DOCSLIB.ORG

By ​Cori Thomas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By ​Cori Thomas By Cori Thomas ​ Directed by Kent Gash ​ Rattlestick Playwrights Theater in association with ​ ShadowCatcher Entertainment presents ​ LOCKDOWN BY CORI THOMAS DIRECTED BY KENT GASH CAST Eric Berryman Curtis Morlaye-Williams Keith Randolph Smith Zenzi Williams Reynaldo Piniella Voice of Charlie: Michael McElroy PRODUCTION TEAM Set Design by Jason Sherwood Associate Scenic Designer: Justin West ​ ​ Costume Design by Kara Harmon Assistant Costume Designer: Amy Sutton ​ ​ Lighting Design by Dawn Chiang Assistant Lighting Designer: Luther Frank ​ ​ ​ Sound Design by Justin Ellington Assistant Sound Designer: John McKenna ​ ​ Properties Designer: Natalie Carney Assistant Fight Choreographer: Sean Griffin ​ ​ Fight Choreography by Uncle Dave’s Master Electrician: Joe D'Emilio ​ ​ Fight-House Sound Supervisor: Kimberly S. O’Loughlin ​ Casting by Tara Rubin Casting Lighting Programmer: Mo Epps ​ ​ Production Stage Manager: Genevieve Ortiz Sound Board Operator: Dylan Vaughan Skorish ​ ​ Dramaturg: Ignacia Delgado Wardrobe Supervisor: Asia McCallum ​ ​ ​ Assistant Stage Manager: P. Tyler Britt Press Representative: Matt Ross Public ​ ​ Production Manager: Jenny Beth Snyder Relations ​ Technical Director: Aaron Gonzalez Videographer: Zanni Productions / Jonathan ​ ​ Associate Production Manager/Technical Burklund Director: Mac Whiting Costume Intern: Shivanna Sooknanan ​ ​ “Freedom” music & lyrics by David Jassy, used with special permission from Jassy World Entertainment. Lockdown was commissioned by Rattlestick Playwrights Theater with support from The Virginia B. ​ Toulmin Foundation. Lockdown is supported by The David Rockefeller Fund, The Tow Foundation, and ​ ​ The SHS Foundation. Lockdown was developed during a residency at the Eugene O’Neill Theater ​ ​ Center’s National Playwrights Conference in 2018. CAST ERIC BERRYMAN (C.O.) Off-Broadway: The B-Side: Negro Folklore from Texas State Prisons, A Record ​ ​ Album Interpretation (St. Ann’s Warehouse/The Wooster Group), Steel Hammer, The Bacchae, Glory of ​ ​ the World (BAM), pool, no water (Barrow Street Theater). Selected Regional: The Amen Corner (The ​ ​ ​ Guthrie Theater), I Wish You Love (Penumbra Theatre/The Kennedy Center/ Hartford Stage) Fly (Ford’s ​ ​ ​ ​ Theatre); Red, Topdog/Underdog, Noises Off, A Raisin in the Sun (Everyman Theatre). Selected ​ ​ Film/TV: Barry (NETFLIX), Unbreakable Kimmy Schmidt, Untitled Noah Baumbach Project and After Louie. Education: Carnegie Mellon University. CURTIS MORLAYE-WILLIAMS (Clue) Curtis’s credits include roles in the final season of Fox’s GOTHAM ​ ​ and CBS’ BLUE BLOODS. Othello (Rodrigo), Last Days of Judas Iscariot (Pontius Pilate), Escape From Happiness (Junior), Sweat (Chris) [Yale School of Drama]. Curtis received his MFA from the Yale School of Drama. KEITH RANDOLPH SMITH (Wise) Broadway: Jitney; Fences; Come Back Little Sheba; King Hedley II; ​ ​ Salome; Piano Lesson; American Psycho. Off-Broadway: Paradise Blue; First Breeze of Summer; Holiday ​ ​ Heart; The Revolving Cycles Truly and Steadily Roll’d; Midsummer Night’s Dream; Intimacy. Regional: ​ How To Catch Creation; The Absolute Brightness Of Leonard Pelkey; Our Town; Water By The Spoonful; In Walk’s Ed. Film/TV: The Good Fight; Anesthesia; Malcolm X; The Warrior Class; Path To Paradise; ​ Backstreet Justice; Journeymen; Dead Dogs Lie; Law and Order; NY Undercover; I’ll Fly Away; Cosby. Fox Fellow in Acting. Lunt-Fontanne Fellow in Acting. Member of Actor’s Center. Grad of AADA Conservatory. ZENZI WILLIAMS (Ernie) Broadway: The Crucible. Off-Broadway: School Girls (MCC Theater), Mobile Unit ​ ​ ​ ​ ​ of Henry V (The Public), The Crucible (Broadway), The Homecoming Queen (Atlantic Theater Company), ​ ​ ​ ​ ​ ​ Mother Courage and