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TOSSUPS Bulldog High School Academic Tournament VII
FINAlS [ROUND 15]: TOSSUPS Bulldog High School Academic Tournament VII 1. Although United States Senators are typically gregarious, they cannot talk forever. A petition signed by 16 senators can initiate action under this procedure which, if approved by 60 senators, ends debate on the issue at stake. FTP, identify this parliamentary technique that allows a legislative body to bring a matter under consideration to a vote. ANSWER: cloture or closure 2. O/SS. A marketplace in China, a factory in Soviet Russia, a bar in Spain, an American air base, a club in Las Vegas, a temple in Thailand, a dock in New England, a village in Brazil. FTP, these are all locales in what 1991 Capcom arcade smash, re-released in Championship and Super editions? ANSWER: Street Fighter II 3. Developed by Portuguese surgeon Egaz Moniz in 1935, who won the 1949 Nobel Prize for it, it was modified by American neurologist Walter Freeman. Using a small mallet, Freeman would drive an ice pick through the eye socket, then move it up and down and side to side, destroying massive amounts of brain tissue. FTP, name this procedure that Freeman last performed in 1967. ANSWER: lobotomy 4. John Adams felt that his successor, Thomas Jefferson, was "putting on airs by serving such novelties" as these items to White House guests. Times have changed, however, and an ubiquitous American restaurant cooks over 300 pounds of them each day. Ironically, inhabitants of Paris would call them "fried apples." FTP, identify these greasy taste treats that are available in curly and shoestring varieties. -
Broadcast News (Oklahoma Vintage Radio Collector's)
May 2008 Volume XVII, Issue 5 PRESIDENT’S PAGE By Jim Collings President’s Column May 2008 I’d like to report that our annual meet in Midwest City last month was a success. I believe that attendance was down slightly, but it was still a good meet. I think everyone got something for their collection or for their restoration needs. And those who brought swap items sold many items and hopefully made some room to find more. The contest had some very nice displays, but there were a lot fewer entries than previous years. I like to bring a few things so there are some nice items on display, but I’m not happy when I win too many ribbons. I’ve won my share and want others to display their nice sets. You’ll find the listing of winners elsewhere in this issue. We had quite a few collectors from out of state, Texas, Arkansas, and Kansas. Special thanks go to those who traveled a long distance. Without your support the meet would not be as successful. Also, thanks to those who worked behind the scenes to get everything right for the meet, and who donated items for the auctions, and money for coffee and donuts. You are probably aware that these donations cover a lot of the expenses in renting the building, allowing us to offer free admission. Any suggestions for improvement of our meets are welcomed and can be discussed at the next meeting. I just returned from a trip to the Indiana Historical Radio Society meet in Kokomo, Indiana. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Mae West Play Scripts [Finding Aid]. Library of Congress. [PDF Rendered
Mae West Play Scripts A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2010 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms014050 LC Online Catalog record: http://lccn.loc.gov/mm79078386 Prepared by David Mathisen Collection Summary Title: Mae West Play Scripts Span Dates: 1921-1964 ID No.: MSS78386 Creator: West, Mae Extent: 14 items ; 2 containers ; .6 linear feet ; 1 microfilm reel Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Actress and author. Typescripts of unpublished plays by West. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People West, Mae. Subjects Drama--Stories, plots, etc. Occupations Actresses. Authors. Administrative Information Provenance The play scripts of Mae West, actress and author, were transferred to the Manuscript Division from the Library of Congress Copyright Office, 1974-1981. Processing History The play scripts of Mae West were processed in 1979 and 1984 and prepared for microfilming in 1988. The finding aid was revised in 2010. Copyright Status The status of copyright in the unpublished writings of Mae West is governed by the Copyright Law of the United States (Title 17, U.S.C.). Access and Restrictions Restrictions apply governing the use, photoduplication, or publication of items in this collection. -
The BLUE PAGES
