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Spirited Away Study Guide
Spirited Away Directed by Hayao Miyazki This study guide suggests cross-curricular activities based on the film Spirited Away by Hanoko Miyazaki. The activities seek to complement and extend the enjoyment of watching the film, while at the same time meeting some of the requirements of the National Curriculum and Scottish Guidelines. The subject area the study guide covers includes Art and Design, Music, English, Citizenship, People in Society, Geography and People and Places. The table below specifies the areas of the curriculum that the activities cover National Curriculum Scottish Guidelines Subject Level Subject Level Animation Art +Design KS2 2 C Art + Investigating Visually and 3 A+B Design Reading 5 A-D Using Media – Level B-E Communicating Level A Evaluating/Appreciating Level D Sound Music KS2 3 A Music Investigating: exploring 4A-D sound Level A-C Evaluating/Appreciating Level A,C,D Setting & English KS2 Reading English Reading Characters 2 A-D Awareness of genre 4 C-I Level B-D Knowledge about language level C-D Setting & Citizenship KS2 1 A-C People People & Needs in Characters 4 A+B In Society Society Level A Japan Geography KS2 2 E-F People & Human Environment 3 A-G Places Level A-B 5 A-B Human Physical 7 C Interaction Level A-D Synopsis When we first meet ten year-old Chihiro she is unhappy about moving to a new town with her parents and leaving her old life behind. She is moody, whiney and miserable. On the way to their new house, the family get lost and find themselves in a deserted amusement park, which is actually a mythical world. -
Imagined Identity and Cross-Cultural Communication in Yuri!!! on ICE Tien-Yi Chao National Taiwan University
ISSN: 2519-1268 Issue 9 (Summer 2019), pp. 59-87 DOI: 10.6667/interface.9.2019.86 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE tien-yi chao National Taiwan University Abstract Yuri!!! on ICE (2016; 2017) is a Japanese TV anime featuring multinational figure skaters com- peting in the ISU Grand Prix of Figure Skating Series. The three protagonists, including two Russian skaters Victor Nikiforov, and Yuri Purisetsuki (Юрий Плисецкий), and one Japanese skater Yuri Katsuki (勝生勇利), engage in extensive cross-cultural discourses. This paper aims to explore the ways in which Russian cultures, life style, and people are ‘glocalised’ in the anime, not only for the Japanese audience but also for fans around the world. It is followed by a brief study of Russian fans’ response to YOI’s display of Russian memes and Taiwanese YOI fan books relating to Russia and Russians in YOI. My reading of the above materials suggests that the imagined Russian identity in both the official anime production and the fan works can be regarded as an intriguing case of cross-cultural communication and cultural hybridisation. Keywords: Yuri!!! on ICE, Japanese ACG (animation/anime, comics, games), anime, cross-cul- tural communication, cultural hybridisation © Tien-Yi Chao This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. http://interface.ntu.edu.tw/ 59 Russia/Russians on Ice: Imagined Identity and Cross-cultural Communication in Yuri!!! on ICE Yuri!!! on ICE (ユーリ!!! on ICE; hereinafter referred to as YOI)1 is a TV anime2 broadcast in Japan between 5 October and 21 December 2016, featuring male figure skaters of various nationalities. -
How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 ............................................................................................................................. -
Naoko Takeuchi
Naoko Takeuchi After going to the post-recording parties, I realized that Sailor Moon has come to life! I mean they really exist - Bunny and her friends!! I felt like a goddess who created mankind. It was so exciting. “ — Sailor Moon, Volume 3 Biography Naoko Takeuchi is best known as the creator of Sailor Moon, and her forte is in writing girls’ romance manga. Manga is the Japanese” word for Quick Facts “comic,” but in English it means “Japanese comics.” Naoko Takeuchi was born to Ikuko and Kenji Takeuchi on March 15, 1967 in the city * Born in 1967 of Kofu, Yamanashi Prefecture, Japan. She has one sibling: a younger brother named Shingo. Takeuchi loved drawing from a very young age, * Japanese so drawing comics came naturally to her. She was in the Astronomy manga (comic and Drawing clubs at her high school. At the age of eighteen, Takeuchi book) author debuted in the manga world while still in high school with the short story and song writer “Yume ja Nai no ne.” It received the 2nd Nakayoshi Comic Prize for * Creator of Newcomers. After high school, she attended Kyoritsu Yakka University. Sailor Moon While in the university, she published “Love Call.” “Love Call” received the Nakayoshi New Mangaka Award for new manga artists and was published in the September 1986 issue of the manga magazine Nakayo- shi Deluxe. Takeuchi graduated from Kyoritsu Yakka University with a degree in Chemistry specializing in ultrasound and medical electronics. Her senior thesis was entitled “Heightened Effects of Thrombolytic Ac- This page was researched by Em- tions Due to Ultrasound.” Takeuchi worked as a licensed pharmacist at ily Fox, Nadia Makousky, Amanda Polvi, and Taylor Sorensen for Keio Hospital after graduating. -
