3Rd Heritage Forum of Central Europe the CITY Organised By

3rd Heritage FOrum of Central Europe THE CITY Organised by

Partners

rd Honorary patronage of Prof. Małgorzata Omilanowska, 3 Heritage FOrum The Minister of Culture and National Heritage of the Republic of Poland of Central Europe THE CITY With financial support of the Krakow Municipality September 16-18, 2015

Conference media patrons

Permanent media patrons

ESSENTIAL Krakow CIT Y GUIDES Cities as mirrors of civilisation are world of values and a process of their products of many centuries of re-interpretation. Therefore, Kevin stratification which result from a Lynch, a classic of modern "urban- commixture of cultures, ideas and ology," rightly stressed that cities values. Historic cities, in which the consisted not only of their form and past determines contemporary de- the functions which they fulfilled, velopment, are a special part of our but also of the ideas and values that heritage. It is no coincidence that people attach to them. historic cities make up nearly half of the UNESCO World Heritage List. In Central Europe cultural heritage However, the city is not only an idea has never been a given; it requires and a form, but also a function and constant choice. There is no doubt a process. that the flagship representatives of the civilisational legacy of Central The city is above all a living organ- Europe and the essence of its iden- ism. The measure of cities' develop- tity can be found in its metropolises, Introduction ment is the speed and complexity such as Prague, Budapest, Krakow, of the changes which they undergo. or Bratislava. Understanding these Prof. Dr. Jacek Purchla Contemporary urbanisation pro- cities, as well as a broader histori- Director of the International Cultural Centre cesses are characterised by some cal perspective on the changeable unprecedented dynamics and scale functions which they have played in of growth. According to the forecast relation to the European settlement of the World Bank, the number of network and its meandering mean- new city dwellers will have increased ing provides the key to understand- by two billion by 2030. Therefore, ing the essence of Europa Minor. if today 80% of urban populations is typically made up of newcom- Importantly, the 20th century meant ers, then the only thing integrating not only a triumph of nationalisms, city-dwellers is a given place and not and later of totalitarian regimes; it people! This fact provides a special brought the Holocaust and expul- challenge for heritage accumulated sions, but also the end of the dream in a city space, as well as poses ques- of Europa Minor. This was because in tions about the present problems the post-Yalta, bipolar Europe, di- concerning its protection. In addi- vided in 1945 into the East and the tion, cultural heritage is a category West, there was no room for the with its own dynamics. The term centre. As Karl Schlögel has rightly cultural heritage reflects both the observed, "removal of the middle attitude of a given society to the re-positioned erstwhile metropolises

4 3rd Heritage Forum of Central Europe 5 The City to the peripheries.”1 However, the It was then that Central Europe be- 1989, a breakthrough year for Cen- As Emil Brix has noted, “space is being Sovietisation of Budapest, Prague, came a choice, an ideological matter, tral Europe, allowed us to re-read re-discovered in its dynamic social Krakow, Lviv, and other Central Euro- but also a community of experiences. the varied meanings of the city: as a role. Cities are being interpreted as pean cities strongly clashed with the A crucial element to understand- process, as a function, as an idea, as texts, some of which, for instance in tradition of these cities as places with ing its specific identity was a set of a form, and as a mirror of civilisation. the 20th century in Eastern Europe, a special potential for freedom and a metropolises located on both sides Today we can speak not only of a fast belonged to as many as six differ- specific way of building communities. of the Iron Curtain and separated change of the growth model and its ent political regimes and territories. Communism negated the tradition of from one another by many borders: mechanism, but also of the way Bu- Streets and squares – if only owing Central Europe and its civilisational Vienna, Budapest, Prague, Bratislava, dapest, Prague, Krakow, Košice and to frequent changes of their names legacy. There was also no room in it Trieste, Krakow, and Graz... Karl Schlö- other Central European cities after – are understood as dynamic spatial for a city self-government and civil gel aptly commented on this divided 1989 have used the historic moment structures, as well as public spaces: society. In this sense, communism unity by writing, “and yet our borders as an opportunity for a significant museums, monuments, churches. Re- was a civilisational shock which the manifest themselves in something change promoting development. No gional discussions on identity (em- nations of Central Europe rejected. completely different: in what rail- one can deny that this change has ploying such terms as Central Europe, It was no accident that Budapest way stations from Trieste to Krakow been successful, indeed. Importantly, the Danube Region, the Balkans, New in 1956 and Prague in 1968 became have in common, an almost identical this success is a convergence and a Europe) are subject to this dynam- symbols of a struggle for identity. The décor and, of course, the light colour combination of wide-ranging phe- ics, according to which changes in myth of Central Europe triumphed of ochre. We change location, but we nomena, which create a completely function and meaning are possible at especially in the 1970s and 1980s – at are still in the same place; we cross new reality across Central Europe. any moment.”4 And this is due to the that time it meant a clear distinction borders, but the conductor remains What we are also witnessing is an fact, which is worth repeating, that between the Soviet reality and Eu- the same.”2 increasing impetus of urbanisation in Central Europe cultural identity ropean values. Intellectuals on both processes and a fast change not only has never been a given, but rather sides of the Iron Curtain – such as This singular experience of a Central of the idea of the city but also of the requires constant choice. György Konrád, Milan Kundera, Václav European metropolis corroborates rules of playing the city. It must also Havel, Czesław Miłosz, and Erhard the view expressed by Italo Calvino: be added that changes in the city- Busek – employed the Hungarian, “The city [...] does not tell its past, scape are inevitable, but they do Czech or Polish cultural distinctive- but contains it like the lines of a not always have to be a function of ness to manifest fundamental differ- hand, written in the corners of the urbanistic transformations. They al- ences between the Soviet reality and streets, the gratings of the windows, ways are, however, a reflection and a traditional European values. the banisters of the steps, the anten- barometer of social change, as well as nae of the lightning rods, the poles of the condition of the state in which of the flags, every segment marked they take place. A fundamental issue in turn with scratches, indentations, and, at the same time, a controversy scrolls.”3 in city management today is the con- 1 K. Schlögel, Środek leży na wschodzie. Europa w stadium przejściowym. Trans. into Polish A. Kopacki. flict between form and function. Warszawa 2005, p. 21. (Translation into English from the Polish version. The book was originally published 4 E. Brix, Z powrotem w Europie Środkowej. Eseje i szkice, in 1986, Polish translation followed the German 2 Ibidem, p. 40. Kraków 2012, pp.195-196. (Translation into English version: Die Mitte liegt ostwärts: Europa im Übergang, 3 I. Calvino, Invisible Cities. Trans. William Weaver, San from the Polish version.) München 2002). Diego, New York, London, Harcourt Inc. 1974, p.11.

6 3rd Heritage Forum of Central Europe 7 The City The Heritage Forum of Central Europe sions will be held in seven thematic is an international biennial confer- sessions: Cities and their narratives, ence where specialists from Central Heritage in conflict, Who is the city for?, Europe, as well as researchers and ex- Historic Urban Landscape, Creative her- perts on the region from all over the itage cities, Cityspace, and Revitalisa- world, discuss the issues of cultural tion practices in heritage cities. Parallel heritage. The Krakow conference is sessions will be intermingled with the voice of Central Europe on the plenary discussions devoted to the The Heritage Forum philosophy, management, protection, burning issues of cities and heritage: economics, and politics of cultural Central European city – transformation of Central Europe heritage. The 1st Heritage Forum was and globalization, Cultural heritage held in 2011, and the second one, counts for cities, Heritage cities, and The Forum is organised under the auspices with its leading theme The Limits of cooperation in the V4 region and Cities: of the V4 Cultural Heritage Experts’ Working Group, comprising: Heritage was held in 2013. Re-fashioning needed! On revitalisation in cities. During the three days Ms Zuzana Jandlová, Ministry of Culture of the Czech Republic, Prague The main motive of the 3rd Forum of discussions, over 80 participants in 2015 is The City. As Jane Jacobs has representing 16 countries will hold Dr. Tamás Fejérdy, expert of the Gyula Forster National Centre for said, cities are a complex problem speeches. Cultural Heritage Management, Budapest of interacting factors that are inter- Barbara Fogarasi, Gyula Forster National Centre related into an organic whole; at the The Heritage Forum is organized un- for Cultural Heritage Management same time they generate problems of der the auspices of the V4 Cultural climate change, crime, and inequal- Heritage Experts’ Working Group, Dr. Katarína Kosová, Monuments Board of the Slovak Republic, Bratislava ity, and, on the other hand, originate comprising: Ministry of Culture of Ms Lubica Pinčíková, Monuments Board of the Slovak Republic, Bratislava creative solutions as well as hopes the Czech Republic, Prague; Gyula and dreams for many. Analysing Forster National Centre for Cultural Prof. Dr. Jacek Purchla, International Cultural Centre, Krakow the city brings together researchers Heritage Management, Budapest; In- Dr. Jiři Vajčner, Ministry of Culture of the Czech Republic, Prague and practitioners from various disci- ternational Cultural Centre, Krakow; plines: urban planners, economists, Monuments Board of the Slovak Re- Ms Agata Wąsowska-Pawlik, International Cultural Centre, Krakow sociologists, social psychologists, public, Bratislava. anthropologists, historians, and art historians, as well as managers. The Forum will result in a reviewed book with articles based on the pre- Professors Jacek Purchla and Christer sented papers. Publication is planned Gustafsson will give an introduction for 2017. to the conference theme in their keynote lectures. The following discus-

