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ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] Alibi
OH MY GOD, THAT WAS RAIN SINCE 1992 PHOTO BY ERIC WILLIAMS PHOTOGRAPHY VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] alibi VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 EDITORIAL MANAGING AND FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC AND NEWS EDITOR: August March (ext. 245) [email protected] ARTS AND LIT.EDITOR: Maggie Grimason (ext. 239) [email protected] FOOD EDITOR: Robin Babb [email protected] COPY EDITOR: Taylor Grabowsky [email protected] CALENDARS EDITOR: Ashli Mayo [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] EDITORIAL INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Rob Brezsny, Carolyn Carlson, Zabrina Chavez, Desmond Fox, Taylor Grabowsky, Hosho McCreesh, Mayo Lua de Frenchie, Adam Wood PRODUCTION PRODUCTION MANAGER/EDITORIAL DESIGNER: Valerie Serna (ext. 254) [email protected] GRAPHIC DESIGNERS: Corey Yazzie [email protected] Ramona Chavez [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Ryan North, Mike Organisciak, Jen Sorensen SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. 248) [email protected] ACCOUNT EXECUTIVES: Kittie Blackwell (ext. 224) [email protected] John Hankinson (ext. 235) [email protected] Shane Boyd (ext. 223) [email protected] Sarah Shipman (ext. 210) [email protected] STREET TEAM: Alexis Al Omari [email protected] ADMINISTRATION PUBLISHER: Constance Moss (ext. 222) [email protected] CONTROLLER: Courtney Foster (ext. 257) [email protected] SYSTEMS MANAGER: Kyle Silfer (ext. -
Hunger Makes Me a Modern Girl: a Memoir Free
FREE HUNGER MAKES ME A MODERN GIRL: A MEMOIR PDF Carrie Brownstein | 256 pages | 05 Nov 2015 | Little, Brown Book Group | 9780349007922 | English | London, United Kingdom Hunger Makes Me a Modern Girl by Carrie Brownstein: | : Books Look Inside. Oct 27, Minutes Buy. Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the s. With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. That quality has become obvious over the course of eight albums with bandmates Corin Tucker and Janet Weiss… and now in her refreshingly forthright new memoir, Hunger Makes Me a Modern Girl. Instead, she candidly recounts the panic attacks and stress-induced shingles she experienced on tour. More important, it shows how compelling she is when she opens up. She carries a lot of humor and gentle self-deprecation throughout the work. For Carrie Brownstein, who grew up in the Riot Grrrl movement in the Pacific Northwest, they did: She started out playing in countless punk bands until settling on one with her BFF and romantic partner, Corin Tucker, which they eventually turned into the best rock band of all time, Sleater-Kinney. -
FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own. -
Wm- F*Ac*Mi*I J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77K HEY MIGHT E GIANTS Flilagess-Vogcte! SPINE on the HIGHWAY TOUR
;&;..—,>'• r..- :y „o Wm- F*Ac*Mi*i J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77k HEY MIGHT E GIANTS flilAGESS-VOGCte! SPINE ON THE HIGHWAY TOUR RY DJS PANDEMONH MALEflCENT - AND HSR BAND I RICHARD'S ON RICHARDS I I COMMODORE BALLROOM | | COMMODORE BALLROOM FRIDAY SEPTEMBER 31 1 SFPTEMBERTI I SEPTEMBER 7 BURJNI1NG factfto face SPEAR TOOTS AND THE- PINCH ^l»W&t* I I •COVE [TOUNTERFIT AND GUESTS MY CHEMICAL ROMANCE Conce. itember 51 BETA FACTOR B IS TICKETS ALSO AT SATURDAYS ZULU AND SCRATCH MALKIN BOWL, DOORS 7PM, SHOW 8PM t<Pr^ I ALL AGES IC8MMIIDME BSLLBOOM | IAN CULTURAL CEN I SEPTEMBER!?! fsiEPTEMBER2B| ^^MoJ^^^^^^Sy. momGRum TJLl m>J!'Z ev£~*4%S0i WmMMi ITHOUTYOU I mmmxtmn I CROATIAN CULTURAL CENTRE 1 I COMMODORE BALLROOM I WKBm SNOWj "*sarah IHSIDEIJUDOMMY^I ATR PI Jrarmer ECOBIBING with Josh ritter limp*: SEPTEMBER 28 ->mm October 16 RICHARD'S SEPTEMBER 27 ON RICHARDS COMMODORE OCTOBER 18 BALLROOM COMMODORE BALLROOM TICKETS ALSO AT ZULU PURCHASE TICKETS SQQGOO AT hob,com OR ticketmaster.ca ticUetmaster604-280-44427y SCREW THE REST, THIS IS THE REAL DEAL THAT "WHY YOU DIDN'T MIL ME?"MAGAZINE FROM CiTR 101.9FM EDITglX i-M Siddle ADMAN Jason Bennet FEATURES Attention all bands, PRODUCTION MANAGER BaserrlffiiT Sweets p.9 musicians, drumming monkeys! Blimp.10 ART DIRECTOR Fake Cops p. 11 Dale Davies ^^pder the Volcano pvl2 EDITORIAQKSSISTANT ^S^ei^^cording p. 13 TA EDITOR r^3j|^^pyra DraciMfic!/'"^ REGULARS FroT*rM®£) lsk of... S^ JI^EDITOR t mm ^;^uckj|(g|BlwIls1nit pjife |? LAYOUT & DESIGN -Dale Davies fff^iff I^Hp ^t^Saeme Worthy '^'|rextUal^^tjve p.8 ^^^on ^iisflliiif&b Underlf^^^vsf p^^" l^^^py^Draculem §||f|§y & rat (big tim|| Real Live Action p. -