A Voice Against War
STOCKHOLMS UNIVERSITET Institutionen för Asien-, Mellanöstern- och Turkietstudier A Voice Against War Pacifism in the animated films of Miyazaki Hayao Kandidatuppsats i japanska VT 2018 Einar Schipperges Tjus Handledare: Ida Kirkegaard Innehållsförteckning Annotation ............................................................................................................................................... 3 1 Introduction .......................................................................................................................................... 4 1.1 Aim of the study ............................................................................................................................ 5 1.2 Material ......................................................................................................................................... 5 1.3 Research question .......................................................................................................................... 5 1.4 Theory ........................................................................................................................................... 5 1.4.1 Textual analysis ...................................................................................................................... 5 1.4.2 Theory of animation, definition of animation ........................................................................ 6 1.5 Methodology ................................................................................................................................ -
Hak Cipta Dan Penggunaan Kembali: Lisensi Ini Mengizinkan Setiap
Hak cipta dan penggunaan kembali: Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli. Copyright and reuse: This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms. Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP BAB III METODOLOGI 3.1. Gambaran Umum Penulis melakukan studi literatur dan observasi sebagai metode perancangan komposisi shot motion comic “Halley’s Wishes”. Karya motion comic ini sendiri mengambil genre drama dengan unsur komedi dan memiliki tema harapan. Penulis adalah perancang motion comic “Halley’s Wishes” dimana penulis mengumpulkan data, menulis cerita, mendesain karakter dan environment, merancang aset visual dan animasi, serta melakukan proses editing dari aset tersebut untuk menghasilkan video dari motion comic yang berupa mp4 dengan rasio 1.78:1 (HDTV standard) resolusi 1280 x 720p. Keputusan ini diambil agar pembaca yang menggunakan smartphone dengan koneksi standar dalam mengakses motion comic “Halley’s Wishes” dapat menikmati motion comic tersebut pada kualitas yang sama dengan pembaca yang menggunakan device dan memiliki koneksi yang lebih baik, sesuai dengan studi Huwaei (2015). “Halley’s Wishes” adalah motion comic dengan target audience anak perempuan Indonesia, meski tidak menutupi kemungkinan bagi pembaca lainnya untuk turut menikmati karya ini. Oleh karena itu, “Gakuen Babysitter” yang merupakan sebuah shoujo manga dengan genre drama dipilih sebagai bahan observasi dan referensi atas transisi panel motion comic “Halley’s Wishes”. -
Sailor Moon" : Género E Inclusión En Un Producto Cultural Japonés
This is the published version of the bachelor thesis: Albaladejo Pérez, Marina; Lozano Mendez, Artur, dir. Feminismo y LGTB+ en "Sailor Moon" : género e inclusión en un producto cultural japonés. 2019. (0 Estudis d’Àsia Oriental) This version is available at https://ddd.uab.cat/record/213039 under the terms of the license FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2018-2019 Feminismo y LGTB+ en Sailor Moon Género e inclusión en un producto cultural japonés Marina Albaladejo Pérez 1388883 TUTOR ARTUR LOZANO MÉNDEZ Barcelona, 3 de junio de 2019 Página de créditos Datos del Trabajo Título: CAST. Feminismo y LGTB+ en Sailor Moon: género e inclusión en un producto cultural japonés CAT. Feminisme i LGTB+ a Sailor Moon: gènere i inclusió en un producte cultural japonès ENG. Feminism and LGTB+ in Sailor Moon: gender and inclusion in a Japanese cultural product Autora: Marina Albaladejo Pérez Tutor: Artur Lozano Méndez Centro: Universitat Autònoma de Barcelona Estudios: Estudios de