8 3rd Heritage Forum of Central Europe 9 The City were invited to contribute to this volume and ❶ The 1st Heritage Forum of Central Europe Consequently, they illustrate perfectly the address these questions. Their answers do Based on a mandate of the ministers of culture on-going contemporary debate carried out not express steadfast opinions but are rather of the Visegrad Group, the International not only in Europe but also all over the world. an invitation to a critical and multifaceted Cultural Centre is the coordinator of the In this debate, our voice must be present and investigation of contemporary forms of team for cultural heritage. The Forum is the heard! stereotypical thinking. ICC’s initiative, created not only in order to The volume contains over 40 articles from enrich dialogue between neighbours on their both Central Europe and outside the region. ❹ Gregory Ashworth common heritage but also to become an The strong interest in the idea behind the Planowanie dziedzictwa [Heritage planning] important contribution of Central Europe to Forum among scholars from all over the The fourth volume in the Heritology series is the global debate on heritage protection in the world and the range of perspectives (also a collection of the texts of Gregory Ashworth. conditions of rapid change. The 1st Forum of in geographic terms) represented by the The essence of heritage is to use the past for Central Europe was held in 2011. This edition authors of the texts is the best confirmation contemporary purposes, also political and provided an opportunity to sum up the 20 that the Central European Heritage Forum social. Moreover, it is translated indirectly years of transition in the culture and heritage is an important platform for dialogue and a and directly into economic development of the region and to pinpoint common response to the need for enhanced studies in specific locations. Nevertheless, despite problems and new challenges in this field. into the region’s heritage. numerous attempts no single universal model guaranteeing the success of such activity has ❷ The Limits of Heritage ❸ Nations and Stereotypes 25 Years After: been worked out. Furthermore, no windfall The second decade of the 21st century is a New Borders, New Horizons Books gains can be expected from such actions, as time for thinking not only about the system The book is a continuation of the celebrated the profits are always accompanied by costs of heritage protection itself but also on its monograph Stereotypes and Nations, in that must be incurred. Yet one should draw significance and philosophy: What is to be which representatives of different and often conclusions from practice; conclusions that protected? How should relations between the new countries discussed both mutual and stem from careful management and not from present and the past be built? In the context self-perceptions immediately after the fall automatic imitation. of international and local lists of properties, of the Iron Curtain. An awareness of the Gregory Ashworth is one of the most notable sites, and forms of cultural heritage, where changes which have taken place in Poland, scholars dealing with heritage from the point does this heritage end and when does the Central Europe, as well as in other regions of view of economics and management. The present become heritage? The theme of “the of the world in the last quarter of a century, texts gathered in the book follow two main limits of heritage” draws our attention to the inspired the volume’s authors to enquire courses of discussion: searching for paradigms, indefinable and complex relationship between whether our own views regarding ourselves concepts, and definitions of heritage and the past and the future. And rightly so, because and others have been modified. Thus, it was heritology, and attempts at answering the what cultural heritage in fact means is using asked whether recent geopolitical changes, question of how to manage heritage to the past in order to achieve a contemporary together with the processes of globalisation achieve the goals set. aim. The growing importance of cultural and migration, as well as the currently re- heritage also stems from that belief. The focal emerging nationalist and xenophobic attitudes point of deliberations held in the volume is have affected national and ethnic auto- and Central Europe, whose experience and cultural heterostereotypes over the last twenty-five Visit our online bookshop at dilemmas are both unique and universal. years. An international group of researchers www.mck.krakow.pl/bookshop

10 3rd Heritage Forum of Central Europe 11 The City The logo of the Heritage Forum of Central Europe The logo of the Forum is a regular hexagon filled with a mosaic built of primary colours. Their arrangement shifts kaleidoscopically, as can be noticed in various materials accompanying the conference. This inner diversity, with a constant basic shape, symbolises the nature of cultural heritage – its mutability, dynamics, and richness.

12 3rd Heritage Forum of Central Europe 13 The City The activity of the International important European metropolis for Cultural Centre focuses on a mul- two centuries. Ever since its founda- tidimensional approach to cultural tion, the ICC has been located in the heritage. Our interests include: the historic Ravens House (“Pod Kruki”) cumulative legacy of the European on the Main Market Square, a building civilization, Central Europe’s mul- dating back to the Middle Ages. This ticulturalism, memory and identity, focal location in both Krakow and dialogue between cultures and so- Central Europe facilitates the on- cieties, preservation of historic sites going implementation of our mission and artefacts, cultural policies, the to support the cultural integration phenomenon of a historical city, and of Europe and preserve its cultural also the origins and development of heritage. The ICC is active in two modern art. spheres: its messages targeting the local public and tourists, who are the The ICC inaugurated its activity in main audience of our exhibitions and 1991, during the Conference on Secu- educational programmes, but mainly rity and Cooperation in Europe Sym- specialized institutions, researchers, The International posium (CSCE) held in Krakow, when experts, and politicians who create representatives of the countries of strategies for culture and heritage Cultural Centre the East and the West discussed on the international forum. Through the matters of culture and heritage its active membership in a number for the first time since the fall of the of cultural networks, organizations, Iron Curtain. The ICC was the first and associations, the ICC is a Polish new‑generation institution of culture voice in the international debate on formed in Poland on the initiative of the problems of cultural heritage, and the first non‑communist govern- at the same time prepares the local ment, headed by Tadeusz Mazow- public for, and involves them in, this iecki, and Krakow was selected as its debate. The ICC works to accomplish base. The choice was not accidental, its mission in Krakow and for Krakow, as Krakow has been both a laboratory but also across the borders, for Po- of thought about heritage and an land and Central Europe.

14 3rd Heritage Forum of Central Europe 15 The City 27.06–20.09.2015 17.09–18.10.2015 MAKOM. Dani Karavan. Joanna Janowska-Augustyn The Essence of Place Tabula rasa. Prints, drawings. Grand Prix MTG – Kraków 2012 ȞȞExhibition presented in the ICC Gallery (1st floor) ȞȞExhibition presented in Patio Admission is free with the conference badge (1st floor, entrance from the Annexe building) on 16-20.09.2015 Admission is free

In Hebrew Makom means “place”; in Biblical Joanna Janowska-Augustyn, a graduate of the tradition it is also the name of God and Nature Faculty of Graphic Arts at the Academy of Fine as a whole. Dani Karavan redefines landscape Arts in Krakow, graphic designer and philoso- in such a way that “spatial sculpture” becomes pher, a winner of numerous awards for her work, a place, something more than just an object including the Grand Prix at the International that can be observed. With his action, the artist Print Triennial – Krakow 2012. See new exhibitions reveals its essence. Concrete, stone, steel, water, sand, and plants – those are the materials used The prints and drawings on display are charac- at the International for his works. terised by sparsity of form with simultaneous depth of expression. The artist addresses dif- Dani Karavan is a globally celebrated Israeli artist, ficult subjects: death, passing, the inevitability Cultural Centre a pioneer of site-specific projects. The exhibition of the path that all creatures must take – from at the ICC Gallery is the first presentation of his the moment of the beginning of life to the end work in Poland. of existence, as well as solitude that this path entails.

