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Mayor Nenshi - Gift Log January 1 - June 30, 2019
Mayor Nenshi - Gift Log January 1 - June 30, 2019 Date From From (organization) To 7-Jan-19 Dan Pontefract Author Mayor 8-Jan-19 Jim Hutton Mayor 16-Jan-19 The Grand Mayor 17-Jan-19 Pumphouse Mayor 23-Jan-19 Front Row Theatre Mayor 24-Jan-19 Legion Mayor 25-Jan-19 Pumphouse Mayor 26-Jan-19 Calgary Philharmonic Orchestra Mayor 29-Jan-19 Theatre Calgary Mayor 30-Jan-19 Keeler School Mayor 30-Jan-19 Calgary Convention Centre Mayor 31-Jan-19 Susan Turner Daughters of the Niles & Shriners Mayor Hospital for Children 4-Feb-19 Mike Bezzeg Mayor 5-Feb-19 Arts Common Erin 6-Feb-19 Calgary Opera Mayor 9-Feb-19 Michelle Morin-Soyle Ville De Quebec Mayor 11-Feb-19 Kristy, Anika, Ashley Musicounts Mayor 11-Feb-19 Rebecca O'Brien, Karen Inglewood BIA Mayor Bray 12-Feb-19 Dr. Daniel Doz, Alberta University of the Arts Mayor President & CEO 13-Feb-19 Downstage Opening - Big Secret Mayor Theatre 19-Feb-19 Arts Common Mayor 21-Feb-19 City of Red Deer/Red Deer Canada Mayor Games 27-Feb-19 Calgary Arts Development Mayor 1-Mar-19 Ronna Goldbery All Seniors Cary Brenda/Mayor 12-Mar-19 ATP - Martha Cohen Theatre Mayor 12-Mar-19 Made By Momma Mayor 13-Mar-19 Lanre Ajayi Ethnik Fashion Mayor 18-Mar-19 Scott Crichton IBEW Local 424 Mayor 19-Mar-19 Rita Ferrara Calgary Transit Mayor 19-Mar-19 Molly Ann Kemp Mayor 20-Mar-19 Bureau de Visibilité de Calgary Mayor (BVC) 20-Mar-19 University of Calgary, Haskayne Mayor School of Business 21-Mar-19 Dr. -
Writing Alberta POD EPDF.Indd
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
BIOGRAPHY of EMILY HAMPER "The Extremely Difficult Piano Part
BIOGRAPHY OF EMILY HAMPER "The extremely difficult piano part was perfectly realized by Emily Hamper, a very authoritative accompanist throughout the concert." (Concertonet, Paris, January 2014) Emily Hamper has earned an excellent reputation for her exceptional skills as a vocal coach and accompanist. Singers from her coaching studio perform with major opera companies and symphony orchestras around the world. Within an international career spanning twenty years, she has worked as a rehearsal pianist, coach, and assistant conductor for many prominent opera companies and organizations. Highly sought-after as a collaborator for voice recitals, she has recently appeared in performance for the Montreal Symphony Orchestra’s “Virée Classique”, L'Opéra National de Paris, and Music Toronto. In January 2017 she partners baritone Phillip Addis in recital at the Canadian Opera Company. Other performances include recitals for the Queensland Music Festival (Australia), Calgary Opera, Festival Orford, Stratford Summer Music, and many other venues in Canada, the USA, and Europe. In 2011 she was awarded the Best Collaborative Pianist Prize at the Eckhardt-Gramatté National Music Competition and accompanied thirteen performances across Canada on the National Winner's Tour. Performances have been broadcast on CBC Radio, Radio-Canada, Classical 96.3 FM and Vermont Public Radio. Engaged as a répétiteur and official audition accompanist by Calgary Opera, l'Opéra de Montréal, Opera Atelier and Pacific Opera Victoria, Ms. Hamper was production director for a performance based on Manon at the Muskoka Opera Festival in 2013. Her genuine interest in new music has resulted in engagements with Soundstreams Canada and Tapestry Opera, the workshopping of a new opera with Manitoba Opera, and the commission of a cycle of four songs by composer Erik Ross and poet Zachariah Wells. -
Fall 2012 Volume 39, No
ILLINOIS CHAPTER OF THE AMERICAN CHORAL DIRECTORS ASSOCIATION Fall 2012 Volume 39, No. 1 PODIUM techniques, ideas, song titles....IL- President’s Message ILLINOIS ACDA EXECUTIVE BOARD ACDA works well not just because of our guest clinicians, but because we have so many generous experts President in our own organization who are Beth Best HOT TIME IN THE OLD TOWN! willing to share with the rest of us. Hill Middle School [email protected] Thank you to all who attended and Dr. Karyl Carlson is putting the Past President helped with the Summer ReTreat 2013 Re-treat together, and has some exciting headliners and ses- Brett Goad in June! It was definitely a "hot time" in more ways than one! Our sions planned! Watch for her arti- Hinsdale