Her Children (Classic Stage Company). Regional: Imogen Says Nothing (Yale ​ ​ ​ Repertory Theatre). Television credits include Chicago Fire, Blue Bloods, The Good Fight, The Defenders, Daredevil. Film: Black Panther, The Mess He Made. Williams studied at the British American Dramatic Academy and has a BA from Temple University and an MFA from the Yale School of Drama. REYNALDO PINIELLA (Understudy, C.O.) was previously seen in The Death of the Last Black Man in the ​ ​ Whole Entire World, Venus (Signature Theater Company), The Skin of Our Teeth (Theatre for A New ​ ​ ​ ​ ​ Audience), The Space Between the Letters (The Public Theater/Under the Radar), Terminus (NYTW Next ​ ​ ​ ​ Door), Romeo & Juliet (Actors Theatre of Louisville, Shakespeare Festival St. Louis), The Tempest, The ​ ​ ​ Three Musketeers (Classical Theatre of Harlem), I & You (Repertory Theatre of St. Louis). Film credits ​ ​ ​ include “Madeline’s Madeline”, “Broken City”, “One Percent More Humid” and “Extremely Loud & Incredibly Close”. TV credits include “Sneaky Pete”, “Law & Order: SVU”, “The Daily Show with Jon Stewart”, “Flesh & Bone”, “NYC 22” and “The Carrie Diaries”. This year, he received the Fox Foundation Resident Actor Fellowship from TCG. His play Black Doves won the Thomas Barbour Playwriting award. Follow him on Instagram and Twitter @ReynaldoRey. www.reynaldopiniella.com ​ Reynaldo will be on for C.O. on the following dates: May 5th @ 2PM, May 6th @ 11AM, May 10th @ 2PM, May 12th @ 2PM, May 16 @11AM, May 17th @ 2PM, May 17th @ 7PM, May 18th @ 7PM, and May 19th @ 2PM. PRODUCTION TEAM CORI THOMAS (Playwright) Plays include: LOCKDOWN; WHEN JANUARY FEELS LIKE SUMMER; CITIZENS ​ MARKET; THE LIBERIAN LEGACY TRILOGY. Produced and Developed at includes: Rattlestick, EST, Playwrights Horizons, Page 73, Women’s Project; The Goodman Theater; Pillsbury House Theater; Mixed Blood; Going To The River and more. Residencies, Fellowships, Honors include: New Dramatists Resident; O’Neill National Playwrights Conference; Sundance Theater Lab; MacDowell; Bogliasco; Baryshnikov Arts Center; ATCA Osborn Award; Finalist The Horton Foote Prize; Theodore Ward Prize; and more. TV and Series include: JuVee Productions, and AUDIBLE. Screen: She is presently writing an ​ ​ original Screenplay about Nelson Mandela for HBO Films. Other: Co-Founder of The Pa’s Hat Foundation ​ ​ a 501c(3) organization focused on helping former child soldiers marginalized citizens of Liberia with educational and work related assistance. For the last 3 years, Cori has been working with Lonnie Morris nd who is in his 42 ​ year of Incarceration at San Quentin State Prison, they are writing a play together to be ​ presented at the prison by No More Tears a Non Profit Lonnie co-founded geared towards preventing recidivism and helping with re-entry. Cori sits on the board of No More Tears. KENT GASH (Director) directed the acclaimed World Premiere of Robert O’Hara’s BARBECUE at the ​ Public Theatre and is the co-author and director of LANGSTON IN HARLEM (2010 Audelco Award-BEST MUSICAL.). New York: New York premiere of MISS EVER’S BOYS and the revival of HOME both for Melting Pot Theatre Co., and Duke Ellington’s BEGGARS HOLIDAY: York. Recent regional: Public Works WINTERS TALE: Dallas Theatre Center, THE WIZ at Ford’s Theatre (10 Best of 2018- Washington Post,13 Helen Hayes nominations), August Wilson’s THE GEM OF THE OCEAN: South Coast Rep, (LA TIMES TEN BEST OF 2017). GOODNIGHT TYLER: Alliance, THE MOUNTAINTOP: Trinity Rep, WIG OUT and CHOIR BOY for Studio Theatre,DC. Classical productions include: TROILIUS and CRESSIDA and TWELFTH NIGHT at Alabama Shakespeare Festival, CORIOLANUS and PRIVATE LIVES at Shakespeare Santa Cruz and THE COMEDY OF ERRORS at Oregon Shakespeare Festival. Future productions 2019: GUYS AND DOLLS at the Guthrie. Mr. Gash is the