William Houston

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WILLIAM HOUSTON Film: Brimstone Eli Martin Koolhoven N279 Entertainment The Dancer Rud Stephanie Di Giusto Les Productions Du Tresor Level Up The Business Man Adam Randall Fullwell 73 Ltd Dracula Untold Cazan Gary Shore Legendary Pictures Son Of God Moses Christopher Spencer Hearst Entertainment Productions Lord Of Darkness Charlie Mcguire Ricky Wood TVP Film & Multimedia Age Of Heroes Sgt. MacKenzie Adrian Vitoria Giant Films Sherlock Holmes 2 Constable Clark Guy Ritchie Warner Bros. Clash Of The Titans Ammon Louis Leterrier Warnor Bros. Sherlock Holmes Constable Clark Guy Ritchie Warner Bros. Fifty Dead Men Walking Ray Kari Skogland Brightlight Pictures Elizabeth: The Golden Age Don Guerau Shekhar Kapur Universal Pictures Puffball: The Devil's Eyeball Tucker Nick Roeg Dan Films The Gambler Pasha Karolly Maak Canal+ Surviving Picasso Casagemas James Ivory Merchant Ivory Hamlet Hamlet Michael Mundell Lamancha Prods. Television: Will Kemp Shekhar Kapur TNT The Watcher DSI Fielder Andreas Herzogu FA Fiction Ltd The Last Trace DSI Fielder Andreas Herzogu FA Fiction Ltd Indian Doctor Basil Thomas Lee Haven Jones Avatar Productions Endeavour Richard Broom Craig Viveiros ITV The Bible Moses Tony Mitchell Lightworkers Media Robin Hood Finn Douglas Mackinnon BBC Casualty 1909 Milais Culpin Bryn Higgins BBC Casualty 1907 Milais Culpin Bryn Higgins BBC Lewis George Stoker Dan Reed Granada North & South John Boucher Brian Percival BBC The Odyssey Anticlus Andrei Konchalovsky Hallmark Henry V I I I Thomas Seymour Peter Trevi Granada The Bill David Ashe Kate Cheeseman Talkback Thames Theatre: The Ferryman Quinn Carney Sam Mendes Gielgud Theatre The Iliad Narrator Rupert Goold / Robert Icke Almeida Theatre Titus Andronicus Titus Andronicus Lucy Bailey Shakespeare's Globe Fortune's Fool Kuzovkin Lucy Bailey The Old Vic Three Sisters Vershinin Benedict Andrews Young Vic Theatre Company Uncle Vanya Astrov Lucy Bailey The Print Room The 24 Hour Plays Pencil Douglas Hodge The Old Vic Coriolanus Coriolanus Gregory Doran RSC William Houston 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA Believe What You Will Flaminius Josie Rourke RSC Sejanus Sejanus Gregory Doran RSC Speaking Like Magpies King James I Rupert Goold RSC Bacchae Pentheus / Agave Peter Hall National Theatre Henry V* Henry Edward Hall RSC Henry IV (part 2)* Hal Michael Attenborough RSC Henry IV (part 1)* Hal Michael Attenborough RSC Troilus And Cressida Troilus Michael Boyd RSC Hamlet Laertes Matthew Warchus RSC A Midsummer Night's Dream Lysander Jonathan Best RSC St Erkenwald Sin David Hunt RSC The Broken Heart Prophilust Michael Boyd RSC After Easter Manus Michael Attenborough RSC The Wives Excuse Footman Max Stafford - Clark RSC The Clearing Pearce Lynn Parker Bush Theatre A Month In The Country Belyaev Janine Wunche Salisbury Playhouse Training: Central School Of Speech And Drama Awards: * Nomination For Londonevening Standard Best Actor Award 2001 William Houston 2 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA.

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The Representation, Interpretation and Staging of Magic in Renaissance Plays from the Sixteenth Century Onwards
Ghent University Faculty of Arts and Philosophy The representation, interpretation and staging of magic in Renaissance plays from the sixteenth century onwards. A case study of William Shakespeare’s The Tempest, Macbeth and Cristopher Marlowe’s Doctor Faustus. Supervisor: Paper submitted in partial Professor Doctor fulfilment of the requirements for Sandro Jung the degree of “Master in de Taal- en Letterkunde: English-Spanish” by Tine Dekeyser August 2014 Word count: 27334 Dekeyser i Acknowledgments First of all, I would like to thank my supervisor, Professor Doctor Sandro Jung, for granting me the opportunity to continue working on the same topic of my BA-dissertation and for guiding me towards a more profound investigation of magic and the Renaissance society. Also, I want to thank Professor Jung for reading the many versions of this dissertation and for providing a lot of helpful suggestions throughout the year. Secondly, I would like to thank The British Museum for giving me permission to use their highly detailed engravings, without which this dissertation would not exist. Thirdly, I would like to thank my boyfriend and my mother for supporting me, listening to my dilemmas and calming me down when stress got the better of me. Also, I want to thank my boyfriend for helping me track down the movies I needed for my analyses. Dekeyser ii Table of Contents Acknowledgments ....................................................................................................................... i List of Illustrations ...................................................................................................................
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Visual Media Use and Intermediality in Shakespeare Productions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository STRANGE BEDFELLOWS? VISUAL MEDIA USE AND INTERMEDIALITY IN SHAKESPEARE PRODUCTIONS By SHARI LYNN FOSTER A thesis submitted to the University of Birmingham for the degree of Masters of Literature College of Arts and Law School of Humanities Shakespeare Institute University of Birmingham October 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Drawing on archive material, reviews and personal observation, this thesis examines the use of visual media in stage productions of Shakespeare’s plays. Utilizing examples from the period between 1905 and 2007, the thesis focuses on intermedial productions, explores the media use in Shakespeare productions, and asks why certain Shakespeare plays seem to be more adaptable to the inclusion of visual media. Chapter one considers the technology and societal shifts affecting the theatre art and the audience and Klaus Bruhn Jensen’s three level definition of intermediality which provides a framework for the categorizing the media usage within Shakespeare productions.
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BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc.
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