16.09–18.10.2015 series and those of lightbox objects from the Agnieszka Łakoma Moving City series. The artist provokes the viewer Selfmade City to see the city as an artistic form. Her interest in optical effects inspired graphic works which ȞȞExhibition presented in the Gothic Cellars emerge from the surface into the space of the Admission is free imagination. Rhythmical, shaded elements create op-art-like impressions of solids which move In her exhibition Agnieszka Łakoma focuses on and change their position. architectonic forms – both from the eponymous

16 3rd Heritage Forum of Central Europe 17 The City Panoramic Room (5th floor)

Seminar Room (4th floor)

Foyer (1st floor) ICC Gallery coffee break (1st floor) and lunch

Foyer (ground floor) Ravens coffee break PROGRAMME Reception Hall and lunch

Medieval Cellars

Patio (1st floor)

18 3rd Heritage Forum of Central Europe 19 The City September 16 (Wednesday) 15:00-17.00 Registration

17:00 Official opening of the 3rd Heritage Piotr Żuchowski (Secretary of State, Ministry of Culture and National Heritage Forum of Central Europe of the Republic of Poland, General Conservator of Monuments)

17:30 Keynote lectures � Central European city and its identity – � Conservation 3.0 – integrated conservation in the age Jacek Purchla (International Cultural Centre, Poland) of smart specialization strategies – Christer Gustafsson (University of Uppsala, Sweden) simultaneous translation EN/PL

19:00 Cocktail Ȟ Patio, 1st floor

September 17 (Thursday) 8:00-9:00 Registration

9:00-11:00 � Central European city – transformation and globalisation Panelists: Karel Bartak (Czech Republic), Melinda Benkő (Hungary), Rafał ȞȞRavens Hall, ground floor Dutkiewicz (Poland), Slávo Krekovič (Slovakia), chaired by Jacek Purchla (Poland)

11:00-11:30 Coffee break Ȟ Foyer on the ground and 1st floor

11:30-14:00 Parallel sessions Cities and their Heritage in conflict Who is the city for? Historic Urban narratives – identity ȞȞPanoramic Room, 5th floor ȞȞSeminar Room, 4th floor Landsape ȞȞRavens Hall, ground floor ȞȞMedieval Cellars Chaired by Sergiu Nistor Chaired by Miloš Dudáš Chaired by Petr Šimon Chaired by Gábor Sonkoly keynote paper: Central European Cities keynote paper: Historic site – a brittle keynote paper: ECoC as a river flow keynote paper: A critical analysis of the and their stories of shared memories – space for contemporary use and life – transforming the city – Petr Šimon concept of historical urban landscape – Sergiu Nistor (Romania) Miloš Dudáš (Slovakia) (Czech Republic) Gábor Sonkoly (Hungary) Politics of heritage: layers of city, layers Heritage cities – burden or potential Taking over the city? Urban movements Reconstruction of urban gaps in historic of history – Aleksandra Janus (Poland) for development – Mathias Ellger in Poznań – Hanna Grzeszczuk-Brendel centres destroyed by warfare. Practices (Germany) (Poland) from Poland – Aisha Darwish (Italy/Syria), Daniela Esposito (Italy) Historical heritage and the process Urban transformations: Industrial Community matters. On the ways cities in New architecture according to the of creating the “tale of the city” – heritage sites and urban planning – Slovakia use intangible cultural heritage – principles of historic urban landscape – Anna Karwińska (Poland) Heike Oevermann (Germany) Juraj Hamar, Ľubica Voľanská (Slovakia) Ádám Arnóth (Hungary)

20 3rd Heritage Forum of Central Europe 21 The City Reshaped and new narratives in/of old Wilanów – heritage and ... development? Grassroots activism and memory practices Soundscape of the city as its heritage – European cities – Krzysztof Kowalski – Piotr Szpanowski (Poland) in a Slovak city – Alexandra Bitušíková Jadwiga Zimpel (Poland) (Poland) (Slovakia) In search of a common European identity: Decommunisation or decolonisation? Living in a nutshell cultural public space. The Historic Urban Landscape approach Croatian heritage cities and their Clash of symbols and narratives in In search of cultural and heritage practices in use – post-2011 public statues on the narratives – Nataša Urošević (Croatia) Ukraine’s capital – Mykola Riabchuk and policies of small town communities in territory of World Heritage sites in Budapest (Ukraine) the southern Wielkopolska Region of Poland – Melinda Harlov (Hungary) – Marcin Poprawski (Poland) Concluding discussion 14:00-15:00 Lunch Ȟ Foyer on the ground and 1st floor / Patio

15:00-17:00 Parallel sessions Cities and their Heritage in conflict Who is the city for? narratives – identity ȞȞPanoramic Room, 5th floor ȞȞSeminar Room, 4th floor ȞȞRavens Hall, ground floor Chaired by Sergiu Nistor Chaired by Miloš Dudáš Chaired by Petr Šimon The Ohrenstein House and the cultural A contested past – on the disappearance Playing the heritage game: modern landscape of Krakow and Kazimierz – of the oriental city on the Balkan burghers at the heritage crossroads. Wojciech Szymański (Poland) Peninsula – Tobias Strahl (Germany/ Results of a nation-wide qualitative survey Nigeria) on heritage perspective in Poland – Anna Kozioł (Poland) Post communist heritage narratives in The narrative and tourist behaviour Skopje. City as a monument – Bucharest and Berlin – Laura Demeter in the difficult heritage site – Anna Kurpiel (Poland) (Italy) Magdalena Banaszkiewcz, Anna Duda (Poland) Places and time in urban narratives: Wschowa as an example of unclearly The Muslim Question in a Polish City: a case of Kaunas City – Rasa Račiūnaitė- defined heritage – Beata Turek (Poland) A Case Study on Rajkowska’s "Minaret" Paužuolienė (Lithuania) (2009-2011) – Elçin Maraşlı (Poland) Visual symbols of new identity in the Ukrainian urban environment during the interwar period – Svitlana Linda, Olga Mykhaylyshyn (Ukraine) Concluding discussion Concluding discussion Concluding discussion

18:00 Dinner Ȟ Pauza In Garden, Rajska Street 12 (entrance from Szujskiego Street) see map on p. 28

22 3rd Heritage Forum of Central Europe 23 The City September 18 (Friday) 9:30-11:30 Parallel sessions Cities and their Creative Cityspace Revitalisation practices narratives – utopia heritage cities ȞȞMedieval Cellars in heritage cities ȞȞRavens Hall, ground floor ȞȞPanoramic Room, 5th floor ȞȞSeminar Room, 4th floor Chaired by Łukasz Galusek Chaired by Joanna Sanetra-Szeliga Chaired by Michał Wiśniewski Chaired by Kristína Markušová keynote paper: Cities live through keynote paper: Challenges of creative keynote paper: Krakow and keynote paper: Which heritage city needs stories – Łukasz Galusek (Poland) heritage cities – Joanna Sanetra- transformation of the Polish cityscape revitalisation? – Kristína Markušová Szeliga (Poland) during the 20th century – (Slovakia) Michał Wiśniewski (Poland) Mythological narratives of Banská Is urban heritage important to artists? – Space as the key factor in understanding First military, then green, now what? Stiavnica (Selmecbánya, Schemnitz) – Monika Murzyn-Kupisz, heritage cities – Zofia Bednarowska Comparative analysis of the transformation Csaba Kiss (Hungary/Poland) Jarosław Działek (Poland) (Poland) of green zones marking former city fortifications in Poland and the Netherlands – Beata Labuhn (Switzerland/The Netherlands) Chernivtsi – the utopia of borderland – Inductive and deductive components of Cities and urban landscapes: typological New life for an old town? Revitalisation Iwona Boruszkowska, Urszula Pieczek cultural heritage as creative potential for aspects of their mutual narratives – of historic centres. Case studies on towns (Poland) an integrated development of places – Eva Lovra (Serbia/Hungary) of the Silesia region in Poland – Daniela Tomšič (Slovenia) Monika Adamska (Poland) The city of paper, the city of nowhere? Places of culture – elements of resurgent The archetypes of landscape and cities – Historical centres of small Belarusian towns In search of the modern triestine identity Polish cities – Andrzej Majer (Poland) Pratyush Shankar (Germany/India) during the “Dažynki” harvest festival: – Natalia Chwaja (Poland) revitalization under post-soviet identity – Stsiapan Stureika (Belarus) Minsk’s text: between utopia and Zamek Cieszyn – designing possibilities – Risk mapping in the World Heritage city Non-places in the centre of the historic De Chirico’s art – Heloisa Rojas Gomez Lubomira Trojan (Poland) of Budapest: methodology and potential Main Town in Gdańsk? – design thinking (Italy) impacts – Miklós Okrutay (Hungary) as a method of solving problems in cities – Joanna Szechlicka (Poland)

