Press Release FOR IMMEDIATE RELEASE: November 5, 2019 UPDATED: January 23, 2020

The John F. Kennedy Center for the Performing Arts Announces Completed Lineup for Third DIRECT CURRENT, Its Contemporary Culture Immersion (March 8–21)

Focus on Female Creators Honors 100th Anniversary of Women’s Suffrage – New Artists and Performances Added Including Ava DuVernay, Beyoncé Mass, Ami Dang, and Many More

Press photos available HERE

(WASHINGTON)—The John F. Kennedy Center for the Performing Arts announces the full lineup for DIRECT CURRENT, the Center’s two-week celebration of contemporary culture, which returns for a third season this spring. With special emphasis on female creators, works new to the District of Columbia, and interdisciplinary creations, the 2020 immersion showcases some of the most provocative, original, and pioneering voices in the arts today. DIRECT CURRENT takes place on March 8–21 at the Kennedy Center—including the flexible indoor and outdoor spaces of the REACH, its unprecedented new expansion—and beyond.

This year marks the 100th anniversary of the 19th amendment to the U.S. Constitution, which granted women’s suffrage. To honor this milestone centennial, DIRECT CURRENT 2020 not only shines a light on female artists and their work, but also collaborates with two D.C.-based organizations: the 2020 One Woman, One Vote Festival and Vital Voices Global Partnership. The 2020 One Woman, One Vote Festival marks the centennial with presentations of films, concerts, exhibitions, and special events in the city of Washington. Its centerpiece is the One Woman, One Vote Film Festival, which showcases documentary and feature films exploring the issues that impact women today. International non-profit Vital Voices provides a support network and platform for women leaders in all disciplines around the world, helping to make their vision for global change a reality through long-term investments to develop their skills, expand their connections, and enhance their visibility.

DIRECT CURRENT’s wealth of offerings span the artistic spectrum, from the D.C. premieres of two major new to an interactive light show, bold new experiments in dance, and the first live-scored screening of a critically important new documentary. This year’s celebration boasts a strong contingent of prominent female creators including Ava DuVernay, Ellen Reid, Patti Smith, and , while performers range from Chris Thile to Washington National . All told, DIRECT CURRENT’s third season offers a snapshot of contemporary culture through a thoughtfully curated collection of work by some of today’s foremost cultural risk-takers.

International Women’s Day International Women’s Day 2020 falls on March 8, which marks the launch of the third DIRECT CURRENT with Vital Voices’s annual Global Mentoring Walk. This event brings together more than 200 women of all ages and walks of life for a day of mentorship and inspiration. Selected young professionals, chosen from among members of the public who sign up at the Vital Voices website, will be paired with female leaders in their fields to walk together in the open, informal spaces of the REACH, the Kennedy Center’s celebrated new expansion. After sharing life and career advice, the walk participants will attend a private panel discussion led by two eminent female role models: Kennedy Center president Deborah Rutter and Vital Voices president Alyse Nelson (The REACH, March 8).

Mainstage events The DIRECT CURRENT mainstage season kicks off with a special screening of 13th (2016), the “incendiary, indelible and indispensable” documentary (Rolling Stone) that scored Emmy, BAFTA, and Peabody Award-winning director-writer-producer Ava DuVernay her second Oscar® nomination. Named for the 13th Amendment, which abolished slavery but permitted involuntary servitude as punishment for conviction of a crime, 13th is an in-depth investigation of the U.S. prison system and its role in our national history of racial injustice. Presented in collaboration with the One Woman, One Vote 2020 Festival, the film features an original score by Kennedy Center Artistic Director for Jazz Jason Moran, four-time Grammy®-nominated drummer Eric Harland for the first live score performance of the score to accompany the screening. A post-show discussion with Ava DuVernay will follow the performance. (Concert Hall, March 9). DuVernay, America’s highest grossing black female director to date, will also have further selections from her distinguished filmography, including August 28th (2016), A Wrinkle in Time (2018), and Selma (2014), screened at the Kennedy Center throughout the festival as part of a citywide retrospective of her work, with support from the Mayor’s Commission on Television, Film, Media and Entertainment.