former Associate Artistic Director of both Alabama Shakespeare Festival and the Alliance Theatre; former Artist in Residence Studio Theatre DC and is Founding Director of The New Studio on Broadway at Tisch, NYU. BFA: CMU, MFA: UCLA. For Darius Smith. JASON SHERWOOD (Set Design) is a Drama Desk Award, Lucille Lortel Award, and Henry Hewes Design ​ Award nominee. He recently designed RENT Live on Fox!, Sam Smith's Arena World Tour and campaign TV appearances (including Grammy's, SNL, Ellen), the People's Choice Awards on E!, and The View ​ UpStairs Off-Broadway. Upcoming: the Spice Girls World Tour, and the Broadway revival of The Secret ​ Garden. More designs at New York Theatre Workshop, Playwright's Realm, Rattlestick, the Old Globe, American Repertory Theatre, Guthrie, among many others. Online: @JasonSherwoodDesign KARA HARMON (Costume Design) Select regional credits: Gem of the Ocean at Roundhouse, The Color ​ ​ ​ ​ Purple at Portland Center Stage, The Wiz! At Ford’s, Nina Simone: Four Women at Arena Stage, Native ​ ​ ​ ​ ​ ​ Gardens at The Guthrie, Black Odyssey at Trinity Rep, A Guide for the Homesick at Huntington, In the ​ ​ ​ ​ ​ ​ Heights at Geva, Barbecue at Geffen Playhouse (NAACP Best Costume Design Award), Much Ado and The ​ ​ ​ ​ ​ ​ Comedy of Errors at OSF. Off Broadway credits: The Niceties at Manhattan Theatre Club and Dot at The ​ ​ ​ ​ ​ Vineyard Theatre. Assistant Costume Design for Television: “The Marvelous Mrs. Maisel,” “Daredevil” and “Boardwalk Empire.” Training: NYU Tisch. www.KaraHarmonDesign.com ​ DAWN CHIANG (Lighting Design) THEATER: Broadway: Zoot Suit, Tango Pasion; Associate lighting ​ ​ ​ ​ ​ designer – Show Boat, La Cage Aux Folles, Busker Alley. Off Broadway: Roundabout Theater, Manhattan ​ ​ ​ ​ ​ ​ Theatre Club. Regional theater includes: Oregon Shakespeare Festival, Mark Taper Forum, Guthrie Theater, Denver Center Theatre Company, Syracuse Stage, Trinity Repertory Company, Dallas Theater Center, Arena Stage, Alliance Theatre,
Load more

Recommended publications
  • Fall 2008.Indd
    Vol. 9 No. 3 September-December 2008 A Year-Long Celebration of the Library! This August marked the 10th an- It was August 1998 that the millage Help us celebrate our milestone by niversary of the millage that voters passed and CMPL hit the ground coming to the library in the next in Clinton and Macomb Townships running, leasing space for the South year. We will host special events, approved in order to establish the Branch and scouting out locations contests and more. If you don’t Clinton-Macomb Public Library. Al- for the North Branch. The culmina- have a library card, there has never though the library’s offi cial start date tion of the library’s efforts came fi ve been a better time to get one. You can be traced back to 1992, it wasn’t years ago in October 2003, with the could even become our 100,000th until 1998, when the library had the opening of the Main Library. The library cardholder. Stop in today, support of CMPL: Board of Trustees promised a state bring a friend or relative and see residents, Voter-approved of the art library system when they what we have to offer. At CMPL that it truly since 1998. went to the voters in 1998 and today we’ve had big successes and began. we can say that we’ve lived up to we’ve got an even bigger future That is why we’re kicking off a those promises. planned! year-long celebration of important dates in library history. We’re going Retired Trustee Honored as Trustee to host events, contests and displays Emeritus through August 2009 to celebrate Donald Green, former trustee, capped off his twelve year tenure on the everything the library has to offer.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • More- for Immediate Release CENTER THEATRE GROUP
    For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie.
