Choose Christ Missal Guitar Accompaniment Ebook 2021

CHOOSE CHRIST MISSAL GUITAR ACCOMPANIMENT Home CHOOSE CHRIST MISSAL GUITAR ACCOMPANIMENT

Table of Contents Copyrights & Credits

Song Numbers Music from the Scripture Indexes Readings and Mass Propers Acknowledgments Mass Settings Preface Hymns & Songs

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Guitar Accompaniment Table of Contents SONG NUMBERS RITUAL PRAYER 1–99 | 100–199 | 200–299 Eucharistic Exposition, Adoration, 300–399 | 400–436 and Benediction Christian Initiation IMPORTANT CHANGES MADE IN 2021 Matrimony New Hymns and Songs for 2021 Penance & Reconciliation Pastoral Care of the Sick (Healing) PREFACE Funerals COPYRIGHTS & CREDITS GENERAL MUSIC FOR WORSHIP MUSIC FROM THE SCRIPTURE Gathering & Sending READINGS AND MASS PROPERS Communion & Eucharist Discipleship MASS SETTINGS Grace & Providence Mass from The Roman Missal Peace Mass of Renewal (Stephan) Conversion, Salvation, & Christian Life Mass of Restoration Comfort (Blakesley/McCullough) Praise Mass of St. Mary Magdalene (Hart) Faith & Trust Mass of the Desert (Booth) Petition & Prayer Additional Service Music Jesus Christ Light HYMNS AND SONGS Social Concern & Justice SEASONAL MUSIC Love Advent Longing and Love for God Advent/Christmas PRAYER DURING THE DAY Christmas Season Prayer in the Morning Lent Prayer in the Evening Palm Sunday Prayer at Night Triduum/Holy Thursday ADDITIONAL MUSIC Good Friday Liturgical Year 2021 Easter & Resurrection Ascension GUITAR CHORD CHARTS Pentecost & Holy Spirit INDEXES Index of Titles SOLEMNITIES AND FEASTS Index of Text & Music Sources Most Holy Trinity Index of Instruments Holy Cross Scriptural Index Saints Topical Index Christ the King Liturgical Index Blessed Virgin Mary Acknowledgments Home | Table of Contents | 1–299 | 300–436 | Chord Charts | Indexes

Preface

In 2004, OCP released a small book of songs selected from the repertoire of contemporary music first compiled in Spirit & Song (1999). The fifty songs in Choose Christ quickly became a popular supplement to the hymnals and missals of parishes throughout the country. By 2009, it was clear that demand for supplemental contemporary liturgical music exceeded those original 50 songs. OCP responded by reformulating Choose Christ into an annual publication, and added an additional 60 songs. Each subsequent year Choose Christ added a dozen more new songs, reaching over 250 by the 2019 edition.

In the fifteen years of Choose Christ’s history, the embrace of liturgical music modeled on modern musical styles has continued to grow, as has the expertise of the composers of this repertoire. Now, responding to the demand for quality liturgical music in contemporary styles, and recognizing its increasingly central role in the music programs of many parishes, OCP has once again reformulated Choose Christ. This comprehensive missal is suitable as the primary musical worship resource for parish liturgies.

In the tradition of OCP’s annual missal publications, the Choose Christ Missal offers a balanced repertoire of both new and well-known Psalms, hymns, and spiritual songs. Our editors worked diligently to select from among the two decades of Spirit & Song repertoire, from the treasury of songs written since the Second Vatican Council, and from the evangelism-centered repertoire of modern worship songs, combined with contemporary arrangements of hymns, carols and chants. Added to this music repertoire are the Order of Mass with musical settings of the Mass ordinaries, full Lectionary readings from the Sunday cycle, ritual and devotional prayers, and Psalm and Gospel Acclamation settings from OCP’s annual Spirit & Psalm resource.

The pew edition of the Choose Christ Missal is of course supported by complete accompaniment books for both guitar and piano, available loose-leaf with attractive binders and in PDF format for tablets. The popular Spirit & Psalm annual resource of responsorial Psalms and Gospel Acclamations may be purchased as needed for ensembles to support the singing of Psalms and acclamations found in the front of the Choose Christ Missal. Continuing OCP’s tradition of excellent customer support, complimentary copies of the accompaniment books, Spirit & Psalm, and other materials are included with purchases of 50 or more copies of the pew edition of the Choose Christ Missal.

