence, Nov. 1. quartets and choruses for Sunday-schools, prayer PUBLICATIONS. and praise meetings, by A. J. Abbey and M. J. Mun- The Congress of Milan treating of plain chant ARTHUR LAVIONE, 25 RUE ST. JEAN, CANADA. ger. This collection of musical numbers for the will hold an international congress of plain chant- "Estrella." Valse brillante. Composite par Jo- above-named purpose is designed as the legitimate ists (cantofermisti) at Arezzo, in September, 1882. seph Vezina. successor of " White Robes," from the same hands. The aim of this congress will be the restora- " White Robes" became a great favorite and intro- tion of the primitive liturgical chant according to " Mecanisme du Piano " par K.
    [Show full text]
  • Curriculum Vitae Herbert Waltl
    27 Quarterhorse Lane, Rolling Hills Estates, CA 90271 - USA phone: +1 310-378.1078 • email: [email protected] Curriculum Vitae Herbert Waltl Herbert Waltl began his musical education at the age of five, but abandoned a promising career as pianist and composer in favor of producing. He has over 35 years of experience in the recording and entertainment industry. Exploring cutting-edge technology and new pro-AV production methods, Mr. Waltl has been recognized by world leading technology companies as a visionary, creative source and authority in the media industry. He was the first DVD video producer in history (working on projects for Philips Research Laboratories long before it was a recognized format or even had a name, producing both: video and audio) and has been hailed as the “guru” of surround audio productions. Herbert Waltl has also been recognized as producer with numerous awards and nominations including two Grammy awards, TEC Award for “Outstanding Creative Achievement”, DVD Entertainment Award for “Best Music DVD”, Surround Sound Music Award, DVD Audio Excellence Award and Finalist of the Billboard DEMX Awards for “Music DVD of the Year 2005”. Professional Experience Current Grammy Award Nomination 2014: Best Surround Sound Album “OPUS ONE” – Surround Sound Producer Appointed Chair/Director of “The Music Teachers’ Association of California” VOCE program, Southbay (competition/recital program for Vocalists, Orchestral instrumentalists and Chamber Ensembles) Board member of “The Music Teachers’ Association of California”, Southbay 2013 California State Senator and Chairman of the Legislative Joint Committee on the Arts, Ted W. Lieu, awarded Herbert Waltl a Certificate of Recognition In Honor of His Grammy Award Nomination for "Best Surround Sound Album" for OPUS ONE and In Appreciation of his Many Outstanding Contributions to the Recording Arts.
    [Show full text]
  • Songfest 2008 Book of Words
    A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts .
    [Show full text]