11:30-12:00 Coffee break Ȟ Foyer on the ground and 1st floor

12:00-14:00 Parallel sessions Cities and their Creative Cityspace Revitalisation practices narratives – memory heritage cities ȞȞMedieval Cellars in heritage cities ȞȞRavens Hall, ground floor ȞȞPanoramic Room, 5th floor ȞȞSeminar Room, 4th floor

Chaired by Żanna Komar Chaired by Joanna Sanetra-Szeliga Chaired by Michał Wiśniewski Chaired by Katarzyna Jagodzińska

keynote paper: Representations Art as an interaction between urban Ebenezer Howard’s conception keynote paper: Museums in converted of memory. East-Central European space and city residents. Creative of the Garden-City from the perspective of historic buildings and the struggle for experience in the 20th century – transformation of Krakow districts: sustainable development. Theory and the social change – Katarzyna Jagodzińska Żanna Komar (Poland) Kazimierz, Podgórze, and Nowa Huta – present day – Helena Postawka (Poland) (Poland) Ewa Popiel-Rzucidło (Poland)

24 3rd Heritage Forum of Central Europe 25 The City Forgotten heritage Łódź as a creative city: cultural industries The role of tourism in the conservation Metamorphoses of Katowice – or just abandoned buildings? – and the process of urban revival – and use of the historic urban landscape Aneta Borowik (Poland) Małgorzata Nieszczerzewska (Poland) Julia Sowińska-Heim (Poland) in small towns in northern Poland – Łukasz Musiaka (Poland)

Heritage as a burden. Krakovian Ljubljana – My City! – Andreja Rihter Deregulation or hyper-regulation in the Architectural adaptability of revitalized culture of memory in contemporary art, (Slovenia) plan of the cultural park of Krakow – post-industrial and post-military areas and literature, and spatial practices – Bogusław Podhalański (Poland) buildings of Poznań – Bogusz Modrzewski Izabela Suchojad (Poland) (Poland)

Narration in the process of Wrocław’s Socialist heritage and the rise of actual Gardens and parks in the urban and Integrating values in the revitalisation of urban space transformation – creative class – Jacek Gądecki (Poland) landscape development of cities of Central cultural heritage: the Nivegy-valley Parish Justyna Rubaszek (Poland) and Eastern Europe, in the 18th and 19th House Pilot Project – Barbara Fogarasi centuries, the example of Lviv and Lublin – (Hungary) Renata Chyżewska (Poland)

Concluding discussion Concluding discussion Concluding discussion Concluding discussion

14:00-15:00 Lunch Ȟ Foyer on the ground and 1st floor / Patio

15:00-16:30 � Cultural heritage counts for cities – Presentation by Katarzyna Jagodzińska and Joanna Sanetra-Szeliga (Poland). plenary session based on Cultural Heritage Counts for Europe report Discussion with Edwin Bendyk (Poland) and Kate Pugh (United Kingdom), ȞȞRavens Hall, ground floor chaired by Jacek Purchla (Poland)

16:30-17:30 � Heritage cities and cooperation in the V4 region – concluding debate with Barbara Fogarasi (Hungary), Petr Janyška (Czech Republic), ȞȞRavens Hall, ground floor Kristína Markušová (Slovakia), chaired by Jacek Purchla (Poland)

17:30-18.00 Coffee break Ȟ Foyer on the ground and 1st floor

18:00-19.30 � Cities: Re-fashioning needed! On revitalisation in cities Panelists: Marek Adamov (Slovakia), Tamás Fejérdy (Hungary), ȞȞRavens Hall, ground floor simultaneous translation EN/PL Jarosław Ogrodowski (Poland), Petr Šimon (Czech Republic), chaired by Agata Wąsowska-Pawlik (Poland)

September 19 (Saturday) 10:00-14:00 Communist heritage – sightseeing of Nowa Huta (for registered participants)

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W Wyło Kobierzyńsk Grzybk i Rzemieślnicza Norymbersk a a Pychowick Jacek Purchla Publications: Jacek Purchla The creative tension that had one of ȞȞ1. Jacek Purchla, Jak powstał nowoczesny its sources in the conflicts that racked International Cultural Kraków [How modern Krakow originated], Central European the Habsburg Monarchy generated Centre, Krakow Wydawnictwo Literackie, Kraków 1979 (2nd city and its identity the new identity of Kakania’s towns. ed. 1990). This is why tradition and modernisa- Poland ȞȞ2. Jacek Purchla, Matecznik Polski. In spite of its economic backward- tion, national identity and urbanisa- Pozaekonomiczne czynniki rozwoju Krakowa ness, Central Europe at the turn of tion were crucial issues in the expan- Jacek Purchla was born in Krakow in 1954. He w okresie autonomii galicyjskiej [The cradle of the 20th century was a hothouse of sion of Central Europe’s largest cities graduated in economics and art history. He is Poland. Non-economic factors of Krakow’s creativity. The names Franz Kafka, in this period. a full professor of humanities and a member of development in the period of Galician Robert Musil and Josef Roth not the Polish Academy of Arts and Sciences. He is autonomy], Znak, Kraków 1990 (2nd ed. 1992). only symbolise contradiction-rid- also head of the Department of Economic and ȞȞ3. Jacek Purchla, Krakau unter österreichischer den Central Europe’s contribution to Social History and the UNESCO Chair for Heritage Herrschaft 1846-1918. Faktoren seiner universal civilisation, but also show and Urban Studies at the Cracow University of Entwicklung, Böhlau, Vienna/Cologne/Weimar that at a very early stage this region Economics, as well as head of the Centre of Eu- 1993. harboured a premonition of the crisis ropean Heritage, Institute of European Studies ȞȞ4. Jacek Purchla, Cracow in the European Core, awaiting the continent. at the Jagiellonian University. International Cultural Centre, Kraków 2000 (2nd ed. 2008). His research areas are urban development, social ȞȞ5. Jacek Purchla, Heritage and Transformation, history, and art history of the 19th and 20th Kraków 2005. centuries, as well as theory and protection of cultural heritage. He is the author of over 400 [email protected] academic works, including a number of books. From 1990 to 1991, he was the deputy mayor of Krakow. He is the founder and director of the International Cultural Centre in Krakow since its inception in 1991. He is a member of many organizations and associations, including the Europa Nostra Council in The Hague and the Art Studies Committee at the Polish Academy of Sciences, an expert of the European Heritage Label, a member of the Advisory Council of the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures. Since 2000, he has chaired the Monument Preservation Council at the Ministry of Culture and National Heritage. In 2015 he was nominated president of the Polish National Commission for UNESCO.

