Article Journal of Communication Inquiry 2016, Vol. 40(2) 111–127 Dissolving the ! The Author(s) 2016 Reprints and permissions: sagepub.com/journalsPermissions.nav Other: Orientalism, DOI: 10.1177/0196859916637171 Consumption, and jci.sagepub.com Katy Perry’s Insatiable Dark Horse Rosemary Pennington1 Abstract Pop star Katy Perry courts controversy with the performance choices she makes. She has been accused of peddling sex to young girls and of perpetuating racist stereotypes in her music videos and live shows. In early 2014, Perry stirred up controversy when she destroyed a necklace with the word Allah—Arabic for god—on it in her Dark Horse video. What received less attention was her destruc- tion of Orientalized men of color in Dark Horse. Informed by postcolonial scholarship and research on music videos, this qualitative textual analysis examines how Orientalism manifests in Katy Perry’s video. It uncovers a framing of Egypt as a mute object designed for consumption as well as a narrative that portrays men of color as a threat to Perry’s liberated, Western, female pharaoh. Keywords orientalism, popular culture, postcolonial studies, Egypt, music video, feminism, Katy Perry Introduction “...the core of white privilege is the ability to consume anything, anyone, any- where” (Alcoff, 1998, p. 19). 1Miami University, Williams Hall, Oxford, OH, USA Corresponding Author: Rosemary Pennington, Miami University, 120 Williams Hall, 350 S. Oak St., Oxford, OH 45056, USA. Email:
[email protected] Downloaded from jci.sagepub.com at Middle East Technical Univ on May 6, 2016 112 Journal of Communication Inquiry 40(2) Pop star Katy Perry courts controversy with the performance choices she makes.