(Washington, DC). 1937-05-24
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Film Program
/o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min. -
Preserve Our H Eritage! Join the H Istorical Society of R Ockland C Ounty!
Historic Preservation Focus: Crow House In conjunction with “Influencers,” the HSRC’s semi-permanent Rockland Voices exhibition fea- tures the special mini-exhibit “Crow House: Hand- made by Henry Varnum Poor.” Poor seemed to turn everything he touched into art, and that is perhaps nowhere more evident than in the house $500.00 and studio he designed and built as a place of $1,000.00 $2,500.00 $5,000.00 comfort for his family on South Mountain Road. ....... ....... How it was conceived, constructed, and enjoyed ............ are illustrated through archival images and docu- ................. ments. Contemporary photographic images from Zip: Zip: the past decade help shed light on the present condition of this important artist's home and stu- Ceramics Studio, Poor’s Crow House dio and beg the question: What does the future Photograph courtesy Friends of Crow House mail: - State: State: E hold for Crow House? ................................ ................................ ................................ loved Brook House until her death in 1981. Some ................................ Acknowledgments s Circles of these homes stayed within the families; others ’ "Influencers" is a joint project of the HSRC and were sold, with new residents—some famous; Rockland Center for the Arts. “Influencers” and others, low-profile—entering the enclave. “Crow House: Handmade by Henry Varnum Poor” April 24–October 27, 2019 President Sustaining Patron Benefactor At the same time, South Mountain Road was PatronMuseum were made possible by a grant from the Office of Wednesdays–Fridays & Sundays,12–4 pm succumbing to suburban spread. Homes ranging the Rockland County Executive, Department of from modest middle-class colonials to spectacular Economic Development and Tourism. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
Nashville Community Theatre: from the Little Theatre Guild
NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE THEATRE GUILD TO THE NASHVILLE COMMUNITY PLAYHOUSE A THESIS IN Theatre History Presented to the Faculty of the University of Missouri – Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by ANDREA ANDERSON B.A., Trevecca Nazarene University, 2003 Kansas City, Missouri 2012 © 2012 ANDREA JANE ANDERSON ALL RIGHTS RESERVED THE LITTLE THEATRE MOVEMENT IN NASHVILLE, TENNESSEE: THE LITTLE THEATRE GUILD AND THE NASHVILLE COMMUNITY PLAYHOUSE Andrea Jane Anderson, Candidate for the Master of Arts Degree University of Missouri - Kansas City, 2012 ABSTRACT In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to raise the standards of theatrical productions by creating quality volunteer-driven theatre companies that not only entertained, but also became an integral part of the local community. This paper focuses on two such groups in the city of Nashville, Tennessee: the Little Theatre Guild of Nashville (later the Nashville Little Theatre) and the Nashville Community Playhouse. Both groups shared ties to the national movement and showed a dedication for producing the most current and relevant plays of the day. In this paper the formation, activities, and closure of both groups are discussed as well as their impact on the current generation of theatre artists. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “Nashville Community Theatre: From the Little Theatre Guild to the Nashville Community Playhouse,” presented by Andrea Jane Anderson, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. -
"Drums" Box-Office Music in South!
R K 0 RADIO PICTURES ~;'{'4dlitli1.l!!.::;:::!:!1:1l11..li1l1111']:t~ Vol. XXII NEW YORK CITY, OCTOBER 20, 1951 No. 15 "DRUMS" BOX-OFFICE MUSIC IN SOUTH! By TERRY TURNER ATLANTA, October 16-With bands aplaying and gals aswaying the real core of the southern campaign for the King Brothers DRUMS IN THE DEEP SOUTH was reached when a street parade of southern beauties from 12 south- ern states, headed by Mayor Hartsfield, Franchot Tone and Barbara Payton, and six high school bands, swung down famous old Peachtree street to the Rialto Theatre with thousands lining the sidewalks. Among those thousands were Maurice and Hymie King, who appeared thrilled and lamented the fact that there were no newsreels present to re- cord the epic event. (Contina.ed on Page Five) SCOREBOARD SPECIAL CITATION "Racket" Prem. The world premiere for THE (our best grosser at the Capitol, BEHAVE YOURSELF! - Much FOR "ON THE LOOSE" f<ACKET has been set for the better than recent engagements toppinq EIFFEL TOWER by at Boston, Davenport, Cedar $2500, which had the benefit of American Youth Institute has Earle Theatre, Philadelphia, on Rapids, San Francisco, Waterloo, a world premiere as well as per- oiven Filmakers ON THE LOOSE October 5th. RKO Radio's usual Seol tle. Oakland (moveover), ccnel appearances of Franchot E; Special Citation for "excellence showmanship treatment for a fea- in faithfully mirroring one of the Philadelphia (held over), Miami, Tone and Burgess Meredith). Four ture of this character will be days topped week's gross on symptomatic causes of America's two theatres, Baltimore. -