30 3rd Heritage Forum of Central Europe 31 The City Christer Gustafsson Publications: Christer Gustafsson inter-disciplinary platform which ȞȞ1. Christer Gustafsson and J. Rosvall, introduces a new application-ori- Sustainable Management “Development of management skills within Conservation 3.0 – ented theoretical model, provid- of Cultural Heritage cultural heritage administrations,” in: Cultural heritage ing adequate approaches to solv- Management, Uppsala Classifying Monuments Open to the Public, M. policies in the age of ing boundary-spanning challenges University Quagliuolo, pp. 28-47. Roma 2008. smart specialization for regional growth, strengthening ȞȞ2. Christer Gustafsson, THE HALLAND MODEL. strategies competitiveness, sustainability, and Sweden A Trading Zone for Building Conservation in development of integrated conser- Concert with Labour Market Policy and the Today, urban and regional systems, vation. Full Professor in Conservation at Uppsala Uni- Construction Industry, Aiming at Regional including their tangible and intan- versity, Sweden; professor (hon.) at Nanjing Sustainable Development. Chalmers tekniska gible elements, all over the world Conservation 3.0 is based on an University in China; faculty member at IPMI högskola. Ny serie nr: 2990. Göteborg 2009. are facing climate change, social ex- integrated conservation approach International Business School, Jakarta, Indone- ȞȞ3. Christer Gustafsson, “Modelling clusion, and global competition. In understood as the dynamic and sus- sia; Member of the Scientific Board of Cultural experiences from regional development and Europe, the political answer to this is tainable management of change in Industries and Complexity Observatory at IULM learning districts using built cultural heritage smart specialization strategies aimed order to reduce the rate of decay, University, Milan, Italy. and collaborative management research,” at innovation-driven development, in direct interface with citizens and in: Learning Districts – Patrimonio culturale, strengthening of each region’s com- respecting historic dimensions, with He is also: Secretary-General for ICOMOS Inter- conoscenza e sviluppo locale, ed. F. Putignano, pp. petitive advantage, and increasing a humanistic attitude to heritage, national Scientific Committee on Economics of 79–101. Milano 2009. the system’s assets and the capability especially intangible multi-factor Conservation; Member of the European Union’s ȞȞ4. Christer Gustafsson and J. Rosvall, “The to learn. quality dimensions. In this system- panel of experts for the European Heritage La- Triple Helix and Integrated Conservation: The wide perspective, each participating bel (nominated by the European Commission); Halland Model,” in: IN SEARCH OF NEW EUROPE: Modern policies for preservation of actor, separate sector, or industry has Member of the European Commission’s expert Creative Cooperation and Innovation Networks built cultural heritage have often its own objectives as well as its own panel for a European Agenda for research of for a Sustainable Future, eds. M. Zeleny and L.F. been focused on protection through resources, needs, policies, networks, cultural heritage and innovation; Member of Girard, Naples 2010. a legal framework and/or informa- and regulations, but also its own vo- expert panel of STINT Swedish Foundation for In- ȞȞ5. Christer Gustafsson, “Eldsjälar tion about the historic values to vari- cabulary and mindset. The study of ternational Cooperation in Research and Higher och universitetens mylla,” in: Svenska ous actors. This paper presents new these manifold relations and judge- Education; and Member of the Board of Directors kunskapssystemet – en möjlighet till framtida models for cultural heritage policies ments involved – between differ- for Cultural Heritage without Borders. export? ed. A. Göthenberg, STINT R 11:02., in times of smart specialization strat- ent systems of policies and values Stockholm 2011. egies. How can investments in built – is connected to meta-modelling cultural heritage be understood as discourses dealing with sustainable an infrastructure for environmen- development. A generic system-wide tal, social, and economic sustainable model is developed where the trad- development? How can the relations ing zone is defined as an active arena between cultural heritage, creativ- or field of force corresponding to the ity, and innovation be clarified? The actors’ various policies, values, facts, answer demands a cross-sectorial, and resources. problem-oriented, and trans-and-

32 3rd Heritage Forum of Central Europe 33 The City The specific relations in Central Eu- the economic aspect of this resource rope between cultural heritage on before and after 1989. They consti- the one hand and development and tute the terms of trade. In addition, Central economy on the other stem from it is necessary to remember that in a particular historical experience the 20th century, unlike in the West, European city in this part of the continent. They in Central and Eastern Europe po- were brought about by the lesson litical borders changed much faster learned from the 20th century. A than cultural borders. It is for this – transformation combination of successive factors reason that among the characteristic must not be ignored in an analysis phenomena shaping the reality of and globalisation of the complex and specific situa- Central and Eastern Europe we must tion of cultural heritage in Europe include such factors as the presence Panel discussion east of the Elbe: the long duration of of history; collective memories; re- feudalism, belated nation-forming turn of history; politics of memory Panelists: Karel Bartak (Czech Republic), Melinda Benkő (Hungary), processes and the formation of new and identity; cultural differentiation; Rafał Dutkiewicz (Poland), Slávo Krekovič (Slovakia) states only after World War I, the new mapping of Europe; proximity; Chaired by Jacek Purchla (Poland) Bolshevik Revolution in Russia, the borders; migration issues; conflict- Holocaust, the scale of destruction ing narratives; and the meaning of and plunder of cultural goods dur- dissonant heritage. ing World War II, then the post-war redrawing of state borders and ethnic Does all this mean that there has also cleansings on a great scale, and finally been a change in our thinking on her- the nearly half-a-century-long "les- itage and heritage protection? After son in communism," as well as the all, Central Europe has had a unique transformation processes following experience, which is derived not only the year 1989. These and other phe- from the nature of our road to in- nomena and processes have signifi- dependence and modernity in the cantly determined and continue to 19th century, the tragedy of Central determine also the relation between Europe in the 20th century, and the development, cultural heritage and lesson of communism, but also from the fact of the sudden change that occurred after 1989, the speed and complexity of which is now usually expressed in the fashionable word “transformation”.

34 3rd Heritage Forum of Central Europe 35 The City Karel Bartak Melinda Benkő workshops and conferences in Budapest (2010 Urban Renewal, 2012 Renouvellement urbaine, European Commission Department of Urban 2015 Design and Management for Safer Public Planning and Design, Spaces, 2015 Housing Estates in V4, 2015 Fac- Czech Republic Budapest University of ing Post-war Urban Heritage In Central-Eastern Technology and Economics Europe). Her full publication list is on the web: Karel Bartak is currently the Head the Creative https://www.mtmt.hu/. Europe Coordination Unit within the Direc- Hungary torate General for Education and Culture at Publications: the European Commission, which includes the Melinda Benkő holds a PhD in architecture and ȞȞ1. Melinda Benkő, “The ‘Closed / Open’ European Capitals of Culture programme. He is an urban designer, associate professor and Duality in Contemporary Urban Form,” in: Open started his career with a Czech news agency (since 2012) Head of the Department of Urban House International, 35 (3) (2010), pp. 47-55. and has worked in various media, also work- Planning and Design at Budapest University of ȞȞ2. Melinda Benkő, “Evaluating Factors in ing as a correspondent in Moscow and Paris. Technology and Economics (BME) (http://urb. the Image of Housing Estates,” in: Periodica He then became Chief Correspondent of the bme.hu/). Politechnica Architecture, 43 (1) (2012), pp. 33-36. Czech news agency in Brussels, where he was ȞȞ3. Melinda Benkő, “Budapest Urban Blocks also a correspondent for various other media. She graduated from BME in 1994, but thanks and their Sustainability,” in: Arkitektúra & He joined the European Commission in 2006 to international scholarships, she also stud- Urbanizmus, XLV (3-4) (2011), pp. 188-201. as Head of Unit for Youth Policy within the Di- ied in Marseille and Milan. Benkő has twice ȞȞ4. Melinda Benkő, “Budapest et le Danube rectorate General for Education and Culture. earned the three-year Bolyai research grant of – un point de vue budapestois en 2011,” in: Öt Between 2007-2013 he was in charge of the the Hungarian Academy of Sciences (2009 and kontinens. Az Új- és Jelenkori Egyetemes Történeti communication department. 2013). Her research, teaching, and professional Tanszék közleményei, ed. István Majoros, activities focus on contemporary urban design Budapest 2011 (2) (2012), pp. 49-60. Publications: in relation to sustainability and urban heritage ȞȞ5. Melinda Benkő, “Context-Sensitive ȞȞ1.Karel Bartak, Kterak jsme vstupovali – book – for example, the future of large prefabricated Approach to Architecture,” in: Építés- about the accession of the Czech Republic to housing estates, energy efficient renewal of Építészettudomány, 40 (3-4) (2012), pp. 375-399. the EU, Paseka, Prague 2004. historic city centres, different aspects of public ȞȞ2. Hundreds of reports and articles in various space design and use, etc. As the designer of [email protected] media Archimago Ltd., she has received several awards for architectural and urban competition projects [email protected] (2006 Heart of Budapest, 2007 North-South Axis of Pécs, 2009 City Centre of Kecskemét, 2010 Water Centre of Újpest). Benkő participates in international scientific and educational networks (such as knowledge ambassador for the Urbact Re-Block project, Hungarian member of the COSTTU1203 Action, visiting professor in architectural schools), as well as organizes

