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Janeil Engelstad EDUCATION Public Leadership Credential, 2021
Janeil Engelstad EDUCATION Public Leadership Credential, 2021 Harvard University, Kennedy School of Government MFA, Photography / Studio Art, 1991 New York University and International Center of Photography, joint program, New York, NY BA, Political Science and BA, English, 1985 University of Washington, Seattle, WA Dean’s List SELECTED PROFESSIONAL AWARDS Institute of Innovation and Global Engagement, University of Washington, Artist in Residence, 2021 Red Bull, Artist Grant, 2020 Nasher Sculpture Center Artist Grant, 2020 Laźnia Centre for Contemporary Art, Gdańsk, Poland, Artist in Residence, 2019 Dallas Museum of Art, Artist in Residence, 2017 National Academies Keck Futures Initiative, 2016 US Dept. of State Alumni International Exchange Seminar, 2016 The Op-Ed Project’s Public Voices Greenhouse Fellowship, 2015 Dallas Mastermind Award, 2014 Association of Art Museum Directors, Next Practices in Museum Arts Education, 2014 ArtMill Center for Creative Sustainability, Horaždovice, Czech Republic, Artist in Residence, 2012 Fulbright Scholar, Academy of Fine Arts and Design, Bratislava, Slovak Republic, 2007 – 2006 The Index Project, Index Award finalist, 2005 Clinton White House Initiative: Artists Create for the Millennium, short list, 1999 SELECTED TEACHING EXPERIENCE 2021 University of Washington, Tacoma, Visiting Lecturer, Global Imaginations/Interdisciplinary Practice 2020 CityLab High School, Dallas, TX, Out of the Box, virtual 4 week design course addressing COVID-19 2019-18 CityLab High School, Dallas, TX, Year-long public art -
Back to the Books, Winter Or Not!
Wednesday, January 16, 2013 VOLUME 31 / NUMBER 16 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews UIC NEWS youtube.com/uicmedia For the community of the University of Illinois at Chicago “Education is not preparation for life; education is life itself.” — John Dewey Photos: Roberta Dupuis-Devlin As the new semester begins, the student centers are busy with activities for Winter Welcome Week. Left: Kimberly Randall tells Bolaji Oke-Samuel about Primo Dance Troupe at the Student Organization Fair in the Ward Lounge; Krystal Fowlkes and Sara Wissmiller have lunch in Inner Circle; Abdul Aduib, Mahair Chamout and Ahmad Alomari share a table in the Pier Room. The rest of the week includes Thirsty Thursday, with free hot chocolate and mentalist Craig Karges in Student Center West, and a UIC Fashion Show open house through Friday, Student Center East. More info at www.uic.edu/depts/campusprograms Back to the books, winter or not! INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 8 | Student Voice 9 | Police / Deaths 10 | Sports 12 Osamah Hasan’s dream: better Dee Alexander balances careers Architecture grad Dan Meis, the Freshman steps up, leads Flames health care for developing nations on campus and onstage man with the Tatlin’s Tower tattoo to Horizon League victory More on page 2 More on page 5 More on page 6 More on page 12 2 UIC NEWS I www.uicnews.uic.edu I JANUARY 16, 2013 profile Send profile ideas to Gary Wisby, [email protected] His ambition: bringing health care to people of developing nations By Gary Wisby Osamah Hasan’s ambition is to be a globe-trotting physician, bringing primary health care to people in developing nations. -
Dallas Media List 1
Dallas Media List 1 Angela Ards, Associate Professor of English SMU [email protected] 617-997-1499 @angelaards Relevant Work Experience: Sub-specialty Expertise: African American life and culture, especially literature; community organizing and engagement; women's issues; journalism Achievements: Education: - Doctorate in English, Princeton University - Master of Arts, African American Studies, UCLA - Bachelor of Arts, English, UNC-Chapel Hill Books Written: - Author, "Getting in Formation: Story in Service of Social Justice," The Women's Review of Books, Mar/Apr 2017 - Author, "What the 'First Black Woman' Librarian of Congress Means, Time.com, July 2016 - Author, "Rhyme and Resist: Organizing the Hip Hop Generation," The Nation, July 1999 - Author, "Community