As Pope Francis reminds us, “It is necessary to ensure that sacred music…be fully ‘inculturated’ in the artistic and musical language of the current time; namely, that [we] are able to incarnate and translate the Word of God into song, sound and harmony capable of making the hearts of our contemporaries resonate…” (March 4, 2017; on the 50th anniversary of Musicam Sacram).

The goal of the Choose Christ Missal is just that: to provide contemporary music that incarnates the Word of God, makes hearts resonate, and stirs full participation in the Eucharist. Our hope and prayer is that it will help lead your community to a deeper encounter with God in the sacred liturgy.

Blessings on your ministry,

Copyrights & Credits

Excerpts from the English translation of The Roman Missal © 2010, International Commission on English in the Liturgy Corporation (ICEL); the English translation of some Psalm Responses and Gospel Verses from Lectionary for Mass © 1969, 1981, 1997, ICEL; text of the bridge of #278 “Remembrance” from The Roman Missal © 1973, ICEL; excerpts from the English translation of The Liturgy of the Hours © 1973, 1974, 1975, ICEL; excerpt from Rite of Penance © 1975, ICEL; excerpt from the Rite of Christian Initiation of Adults © 1985, ICEL. All rights reserved. Used with permission. Excerpts from the Lectionary for Mass for Use in the Dioceses of the United States of America, second typical edition, © 1970, 1997, 1998, Confraternity of Christian Doctrine, Inc., Washington, D.C. (CCD). All rights reserved. Used with permission. No portion of this text may be reproduced by any means without permission in writing from the copyright owner. The poetic English translations of the sequences are taken from The Roman Missal © 1964, National Catholic Welfare Conference (now USCCB). All rights reserved. Used with permission. None of the pages in this book may be reproduced in any way without written permission from the publisher and the copyright holder. Copyright holders are listed with each song and in the Acknowledgments Index.

Publisher: Wade Wisler Product Development Director: Angela Westhoff-Johnson Music Development and Outreach Director: Pedro Rubalcava Music Development Manager: Rick Modlin Music Editorial Manager: Daniel Partridge Editorial & Data Support Manager: Amanda Weller Senior Editorial Products Specialist: Travis Powers Music Editors: Andrew Arriaga, C. Angelyn Jáuregui, Joseph Muir Engraving Manager: Eric Nordin Engravers: Ward Baxter, David Brallier, Christian Kaltwasser, Christy Kuiken, Reece Marshburn, William Straub Worship Publications Manager: Glenn Byer Editorial Assistance: Bari Colombari, Jon DeBellis Art Director: Judy Urben Graphic Designer: Le Vu eBook Production: Ward Baxter, Dolan Jones, Reece Marshburn, Eric Nordin, Travis Powers, Amanda Weller

Conversion, Salvation, & Christian Life 303 Chosen and Called (Greatness) Chris Muglia

INTRO ( = ca. 80) q Capo 3: ( Bm) (Gmaj7) (D)(A/C#) (Bm) (Gmaj7) (D)(A/C#) D b F C/E D b F C/E œ œ œ œ œ œ œ œ œ œ 4 . œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . &b 4 .(Pno) .

VERSES ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) % Bm G D A/C# Bm G D A/C# D b F C/E D b F C/E &b ‰ œ œ œ œ ŒÓ ‰ œ œ œ œ j Ó 1. o e r-nessœ oœ eœ li,œ yo lle y ne nœ eœ eœ œ lie.œ. . ie y er, ie y ll o o yor ill, n no y on.

(Bm) (G) (D) (A/C#) (Em7) (Asus4) D b F C/E G Css &b ‰ œ œ œ œ œ ŒÓ ‰ œ œ œ œ œ œ œ œ Œ 1. oœ soleœ yœ er n se y sol en s los yo le e oe. . ll n ill e - oe ie o yo n yo - lone,

(A) (D) (G) (Asus4) (A) (D) (G) (A) C F Css C F C Melody b b r r Harmonyb ‰. . œ. ‰ œ. œ œ ‰. . œ. ‰ œ. œ œ œ w & œ œ œ œ œ œ œ œœ ˙˙ œ œ œ œ œ œ œ œ w 1. nœ noœ œ . no. o. . nœ noœ œ . no. o. . . e-se no o e-se no o .