Westerns at The
For immediate release: December 21, 2007 WEXNER CENTER GOES WEST FOR NINE-FILM SERIES IN JANUARY This January, the Wexner Center presents a five-night, nine-film series offering some of the best films from that most American of genres, the western. Though the western has been proclaimed dead or irrelevant numerous times in film history, the recent releases of 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and even the Coen brothers’ western update No Country for Old Men suggest that there is still plenty of life and contemporary relevance in the genre (see the New York The Searchers, showing January 10 Image courtesy Warner Bros. Times Magazine cover story “How the Western Was Won” on November 11 for more on this topic). The Western series at the Wexner Center—which kicks off January 10—presents a rare chance to revisit (or see on the big screen for the first time) some influential western classics. It features some of the genre’s iconic stars (including John Wayne, James Stewart, Randolph Scott, and Gary Cooper) in films by some of the genre’s masters (such as John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher). While this series focuses on the postwar western cycle typified by flawed heroes and muddied morals (exemplified by Ford’s landmark The Searchers), it also includes lighter approaches (The Plainsman, Trail of the Vigilantes) and the clearly revisionist Little Big Man. This series was organized by the Wexner Center’s film staff. Tickets for each night of the series are $7 general public; $5 members, students, and senior citizens; $3 children under 12. -
County Chairman’
Will Rogers Shows at Capitol Theater in ‘The County Chairman’ GENTLEMEN ARE BORN 'WILL PLAYS WILL ROGERS “COUNTY CHAIRMAN” ‘SHE LOVES ME NOT SMALL-TIME POLITICIAN He'f. donp It again, ladles and gen- tlemen. The ace male stir of the screen gives us another triumphant story l Your favorite actor—as well a* our* and the other fellow’s— has turned again to the rural American scene for one of the most human, trirthful and flavorsome films in years. All of which Is Just another w»V of saying thit Will Rogers Is with us once more, this time in the title role of pox Film's "The County Four years of happy, carefree college days come to an end. and theaa CTvilrrmn.” showlr Sunday. Mon- ; eager graduates are sent out into the world to put their c /lege de- d v and at Tuesday "your” Capitol, to the third that's the theme of Flrel Brownsville. grees degree. Incidentally, National's "Gentlemen Are Bom" the new drama showing Wednesday "The Countv Chairman” is a fine at Brownsville. The four ind atmospheric screen version of only "your” Capitol. cap-and_gownerg, reading from left, are Robert Franchot Nick Foran and Rosa the sime name, which thlrtr years Light, Tone, Alexander. a-o made the nave and fame of M?clvn *rhuckle as a «tace star It Is i swift-movin'* and awe-fire s»~ry viewed by a little dancer, who flees to1 musing quiet restored beneath But ifs nresept producer* have been escape held as a material Princeton's wise enou-h to ret->‘n both the ori- Bing Crosby and Miriam Hopkins in Paramount’s hilarious comedy, being wit-, dreamy spires. -
Stage Center Theatre JANUARY 2011
SEASON 2010-2011 VOLUME 5 ISSUE 3 Stage Center Theatre JANUARY 2011 UPCOMIN G EVENTS MAIN STAGE 7:30PM From the Theatre Archives Reservations: (773) 442-4274 th Early 20 Century Theatre Companies Emma’s Child The Washington Square Players February 17-19, 24-26, March 3-5 Created in 1915 by amateurs, The Washington Square Players began producing one-act plays by Chekhov, Musset, Akins, Moeller and other obscure playwrights of the time in a Bleacher Bums small theatre seating of only 40 patrons. They moved to a 600 seat theatre and produced April 14-16, 21-23, 28-30 O’Neil’s In the Zone. The group disbanded in 1918, but re-formed in 1919 as The Theatre Guild. Some of the actors that performed with The Washington Square Players were Ro- As You Like It land Young, Rollo Peters, Frank Conroy, Helen Westley, and Katherine Cornel l. June 9-11, 16-18, 23-25 You Can’t Take It With The Theatre Guild You Founded in 1919 by Theresa Helburn, Philip Moeller, and Lawrence Langer (among oth- July 21-23, 28-30, August ers), The Theatre Guild was one of the first and most influential “Off-Broadway” theatre 4-6 companies in New York City during the first half of the 20th Century. The Theatre Guild had its heyday between the World Wars (1919-1939). In its first few years the majority of STUDIO SERIES 7:30PM F109 its work was in European expressionism. Later it provided an outlet for the work of such artists as Eugene O’Neil, Robert Sherwood, Maxwell Anderson, and Sidney Howard. -
LINER NOTES Including the Show’S Transition from Radio to Make up for All That Had Been Stolen from Him