Pride: Reclaiming a Neighborhood in Central Harlem," 1996 Media Appearances: - Author, _Words of Witness: Black Women's Autobiography in the Post-Brown Era_ (U of Wisconsin P, 2016) Subject Matter Expert: - Media & Entertainment - Politics - Social Justice - Women’s Rights Dallas Media List 2 Patricia Arvanitis, Founder & Executive Director Leadership ISD [email protected] 214-668-0004 @parvanitis Patricia Arvanitis is the Executive Director of Leadership ISD, guiding the organization’s development and impact. As one of the founders of the organization, Patricia has been instrumental in developing both the structure, programming, and advocacy strategy. Under Patricia’s guidance Leadership ISD has grown into a highly regarded statewide leadership development and education advocacy agency which advances educational equity and excellence by informing and connecting citizens to shape policy, lead strategically, and champion change. Patricia currently serves on the Booker T. Washington Arts Advisory Board, Commit! Leadership Council, Public Voices Fellowship, and has served on several Dallas ISD High School Advisory Councils and public education task forces. -
Bruges Triennial 2021: T RAUMA
PRESS KIT Bruges Triennial 2021: T RAUMA 08.05.2021 – 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT In a nutshell 3 Introduction 4-5 Artists & architects 6-17 Exhibition at the Porter’s Lodge: ‘The Porous City’ 18 About Bruges Triennial 2021 19 Public Programme, Activities for Children & Guided Tours 20 Practical information 21 Press contact 22 08.05.2021 - 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT IN A NUTSHELL Bruges Triennial 2021: TraumA ... is the third edition of Bruges Triennial and runs from May 8 to October 24, 2021. is a freely accessible contemporary art and architecture trail in the city centre of Bruges. is a thematic exhibition bringing together the work of 13 artists and architects — including 3 Belgians— in the public space. showcases artists and architects who respond to the complexity, versatility and dynamics of the city of Bruges. shifts its focus this year from the public space to some of the hidden dimensions of the city and its inhabitants. treads a balance between the present and the concealed, between private and public, between dream and nightmare. is complemented by a group exhibition at the Poortersloge (Porter’s Lodge) presenting about 40 sculptures, photographs, drawings, paintings and videos by national and international artists. is curated by the curatorial team consisting of Till-Holger Borchert, Santiago De Waele, Michel Dewilde, and Els Wuyts. is accompanied by a public programme packed full with an extensive range of engaging activities. 3 08.05.2021 - 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT INTRODUCTION From 8 May to 24 October 2021, Bruges once again becomes the host city for an exploration of contemporary art and architecture. -
Chicago Tourist Information 7 August, 2003
Lepton Photon 2003 Chicago Tourist Information 7 August, 2003 XXI International Symposium on Lepton and Photon Interactions at High Energies Fermi National Accelerator Laboratory, Batavia, IL USA 11 – 16 August 2003 CHICAGO TOURIST INFORMATION Wednesday 13 August 2003 is a free day at the Lepton Photon 2003 Symposium. The Symposium banquet will be held in the evening at Navy Pier in downtown Chicago. It will begin with a reception at 6:30 p.m., followed by dinner at 7:30 p.m. There will be a lakefront fireworks display right off the pier at 9:30 p.m. Buses will depart from Navy Pier around 10:00 p.m. We hope that many of you will take advantage of the time to visit Chicago. We will run several buses to Chicago in the morning. There will be a few additional buses in the afternoon. Detailed schedules will be available at the beginning of the conference and sign-up for the bus transportation is requested. We have some suggestions for tours you might take or sights you might see depending on your interests. Please be aware that many of the attractions are internationally renowned and, depending on the time of the year and the weather, can be quite crowded and have long waits for admission. In some cases, you can get tickets in advance through the web or Ticketron. All times and fees are for Wednesday, 13 August 2003 and do vary from day to day. More information is available in the materials we have provided in the registration packet and at the official city of Chicago Website: http://www.cityofchicago.org. -