REFRAIN (D) (Em7) (Bm7) (Asus4) F G D Css SAMPLEj b ‰ ‰ œ œ œ œ ‰ Œ & œœ œœ œœ œœ œœ œœ œ œ œ œ œœ œ œ œ œ œœ œœ œœ œ œœ œœ œ il o Go. e een o- sen nœ lleœ œ orœ re- ness, orœ re- nessœ

(D) (Em7) (Bm7) (Asus4) F G D Css j œ &b ‰ œœ œœ œœ œœ œœ œœ ‰ œœ œœ œœ œœ œ œ œ œ ‰ œ œœ œœ œœ Œ œ œœ œ il o Go. e een o- senœ nœ lleœ œ orœ re- ness, orœ re -

303—Chosen and Called, cont. (2) Conversion, Salvation, & Christian Life

1 2 BRIDGE (G) (G) (G) (D) (A/C ) (le rin) (l.r.) F C/E# b D.S. b cresc.b 2nd time w w . &b w ∑ w Ó Œ œ œ . œ œ œ œ œ œ œ œ œ œ œ ness ness Dy y y, or y or, in e i- e son o e

(G) (D) (A/C#) (G) (D) (A/C#) b F C/E b F C/E j &b œ œ œ œ Œ œ œ œ œ œ œ . œ œ œ œ œ œ œ œ œ serJ - n o ies, re- ness is on. Dy y y, or y or, in e i- e son oœ

FINAL REFRAIN (Gadd9) (D) (Em7) (Bm7) b F G D . j &b w ∑ . ‰ œœ œœ œœ œœ œœ œœ ‰ œœ œœ œœ œœ œ œ œ œ ‰ œ œœ œœ œœ loe. il o Go. e een o- senœ nœ lleœ œ orœ re- ness,

(Asus4) (D) (Em7) Css F G

&b Œ œ œœ œœ œ ‰ œœ œœ œœ œœ œœ œœ ‰ œœ œœ œœ œœ œ œ œ orœ re- nessœ il o Go. e een o- senœ nœ lleœ

1 2 (Bm7) (Asus4) (Asus4) (G) ( ) D Css Css b l.r. j . œ w &b œ ‰ œ œœ œœ œœ Œ œ œœ œœ œ . Œ œ œœ œ w ∑ œ orœ re- ness, orœ re- nessœ orœ re - ness

1 (D) (Gadd9) (D) F SAMPLEb F b . ‰ œ ∑ ‰ & . œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ilœ oœ Go. œ eœ eenœ oœ - senœ nœ lle.œœ

Final (Gadd9) (D) (Gadd9) b F b U &b ∑ . ‰ œ œ œ œ œ œ œ eœ eenœ oœ - senœ nœ lle.ww

Additional Music 421 All That We Have Seen iturgical ear Sarah Hart L Y 2021 Vocal arr. by David A. Brinker

INTRO ( = ca. 76) q Capo 1: (D) (Gmaj7) (D) (Gmaj7) Eb Abma7 Eb Abma7 ˙ œ ˙ œ b 4 œ œ œ w œ œ œ ˙ &b b 4 (Pno) Œ œ œ œ

VERSES (D) (G) Eb Ab bb . j j & b . œ œ œ œ œ. œ œ œ œ œ . œ œ œ œ œ . All that e have seen, e ill not hide a - ay.œ ‰ We ill hold it . All that e have heard, e an - not eep ith - in ‰ for the truth is . All e have re - eived, ‰ may e free - ly share ith ev - ery trie and

(D) (Bm7) (A) (D) Melody Eb Cm7 Bb Eb b &b b œ œ œ œ ˙ ‰ œ œ œ œ œ œ œ œ œ . up˙ as the light of day, a lamp of mer - y meant to guide and . meant to e told a - gain. Sing - ing the prom - ise of the sav - ing . tongue, lead us ev - ery-here. il all are gath - ered at the feast of b &b b œ œ œ ˙ ‰ œ œ œ œ œ œ œ œ œ Tenor œ Harmony˙