2020 March Showchime.Pdf
From Karl Blau, Interview with Cover Show Chime & AMP Progenitor Artist Melanie Dugan Anacortes artist, Melanie Dugan, has enjoyed MARCH! art ever since she could hold a pencil. She Those who know me know how I feel about this month being received her frst pet portrait commission the obvious frst month of the year. I mean it’s called “March” for at the age of 14 when her junior high home cryin’ out loud. Plus then SEPTember, OCTober, NOVember and room teacher noticed her talent in art and DECember take back their rightful 7th, 8th, 9th and 10th places hired her to do a painting of her two cats. on the calendar respectively. And so many other reasons. Even with the broad experience in different media, she prefers to work in pencil, choosing It was in March 2013 that the frst Show Chime came out colored pencil even for her works in black featuring artist Hannah Stephens—so this means Happy and white. She is largely self-taught as Birthday to Show Chime! And I want to send a HUGE thanks and she has had only one drawing class since congratulations to Laurie Racicot, Editor and Designer of Show junior high. Melanie runs Art Studio 2120 in Chime, for keeping it rolling these past many months. If you’ve Anacortes along with her husband, Greg been following Show Chime over the years you know how it Dugan. Her work can be seen online at their limped along for many of those. Now it’s just rolling tough with a website www.artstudio2120.com or you can head of steam thanks to Laurie and AMP’s hard work. -
Lori Goldston Lorigoldston.Com | +1 206.715.4540| [email protected]
Lori Goldston lorigoldston.com | +1 206.715.4540| [email protected] Selected Commissioned Works Death and the Mourning After for Timothy White Eagle Improvised solo acoustic cello score for an livestreamed theater performance, part of La MaMa’s Reflections of Native Voices Festival. 2021 Manzanar, Diverted Composed a score for a feature-length documentary by Ann Kaneko, in collaboration with Steve Fisk, Alexander Mirana, Susie Kozawa and Matt Chamberlain. 2021 What You Can Hear From Here for Art Saves Me Commissioned by One Reel to create new work for an online exhibition. In collaboration with videographer Isaac Hanson. Seattle. 2020 Rivulet, for Nonsequitur Composed and performed an evening-length piece for a small ensemble; with Greg Kelley, Kole Galbraith, Dave Abramson and Haley Freedlund. Chapel Performance Space, Seattle. 2019 Yellowstone, for Jon Jost Recorded an improvised solo amplified cello score for a work-in-progress video installation. Featured as part of Nonsequitur’s “Wayward In Limbo”. Seattle. 2019 Ama (The Woman Diver), for Nalanda West Performed an improvised solo acoustic cello score for Jim Fletcher and Katiana Rangel’s production of a 14th Century Japanese play. Seattle. 2018 Études N°11, for Paris Fashion Week Composed and performed a solo acoustic cello score accompanying the runway show for fashion house Études. Paris, France. 2017 That Sunrise, for the BBC Scottish Symphony Composed and performed a new work for amplified cello and orchestra as part of Glasgow Tectonics Festival. Glasgow. 2017 The Seawall , for the City of Seattle With drummer Dan Sasaki, composed and recorded a response to Seattle’s seawall reconstruction project. -
Live Wire Radio Pacific Northwest Friends: $2,500 to $4,999