Each year, the Vital Voices Global Leadership Awards honor creative and fearless women around the world who lead the way in strengthening democracy, increasing economic opportunity, boosting political engagement, and protecting human rights. Coinciding with the 100th anniversary of women’s suffrage, the 2020 Global Leadership Awards gather together a host of inspiring women as honorees, award presenters and guests. Each honoree will be introduced by means of a specially produced film that celebrates her leadership journey and bold vision for change in her community (Concert Hall, March 11). Throughout the two weeks of DIRECT CURRENT, there will also be an accompanying exhibition: Vital Voices: 100 Women Using Their Power to Empower. Presented in collaboration with Vital Voices, the exhibition comprises penetrating portraits of female leaders by award-winning artist and illustrator Gayle Kabaker, widely known for her popular New Yorker covers (Hall of Nations, March 8–21).

DIRECT CURRENT is thrilled to present the D.C. premiere of p r i s m, the surreal and haunting first opera by composer Ellen Reid, which explores the trauma of sexual abuse and the elasticity of memory that can follow in its wake. Set to a libretto by Roxie Perkins and developed by Beth Morrison Projects, the work has been recognized with both the Music Critics Association of North America’s “Best New Opera Award” and the 2019 Pulitzer Prize in Music. As at its LA Opera and PROTOTYPE Festival premieres last year, the Kennedy Center’s production is by “gifted young American director” James Darrah (Chicago Tribune) with musical direction by Grammy®–nominated conductor Julian Wachner, choreography by No One Art House co-founder Chris Emile, and performances from soprano Anna Schubert and mezzo-soprano Rebecca Jo Loeb, who reprise the starring roles they created and “perfectly carried off” (Boston Globe) in Los Angeles and New York, with support from the Grammy®– nominated Choir of Trinity Wall Street and the contemporary music specialists of Trinity Church Wall Street’s NOVUS NY orchestra. Both Reid and Perkins will be in attendance to take part in a post- performance panel discussion on the opening night (Terrace Theater, March 13 & 14).

American Public Media’s Live from Here currently reaches 2.6 million listeners on nearly 600 public radio stations from its new Manhattan home. Now D.C. audiences can attend a live broadcast of the nationally syndicated, weekly variety show on tour at DIRECT CURRENT, where MacArthur fellow and four-time Grammy®–winning mandolinist Chris Thile, a member of both Nickel Creek and the Punch Brothers, hosts an all-female lineup of guest artists (Concert Hall, March 14).

Washington National Opera (WNO) presents the D.C. premiere of Blue, a new chamber opera from Tony Award®–winning composer Jeanine Tesori and NAACP Theatre Award–inning librettist-director . Drawing inspiration from contemporary events and the writings of James Baldwin, Claude Brown, and Ta-Nehisi Coates, their new work uses gospel-influenced music and vivid flashbacks to capture the grief of a family and community ravaged by loss at the hands of the police. As at its recent Glimmerglass Festival premiere, the opera—a WNO co-production—stars the “superb” trio (New York Times) of Kenneth Kellogg, Briana Hunter, and Aaron Crouch under the baton of John DeMain, in an exploration of race, violence, and reconciliation that the New York Times called “powerful—as well as sadly timely,” and the Financial Times, in a five-star review, proclaimed “an exceptionally strong new opera” (Eisenhower Theater, March 15, 18 & 20).

For its penultimate mainstage event, DIRECT CURRENT presents a music and dance double-bill crowned by the East Coast premiere of 1 0 0 1 (2019), performed live by its creators: choreographer and Company Wayne McGregor member Fukiko Takase, best-known for her viral video collaboration with Radiohead’s Thom Yorke, and composer Dustin O’Halloran, whose original scores for Marie Antoinette, Lion, and Transparent have been recognized with Oscar®, Golden Globe nominations, and an Emmy Award. Produced by Kate Nordstrum—and premiered in Minneapolis—1 0 0 1 explores ideas of technology, humanity, and mind-body dualism in an existential, electronics-forward performance. It shares the program with Variations, an in-depth look at the “theme and variations” structure by Dance Metro DC Award–winning choreographer Erica Rebollar, founder of the Rebollar Dance collective, to original music by Golden Reel Award winner Charlie Campagna (Terrace Theater, March 19).