Asia Oriental (japonés) Curso académico: 2018/2019 Palabras clave CAST. Sailor Moon. Naoko Takeuchi. Feminismo. LGTB+. Inclusión. Feminidad. Masculinidad. Identidad de género. Vestimenta. Uniforme colegiala. Transgresión. CAT. Sailor Moon. Naoko Takeuchi. Feminisme. LGTB+. Inclusió. Feminitat. Masculinitat. Identitat de gènere. Vestimenta. Uniforme de col·legiala. Transgressió. ENG. Sailor Moon. Naoko Takeuchi. Feminism. LGBT+. Inclusion. Femininity. Masculinity. Gender identity. Clothing. School uniform. Transgression. Resum del TFG CAST. El presente trabajo ofrece un análisis de género e inclusión de la obra Bishōjo Senshi Sailor Moon (美少女戦士 セーラームーン) de Takeuchi Naoko. Se estudia este producto cultural japonés desde una perspectiva feminista, partiendo de la hipótesis que la obra fue subversiva dentro del mundo del manga, anime, y del género mahō shōjo del shōjo manga, al introducir la presencia de elementos feministas, personajes del colectivo LGTB+ y una diversidad amorosa y familiar que se distancia de los patrones hegemónicos. -
Universidade Regional Do Noroeste Do Estado Do Rio Grande Do Sul
UNIVERSIDADE REGIONAL DO NOROESTE DO ESTADO DO RIO GRANDE DO SUL MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM IJUÍ (RS) 2017 MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM Monografia apresentada ao Curso de Comunicação Social da Universidade Regional do Noroeste do Estado do Rio Grande do Sul – Unijuí, como requisito parcial à obtenção do título de bacharel em Publicidade e Propaganda. Orientadora: Márcia Regina Conceição de Almeida IJUÍ (RS) 2017 MAUREEN LOUISE DE PAULI HEINRICH A ARTE DE SER UMA FANGIRL: YURI!!! ON ICE E A EXPERIÊNCIA DE FAZER PARTE DE UM FANDOM Monografia apresentada ao Curso de Comunicação Social da Universidade Regional do Noroeste do Estado do Rio Grande do Sul – Unijuí, como requisito parcial à obtenção do título de bacharel em Publicidade e Propaganda. Aprovado em ___ de ______________ de 2017 BANCA EXAMINADORA ___________________________________________________________________ Márcia Regina Conceição de Almeida – Orientadora ___________________________________________________________________ Rúbia Beatriz Schwanke– Banca ___________________________________________________________________ Nilse Maria Maldaner – Banca Suplente Don't stop us now, the moment of truth We were born to make history We'll make it happen, we'll turn it around Yes, we were born to make history Dean Fujioka – History Maker AGRADECIMENTOS Ao finalmente enxergar este trabalho finalizado, a única coisa que se passa pela minha cabeça é “todo meu sangue, suor e lágrimas, e meu corpo, mente e alma, eu sei que eles pertencem a você.”1 Para um desavisado, não passa de um drama exagerado de uma autora cansada, mas a verdade, porém, é que esta é a prova definitiva de que metade de mim é fangirl, e a outra também. -
Ebook Download the Art of Castle in the Sky Kindle
THE ART OF CASTLE IN THE SKY PDF, EPUB, EBOOK Hayao Miyazaki | 194 pages | 20 Oct 2016 | Viz Media, Subs. of Shogakukan Inc | 9781421582726 | English | San Francisco, United States The Art of Castle in the Sky PDF Book From the beginning, I thought about the sound and image to be acoustic. He achieved his trademark luminous color, seen here especially in the lake and trees, by building up layers of colored glazes on the surface of the painting. Sheeta, a girl who has the power to defy gravity, is on the run from pirates when she meets the young inventor Pazu. A promotional video featuring the key Studio Ghibli staff behind "Laputa". Tags: townsville, sunrise, castle hill, sky. It was a flop upon release. Additionally, this was the first film that featured the profile of Totoro in the opening, despite being released before " My Neighbor Totoro " November 5, Danica Davidson. Best Selling in Nonfiction See all. After " Princess Mononoke " flopped financially in the U. Wikipedia Cite this information. The medieval castle in the movie seems to be inspired by the European midth century painting of The Tower of Babel by Pieter Brueghel the Elder, with its giant circular base and the presence of highly rounded and arched doorways all the way around its perimeter. I think it was hard because Miya-san was saying good-bye to his mother, but I was glad that he was able to model her and draw her in the movie like that. Tags: castle, clouds, sky, peace, disney, waterfall, blue, mountain. Tags: castle, sunset, lavender field, lanscape, fantasy. -
Kumoricon-2017-Program Book.Pdf