LIVE WIRE SPONSORSHIP DECK 2020 AN INCREDIBLE PARTNERSHIP ON-THE-AIR WITH LIVE WIRE High-Quality, Engaged, Clutter-Free & National & Distinctive Influential & Trusted Multi-Channel Programming Culturally-Minded Messaging Opportunities Audience Platform LIVE WIRE IT’S LATE NIGHT FOR RADIO Hosted by Luke Burbank, Live Wire combines the prestige of national radio broadcasting with its own outstanding reputation as an independently-produced Portland production. Over the last 16 years, Live Wire has brought audiences together to spark moments of human connectedness through performance, humor, and unpredictable moments of discovery. Live Wire is music, comedy, and conversation. Our show stands out as one of the fastest growing entertainment radio programs on air today. Listeners turn to Live Wire every week to laugh, learn, and feel the nation’s cultural pulse. It’s Late Night for Radio. THE VOICES OF LIVE WIRE FEATURED GUESTS MUSIC: Jeff Tweedy, Pink Martini, Melissa Etheridge, Little Freddie King, Patterson Hood, Kishi Bashi, Mandy Moore, Thundercat, Shakey Graves, Neko Case, Shovels & Rope, Thao and the Get Down Stay Down, Loudon Wainwright III, Waxahatchee, Blitzen Trapper, Amythyst Kiah, and Reggie Watts HOST LUKE COMEDY: Abbi Jacobson, Janeane Garofalo, Marc BURBANK Maron, Phoebe Robinson, John Hodgman, Hari Kondabolu, Paula Poundstone, Thomas Middleditch, Luke Burbank grew up one of seven Ben Schwartz, Reggie Watts, Mo Rocca, Kristen kids, learning early on how to vie for Schaal, Carrie Brownstein, and Fred Armisen attention. Those profound childhood issues have propelled him to contribute to and create various media projects, CONVERSATION: Salman Rushdie, W. Kamau Bell, including Wait Wait...Don’t Tell Me, This Lindy West, Jesse Eisenberg, Ijeoma Oluo, John Irving, American Life, CBS Sunday Morning, Diana Nyad, Eileen Myles, Jonathan Safran Foer, Luis and the daily podcast Too Beautiful to Live. -
Spring Fling Not Nice Suddenly Dragons A
FUZZ BUZZ P.09 + BIZ BRIEFS P.23 + SANDWICH STAYCATION P.26 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*SURROUNDING AREAS BLACKLIVESMATTER 08-05-2020 • ISSUE: 32 • V.15 NOT NICE Timber trouble in the Upper Nooksack —P.06 SUDDENLY DRAGONS Art and adventure in Arlington —P.16 A PERFECT PARTNERSHIP The Business meets Criterion P.20 Subdued — Stringband Jamboree RETURN TO THE BACKYARD P.18 SPRING FLING Shelter in place with FishBoy P.09 THISWEEK 26 Contact Cascadia Weekly: FOOD 360.647.8200 mail TOC LETTERS STAFF Advertising 21 Sales Manager: Stephanie Young ext 1 B-BOARD sales@ cascadiaweekly.com 20 Editorial It may be hard to believe, but mustachioed actor Wilfred FILM Editor & Publisher: Brimley was only 49 years old when he was cast as a senior Tim Johnson citizen rejuvenated by aliens in the 1985 film Cocoon. In ext 3 18 addition to other memorable roles in films like The China editor@ Syndrome, Tender Mercies, and The Natural, Brimley was also cascadiaweekly.com the longtime face of television ads for the Quaker Oats Com- MUSIC pany and promoted diabetes education. Brimley, 85, died Arts & Entertainment last weekend at a hospital in St. George, Utah. Editor: Amy Kepferle 16 ext 2 calendar@ ART cascadiaweekly.com Music Editor: 14 Carey Ross music@ STAGE Views & News cascadiaweekly.com 02: Mailbag Production 12 04: Gristle and Views Art Director: 06: Watershed woes Jesse Kinsman GET OUT 08: Last week’s news jesse@ kinsmancreative.com 09: Fuzz Buzz, 52 Women Design: 10 Bill Kamphausen Arts & Life Advertising Design: WORDS 10: A twisty mystery Roman Komarov roman@ 12: Hidden gems cascadiaweekly.com 6 Send all advertising materials to Beyond the beach 14: [email protected] END DISCRIMINATORY ZONING portionately minorities. -
February 1999
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2/06-2/07 April 2009
2/06-2/07 April 2009 INTERFILM – International Interchurch Film Organisation. Präsident: Hans Hodel, Rabbentaltreppe 8, CH-3013 Bern. In- formations-Bulletin für die Mitglieder. Redaktion: Karsten Visarius; Mitarbeit: Gustav Pressel; Druck: Henrich Druck und Medien, Frankfurt/M; Geschäftsstelle INTERFILM: Filmkulturelles Zentrum im Gemeinschaftswerk der Evangelischen Publizistik, Emil-von-Behring-Str. 3, D-60439 Frankfurt, Postfach 500550, 60394 Frankfurt, Tel. +49-69-58098-155, Fax: +49-69-58098-274, Email: [email protected] Sondernummer/Special Issue: Preise/Awards 2006/2007 INTERFILM-Info 2/06-2/07 Content – Inhaltsverzeichnis Editorial ....................................................................................................................................................................... 