2016 International Artist Exchanges' Creative
Photo: Laura Chichisan Why Support International Exchange among Artists? A Decade of Tracking the Economic, Cultural and Social Benefits of Doing So TransCultural Exchange’s Conferences on International Opportunities in the Arts Economic Impact Analysis and Program Evaluation 1 Why Support International Exchange among Artists? A Decade of Tracking the Economic, Cultural and Social Benefits of Doing So ______________________________________________________ Evaluation Staff Submitted by Carol Van Zandt/Mary Sherman Layout Carol Van Zandt/Siyi Yang Previous Surveys’ Research and Editing Support by Marie Costello, Tanya Gruenberger, Lindsay Ladner, Fahrin Zaman Online Survey Tool and Methodology Developed for TransCultural Exchange: Center for Policy Analysis at the University of Massachusetts Dartmouth TransCultural Exchange would like to thank the Massachusetts Cultural Council, Boston Cultural Council and National Endowment for the Arts for the funding to help produce this publication. Correspondence and inquiries should be addressed to: TransCultural Exchange The Artist Building at 300 Summer Street, #36 Boston, Massachusetts, 02210 617.670.0307 [email protected] 2 TransCultural Exchange’s Conferences on International Opportunities in the Arts Economic Impact Analysis and Program Evaluation Table of Contents FORWARD p.6 1.00 INTRODUCTION p.10 1.10 SUMMARY 2.00 ECONOMIC IMPACT AND SURVEY EVALUATION p.30 2.10 Methodology 2.11 Process Evaluation 2.12 Survey Evaluation 3.00 ECONOMIC IMPACT ANALYSIS p.32 3.10 Overview 3.11 -
The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash
Installation view of The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash. © General Idea. The Estate of General Idea (1969-1994) had their first exhibition with the Mitchell-Innes & Nash Gallery on view in Chelsea through January 13, featuring several “ziggurat” paintings from the late 1960s, alongside works on paper, photographs and ephemera that highlight the central importance of the ziggurat form in the rich practice of General Idea. It got me thinking about the unique Canadian trio’s sumptuous praxis and how it evolved from humble roots in the underground of the early 1970s to its sophisticated position atop the contemporary art world of today. One could say that the ziggurat form is a perfect metaphor for a staircase of their own making that they ascended with grace and elegance, which is true. But they also had to aggressively lacerate and burn their way to the top, armed with real fire, an acerbic wit and a penchant for knowing where to apply pressure. Even the tragic loss of two thirds of their members along the way did not deter their rise, making the unlikely climb all the more heroic. General Idea, VB Gown from the 1984 Miss General Idea Pageant, Urban Armour for the Future, 1975, Gelatin Silver Print, 10 by 8 in. 25.4 by 20.3 cm, Courtesy Mitchell-Innes and Nash. © General Idea. The ancient architectural structure of steps leading up to a temple symbolizes a link between humans and the gods and can be found in cultures ranging from Mesopotamia to the Aztecs to the Navajos. -
Natural Materials Pancho Jiménez Nnenna Okore Cameron Welch