36 3rd Heritage Forum of Central Europe 37 The City Rafał Dutkiewicz Rafał Dutkiewicz was awarded the Officer’s Slávo Krekovič Editor-in-chief of the 3/4 cultural magazine, Cross of the Order Polonia Restituta (2009) for director of the NEXT Festival for contemporary Mayor of Wrocław outstanding contribution to the development Faculty of Fine Arts, Brno music, co-founder and curator of the Multiplace of regional governments and for the achieve- University of Technology network culture festival, and organizer of various Poland ments in his professional and social work. He (Czech Republic), cultural cultural projects with a focus on experimental was voted “Man of the Year” in the Lower Silesia centre A4 in Bratislava music, new media art and cultural policy. Rafał Dutkiewicz was born in Mikstat, Poland, in Region by Forbes (2006). He received a diploma 1959. He graduated from Faculty of Mathemat- from the Minister of Foreign Affairs for “promot- Slovakia Co-founder of the independent cultural centre ics at the Wrocław University of Technology in ing Poland abroad” (2006), a distinction of the A4 in Bratislava (since 2004), the Anténa net- 1982. In 1986 he obtained a PhD in Mathemati- Kingdom of Belgium: Belgian Officer – Order of Cultural manager and activist, musicologist, work of independent cultural centres in Slovakia, cal Logic at the Catholic University in Lublin. the Crown for service to the country (2006), and curator and musician based in Bratislava. Holds and the KU.BA / Kultúrna Bratislava platform of In 1991 he received a scholarship to Freiberg the Order of the Star of Italian Solidarity (2008). a PhD degree in musicology, assistant professor cultural NGOs and activists in Bratislava, estab- University, Germany. In 2010, 2011, 2012, and 2013 Newsweek awarded and head of the Multimedia Studio at the Faculty lished in 2015 with the aim to change the cultural him Best Mayor in Poland. Academia Europea, of Fine Arts of Brno University of Technology policy of the city. Member of the working group In 2002 he was elected as Mayor of Wrocław. an organization which associates 2,500 profes- (Czech Republic). preparing a cultural development strategy for He was re-elected three times – in 2006 with sors including 50 Nobel Prize winners awarded the city of Bratislava and expert consultant for 85% and in 2010 with 73% of the votes, and Rafał Dutkiewicz with honorary membership. In the regional cultural development strategy of in 2014. 2013, Rafał Dutkiewicz was awarded the Legion the Bratislava region. of Honour – the highest medal awarded by the French State to outstanding personalities. Rafał Dutkiewicz speaks German, English, and Russian.

38 3rd Heritage Forum of Central Europe 39 The City jacek purchla

International Cultural Centre, Krakow Poland see biographical note on p. 40

40 3rd Heritage Forum of Central Europe 41 The City Cultural Heritage Counts for Europe Heritage Counts for Europe consortium was an international research proj- undertook the task of identifying ect whose aim was to collect and existing research projects on the im- Cultural heritage critically analyse quantitative and pact of heritage conducted in mem- qualitative data that would verify ber states of the European Union, and counts for cities the thesis on the positive impact of therefore verifying the initial thesis cultural heritage on economic and on the crucial role heritage plays in plenary session social spheres, as well as on culture the socio-economic development and the natural environment. The of Europe. authors of the project assumed that based on Cultural cultural heritage should be regarded Speakers invited to the panel will dis- in terms of a development resource, cuss the impact of heritage in cities Heritage Counts for rather than a domain requiring finan- in terms of economy, society, culture, cial investment and protective mea- and the environment as well as chal- Europe report sures. It seems that it is commonly lenges and opportunities arising from accepted that cultural heritage plays the evaluation of the impact. In addi- Presentation by Katarzyna Jagodzińska and Joanna Sanetra-Szeliga (Poland). a major role in all spheres of life and tion, potential policy measures that Discussion with Edwin Bendyk (Poland) and Kate Pugh (United Kingdom), on all administrative levels – local, could bring the problem of heritage chaired by Jacek Purchla (Poland) regional, national, and European. to the fore will be addressed. Cultural However, very often, there are no heritage matters in cities, but how do “proofs” or arguments based on the we know it and who benefits from evaluation of actual projects that cultural heritage? These issues will could substantiate these claims. Re- constitute the central questions of search teams working for the Cultural the discussion.

42 3rd Heritage Forum of Central Europe 43 The City Katarzyna Jagodzińska Making of National Museums and Identity Politics Joanna Sanetra-Szeliga Publications: in Taipei (2011), and the 33rd Congress of CIHA ȞȞ1. Joanna Sanetra-Szeliga, “The Impact of International Cultural in Nuremberg (2012). International Cultural the European Capital of Culture and European Centre, Krakow / Institute Centre, Krakow Cultural Month Titles on Kraków – Preliminary of European Studies, She popularizes museums in her blog: Analysis of the Economic Aspects,” in: Culture Poland Jagiellonian University www.museumsadvisor.com. and the City. Future Urban Research in Europe 3, Frank Eckardt and Louise Nyström, eds., Poland Publications: Joanna Sanetra-Szeliga is a researcher, lecturer, Karlskrona 2007, pp. 441-466. ȞȞ1. Katarzyna Jagodzińska, “Muzealna author, and editor of publications on the role ȞȞ2. Robert Kusek and Joanna Sanetra-Szeliga, PhD in Art History (2012). Graduate of art history nadprodukcja?” Muzealnictwo, 52 (2011), pp. of culture in development, European Capitals eds., Does Poland Lie on the Mediterranean?, (MA) and journalism and communication (BA, 215-225. of Culture, EU cultural policy, and intercultural Kraków 2012. MA), the Jagiellonian University, Krakow. Her ȞȞ2. Katarzyna Jagodzińska, Czas muzeów dialogue. She is the Chief Specialist at the Re- ȞȞ3. Joanna Sanetra-Szeliga, “Kultura a rozwój academic research deals with museum stud- w Europie Środkowej. Muzea i centra sztuki search Institute for European Heritage at the miasta” [Culture in a city development], in: ies, especially in the region of Central Europe, współczesnej (1989–2014) [Museum Age International Cultural Centre. She is a graduate Kultura a rozwój, eds. J. Hausner, A. Karwińska cultural heritage, and communication in culture. in Central Europe. Museums and centres of the Cracow University of Economics, where and J. Purchla, Kraków 2013, pp. 413-434. She works at the International Cultural Centre in of contemporary art (1989–2014)], she specialised in European Studies, and has also ȞȞ4. Joanna Sanetra-Szeliga, “Creativity as Part Krakow and the Institute of European Studies, Międzynarodowe Centrum Kultury, Kraków been a PhD student at the Cracow University of of the European Capital of Culture Strategies – the Jagiellonian University. 2014. Economics. In 2002-2005, she worked at the the Case of Poland,” in: The Idea of Creative City. ȞȞ3. Katarzyna Jagodzińska, J. Purchla, J. Ministry of Culture of the Republic of Poland as The Urban Policy Debate. Cracow, 17-18 October She is the author of a book as well as of a number Sanetra‑Szeliga, C. Thys, A. Vandesande, K. head of the European Affairs Unit and as a Polish 2013. Proceedings, eds. Dobrosława Wiktor- of articles in the field of museums and art his- Van Balen and S. Van der Auwera, Cultural coordinator of the Culture 2000 community Mach and Piotr Radwański, Kocani 2014, pp. tory in academic and specialist magazines and Heritage Counts for Europe, Kraków on behalf of programme. She is a coordinator of the Anna 94-105. volumes, and local editor of RIHA Journal – an Consortium, 2015. Lindh Euro-Mediterranean Foundation for the ȞȞ5. K. Jagodzińska, J. Purchla, Joanna Sanetra- international academic journal of art history; she ȞȞ4. Katarzyna Jagodzińska, “Expansion of Dialogue between Cultures in Poland. Szeliga, C. Thys, A. Vandesande, K. Van Balen is a member of ICOM, AICA, and the Association museums in Central Europe?” RIHA Journal, 120 and S. Van der Auwera, Cultural Heritage Counts of Art Historians in Poland. (3 June 2015), on-line www.riha-journal.org. for Europe, Kraków on behalf of Consortium, ȞȞ5. Katarzyna Jagodzińska, “Paradoxes of 2015. Fellow of the Corbridge Trust at the University Contemporaneity in Museums of Art: The of Cambridge in Spring 2013 and fellow at the Temporal Limits,” in: The Limits of Heritage?, eds. University of Melbourne (Australian Institute K. Jagodzińska and J. Purchla, Kraków 2015. of Art History) granted by the Group of Eight in autumn and winter 2014/2015. She has delivered [email protected] papers and presentations at numerous academic conferences worldwide, including the 32nd Congress of CIHA in Melbourne (2008), the 22nd ICOM General Conference in Shanghai (2010), The