South High School—retired director's chorus guest conductor, cles in the winter and spring issues [email protected] Dr. Josh Habermann, gave us a lot of The Podium. Also, please read President-Elect to think about in preparing and ex- Karyl Carlson pressing the varied music he chose Continued on page 2 Illinois State University for us. He was a joy to work with. Laura Farnell shared many of her [email protected] ideas for working with younger In this issue Treasurer voices. A highlight of her sessions Leslie Manfredo was the work she did with Deb President’s Message p. 1 Save the Date—ReTreat 2012 p. 2 Illinois State University Aurelius-Muir's boys, and practical Commissioning New Music p. 3 Just thinking...Why we do what p. 8 [email protected] tips for teaching the changing voice. -
We Invite You to Host Choirs Ontario on the Road
Choirs Ontario DynamicMay/June 2017|Volume 45, Issue 4 Dynamic is published four times a year by Choirs Ontario. Reproduction or translation of any work herein without the express permission of Choirs Ontario is unlawful. Choirs Ontario Editor, design & layout Linda T. Cooke (outgoing) Editor’s Letter 3 President’s Message 4 Incoming Board Members 5 Editorial President’s Leadership Award 7 Dynamic welcomes your letters, com- Ruth Watson Henderson Competition 7 mentary, photos, audio clips, video files, Choirs Ontario on the Road 8 Bullying in Choirs and article submissions. send to: Sing Ontario! Comes to Ottawa 9 [email protected] OYC Update 10 Advertising Podium 11 Info. on advertising cotracts, rates & Job Openings/Singers Wanted 22 specifications: 416.923.1144 or Concert Listings 22 [email protected] Festivals & Events 22 Choirs Ontario. 626 Bathurst Street, Toronto M5S 2R1 416.923.1144 or 1.866.935.1144 f: 416.929.0415 Features [email protected] Bullying in Choirs 12 Charitable registration: News From The Net 17 11906 7536 RR0001 Enchorus Children’s Board of Directors Choir President Upbeat Matthew Otto, Toronto (outgoing) Past President Enchorus Children’s Choir 18 Rachel R.-Hoff, St. Catharines (outgoing) Music at St. Thomas’ 19 President Elect Oriana Competition Winner 21 Elaine Choi, Toronto West Ottawa Ladies Chorus 21 Secretary Melanie Tellez, Hamilton Treasurer, Vacant Directors Carole Anderson, Mississauga Shana Brown, Sault St. Marie Eli Clarke, Toronto (outgoing) Linda Cooke, Mississauga (outgoing) Laurel -
Conducting Studies Conference 2016
Conducting Studies Conference 2016 24th – 26th June St Anne’s College University of Oxford Conducting Studies Conference 2016 24-26 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute Conducting Studies Conference 2016. The conference brings together 44 speakers from around the globe presenting on a wide range of topics demonstrating the rich and multifaceted realm of conducting studies. The practice of conducting has significant impact on music-making across a wide variety of ensembles and musical contexts. While professional organizations and educational institutions have worked to develop the field through conducting masterclasses and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, there has yet to be a space where this knowledge has been brought together and explored as a cohesive topic. The OCI Conducting Studies Conference aims to redress this by bringing together practitioners and researchers into productive dialogue, promoting practice as research and raising awareness of the state of research in the field of conducting studies. We hope that this conference will provide a fruitful exchange of ideas and serve as a lightning rod for the further development of conducting studies research. The OCI Conducting Studies Conference Committee, Cayenna Ponchione-Bailey Dr John Traill Dr Benjamin Loeb Dr Anthony Gritten University of Oxford University of -
Fest Face Forward