The BLUE PAGES The Encyclopedic Guide To 78RPM Party Records Home Jimmie BALLARD labe ls Ballard covered “Moose” Jackson’s notorious “I Want a Bowlegged Woman” for King’s country catalog. --And His Herd, ca. Early 1950's. These two numbers are back-to-back on the same disc. title s (508-A) Take Your Finger Out of It NIFTY NOVELTY RECORDS 10008-B (520-A) 'Taint Big Enough NIFTY NOVELTY RECORDS 10007-A pe rforme rs The BANKER'S DAUGHTER e -discographe r --Female vocal with clarinet, piano and bass. Hollywood, ca. 1936. Probably from the Torchies from Hollywood label. Eli O be rste in (A208) Put It Where It Belongs HOLLYWOOD HOT SHOTS unnumbered Bill BARCLAY Barclay was a nightclub performer who worked with Ray Bourbon and had the only release known on the New Bourbon Records label by an artist other than Ray himself. --with Jack Burke at the piano, Hollywood, early 1940's. Mrs. Tom Maynard's Chickens NEW BOURBON RECORDS 100-A Mrs. Tom Maynard's Dogs NEW BOURBON RECORDS 100-B Dottie BARLOW She recorded a mix of party records and straight tunes typical of Pearl. Only the suggestive items will be listed herein. -- and Boys, late 1940's. (0014) Fishing Song (Mama Won't Let Me Go Fishing With You) (Tade, F. Dolan, Anna P. Vincent) PEARL 400-B (0016-1R) Ragged But Right PEARL 270-A (0017XX) The Next Time (Vincent) PEARL 270-B Sheila BARRETT The "Imitatenist of all the imitators", according to Cue Magazine, appeared at The Merry Go Round in 1935, at the Savoy Plaza as Dwight Fiske prepared to exit for his annual trip to Europe in April, 1937 and featured at the Rainbow Room that October. -
Download Press Release As PDF File
PROPERTY FROM THE LIFE AND CAREER OF MAE WEST PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE LIFE AND CAREER OF MAE WEST Special Auction Celebration of the 1930s Hollywood Icon’s Bodiced Gowns, Headdresses, Tiaras, Film Costumes, Scripts and More to Headline Two- Day “Legendary Women of Hollywood” Auction Extravaganza NOVEMBER 1, 2019 IN BEVERLY HILLS Los Angeles, California – (July 29, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced its highly anticipated event PROPERTY FROM THE LIFE AND CAREER OF MAE WEST auction, part of the LEGENDARY WOMEN OF HOLLYWOOD two-day extravaganza taking place on Friday, November 1 and Saturday, November 2, 2019 at The Standard Oil Building in Beverly Hills and live online at juliensauctions.com. PAGE 1 Julien’s Auctions | 8630 Hayden Place, Culver City, California 90232 | Phone: 310-836-1818 | Fax: 310-836-1818 © 2003-2019 Julien’s Auctions PROPERTY FROM THE LIFE AND CAREER OF MAE WEST PRESS RELEASE (photo left : Mae West’s Diamond Lil gown, photo right: gold lamé headdress) This special event celebrates the trailblazing career and style of the 1930s American actress, singer, playwright, screenwriter, comedian, and sex symbol. The star who coined legendary one liners such as, “When I’m good, I’m very good, but when I’m bad, I’m better,” will showcase a dazzling collection of ornate headdresses, tiaras, jewelry, wigs, film and stage worn bodiced gowns and more. Born in Brooklyn, NY on August 17, 1893, Mary Jane “Mae” West began her seven decades long entertainment career on amateur nights at the age of six years old. -
Are These Queer Times? Gay Male Representation on the American Stage in the 1920'S and 1990'S
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2003 ARE THESE QUEER TIMES? GAY MALE REPRESENTATION ON THE AMERICAN STAGE IN THE 1920'S AND 1990'S James Russell Couch University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Couch, James Russell, "ARE THESE QUEER TIMES? GAY MALE REPRESENTATION ON THE AMERICAN STAGE IN THE 1920'S AND 1990'S" (2003). University of Kentucky Master's Theses. 416. https://uknowledge.uky.edu/gradschool_theses/416 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS ARE THESE QUEER TIMES? GAY MALE REPRESENTATION ON THE AMERICAN STAGE IN THE 1920’S AND 1990’S Utilizing a model based on Queer theory and comprising four relational paradigms, this thesis examines specific dramas of Mae West and Terrence McNally in an effort to understand the multiple relationships between the text, the society and the culture in the production of a gay male identity and its representation on the American stage in the 1920’s and the 1990’s. Each relational paradigm is the product of a different twentieth century scholar and can be viewed as an individual lens through which one aspect of a drama or culture can be magnified, illuminated or distorted. -
Mae Westt Maem Westt an Icon in Black and White
Mae Westt MaeM Westt An Icon in Black and White JILL WATTS OXPORD UNIVERSITY PRESS OXPORD UNIVERSITY PRESS Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Sao Paulo Shanghai Taipei Tokyo Toronto Copyright © 2001 by Jill Watts First published by Oxford University Press, Inc., 2001 First issued as an Oxford University Press paperback, 2003 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic,' mechanical,' photocopyingr rj o', recordingo', or otherwise', without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Watts, Jill. Mae West : an icon in Black and white / Jill Watts. p. cm. Includes bibliographical references and index. ISBN 0-19-510547-8 (cloth) ISBN 0-19-516112-2 (pbk.) 1. West, Mae. 2. West, Mae—Relations with Afro-Americans. 3. Motion picture actors and actresses—United States—Biography. I. Title. PN2287.W4S66 W39 2001 791.43'028'092—dc21 [B] 00-023182 135798642 Printed in the United States of America on acid-free paper * To * Thomas and Doris Watts, Donald, Rebecca, and Sarah Woo, and Wally This page intentionally left blank Contents Acknowledgmento s ix One They Were Too Smart 3 Two The Way She Does It 27 Three Shimadonna ^o Four Speaking