44 3rd Heritage Forum of Central Europe 45 The City Edwin Bendyk 2009 and Bunt Sieci [The Net’s Rebellion], Poli- Kate Pugh The Heritage Alliance developed from a net- tyka 2012. In 2014, together with Jacek Santorski working and information sharing device to Future City Lab, and Witold Orłowski, he published the book Jak The Heritage Alliance a leading advocate for heritage, its value to University of Warsaw/ żyć w świecie, który oszalał [How to live in a world contemporary society and the vital role of the “Polityka” weekly that has gone mad]. He heads the Future City United Kingdom independent heritage movement in owning, Lab within DELab at the University of Warsaw. managing and caring for the vast majority of our Poland He teaches at Collegium Civitas, where he heads Kate Pugh has been Chief Executive of The historic environment. It lobbies on behalf of its the Futures Studies Centre. He also teaches a Heritage Alliance since 2003, a year after it was 98 members in four main policy areas – plan- Journalist and writer; works for the “Polityka” seminar on the new media at the Centre for established as the first and only umbrella body ning, funding, inclusion and learning, and rural weekly. Author of four books: Zatruta studnia. Social Studies by the Polish Academy of Sciences. for the independent heritage bodies in Eng- heritage – through parliament, the civil service, Rzecz o władzy i wolności [The poisoned well. On Together with the National Centre for Culture he land. With a background in History and Eco- the media, and all available channels. power and freedom], W.A.B. 2002, Antymatrix. runs a research project Culture and Development. nomics from Oxford University, she has always Człowiek w labiryncie sieci [Anti-matrix. Humans Member of the Polish PEN Club. campaigned for the financial resilience of our Most recently, based on close experience of in the labyrinth of the net], W.A.B 2004, Miłość, heritage. After working for the Victorian Society, the annual audit of the historic environment in wojna, rewolucja. Szkice na czas kryzysu [Love, war, His research is focused on how developments in one of the national amenity societies, she went England, Heritage Counts, The Heritage Alliance revolution. Essays for the time of crisis], W.A.B science and technology impact our culture and on to produce reports as a Research Fellow for acted as an associate partner in the EU funded social life, our politics and the economy. SAVE Britain’s Heritage. A post in the press office project led by Europa Nostra, Cultural Heritage at the Royal Institute of British Architects was Counts for Europe, published in June 2015. followed by the Government-sponsored Mon- tagu Committee Report, examining how new [email protected] uses revitalise redundant and under-occupied buildings, and then at the International Council on Monuments and Sites UK, which advises the government on World Heritage Sites.

46 3rd Heritage Forum of Central Europe 47 The City jacek purchla

International Cultural Centre, Krakow Poland see biographical note on p. 30

48 3rd Heritage Forum of Central Europe 49 The City The debate will offer a summing up ing issues related to cities, cultural of the issues discussed during the heritage, and Central Europe, indicat- conference, although it will not be a ing challenges, needs, obstacles, and Heritage cities summary of particular sessions but an array of further research within a step forward. The invited speakers the Visegrad Group (V4) countries and cooperation will comment on the most challeng- and outside. in the V4 region concluding debate

Panelists: Barbara Fogarasi (Hungary), Petr Janyška (Czech Republic), Kristína Markušová (Slovakia), chaired by Jacek Purchla (Poland)

50 3rd Heritage Forum of Central Europe 51 The City Barbara Fogarasi safeguarding of cultural heritage and in facilitat- Petr Janyška ing dialogue between heritage professionals, Gyula Forster National decision makers, investors, monument owners, Czech Cultural Centre for Cultural architects, and local communities. Centre in Warsaw Heritage Management, Poland Budapest Publications: ȞȞ1. Barbara Fogarasi, “Mafia for International Hungary Cultural Heritage – on Civil Society Translator, journalist, diplomat, academic Organizations in the Field of Heritage,” in: teacher, currently Director of the Czech Cultural Barbara Fogarasi works in international coopera- Műemlékvédelem (Hungarian Periodical on Centre in Warsaw. Translates from English and tion at the Gyula Forster National Centre for Cul- Cultural Heritage Preservation), LIV/1 (2010), pp. French. Co-founder of the first Czech weekly tural Heritage Management in Budapest. In the 50-53. “Respekt“ in 1990, founder of the first Czech project Revealing the Socio-economic Potentials ȞȞ2. Barbara Fogarasi, “Sites Evaluation in the talk-show “Respektování,” later deputy Editor of of Cultural Heritage, she coordinates activities Balkans – Collaboration with the Council of the journal “Lidové noviny.“ Author of editorials, related to the rehabilitation of the Nivegy Valley Europe,” in: RLICC Newsletter, VI (2010), p. 10. countless articles and political analyses and a Parish House. Born in Budapest, she completed ȞȞ3. Barbara Fogarasi, “The Integration of the book entitled “Znovunalezená Evropa: mezi her secondary education in Canada and received 19th century Fortress System in the Town Prahou, Paříží a Bruselem“ (Editions de l´Aube, an architecture degree from the University of Development of Komárom, Hungary,” in: RLICC 2004). He has written about France and Poland, Toronto. She completed postgraduate studies Newsletter, VI (2010), pp. 13-15. has interviewed many distinguished figures in in architecture at the University of Pécs and in ȞȞ4. Barbara Fogarasi, “Cultural Heritage Polish social and political life, and has edited conservation of monuments and sites at the and Reconciliation,” in: Régi-új Magyar the supplement “Středoevropské noviny.“ As a Technical University of Budapest and at the Építőművészet (Hungarian Architecture diplomat he was a Czech ambassador to France Raymond Lemaire International Centre for Con- magazine), 4 (2013), pp. 36-39. and later to UNESCO. servation (RLICC), KU Leuven. She worked as an ȞȞ5. Barbara Fogarasi, “Community Restoration architect in Toronto and as a conservation ar- through Cultural Heritage Rehabilitation in chitect at the State Centre for Conservation and South East Europe,” in: Community Involvement Restoration of Historic Monuments in Hungary in Heritage, ed. Koen Van Balen and Aziliz until 2007. Employed by RLICC, she conducted Vandesande, Antwerp 2015, pp. 79-92. the evaluation of the first phase of the Council of Europe-European Commission joint project [email protected] Ljubljana Process: Funding Heritage Rehabilitation in South East Europe. She then managed the second phase of Ljubljana Process: Rehabilitating our Common Heritage between 2011-2013 within the Regional Cooperation Council’s Task Force on Culture and Society Secretariat based in Montenegro. Her professional interests are in community involvement in the valuation and

52 3rd Heritage Forum of Central Europe 53 The City KristÍna MarkuŠovÁ Publications: jacek purchla ȞȞ1. Kristína Markušová, “Dóm sv. Alžbety Monuments Board of v Košiciach – obnova” [The Cathedral of St. International Cultural the Slovak Republic – Elisabeth in Košice – restoration], in: Pamiatky Centre, Krakow Regional Board in KoŠice a múzeá, 45, vol. 1 (1996), pp. 22-25. ȞȞ2. Kristína Markušová, “Dr. Vojtech Wick. Poland Slovakia Život a dielo” [Dr Vojtech Wick. Life and work], in: Historica Carpatica, 27/28 (1996-1997), see biographical note on p. 30 After graduating from the Technical University Východoslovenské múzeum v Košiciach, 1998, Kosice, Faculty for Civil Engineering (1978-1983), pp. 101-125. Kristína Markušová was employed by the lo- ȞȞ3. Kristína Markušová, “Drevený kostolík v cal Office for Monuments Care in Košice, as záhrade košického múzea” [Wooden church a supervisor on heritage building conserva- in the Museum Garden in Košice], in: Pamiatky tions. During her first years at this Office, she a múzeá, 48, vol. 3 (1999), pp. 23-25. joined a postgraduate study programme at the ȞȞ4. Kristína Markušová, “The language of the Technical University of Czech, Prague, Faculty of stones in Košice Cathedral,” in: The Cathedral Architecture, focusing on History of Architecture of St. Elizabeth in Košice, ed. Imrich Vaško, SAŠA and Heritage Care (1985-1988). In 1985 – when Košice, 2000, pp. 98-135. the restoration of the St. Elisabeth Cathedral ȞȞ5. Kristína Markušová, “A kassai Szent Mihály in Kosice started – she became responsible for kápolna restaurálása” [Restoration of the St. the conservation and restoration work on the Michael Chapel in Košice], in: Omnis creatura cathedral until 1995, when she decided to move significans – Essays in Honour of Mária Prokopp, to the East-Slovakian Museum, where for four ed. Anna Tüskés, CentrArt Egyesület, 2009, pp. years she was occupied with custody of the 101-105. collection of historic photomaterials. This was a time of research and publishing articles on [email protected] regional history and documentation on heritage buildings of the region. In 2000 she returned to the re-organized Slovak Monuments Board staff – as a director of its Regional Board in Košice. She enjoys the work: supervising the restorations of heritage objects by way of coordination of different specialists, because heritage care obvi- ously needs a multidisciplinary approach. The board in Kosice is happy to have the possibility of cooperation not only with other heritage institutions (museums, archives, libraries etc.), but also with local activists.