    [Show full text]
  • Undergraduate Play Reading List
    UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M.
    [Show full text]
  • The Following Blue Star Theatres Are Listed in Alphabetical Order
    The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St.
    [Show full text]
  • An Lkd Films Production Presents
    AN LKD FILMS PRODUCTION PRESENTS: RUNNING TIME.......................... 96 MIN GENRE ........................................ CRIME/DRAMA RATING .......................................NOT YET RATED YEAR............................................ 2015 LANGUAGE................................. ENGLISH COUNTRY OF ORIGIN ................ UNITED STATES FORMAT ..................................... 1920x1080, 23.97fps, 16:9, SounD 5.1 LINKS .......................................... Website: www.delinquentthemovie.com Facebook: https://www.facebook.com/Delinquentthefilm/ IMDB: http://www.imDb.com/title/tt4225478/ Instagram: @delinquentmovie Hashtag: #delinquentmovie, #delinquentfilm SYNOPSIS The principal is itching to kick Joey out of high school, anD Joey can’t wait to get out. All he wants is to work for his father, a tree cutter by day anD the leader of a gang of small-time thieves by night in rural Connecticut. So when Joey’s father asks him to fill in as a lookout, Joey is thrilleD until a routine robbery goes very wrong. Caught between loyalties to family anD a chilDhood frienD in mourning. Joey has to deal with paranoiD accomplices, a criminal investigation, anD his own guilt. What kinD of man does Joey want to be, anD what does he owe to the people he loves? DIRECTOR’S STATEMENT My home state of Connecticut is depicteD in Television anD Film as the lanD of the wealthy anD privileged: country clubs, yachts, anD salmon coloreD polo shirts galore. Although many of these elements do exist, there is another siDe of Connecticut that is not often seen. It features blue-collar workers, troubleD youth, anD families living on the fringes. I was raiseD in WooDbury, a small town in LitchfielD Country that restricteD commercial businesses from operating within its borders. WooDbury haD a large disparity in its resiDent’s householD income anD over one hundreD antique shops that lineD the town’s “Main St.” I grew up in the rural part of town where my house shareD a property with my father’s plant business.
    [Show full text]
  • Performance Measurement Report
    THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome.