DIRECT CURRENT’s mainstage season draws to a close with an evening of music and poetry from Rock and Roll Hall of Fame punk icon and National Book Award-winning poet Patti Smith; her daughter, the composer, instrumentalist, and activist Jesse Paris Smith; and Canadian cellist and composer Rebecca Foon, a co-founder of the Juno Award-winning Esmerine ensemble. To complete the evening, the three women will lead the audience in the D.C. premiere of Little Sunrise, an interactive lightshow by trailblazing Danish-Icelandic visual artist Olafur Eliasson. This features the solar-powered LED lamps Eliasson designed for off-grid areas, as seen at Coachella and London’s Tate Modern (Concert Hall, March 21).

Free multi-genre performances on the Millennium Stage and around the KC To amplify the wealth of mainstage offerings, each evening during DIRECT CURRENT there will also be free live multi-genre performances on the Millennium Stage and other Kennedy Center venues, where the voices of female creators will once again dominate. Highlights include jazz sets from trumpeter Jaimie Branch, a mainstay of the Chicago jazz scene who is now, as Jazz Times put it, “one of the most thrilling new voices of the New York avant-garde” (Studio K, March 11) and Chilean singer-guitarist Camila Meza, “a luminous fixture on the scene in New York” (NPR), who joins her eight-piece Nectar Orchestra to perform music from their Sony Masterworks label debut, Ámbar (Studio K, March 14). The REACH hosts the D.C. premiere of Forte (2019), a new documentary written and directed by American filmmaker David Donnelly. Following the unconventional journeys of three female classical artists— Tatiana Berman, a Russian-born former prodigy who brings music into underserved U.S. schools; Lucía Caruso, an Argentinean-born film composer; and Eldbjørg Hemsing, a young Norwegian violinist on the brink of stardom—Donnelly’s film challenges outdated notions of classical success and spotlights the strength that all three women share (Justice Forum, March 12).

The DIRECT CURRENT Millennium Stage season continues with Beyoncé Mass a womanist worship service celebrating black womanhood (March 8). The Army Chamber Ensemble presents works by female composers in Her Voice: Celebrating Music by Women (March 9). Then D.C.–based emcee and activist Dior Ashley Brown returns for an inspiring and soulful performance (March 11). Kennedy Center audience favorite National Sawdust presents Sonic and Womxyn Amplify—a queer, partially deaf artist and Womxyn of color—Sonic immerses audiences in an experiential journey of self-love and affirmation (March 12). Queer multi-dimensional abstract creative of Hawaiian, Chinese, Japanese, and Portuguese descent Jocelyn Kapumealani Ng (March 13), bandleader, composer, performer and improviser Aurora Nealand presenting the Monocle Ensemble (March 14), and Native folk songstress Raye Zaragoza (March 15), all bring their unique performance art to the Millennium Stage. The Boston Conservatory at Berklee College of Music’s Guerilla Opera presents Rumpelstiltskin—composed by Marti Epstein (March 16). Then ambient Sikh-American artist from Baltimore Ami Dang produces and performs experimental sitar, vocals, and electronics (March 17). Weaving visual artist and cellist Janel Leppin (March 18), as well as black trans singer Ah Mer Ah See (March 20), bring their unique sounds to the Center in three separate evenings. Sarah Sherman, aka Sarah Squirm—“a true alternative comic [who] has quickly made her mark on Chicago’s scene” (Chicago Tribune)—shares her signature mix of feminism, self-loathing, and performance art (March 21.) And finally, the DIRECT CURRENT Millennium Stage performances wrap up with experimental Latin American ensemble, La Mecánica Popular, as they explore the frontier between social dance and experimentalism (March 21).

Beyond the concert hall As in previous years, DIRECT CURRENT takes Kennedy Center artists and programming out into the world beyond the traditional concert hall, reaching new audiences through collaborations at alternative D.C. performance spaces. This season, at the independently owned and operated D.C. basement dance club U Street Music Hall, Mija—“EDM’s next superstar” (Nylon)—heads an all-female DJ lineup during the festival’s DJ Showcase (March 13). This event also kicks off U Street Music Hall’s 10-Year Anniversary Week celebration.