FOR IMMEDIATE RELEASE Natural Materials Pancho Jiménez Nnenna Okore Cameron Welch April 10 – May 8, 2021 #naturalmaterialsexhibition #jenkinsjohsongallery #minnesotastreetproject @pancho_jimenez @nnennaokore @welch_cameron @jenkinsjohnsongallery @ minnesotastreetproject Cameron Welch, Hot Head, 2021, marble, glass, ceramic, oil, acrylic and spray enamel on panel in artist frame, 47.5 x 37.5 in. Jenkin Johnson Gallery, San Francisco, is pleased to present Natural Materials, a group exhibition featuring new works by Pancho Jiménez, Nnenna Okore and Cameron Welch. This exhibition explores three artists’ use of natural material and found objects in their practice. Each artist approaches materials differently creating a captivating discussion on materiality, texture, and shape. Jiménez rebuilds and recontextualizes found trinkets and objects. Okore weaves fibers and found material to create ethereal sculptures. Welch adds a contemporary perspective to traditional mosaic techniques with motifs and imagery found throughout history. Natural Materials opens Saturday, April 10, 2021 and will be on view through Saturday, May 8. The exhibition is by appointment only. Please visit our website to schedule a viewing. www.jenkinsjohnsongallery.com. Francisco (Pancho) Jiménez (lives and works in Santa Clara, CA) explores the elusiveness of dreams and memory. Joining together molded forms in unlikely combinations, Jiménez transforms kitsch elements into complex pieces with a rich and relevant focus. The juxtaposition of shapes in his sculptures may at first seem haphazard, but is intentionally crafted to mimic the illusiveness of memory as it advances and recedes over time. Jiménez holds an M.F.A. in Sculptural Ceramics from San Francisco State University, and his BA degree from Santa Clara University. He has exhibited extensively in the San Francisco Bay Area and nationally at universities, private galleries and civic spaces. -
Press Release
Sakhile&Me ® Exhibition Space for International Contemporary Art Sakhile&Me | Daniel Hagemeier & Sakhile Matlhare GbR Oberlindau 7, D-60323 Press Release Frankfurt am Main For Immediate Release T +49 (0) 69 - 770 611 00 F +49 (0) 69 - 770 611 01 [email protected] Sakhile&Me offers review of their www.sakhileandme.com 2019 exhibition program Accrochage features works by Osi Audu, Kevin Demery, Nnenna Okore and Ghizlane Sahli January 6, 2020 Frankfurt/Main, Germany – Sakhile&Me is pleased to present Accrochage, a selection of works from the gallery’s 2019 exhibition program including paintings by Osi Audu and Kevin Demery as well as sculptural installations by Nnenna Okore and Ghizlane Sahli. The exhibition runs from 7 January to 8 February, 2020. Osi Audu’s practice focuses on abstract art that retains some figurative elements in his geometric acrylic paintings in two colours and monochromatic grey and black drawings. Following the Yoruba concept of Ori Inu („the inner head“), his works - most of them displaying portraits of the self - draw attention to the artist‘s focus on the head as a signifier of consciousness and as an object of self-knowing. Audu received his BFA from the University of Ife (Nigeria) in 1980 and his MFA in Painting and Drawing from the University of Georgia in Athens (USA) in 1984. Kevin Demery‘s works explore the interplay between North American history and signifiers of power, developing a painterly language that invites us to move between the potent aesthetic of his work and recurring motifs of historical violence, surveillance and childhood trauma. -
WORK EXPERIENCE ART INSTITUTE of CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Respo
DEVON L. PYLE-VOWLES 847-903-7940 email: [email protected] WORK EXPERIENCE ART INSTITUTE OF CHICAGO Collection Manager for the Department of European Painting & Sculpture (EPS). Responsible for the department’s collection, including acquisitions, outgoing loans, incoming loans, deaccessions, object files, database records, metadata, and research materials. Coordinated and managed activities pertaining to the permanent collection, including the administration of new acquisitions, conservation treatment requests, gallery rotations and installations, loans, storage, documentation of permanent collection objects and promised gifts, and external research inquiries. When necessary, couriered the EPS collection for outgoing loan program of the AIC (about 10 times a year). Under advisement of curators, published accurate object information online through the museum’s databases, ensuring data fidelity and actively managed the tagging of the EPS collection. Served as liaison between department chair and curators, technicians, specialists, and support staff. As the main point of contact, collaborated with the departments of Collections and Loans, Experience Design on developing and maintaining accurate collection data on the website; Conservation and Science, Facilities, Imaging, the Office of the Secretary to the Board of Trustees. Also, coordinated communications when necessary with lenders, donors, estates, appraisers, EPS committee members, galleries, and collectors.