Tonale from the Codex Budensis (c. A.D. 1963)
TONE 1: FAUXBOURDON VIADANA
h = c. 44 S A T B
(or this) VIADANA
S A
T B
2
TONE 1: SIMPLE -- Psalms (reciting- (reciting- (incipit) tone) [ flex ad lib. ] tone) (mediation) unison voices (1st verse only) e = c. 160 Organ
(reciting- (reciting- tone) [ pause ad lib. ] tone) (cadence)
TONE 1: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS (reciting- (incipit) tone) (mediation) unison voices (every verse)
Organ
(reciting- tone) (cadence)
Tonale from the Codex Budensis 3 (c. A.D. 1963)
TONE 1: SOLEMN -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION (reciting- (1st incipit) tone) (mediation) unison voices (every verse) Organ
(2nd incipit) (reciting- tone) (cadence) (every verse) 4 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 2: FAUXBOURDON VIADANA
S A
T B
(or this) VIADANA
S A T B
Tonale from the Codex Budensis 5 (c. A.D. 1963)
TONE 2: SIMPLE -- Psalms (reciting- (reciting- (incipit) tone) [ flex ad lib. ] tone) (mediation) unison voices (1st verse only)
Organ (reciting- [ pause ad lib.] (cadence) tone)
TONE 2: SIMPLE (monastic usage, aka "Tonus Resurrectionis") -- Psalms (among some Benedictines, traditionally sung instead of the above during Eastertide when Tone 2 is called for, especially at Compline)
(reciting- (reciting- (incipit) [ flex ad lib. ] (mediation) tone) tone) (1st verse only)
(reciting- (reciting- [ pause ad lib.] (cadence) tone) tone)
6 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 2: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS (reciting- (incipit) tone) (mediation) unison voices (every verse)
Organ
(reciting- tone) (cadence)
TONE 2: SOLEMN -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(1st incipit) (reciting- (mediation) tone) (every verse)
(2nd incipit) (reciting- (cadence) tone) (every verse) Tonale from the Codex Budensis 7 (c. A.D. 1963)
TONE 3: FAUXBOURDON VIADANA
S A
T B
(or this) VIADANA
S A
T B
8 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 3 (ancient reciting note) SIMPLE -- Psalms
(incipit) (reciting- (reciting- (mediation) tone) [ flex ad lib. ] tone) unison voices (1st verse only) Organ
(reciting- [ pause ad lib. ] (cadence) tone)
TONE 3 (ancient reciting tone) MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS
(incipit) (reciting- (mediation) tone) unison voices (every verse)
Organ Tonale from the Codex Budensis 9 (c. A.D. 1963) (reciting- (cadence) tone)
TONE 3: SOLEMN (ancient reciting tone) -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(1st incipit) (reciting- (mediation) tone) unison voices (every verse)
Organ
(2nd incipit) (reciting- (cadence) tone) (every verse)
10 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 4: FAUXBOURDON ANONYMOUS (16th century)
S A
T B
(or this) VIADANA
S A T B
Tonale from the Codex Budensis 11 (c. A.D. 1963)
TONE 4: SIMPLE (ancient incipit) -- Psalms
(incipit) (reciting- [ flex ad lib. ] (reciting- (mediation) tone) tone) unison voices (1st verse only)
Organ
(reciting- [ pause ad lib. ] (reciting- (cadence 1.) (cadence 2.) tone) tone)
TONE 4: MIXED (ancient incipit) -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS (1st incipit) (reciting- (mediation) tone) (every verse)
(2nd incipit) (reciting- (cadence) tone) (every verse)
12 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 4: SOLEMN (ancient incipit) -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(1st incipit) (reciting- (mediation) tone) unison voices (every verse) Organ
(2nd incipit) (reciting- (cadence 1.) (cadence 2., ad lib.) tone) (every verse)
Tonale from the Codex Budensis 13 (c. A.D. 1963)
TONE 5: FAUXBOURDON SIR RICHARD TERRY
S A T B
(or this) VIADANA
S A
T B
14 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 5: SIMPLE -- Psalms
(incipit) (reciting- [ flex ad lib. ] (reciting- (mediation) tone) tone) unison voices (1st verse only)
Organ