3 Awards – Preise 2006 ....................................................................................................................................................................... 4 Festivals 2006 History/Chronik............................................................................................................................................... 6 Awards – Preise 2007 ........................................................................................................................................................ 20 Festivals 2007 History/Chronik ............................................................................................................................... 22 Front page: Grbavica (Esma’s Secret/Esmas -
Diario 28.Pdf
2 / PROGRAMAZIOA PROGRAMACIÓN PROGRAMME Zinemaldiaren egunkaria • Asteartea, 2006ko irailaren 26a GAURHOYTODAY26 SECCIÓN OFICIAL …ZABALTEGI …ZABALTEGI …HOR. LATINOS …E. LUBITSCH …EMIGRANTES 9:00 KURSAAL, 1 …PERLAS ESPECIALES ZABALTEGI …MADE IN SPAIN 20:30 TRUEBA, 1 22:00 ANTIGUO BERRI, 7 DELIRIOUS NINOTCHKA NYBYGGARNA TOM DICILLO • EE.UU. • 107 M. 16:30 PRINCIPAL 9:30 PRINCIPAL 19:30 PRINCIPE, 10 ERNST LUBITSCH • EE.UU. • 110 M. (LA NUEVA TIERRA) JAN TROELL • SUECIA • 192 M. 12:00 KURSAAL, 1 VITUS NÖMADAK TX ISILTASUN KALEA / 20:30 PRINCIPE, 6 FREDI M. MURER • SUIZA • O.V. SUBTITLES IN SPANISH, RAÚL DE LA FUENTE • CODIRECTORES: PABLO IRABURU, CALLE SILENCIO LO QUE SÉ DE LOLA / SIMULTANEOUS TRANSLATION INTO ENGLISH • SÓLO PRENSA HARKAITZ MARTÍNEZ DE SAN VICENTE, IGOR OTXOA • ESPAÑA • JUAN MIGUEL GUTIÉRREZ • ESPAÑA • V.O. EUSKARA SUBTÍ- MONTE CARLO Y ACREDITADOS. PRIORIDAD PRENSA • 120 M. CE QUE JE SAIS DE LOLA V.O. SUBTÍTULOS EN CASTELLANO, ELECTRÓNICOS EN INGLÉS TULOS EN CASTELLANO • PROYECCIÓN EN VÍDEO • 82 M. (MONTECARLO) B. SCHROEDER JAVIER REBOLLO • ESPAÑA - FRANCIA • (NUEVOS DIRECTO- 20:00 PRINCIPE, 7 • SÓLO PRENSA Y ACREDITADOS. PRIORIDAD PRENSA • 90 M. 19:30 TRUEBA, 2 ERNST LUBITSCH • EE.UU. • 90 M. RES) • V.O. SUBTÍTULOS EN CASTELLANO, ELECTRÓNICOS EN NEIL YOUNG: HEART OF GOLD 20:30 PRINCIPE, 2 17:00 ANTIGUO BERRI, 8 INGLÉS • 112 M. JONATHAN DEMME • EE.UU. • 103 M. 19:00 KURSAAL, 2 HONOR DE CAVALLERIA NÖMADAK TX ALBERT SERRA • ESPAÑA • V.O. CATALÁN SUBTÍTULOS EN DIE AUGEN DER MUMIE MÂ BARFLY (EL BORRACHO) 16:00 ANTIGUO BERRI, 1 23:00 PRINCIPE, 7 RAÚL DE LA FUENTE • CODIRECTORES: PABLO IRABURU, CASTELLANO • 113 M. -
The Oregonian Ted Wheeler
The Oregonian Ted Wheeler: Addressing Portland's livability without 'harassing the homeless' (Guest opinion) By Ted Wheeler December 10, 2017 Portland is a dynamic and prosperous city, and I'm honored to serve as your mayor. People are moving here from all around the nation and the world to participate in what our community has to offer, including diverse employment opportunities, thriving and unique neighborhoods, world-class restaurants and access to nature. I am committed to ensuring that, as Portland grows, the things we love about our city grow along with us. The Seattle Times recently characterized our economy as "transformational," and Forbes called Portland the "Best Place for Business and Careers" in the country. A recent survey from Downtown Clean and Safe found that employment, wages and the number of new businesses are all growing. But this success and its resulting growth have come with some big-city problems, among them rising housing costs, concerns about safety, more litter and graffiti, and increased traffic congestion. More than anything else, I hear about the need to address our homeless crisis with clarity, consistency and compassion. In concert with my colleagues in Portland, Multnomah County and the Joint Office of Homeless Services, we've made record investments - driven by record business license revenues - on a compassionate and comprehensive approach to homelessness. Our approach includes more rent assistance, enhanced shelter options, improved community mental health services, addiction treatment and permanent housing. We are doing more, even as the federal government retreats from its commitment to housing and mental health. The goal is to get people the help they need to get off and stay off the streets.