(June 2014-July 2020) Collections Inventory Manager for the Department of European Decorative Arts. Responsible for developing, coordinating and implementing the protocol for the inventory project which included the collection being photographed for the database and the website. Maintained and updated the departmental accession files, location lists and corresponding Art Institute (AIC) database records for the European Decorative Arts collection. Worked closely with the Curator and Preparatory specialist on the collection assessment and photography process. -
Early Twentieth-Century Artists' Paints in Toronto: Archival and Material
Early Twentieth-Century Artists’ Paints in Toronto: Archival and Material Evidence Kate Helwig, Elizabeth Moffatt, Marie-Claude Corbeil and Dominique Duguay Journal of the Canadian Association for Conservation (J.CAC), Volume 40 © Canadian Association for Conservation, 2015 This article: © Canadian Conservation Institute, 2015. Reproduced with the permission of the Canadian Conservation Institute, Department of Canadian Heritage. J.CAC is a peer reviewed journal published annually by the Canadian Association for Conservation of Cultural Property (CAC), 207 Bank Street, Suite 419, Ottawa, ON K2P 2N2, Canada; Tel.: (613) 231-3977; Fax: (613) 231-4406; E-mail: [email protected]; Web site: http://www.cac-accr.ca. The views expressed in this publication are those of the individual authors, and are not necessarily those of the editors or of CAC. Journal de l’Association canadienne pour la conservation et la restauration (J.ACCR), Volume 40 © l’Association canadienne pour la conservation et restauration, 2015 Cet article : © l’Institut canadien de conservation, 2015. Reproduit avec la permission de l’Institut canadien de conservation, Ministère du Patrimoine canadien. Le J.ACCR est un journal révisé par des pairs qui est publié annuellement par l’Association canadienne pour la conservation et la restauration des biens culturels (ACCR), 207, rue Bank, bureau 419, Ottawa ON K2P 2N2, Canada; Téléphone : (613) 231-3977; Télécopieur : (613) 231-4406; Adresse électronique : [email protected]; Site Web : http://www.cac-accr.ca. Les opinions -
Bald and Bold for St. Baldrick's
Wednesday, February 26, 2014 VOLUME 33 / NUMBER 22 www.uicnews.uic.edu facebook.com/uicnews twitter.com/uicnews NEWS UIC youtube.com/uicmedia For the community of the University of Illinois at Chicago Photo: S.K. Vemmer Carly Harte and Andrea Heath check each other’s new look after their heads were shaved in a fundraiser for St. Baldrick’s Foundation Thursday. The roommates drove from Milwaukee to Children’s Hospital University of Illinois for the event, which benefits pediatric cancer research at UIC and elsewhere. More on page 3; watch the video atyoutube.com/uicmedia Bald and bold for St. Baldrick’s INSIDE: Profile / Quotable 2 | Campus News 4 | Calendar 12 | Student Voice 13 | Police 14 | Sports 16 Composer Steve Everett finds the Honoring UIC’s Researchers of Cai O’Connell’s once-in-a-lifetime Women’s basketball gets ready to right notes the Year Olympics assignment break the record More on page 2 More on page 7 More on page 11 More on page 16 2 UIC NEWS I www.uicnews.uic.edu I FEBRUARY 26, 2014 profile Send profile ideas to Gary Wisby,[email protected] Composer Steve Everett hits right notes with technology By Gary Wisby Princeton and a guest composer at Eastman School of Music, Conservatoire National Supérieur de Mu- Epilepsy. sique de Paris, Conservatoire de Musique de Genève The chemical origins of life. in Switzerland, Rotterdam Conservatory of Music A young prostitute who lived in and Utrecht School of the Arts in the Netherlands. New Orleans’ notorious Storyville His compositions have been performed in Paris, 100 years ago.