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Revista ECOS Edicin Especial II.Pdf ECOS, Año 21, Edición especial, 2018 Asociación Católica Cubana para la Comunicación ECOS, Año 21, Edición especial, 2018 Asociación Católica Cubana para la Comunicación Índice de artículos Editorial------------------------------------------------------------------ 4 PRESENCIA OCIC-SIGNIS en el Festival Habanero, por Jorge Villa---------.5 Cambio climático: Iglesia y Cine, por Manuel Vargas-----------13 SIGNIS ALC y la JMJ 2019, por Jorge Villa----------------------15 REFLEXIONES 1968 en Cuba: un año partido en dos, por J. A. García Borrero-17 Love o el amor sin límites, por Giselle Aparicio------------------20 ¿Para que sirve un diálogo?, por J. A. García Borrero------------21 ANIVERSARIOS XL Aniversario de un festival, por Julio César Perea------------24 50 años de un clásico, por Jorge Villa------------------------------26 Para saber de cine: Historia del cine, por Arístides O´Farrill---28 De cierta manera: un imprescindible de la televisión, por Julio César Perea-------------------------------------------------------------32 Los 50 años de Lucía, por Cuco Mártinez-------------------------34 Claudia, el tiempo, la nostalgia y la melancolía, por Arístides O´Farrill-----------------------------------------------------------------36 DE NUESTRA AMÉRICA Adiós a Nelson Pereira dos Santos, por Cuco Mártinez----------40 Una cubana en Hollywood, por Jorge Villa------------------------41 Jim Claviezel y la trata de niños, por Javier Jorge----------------44 Cine amazónico, por Cuco Mártinez--------------------------------45 De todo un poco Premio Nacional de Cine, por Julio César Perea------------------47 Premio Nacional de Radio, por Giselle Aparicio-----------------48 Panorama---------------------------------------------------------------49 Publicación de SIGNIS CUBA DIRECCIÓN EDICIÓN SIGNIS CUBA Jorge Villa CORRECCIÓN DISEÑO Julio César Perea Giselle Aparicio El año 2018 es el año del XX Aniversario de la Revista ECOS, cuyo primer número saliera en marzo de 1998. Los obstáculos continúan para materializar la publicación de nuestra revista, la cual ha visto disminuida su tirada anual de 4 números desde su surgimiento, a dos tiradas anuales, para finalmente verse fuertemente reducida a un solo número anual y en formato digital. No obstante, la tenacidad y loable esfuerzo de todos los que cooperan y trabajan para la misma, ha permitido realizar esta edición especial, dedicada fundamentalmente al cine de nuestra América y a varios aniversarios importantes de nuestra cultura, principalmente al XL Aniversario del Festival Internacional del Nuevo Cine Latinoamericano de La Habana. Algunas otras secciones tradicionales de nuestra revista, también podrán ser encontradas en esta nueva edición. No es intención terminar este editorial sin hacer una breve referencia a la cita cinematográfica habanera, dado que el festival de cine a lo largo de los años, nos ha mostrado un incremento en fomentar el espectro en temáticas primordiales, particularmente aquellas que afectan Latinoamérica, desde las dictaduras militares del pasado, hasta las nuevas alianzas ideológicas y políticas, sin olvidar las crisis en las relaciones entorno y sociedad y aquellas que surgen en las familias, y no sólo en aquellas llamadas disfuncionales. Sus secciones paralelas han tenido y tienen como objetivo, entre otros, el intercambio de reconocidas figuras con la prensa acreditada y también proponer la búsqueda de medios que ayuden a consolidar la formación de un público conocedor, responsable y crítico ante la proyección de cualquier material audiovisual. SIGNIS Cuba estará presente en el festival habanero con un prestigioso jurado, siguiendo el camino abierto desde 1984 por nuestra querida presidenta emérita Gina Preval. Bienvenida la XL Edición del Festival Habanero. El Festival Internacional del Nuevo Cine Latinoamericano cumple 40 años y para SIGNIS Cuba es motivo de júbilo. Muchas son las causas de nuestra alegría, pero principalmente por lo que este evento ha representado para la formación de una cultura cinematográfica y de promoción del cine de nuestra patria grande, y en lo particular, para la iglesia católica cubana, representa el más alto nivel de intercambio con la cultura de nuestro país. Han pasado 40 años desde aquel 3 de diciembre de 1979 en que Cuba abrió las puertas al cine latinoamericano. En estas 4 décadas transcurridas hay que recordar el trabajo encomiable de dos figuras representativas de la pastoral cinematográfica cubana, Gina Preval y Walfredo Piñera, cuya labor, junto a otras personalidades, le hicieron ganar a la OCIC nacional un merecido prestigio y respeto en el ámbito cultural de nuestra nación. Esto fue sin duda la causa principal por la cual el Comité Organizador invitara en 1984 a OCIC-Mundial a formar un