Start your 14-day free trial at funimation.com/subscribe TM Stream Anime. Anytime. Anywhere. TABLE OF CONTENTS Letter from the Chair . 4 Hours of Operation . 5 Guests of Honor . 6 Art Show and Charity Auction . 10 DJ Profi les . 12 Programming . 14 Main Events . 14 Guest Programming . ........................... 15 Industry Programmingg . .................... 20 Anime Music Videoseos . 21 Cosplay . ........................................................... .......................... ........... 22 Karaoke . ............................................................... ...................... .................. 22 Dance Lessons .................... ........................................................ ........................ 24 GeneralralProgramming...................................................... Programmingramming........... .......................... 25 Conventionntion MapsMaps........... ... ..................................... ..................... 30 Chibibi RRoomm . 39 Writing/Artting/Artt......... ................................................................ ....... ................................. 40 Craft s......................................................................s . ......... .......... .... ................................ 41 Videoeo Gaminging... .......................................................... ............... .... ................................ 41 Tabletopetop Gamingaming . .......................................................... .............. ..... ..................... 42 Board andCardGaming....................................................and -
The Bounded Embodiment of Fandom in China: Recovering Shifting Media Experiences and Fan Participation Through an Oral History of Animation-Comics-Games Lovers
International Journal of Communication 12(2018), 3317–3334 1932–8036/20180005 The Bounded Embodiment of Fandom in China: Recovering Shifting Media Experiences and Fan Participation Through an Oral History of Animation-Comics-Games Lovers YIN YIYI XIE ZHUOXIAO The Chinese University of Hong Kong, China The synchronic patterns and outcomes of relationship building between fans and fan objects have received much attention in fan studies. Instead of taking an overly presentist view, as historical research on fandom often has done, this research treats fan participation—the construction of fan–object relationships—as a sociohistorical practice, highlighting the longitudinal transformations of fandom in specific social contexts. Drawing on oral history and autobiography among animation-comics-games (ACG) lovers, we examine changes in media practices, participation, and identification since the 1990s in a Chinese context. We argue that in the evolution of ACG fandom, the significance of mass media has not resided in forming new fan practices or fan–object relationships. Rather, mass media have played a role in changing the forms and meanings of the embodiment of the imaginary and the affective relationships between fan and object. The shifting embodiments provide fans with hints of situated experiences and priority of meanings regarding being-in-the-fandom. Keywords: fan culture, fan participation, media practice, embodiment of object relation, ACG culture, fandom history, Chinese context Many studies have investigated the synchronic patterns -
Ebook Download the Art of Ponyo Kindle
THE ART OF PONYO PDF, EPUB, EBOOK Hayao Miyazaki | 272 pages | 05 Nov 2013 | Viz Media | 9781421566023 | English | San Francisco, United States The Art of Ponyo PDF Book The Art of Ponyo. Book Depository. Backlist selling opportunity. Related Searches. This book captures the art of the film, from conception to production, and features in-depth interviews with the filmmakers. While the works of Miyazaki do owe their visual lineage to the aesthetics of anime, it's Miyzaki's sensitive portraits of children, girls in particular, and his morality plays that more closely align his films with the type of narratives normally written by children's book authors Lewis Carroll, Hans Christian Andersen or J. Hayao Miyazaki remains the unchallenged master of wonder. It was so amazing to learn that everything was completely drawn by hand without assistance from cel animation. Dewi Kur. Daintie Montaque rated it it was amazing Mar 17, At times some customers have experienced delays of several minutes. Related Products. Error rating book. Book Author. Ponyo , loosely based on Hans Christian Andersen's The Little Mermaid , is a hand-drawn feature-length film of breathtaking beauty and charm. About Hayao Miyazaki. Edit comment. Overview An in-depth look at the hand-drawn anime hit! Miyazaki's other achievements include the highly regarded manga series Nausicaa of the Valley of the Wind and Starting Point: , a collection of essays, interviews, and memoirs that chronicle his early career and the development of his theories of animation. Relive the story of Ponyo and Sosuke in this full-color movie art book! While exploring their sprawling home and the beautiful rural Rating details.