54 3rd Heritage Forum of Central Europe 55 The City Cities in Central Europe have been opment, will have an opportunity to undergoing a dynamic change. Com- present the most crucial conclusions petitions for the European Capital drawn from their hitherto under- Cities: of Culture held in recent years in taken actions. An exchange of ex- our region have shown the great periences in this field is vital, since Refashioning needed! potential that culture has for city the new financial framework of the development, while issues concern- European Union for 2014-2020 con- ing revitalization of degraded areas tains resources for wide-ranging sup- On revitalisation through art have been an important port for revitalisation projects. What element in application documents. is also important is an observable in cities The aim of our discussion on aspects growing activity of citizens engaged Panelists: Marek Adamov (Slovakia), Tamás Fejérdy (Hungary), of revitalization in cities is primarily in efforts to improve their quality Jarosław Ogrodowski (Poland), Petr Šimon (Czech Republic) to demonstrate various experiences of life in cities. Urban activists are a Chaired by Agata Wąsowska-Pawlik (Poland) in reviving degraded areas such as: catalyst for communication between post-industrial buildings or neglect- the authorities and the citizens, and Session open to the public ed city centres. The guest speakers of therefore take part in revitalization the discussion: from Žilina in Slovakia, processes. Crucial in these processes Pilsen in the Czech Republic and Łódź are not only renovation and mod- in Poland, which in recent years has ernisation but also the needs of been realising a pilot revitalization inhabitants, ensuring their further project commissioned by the Polish functioning in a given location and Ministry of Infrastructure and Devel- a better quality of life.

56 3rd Heritage Forum of Central Europe 57 The City Marek Adamov and centre of community activities. Besides Tamás Fejérdy Publications: cooperating with the program of events, exhibi- ȞȞ1. Tamás Fejérdy, “Approaching 40 years Stanica Žilina-Záriečie, tions, festivals and workshops, Marek Adamov ICOMOS old: the World Heritage today and its possible New Synagogue / is responsible for fundraising, international and future,” in: Protecting and safeguarding cultural Hungary Kunsthalle Žilina local networking, and management of new heritage: systems of management of cultural projects. In 2009, he also led the construction heritage in the Visegrad countries, ed. Jacek Slovakia process of a new alternative space (theatre) S2 Tamás Fejérdy, born 1947 in Budapest, is an Purchla, International Cultural Centre, Kraków built from beer crates and straw bales. Since architect and conservator of historic monu- 2011, 247-258. Born in Žilina in November 1978, Marek Adamov 2011, he has led the New Synagogue / Kunsthalle ments, and has worked in the central govern- ȞȞ2. Tamás Fejérdy, “Heritage, protection graduated with a diploma in culture studies and Žilina project, which aims to restore the unique ment organisation for monuments preservation – today, tomorrow,” in: Studies on Heritage management from the Faculty of Philosophy, architecture of Peter Behrens in Žilina and revi- in Hungary (1976-2012). MA in architecture, Bu- management 1 – World Heritage and its Commenius University, Bratislava in 2004. Dur- talize it into a new institution for contemporary dapest University of Technology (1970); Con- Management, Foundation for Information ing his studies, he co-founded and continues art and culture. Marek Adamov also works with servator Diploma, BUT (1981). UNESCO-ICOMOS Society, Budapest 2010, 227-249. to serve as the co-director of a civic association other organizations in culture as a consultant, postgraduate course in preservation of historic ȞȞ3. Tamás Fejérdy, “L’Ambiente intrinseco called Truc sphérique. Since 2003, most of the curator, and lecturer, and fights for greater co- towns (1978). PhD thesis Protection of historic delle nostre città: il futuro dei nostri sobborhi association's activities have been taking place in operation and networking, as well as a better areas in Hungary, BUT (1984). Doctor of Liberal storici” [The internal environment of our the independent Stanica Žilina-Záriečie cultural position for independent culture. Arts, University of Pécs (2009). Honorary Senior cities: the future of our historic suburbs], in: centre, an operational railway station that also Lecturer (BUT), and teaches at the Pázmány Péter Archeologia, Citta, Paesaggio, ed. Rosa Anna serves as a space for contemporary art. Stanica [email protected] Catholic University (Hungary), Babes-Bólyai Genovese, Arte Tipografica Editrice, Napoli 2007, is a combination of modern cultural institution University (Cluj-Napoca, Romania), and the Eger 137-152. Summer Course on Monument Protection. He ȞȞ4. Tamás Fejérdy, “Le concept dans acts as professor in the Cultural Heritage Man- les interventions sur des oeuvres d’art: agement and Sustainable Development Post- perspective theoretique” [The concept graduate Programme (ISES Foundation, Kőszeg, of interventions on the works of arts: Hungary), among other courses. Member of a theoretical approach], in: International ICOMOS since 1983. President of the ICOMOS Conference on Conservation-Restoration – ICOR, Hungary 1997-2003, re-elected in 2015. Presi- 2006, eds. Feric Balenovic and Janja Zagreb, dent of CIVVIH 1992-2002. Vice-President of 2010, 123-128. ICOMOS International (2005-2008). Honorary ȞȞ5. Tamás Fejérdy, “Mechanism for offsetting Member of ICOMOS (2008). Secretary General the restrictions attendant on the (historic) of ICOMOS Hungary. Member of working groups protected status of properties,” in: Sketches and of the Council of Europe. participant of Nara essays to mark twenty years of the International International Conferences in 1994 and 2004. Cultural Centre, Kraków, 2011, 472-484. Chair of UNESCO’s World Heritage Committee (2002-2003). Jury member of Heritage Award [email protected] Category 1 (2006-2010), and member of Europa Nostra Council (2010-2013, re-elected 2013).

58 3rd Heritage Forum of Central Europe 59 The City Jarosław Ogrodowski Petr Šimon In 2008, he joined the candidature of the City of Pilsen for the ECoC title, where he worked in Revitalisation and Pilsen 2015 the positions of Project Manager (2008-2009) Development Bureau, and Deputy Director for Public Activation and City of Łódź Office Czech Republic Support of the Project (2009-2010). He is a co- author of both the first and second applications Poland Petr Šimon was born in Karlovy Vary, Czech representing the candidature for the ECoC 2015 Republic. He graduated from the Faculty of title. Since Pilsen was awarded the title, he has Social and urban activist, member of the or- Education at the University of West Bohemia, been working as International Projects Manager ganising committee of the 2nd Congress of where he studied both the Czech and French (focusing mainly on cooperation among ECoCs, Urban Movements in Łódź, co-founder of the languages. In 1999-2000, he completed a study including projects prepared in cooperation with Civic Movement Respect for Łódź, activist in stay in France at Lyon’s Université II. Between Mons 2015, and on cross-border cooperation). the Society for the Preservation of Historical 2001-2006, he worked at the Pilsen branch Monuments and the Fabrykancka Association. In of Alliance Française, where he co-organized Petr Šimon is also the vice president of the civil recent years he has conducted or co-conducted the festival of French and Francophone culture society organization Alliance Française de Plzeň many public participation processes such as “Our called Bonjour Plzeň! Within the scope of his and was a member of the civil society organi- Księży Młyn” (Priest’s Mill) realised jointly with activities connected with Alliance Française, he zation Johan, where he took part in organizing the Society for the Preservation of Historical attended several workshops and stays abroad, cultural events in the space of the former railway Monuments or “Civic Budget for Łódź” where e.g., with Alliance Française de Bruxelles-Europe. station known as Moving Station. Petr Šimon he was responsible for organising and holding Between 2006-2008, he worked as a lecturer is also the singer with the underground-punk meetings with the inhabitants of Łódź and for of French literature at the Faculty of Education band Dalin, and has written a book of poetry, providing special consultations for the citizens of the University of West Bohemia. published in Czech and French, Píseň oranžového during educational, informational and promo- kouře / La chanson de la fumée orange. In addition, tional actions carried out by the Normal City he translates lyrics and poetry from Czech to Foundation – Phenomenon and the Topografie French and French to Czech (Brigitte Fontaine, Association for Urban Initiatives. Currently he Už jsme doma). works in the Revitalisation and Development Bureau in the City of Łódź Office, where he is [email protected] responsible for the social aspect of the city’s revitalisation.