Advise and Consent law Josey Wales, The Enforcer, Demon Seed, He assembled a starry cast: Henry Fonda, and many others. His scores were brilliant, and Charles Laughton (whose final film it was), Don he had a unique musical voice. He was a three- ADVISE AND CONSENT Murray, Walter Pidgeon, Peter Lawford, Gene time Oscar nominee. Tierney (who’d starred in Preminger’s break- Adapted from the 1959 novel by Allen Drury, out film, Laura), Franchot Tone, Lew Ayres, In Advise and Consent, Fielding’s great sense Otto Preminger’s 1962 film of Advise and Con- Burgess Meredith, Paul Ford, George Griz- of melody is apparent from the first notes of sent was a hard-hitting political drama with zard, Inga Swenson, Edward Andrews, and its main theme, a beautiful piece that never an all-star cast. Preminger, by this time, was in a small role, Betty White. The screenplay overplays its musical hand in the film – it’s a expert at these kinds of films, but also one of was by the wonderful writer Wendell Mayes gorgeous melody, so gorgeous in fact that a the most eclectic of filmmakers, tackling what- (who’d done the screenplay for Preminger’s prominently credited Frank Sinatra sings the ever genre came his way and if that project Anatomy of a Murder and would subsequently theme, which is playing on a jukebox in the had some controversy, Preminger embraced it write Preminger’s film of In Harm’s Way), and infamous gay bar sequence. The song was en- rather vociferously. In those days, he was a the cameraman was Sam Leavitt (who’d pho- titled “Heart of Mine” and the lyric was by Ned groundbreaker – hiring Dalton Trumbo to write tographed Preminger’s Carmen Jones, The Washington. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
FILM ESTIMATES Progressive Teachers Will Find Dependable Advice in These Estimates on Current Film Releases
68 THE VIRGINIA TEACHER [Volume 17, No. 3 FILM ESTIMATES Progressive teachers will find dependable advice in these estimates on current film releases. Recognizing that one man's meat may be another man's poison, the National Committee on Current Theatrical Films gives three ratings: A, for discriminating adults; Y, for youth; and C, for children. These estimates are printed by special arrangement with The Educational Screen, Chicago. Anything Goes (Bing Crosby, Ethel Merman) (Univ) Wistful, human, at times poignant story (Para) Fast, crazy, complex farce-comedy with of loyal young love suffering from force of cir- real "box-office" novelty. Usual "singing," ab- cumstances. Fine-grained, restrained, convincing surd "lyrics," spectacular dancing, "romance," and portrayal of three intelligent humans deeply in burlesque antics. Inoffensive except for chronic love. Flaws minor beside merits. Sullavan not- crook masquerading as priest Typical present- ably fine. 2-3-36 day taste in pictures. 2-11-36 (A) Excellent (Y) Very good (C) Beyond them (A) (Y) Very good of kind (C) Probably good Professional Soldier (Victor McLaglen, Fred- Atlantic Adventure (Nancy Carroll) (Colum- die Bartholomew) (Fox) Crude, tough Marine, bia) Fairly continuous excitement over assorted hired to kidnap boy king, turns friend, runs crooks on Atlantic liner trying to trick each other amuck in slaughter, and saves his little pal. Much out of valuable diamonds. Endless complications, strong human appeal, but _ largely rough-neck but breezy reporter-hero solves all, arrests all, and comedy and two-fisted heroics. Bad taste but wins back his lost job and the intermittently ter- good box-office. -
North American Cities and Their Vicinity
504 i£x ICibrtB SEYMOUR DURST When you leave, please leave this book Because it has been said "Ever thing comes t' him who waits Except a loaned book." Avery Architectural and Fine Arts Library Gift of Seymour B. Durst Old York Library Digitized by the Internet Archive in 2014 https://archive.org/details/northamericancitOOunse "HE HAD FOUND THE CAPTAIN AGREEABLE AND COMPANIONABLE." HARPER'S NEW MONTHLY MAGAZINE. Vol. LXXX1X. NOVEMBER, 1894. No. DXXX1V. sea-ugbbejis o/jvew ymx by Thomas A.Janvier. i. domination the most romantic of our his- SEA-STEALING, though they did not torians have not ventured the suggestion call it by so harsh a name, was a lead- that anybody ever went to sleep when ing industry with the thrifty dwellers in there was a bargain to be made; and in this town two hundred years ago. That the period to which I now refer, when the was a good time for sturdy adventure English fairly were settled in possession afloat; and our well-mettled New-York- of New York by twenty years of occu- ers were not the kind then, any more pancy, exceeding wide-awakeness was the than they are now, to let money-making rule. Nor was anybody troubled with chances slip away by default. Even in squeamishness. Therefore it was that our referring to what is styled (but very er- townsfolk, paltering no more with for- roneously) the drowsy period of the Dutch tune than they did with moral scruples, Copyright, 1894, by Harper aud Brothers. All rights reserved. — — 814 HARPER'S NEW M >NTHLY MAGAZINE.