2013 FESTIVAL GUIDE may • 17 • 13 PUTHeadline Ros atueYO dolent wis am Uauguer alisiR tat fest face FORwaRD Waa-hoo,By it’s Credit time Tktktkttktkt to get your war paint on for festival season! We’ve got 152 of ’em to colour your summer. Connect to your city at More Fun Inside: Mumford & Sons vs. Fleetwood Mac A Late Bloomer Aces the Art Game + + Tom’s House of Pizza Turns 50 2013 FESTIVAL GUIDE PUT YOUR fest face FORWARD To celebrate the start of festival season, we asked a professional face painter to “illustrate” several events on living canvases—the mugs of Swerve staffers and contributors. And we’ve rounded up 152 festivals to colour your spring, summer and fall. face paintings by photographed by LÉ A SELLEY MARC RIMMER “[Adults also] LET’S FACE IT, after want to feel the age of about six, legal opportunities to make minor, joyful spectacles of ourselves are few and far between. special, get (True, Roughriders fans seem to find a way around the noticed, maybe cultural and emotional barriers that prevent the rest of get some good us from embracing our inner jubilant freaks on a regu- lar basis but, well, we can’t all be from Saskatchewan.) vibes bouncing Wouldn’t it be great, though, if every once in a while off of everyone you could, for instance, get a stranger on the bus to look around them.” up from his iPad and smile? Or occasionally inspire the barista taking your coffee order to look directly into your —Léa Selley eyes with a bit of awe and wonder? While we’re not sug- gesting you leave the house in a watermelon helmet, we do think the coming festival season smooths the way for us to surprise, amuse, connect and otherwise jolt each other out of our routines, which can only make us a lighter, loftier, more harmonious bunch the rest of the year. -
Sing Your Sorrow, Sing Your Joy
FACULTY OF MUSIC Sing your Sorrow, Sing your Joy Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist Sunday, October 27, 2019 2:30 pm Church of the Redeemer 162 Bloor Street West We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. PROGRAM Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist I Never Saw Another Butterfly Charles Davidson (b. 1929) iv. The Butterfly Leticia Balogh, soloist At the Heart of our Stillness Kathleen Allan* (b. 1989) The Dawn is not Distant Christine Donkin* (b. 1976) Allyson Whitmell, soloist Quviasuliqpunga Iqilaarjuk* (b. 19th century) Da Pacem Jeff Enns* (b. 1972) Turlutte Acadienne Montréalaise Marie-Claire Saindon* (b. 1984) Intermission The Faculty of Music is a partner of the Bloor St. Culture Corridor bloorstculturecorridor.com MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist How They so Softly Rest Healey Willan* (1880-1968) Excerpts from Figure humaine Francis Poulenc (1899-1963) i. De tous les printemps du monde ii. Aussi bas que le silence iii. Toi ma patiente iv. Le jour m’étonne Chichester Psalms Leonard Bernstein (1918-1990) i. Urah, hanevel Sunny Sheffman, Annika Telenius, Xavier Solis, and Dante Mullin Santone, soloists ii. -
Gala Music Festival Concert
AT&T isproud tosponsor ASAA. FREE SHIPPING | 1.866.MOBILITY – ATT.COM – VISIT A STORE Screen images simulated. ©2011 AT&T Intellectual Property. Service provided by AT&T Mobility. All rights reserved. AT&T and the AT&T logo are trademarks of AT&T Intellectual Property. All other marks contained herein are the property of their respective owners. ATM_WOI_M1_2880_ASAA_O.indd Saved at 9-20-2011 2:13 PM Printed At None Client AT&T Media Type Magazine DEPARTMENT: Art Director Copywriter Acct. Manager Studio Artist Proofreader Traffic Production Live None Trim 7.5” x 10” Bleed None APPROVAL: Job Title Alaska ASAA Program Ad Pubs Alaska ASAA Program Addl. Notes: None Ad Code None Welcome to the Festival Welcome to the 2012 ASAA/First National It is no small task when trying to gather the par- Bank Alaska All-State High School Music Festival. ticipants and to coordinate this weekend’s rehears- als and concert. Many, many thanks go to those Our Mission Statement: “The existence of this who have been involved in the process of getting Music Festival enables outstanding high school these students from that first recording session to musicians to participate as members of a select the stage of West Anchorage High School Au- statewide band, choral or orchestra music ditorium in Anchorage, Alaska. Each of ensemble and promotes the highest stan- these students have been encouraged dards of musicianship. It is the goal by a host of parents, music directors, of this activity to foster and inspire private music teachers, adjudicators, technical achievement, aesthetic un- peers, siblings, school administra- derstanding, and critical listening tions and school boards who all real- skills that allow for the culmination of ize the power and influence that qual- a final creative musical performance ity music can have in a young person’s of the highest artistic level.” life. -