About the Kennedy Center The John F. Kennedy Center for the Performing Arts is America’s living memorial to President Kennedy. Under the guidance of Chairman David M. Rubenstein, and President Deborah F. Rutter, the nine theaters and stages of the nation’s busiest performing arts facility attract more than three million visitors to more than 2,000 performances each year, while Center-related touring productions, television, and radio broadcasts reach 40 million more around the world.

The Center produces and presents performances of music, dance, comedy, and theater; supports artists in the creation of new work; and serves the nation as a leader in arts education. With its artistic affiliates, the National Symphony Orchestra and Washington National Opera, the Center has produced more than 300 theatrical productions, and dozens of new ballets, operas, and musical works, in addition to hosting numerous international cultural festivals. The Center’s Emmy and Peabody Award-winning The Kennedy Center Honors is broadcast annually on CBS and annual The Kennedy Center Mark Twain Prize for American Humor is broadcast on PBS. On September 7, 2019, the Kennedy Center inaugurated the REACH, its first-ever major expansion. Designed by Steven Holl Associates as a complement to the original, iconic Edward Durell Stone building, the REACH provides visitors with new opportunities to interact and engage with the Center as the nation’s premier nexus of arts, learning, and culture.

The education programs of the Kennedy Center, including those of its affiliate VSA, the international organization on arts and disability, have become models for communities across the country and have unlocked the door to learning for millions of young people. Education at the Kennedy Center produces and presents age appropriate performances and educational events, and fosters innovative programming, curriculum, and professional development for students, teachers, and families.

The Center and its affiliates stage more than 400 free performances by artists from throughout the world each year on the Center’s main stages, and every day of the year at 6pm on its Millennium Stages, which are also streamed live online. The Center also offers reduced and complimentary tickets to young people, active members of the military, and the underserved through its MyTix program and offers a Specially Priced Tickets program for students, seniors, persons with disabilities, and others with fixed low incomes.

To learn more about the Kennedy Center, visit www.kennedy-center.org.

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The Kennedy Center presents DIRECT CURRENT Third season: March 8–21, 2020

All events take place at the Kennedy Center unless otherwise noted. For tickets and full schedule, visit kennedy-center.org/DIRECTCURRENT. Tickets for the screening of 13th will go on-sale to the public Monday, January 27, 2020.

Sun, March 8 at time TBA The REACH Vital Voices: International Women’s Day Global Mentoring Walk Panel discussion for walk participants with Alyse Nelson and Deborah Rutter

Sun, March 8–Sat, March 21 Hall of Nations Vital Voices/Gayle Kabaker exhibition: Vital Voices: 100 Women Using Their Power to Empower

Sun, March 8 at 6pm Eisenhower Theater Beyoncé Mass

Mon, March 9 at 6pm Millennium Stage Army Chamber Ensemble: Her Voice: Celebrating Music by Women

Mon, March 9 at 8pm Concert Hall Ava DuVernay: Screening of 13th with live music performed by Jason Moran, Lawrence Brownlee, and Eric Harland

Join Us: Following the performance, a post-show discussion with Ava DuVernay

Tues, March 10 at 6pm Millennium Stage TBA

Wed, March 11 at 6pm Millennium Stage Dior Ashley Brown

Wed, March 11 at 7:30pm Studio K Jaimie Branch

Wed, March 11 at 8pm Concert Hall Vital Voices: Global Leadership Awards

Thurs, March 12 at 6pm Millennium Stage National Sawdust presents Sonic and Womxyn Amplify

Thurs, March 12 at 7:30pm Justice Forum David Donnelly: Forte

Join Us: Following the performance, there will be a post-show discussion including members of the creative team

Fri, March 13 at 6pm Millennium Stage Jocelyn Ng – Control Release Constraint

Fri, March 13 at 7pm U Street Music Hall DJ Showcase featuring Mija and other female DJs TBA (taking place during U Street Music Hall’s Ten-Year Anniversary Week celebration)