jurado. Decisión sabia que se ha mantenido ininterrumpidamente hasta nuestros días. Mucho ha sido el camino andado por OCIC – SIGNIS y por los organizadores del Festival. Quizás nunca imaginamos, en aquella primera edición que el festival llegaría hasta el siglo XXI, pues en aquel entonces las salas de cines, bien numerosas en aquella época aunque no todas destinadas a la programación del festival, no se llenaban, no había colas para ver las películas que se exhibían. Un escepticismo flotaba en la población, la cual creía que sólo iba a ver en la pantalla miseria o panfletos políticos. Pero poco a poco ese escepticismo fue desapareciendo desde la mismísima segunda edición con filmes tan sobresalientes como Los pequeños privilegios, el cual además contaba con la actuación de uno de los actores mexicanos más cotizados de aquel momento, Pedro Armendáriz, hijo. Ya para 1982 la afluencia de público había crecido tanto, que se hizo necesaria la incorporación de otras salas para la proyección de películas concursantes. Otro acontecer importante ocurre en 1992 cuando se toma la feliz decisión de ampliar la magnitud del festival y junto a la programación de las obras en concurso, realizar muestras paralelas dedicadas a una cinematografía determinada, o a una personalidad, permitiendo al gran público confrontar obras de reciente realización o sencillamente volver a ver películas representativas de la historia del cine. Damos la bienvenida a la XL edición del Festival Internacional del Nuevo Cine Latinoamericano y recordemos a continuación los premios otorgados por OCIC-SIGNIS desde 1984 hasta la fecha. Premio OCIC 1984 – Diles que no me maten/Venezuela/ D: Freddy Siso Menciones: - Remitente Nicaragua (Carta al mundo)/Argentina/D: Fernando Birri - Gregorio/Perú/D: Grupo Chaski - Una vida para dos/Documental/Cuba/D: Gerardo Chijona Premio OCIC 1985 – Las madres de la Plaza de Mayo/EE.UU./D: Susana Muñoz y Lourdes Portillo Menciones: - O Bahiano Fantasma/El bahiano fantasma/Brasil/D: Denoy de Olivera - Niños desaparecidos/Documental/Cuba/D: Estela Bravo - Frei Tito/Documental/Brasil/D: Marlene Franca Premio OCIC 1986 – O Cor do Seu Destino/El color de su destino/Brasil/D: Jorge Durán Menciones: - Mulheres da Terra/ Mujeres de la tierra”/Documental/Brasil/D: Marlene Franca - La nariz de fuego/Documental/Colombia/D: Juan A. Garcés - Hombre mirando al sudeste/Argentina/D: Eliseo Subiela - A Igreja Dos Oprimidos La Iglesia de los oprimidos/Documental/Brasil/D: Jorge Bodanszki y Helena Salem - Niños deudores/Documental/Cuba/D: Estela Bravo Premio OCIC 1987 – La noche de los lápices/Argentina/D: Héctor Olivera Menciones: - Pé ne Caminhada/Pie en marcha/Documental/Brasil/D: Conrado Berning - La deuda interna/Documental/Argentina/D: Miguel Pereira - Una mirada amistosa/Documental/Cuba/D: Octavio Cortazar - En nombre de Dios/Documental/Chile - España/D: Patricio Guzmán Premio OCIC 1988 Ex - Aequo – La boca del lobo/Perú – Francia/D: Francisco Lombardi/Cien niños esperando un tren/Documental/Chile/D: Ignacio Agüero Menciones: - Solas o mal acompañadas/Documental/Argentina/D: Silvia Chanbillar y Laura Bua - La amiga/Argentina - Alemania/D: Jeanine Marapfel Premio OCIC 1989 Ex - Aequo – Últimas imágenes del ufragio/Argentina/ D: Eliseo Subiela/Que Bon Te Ver Viva/Que bueno verte iviva/Documental/Brasil/D: Lucía Murat Premio OCIC 1990 Ex - Aequo – Después de la tormenta/Argentina/D: Tristán Bauer/Una gota en el Mar/Documental/Cuba/D: Belkis Vega Menciones: Ava y Grabriel: una historia de amor/Antillas Holandesas Premio OCIC 1991 Ex - Aequo – Cabeza de vaca/México – España/D: Nicolás Echevarría/A Guerra Dos Meninos/La guerra de los niños/Documental/Brasil/D: Sandra Werneck Menciones: Jericó/Venezuela/D: Luis Alberto Lamata Premio OCIC 1992 – La frontera/Chile – España/D: Ricardo Larraín Premio OCIC 1993 Ex – Aequo – Fresa y chocolate/Cuba – España – México/D: Tomás Gutiérrez Alea y Juan Carlos Tabío/La deuda de la vida/Documental/Brasil/Octavio Becerra Menciones: - Golpes a mi puerta/Cuba - Venezuela/D: Alejandro Saderman - Bartolomé de las Casas (La leyenda negra)/México/D: Sergio Olhovich - Cambiando vidas/Documental/Cuba/D: Lizette Vila Se hizo además un reconocimiento Especial a la Escuela Internacional de Cine y televisión de San Antonio de los Baños Premio OCIC 1994 – Amnesia/Chile – Francia – México/D: Gonzalo Justiniano Menciones: - Madagascar/Cuba/D: Fernando Pérez - Estado del tiempo/Documental/Cuba/D: Luis Felipe Bernaza Premio OCIC 1995 – La nave de los locos/Argentina – España/D: Ricardo Wulicher Menciones: Cuestión de fe/Bolivia/D: Marcos Loyza Jaime de Nevares: último viaje/Documental/Argentina/D: Marcelo Céspedes, Carmen Guarini Premio OCIC 1996 – El dedo en la llaga/Argentina – España/D: Alberto Lecchi Menciones: - Aire libre/Venezuela -
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