    [Show full text]
  • Pathetic Pathetic
    JUNE 5–23, 2019 MINOR THEATER PATHETIC PATHETIC WRITTEN AND DIRECTED Teen girls experiment with sex, magic and murder Julia Jarcho while mom sinks deep into lust and self-loathing. PRODUCTION DESIGN Ásta Bennie Hostetter A teen-drama riff on Racine’s Phèdre, Minor Theater’s PATHETIC invites you to get off on the LIGHTING DESIGN Christina Watanabe sick horrors of becoming a woman. SOUND DESIGN Ben Williams Minor Theater makes plays in a minor key. With dark VIDEO DESIGN humor and goofball precision, we lure you into the tunnels Jennifer Seastone where we feed off pop culture’s sticky undergut. Our plays ASSISTANT DIRECTOR are written and directed by Julia Jarcho in collaboration Kedian Keohan with award-winning theater artists Ásta Bennie Hostetter, Jennifer Seastone, and Ben Williams. Shows include PRODUCTION STAGE MANAGER Kendall Allen* GRIMLY HANDSOME (2013 OBIE, Best New American Play), THE TERRIFYING (Abrons 2017); NOMADS (dir. by Alice ASSISTANT STAGE MANAGER Taryn Uhe Reagan, Incubator 2014); DREAMLESS LAND (New York City Players/ Abrons, 2011); and American Treasure (13P, PRODUCTION MANAGER Michelle Lane 2009). We are champions of weird desire. PRODUCER Ann Marie Dorr MINOR THEATER MANAGEMENT ASSOCIATE Jordan Baum GRAPHIC DESIGNER Cody Carvel FEATURING Jordan Baum, Kim Gainer*, Kristine Haruna Lee*, Linda Mancini, Jennifer Seastone*, Ben Jalosa Williams* VIDEO APPEARANCE Hubert Point-Du Jour CREW Melissa Erickson, Cody Henson, Evan Herman-Chin, James Kogen, Claire Kostova, Nicholas Santagie, Lily bo Shapiro, Latyana Smith, Diane VanDenberghe, Carl Whipple *Appearing courtesy of Actors’ Equity Association. Equity Approved Showcase. MINOR THEATER PATHETIC ABOUT PATHETIC CAST & CREW Kendall Allen (Production Stage Manager ) is a Stage Manager, Director, and Intimacy Choreographer.
    [Show full text]
  • Aleks Paunovic Anna Galvin Jenika Rose
    STARRING C THOMAS HOWELL ALEKS PAUNOVIC ANNA GALVIN JENIKA ROSE CRIMSON POINT 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). 2 CRIMSON POINT CONTENTS 4 Synopsis 5 Director 6 | 11 Cast 12 Cinematographer 13 Producer 14 International Sales Agents 15 Executive Producers 16 Equity 17 Perks & Benefits CRIMSON POINT 3 After serving 20 years in prison for the murder of his daughter, Frank returns to his backwoods hometown. Old wounds and rumours of the past resurface and haunt him as he tries to find out who really killed her. The film isn’t your typical revenge film. Looks are deceiving. In fact, it isn’t a revenge film at all. It’s a Greek tragedy that explores the central character’s guilt through Dante’s Inferno. Beyond, the murder and the treachery, the film is an emotional journey about a father and a daughter. This is the heart of the project. Without touching on a father’s love, the film fails. In fact, everything happens because of a father’s love for his daughter. He acts out of love.
    [Show full text]
  • African-American Shakespeare Company "Moves on Up" with Revamp of Cinderella at the Herbst
    Press Contact Liam Passmore Shave and a Haircut [email protected] 415-865-0860 (p); 415-218-1544 (c) African-American Shakespeare Company "Moves On Up" With Revamp of Cinderella at The Herbst Samantha Williams as Cinderella in the 2016 production of Cinderella from the African-American Shakespeare Company and SFBATCO After bringing on The San Francisco Bay Area Theatre Company (SFBATCO) as co-producers of the venerable Cinderella which has been a holiday season staple for the company since 2000, this year's version sees our heroine and her oh-so charming Prince navigate a fate dependent on a well-intentioned Fairy Godmother who doesn't always get things right, a scheming stepmother, and the return of a custom shoe to its owner (lost as they so often are, while fleeing a ballroom) all in order to engage in the business of pursuing a dream in order to "keep on rising;" this is not only the first production of The African-American Shakespeare Company's 2016/17 season, but its first ever at The Herbst Directed by Rodney Earl Jackson Jr and Marcelo Pereira of SFBATCO, Cinderella runs five performances only, December 22 - 24 at The Herbst; Thursday, December 22, 8:00pm; Friday, December 23, 3:00pm & 8:00pm, Saturday, December 24, 11:00am & 3:00pm Tickets from $20.00 - $40.00 Tickets at City Box Office November 17, 2016, San Francisco – The African-American Shakespeare Company begins a new chapter in 22 year history when it stages Cinderella at The Herbst Theatre in San Francisco, following its decision to leave its longtime home at the Buriel Clay Theater in the African- American Art & Cultural Complex.
    [Show full text]
  • TRU Speak Program 021821 XS
    THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed
    [Show full text]