Sat, March 14 at 2pm Justice Forum Wrinkle in Time

Fri, March 13 at 7:30pm Sat, March 14 at 2pm Terrace Theater Ellen Reid / Roxie Perkins: p r i s m

Sat, March 14 at 6pm Millennium Stage Aurora Nealand’s Monocle Ensemble

Sat, March 14 at 5:45 pm Concert Hall Live from Here with Chris Thile (live national broadcast) Guest artists TBA

Sat, March 14 at 7:30pm Studio K Camile Meza + Nectar Orchestra

Sun, March 15 at 2pm Wed, March 18 at 7:30pm Fri, March 20, at 7:30pm Eisenhower Theater Jeanine Tesori / Tazewell Thompson: Blue Washington National Opera

Join Us: Let’s Go There – “When Tough Issues Hit Home” Saturday, March 21, 2020 at 1 p.m. Kennedy Center REACH, Skylight Pavilion Washington National Opera is committed to developing meaningful conversations and building greater civic understanding, using the opera as a prism to examine and candidly discuss modern-day issues. The second conversation in the series, “When Tough Issues Hit Home,” focuses on the ways in which families confront tough topics—especially with children. Conversations on race and policing can differ along racial lines, as black families teach their children not only what it means to be good citizens, but also how they must navigate how they are perceived and treated when they go out into the world.

Sun, March 15 at 6pm Millennium Stage Raye Zaragoza

Sat, March 15 at 7:30pm Justice Forum August 28th & Selma

Mon, March 16 at 6pm Millennium Stage Guerilla Opera: Rumpelstiltskin by Marti Epstein Boston Conservatory at Berklee College of Music

Tues, March 17 at 6pm Millennium Stage Ami Dang

Wed, March 18 at 6pm Millennium Stage Janel Leppin

Thurs, March 19 at 6pm Millennium Stage TBA

Thurs, March 19 at 7:30pm Terrace Theater Fukiko Takase + Dustin O’Halloran: 1001 Erica Rebollar: Variations

Fri, March 20 at 6pm Millennium Stage TBA

Sat, March 21 at 6pm Millennium Stage Sarah Sherman aka Sarah Squirm

Sat, March 21 at 8pm Concert Hall Patti Smith, Jesse Paris Smith, and Rebecca Foon

Sun, March 22 at 6pm Millennium Stage La Mecánica Popular

About the 2020 One Woman, One Vote Festival The 2020 One Woman, One Vote Festival is a collaboration with national organizations and cultural institutions to present films, concerts, exhibitions and public events leading into the commemoration of the centennial year of the 19th amendment passing, and the OWOV Film Festival in March 2020. The film festival event showcases documentary and dramatic films that embrace both history and contemporary issues that make a difference for all women today. Visit 2020owovfest.org/about to learn more.

About Vital Voices Global Partnership Vital Voices is an international non-profit organization that empowers and champions women leaders around the world. Vital Voices believes that women are the key to unlocking global shared progress. The organization searches the world for women leaders with daring vision for change, then partners with them to make that vision a reality. For more than 20 years, Vital Voices has amplified and invested in more than 18,000 women leaders from 182 countries and territories. Vital Voices works with women who are changing the world by advancing economies, safeguarding human rights, ending gender-based violence, increasing political engagement and leading their communities. The organization provides these women with capacity building, skills training, grants, mentoring, visibility, guidance and access to a network of their peers to accelerate that change on a global scale. Vital Voices is a venture catalyst. Its work has ignited a global movement of change-makers who exhibit bold ideas, develop real solutions to problems affecting their communities, and use their power to empower each other and thousands more. Visit www.vitalvoices.org to learn more.

About U Street Music Hall Opened March 2010, U Street Music Hall is an independently owned and operated basement dance club and live music venue. Its 500-person capacity room features one of the region’s best sound systems and a 1200 square foot cork- cushioned dance floor. Visit https://www.ustreetmusichall.com/ to learn more.

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# # # PRESS CONTACTS Eileen Andrews/Kennedy Center (202) 416-8448 [email protected]

Chanel Williams/Kennedy Center TICKETS & INFORMATION (202) 416-8447 (202) 467-4600; (800) 444-132 [email protected] www.kennedy-center.org www.kennedy-center.org/mytix