(reciting- [ pause ad lib. ] (reciting- (cadence 1. -- Roman) (cadence 2. -- Sarum) tone) tone)
TONE 5: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS
(incipit) (reciting- (mediation) tone) (every verse)
(reciting- (cadence) tone)
Tonale from the Codex Budensis 15 (c. A.D. 1963)
TONE 5: MIXED (monastic version) -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS (the Benedictine Antiphonale Monasticum [1938] gives the following [somewhat odd] version:)
(reciting- (incipit) note) (mediation) unison voices (every verse) Organ
TONE 5: SOLEMN -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(incipit) (reciting- (mediation) tone) (every verse)
(reciting- tone) (cadence)
16 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 6: FAUXBOURDON SIR RICHARD TERRY
S A
T B
(or this) VIADANA
Tonale from the Codex Budensis 17 (c. A.D. 1963)
TONE 6: SIMPLE -- PSALMS
(incipit) (reciting- [ flex ad lib. ] (reciting- tone) tone) unison voices
Organ
(mediation 1.) (mediation 2. ad lib.) (mediation 3. Sarum)
(reciting- [ pause ad lib. ] (reciting- (cadence 1. -- Roman) (cadence 2. -- Sarum?) tone) tone)
TONE 6: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS (incipit) (reciting- (mediation) tone) unison voices (every verse) Organ 18 Tonale from the Codex Budensis (c. A.D. 1963)
(reciting- (cadence 1. -- Roman) (cadence 2. -- Sarum?) tone)
TONE 6: SOLEMN -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(1st incipit) (reciting- (mediation) tone) unison voices (every verse)
Organ
(2nd incipit) (reciting- (cadence) tone) (every verse)
Tonale from the Codex Budensis 19 (c. A.D. 1963)
TONE 7: FAUXBOURDON ANONYMOUS (16th century)
S A
T B
(or this) VIADANA
S A
T B
20 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 7: SIMPLE -- Psalms
(incipit 1. - Roman) (incipit 2. - Sarum) (reciting-note) [ flex ad lib. ] unison voices (1st verse only) (1st verse only) Organ
(reciting-note) (mediation 1. - Roman) (mediation 2. - Sarum)
(reciting-note) [ pause ad lib. ] (reciting-note)
(cadence 1. - Roman?) (cadence 2. - Sarum?)
Tonale from the Codex Budensis 21 (c. A.D. 1963)
TONE 7: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS
(1st incipit) (reciting-note) (mediation) (every verse)
(2nd incipit) (reciting-note) (cadence 1. - Ancient?) (every verse)
(cadence 2. - Roman?) (cadence 3. - Sarum?)
22 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 7: SOLEMN -- INTROIT, GRADUAL, ALLELUIA, OFFERTORY, COMMUNION
(1st incipit) (reciting-note) (mediation) (every verse)
(2nd incipit) (reciting-note) (cadence)
(every verse) Tonale from the Codex Budensis 23 (c. A.D. 1963)
TONE 8: FAUXBOURDON ANONYMOUS (16th century)
S A
T B
(or this) VIADANA
S A
T B
24 Tonale from the Codex Budensis (c. A.D. 1963)
TONE 8: SIMPLE -- Psalms
(incipit) (reciting- [ flex ad lib. ] (reciting- (mediation) note) note) unison voices (1st verse only) Organ
(cadence 2. -- (reciting- [ pause ad lib. ] (reciting- (cadence 1.) associated with Advent and Lent) note) note)
TONE 8: MIXED -- BENEDICTUS, MAGNIFICAT, NUNC DIMITTIS
(incipit) (reciting- (mediation) note) unison voices (every verse) Organ
(reciting- (cadence 1.) (cadence 2. ad lib.) note)
Tonale from the Codex Budensis 25 (c. A.D. 1963)
(1st incipit) (reciting- (mediation) note) (every verse)
(2nd incipit) (reciting- (cadence 1.) note) (every verse)
26 Tonale from the Codex Budensis (c. A.D. 1963)
TONUS PEREGRINUS: FAUXBOURDON LASSUS
(or this) RAYMOND H. CLARK after Francis Burgess
Tonale from the Codex Budensis 27 (c. A.D. 1963)
TONUS PEREGRINUS: SIMPLE, MIXED Tonus Peregrinus is not used for the Proper of the Mass, except for Gradual Psalms and Tracts during Advent and Lent
(incipit -- 1st verse only, (reciting- (mediation) except for Gospel Canticles) tone) unison voices Organ
(reciting- (cadence) tone)
Raymond H. Clark San Diego, California 18 February A.D. 2006 Feast of Saint Mary Bernard Soubirous