A Sea Symphony’ “Richly Drawn Is the Second Symphony – the Romantic, Its Second Movement Anthem Beloved of Millions of Americans
559704 bk Hanson US_559704 bk Hanson US 02/11/2011 14:30 Page 8 Also available in this series: AMERICAN CLASSICS “This is confident, generous, beautifully made music, richly (and sensitively) scored. Tell-tale indications of things to come can be heard in the bonding between strings and descanting horns (the film composer’s favourite tool), the gorgeous ‘old-fashioned’ harmonies radiating from within, and the craggy, wind-swept tuttis (lots of highriding piccolo skirling) so suggestive of that Northern terrain’s stress and strife... Schwarz, and his splendid Seattle orchestra do not short- HOWARD HANSON change us on any of this and they are beautifully, ripely, recorded here.” Gramophone on the original Delos recording Symphony No. 6 • Lumen in Christo 8.559700 Symphony No. 7 ‘A Sea Symphony’ “Richly drawn is the Second Symphony – the Romantic, its second movement anthem beloved of millions of Americans. [Schwarz’s] feeling for long-term growth is possibly the surest of all, leading us from one resolution to the next with an increasing sense of expectation. It’s a Seattle Symphony and Chorale • Gerard Schwarz symphony full of resolutions: of one door opening on to another until we finally step out into the blue beyond. At that point in the finale, Schwarz more than anyone, leaves us in no doubt whatsoever that we have arrived; the emotional release is irresistible.” Gramophone on the original Delos recording 8.559701 “The Symphony No. 3, Hanson’s most extended essay in the form, was written during the late 1930s and is a representative example of the composer at the height of his powers.. -
WSO1718 Overture5 Web5b15d.Pdf
MARCH - APRIL 2018 I ISSUE 5 BRUCKNER & BACH Lara Ciekiewicz A CHORUS LINE LUCA BURATTO PLAYS PROKOFIEV AL SIMMONS SYMPHONIC SHENANIGANS wso.ca I 204-949-3999 MESSAGE FROM THE EXECUTIVE DIRECTOR In Winnipeg we greet the lengthening days and warmer weather with great enthusiasm and a feeling of pride for making it through another winter. Most of us say “that wasn’t too bad, at least it is a dry cold.” For the Winnipeg Symphony Orchestra, the start of spring brings us much enthusiasm about the season offerings for the coming year, but it also gives us extra appreciation for the concerts we are able to attend in the spring. I am looking forward to hearing Gwen Hoebig and Karl Stobbe perform Bach’s Double Concerto followed by the monumental Bruckner’s 9th Symphony. The partnership with Rainbow Stage continues with a wonderful performance of A Chorus Line, we perform great choral masterpieces at St. Boniface Cathedral in recognition of the anniversary of the diocese, and we welcome exciting young pianist Luca Buratto to the WSO. And, of course, we look forward to a performance with the irrepressible Al Simmons, our local genius. What else can we anticipate in the months to come? Well, the annual Winnipeg Symphony Orchestra Spring Gala on April 26 will move to the Centennial Concert Hall and Alloway Hall this year. The event will be connected to an exclusive performance of the orchestra and cast members from Cirque de la symphonie. Gala events are wonderful ways to celebrate as a community of WSO supporters, but attending the gala is not the only way to support the legacy of symphonic music in Winnipeg.You can enter the Symphony Sweepstakes, make a donation to the WSO Friends or Maestro’s Circle Programs, or remember the WSO in your estate planning. -
Halifax Camerata Singers Fonds (MS-5-15)
Dalhousie University Archives Finding Aid - Halifax Camerata Singers fonds (MS-5-15) Generated by the Archives Catalogue and Online Collections on June 14, 2018 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/halifax-camerata-singers-fonds Halifax Camerata Singers fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Collection holdings .......................................................................................................................................... 4 Posters (1993-2017) .....................................................................................................................................