(G) (Bm (A) Ab Cm Bb bbb j SAMPLE‰ œ œ & œ œ œ œ ˙ œ œ œ . leadœ. œ ar- ried to theœ least.œ. We ill sho theœ orld all that e haveœ . Word of‰ he ho loved us first, e ill tell the orld all that e have . love, ‰ and your ing-dom omes, e ill sho the orld all that love has b j œ œ œ &b b œ. œ œ œ œ œ œ. ‰ œ ˙ œ œ œ œ

421—All That We Have Seen, cont. (2) Additional Music

REFRAIN (D)(Dsus4 (D) (D/F#) (Gadd9) (A) (Bm7) Eb Ebsus Eb Eb/G Abadd9 Bb Cm7 b j j &b b ’’ ’’ ‰ œ œ œ. œ œ. œ ˙ ‰ œ œ . seen.˙ Weœ ill go forth to serve the ord andœ e ill . heard. . done. Tenor j b . œ œ. œ ˙ œ œ &b b ˙ Ó Ó Alto ‰ œ œ œ œ ˙ ‰ œ œ œ œ œ œ. œ œ. J œ œ

(G) (D) (Asus4) (A) (D/F#) (Gadd9) (A) (Bm7) Ab Eb Bbsus Bb Eb/G Abadd9 Bb Cm7 b j j &b b œ. œ œ œ œ œ ˙ ‰ œ œ œ. œ œ. œ ˙ Œ œ œ love asJ nev --er e fore. heœ peae of God has set us free to pro-

b œ. j j œ. œ ˙ œ &b b œ. œ œ œ œ œ ˙ ‰ œ œ œ œ. œ œ ˙ Œ œ œ œ œ œ œ œ ˙ œ œ œ œ. œ œ. J œ

(Em7) (D/F#) (Em/G)(Em/A) (D) (Gmaj7) Fm7 Eb/G Fm/Ab Fm/Bb Eb Abma7 ˙ œ b œ. œ œ œ œ w &b b œ œ œ œ ˙ œ œ œ Œ œ œ œ laim toJ all of the orld all that e haveœ seen.w b œ. j &b b œ. œ œ œ œ œ ˙ œ œ œ œ w ∑ œ œ œ œ œ ˙ œ œ œ œ w

1, 2 Final (D) (Gmaj7) (Gmaj7) (D) E A ma7 A ma7 E b SAMPLEb to Verses b rit. b ˙ œ œ œ b œ ˙ w œ œ &b b . Œ œ œ œ œ w

Additional Music 424 Litany of Humility Based on the Litany of Humility, Thomas Muglia attrib. to Rafael Cardinal Merry del Val, 1865–1930 Adapt. by Thomas Muglia

INTRO ( = ca. 70) hG # 2 Œ‰ j j j j j Œ‰ j j j j j & 2 œ œ. œœ . (Pno)œ œ œ œ œ œ. œ œ œ œ œ œ. VERSE 1 G Am D # Œ Ó ∑ Œ j j & j j œ j œ œ œ œ œ œ œ œ œ œ From. From. œ myœ deœ - sireœ œ. toœ œ e loved,œ ˙ from my de- sire to e e - tolled, G D/F# Em Am # j j j & Ó ∑ Œ œ œ œ œ œ œ œ. Ó ∑ . ˙ from myœ de- sireœ œ toœ e hon - ored, D G D/F# Em # j j œ & Œ œ œ œ œ œ. œ œ œ œ ˙ Ó ∑ Œ œ œ œ œ œ œ œ œ œ from. from. my de- sire to e praised,J from my de- sire to e pre- ferred Am D G D/F# Em # & œ œ. Ó ∑ Œ œ œ œ œ œ œ œ œ œ œ œœ . Ó ∑ Œ œ œ œ œ . J to, from my de- sire to e on-- sult J ed, from my de- sire Am D7 let ring G C/G G C/G # & œ œ œ œ œ œ ˙ Ó Ó Œ œ ˙. œ ˙ ˙ w œ œ. j j j . to e ap- proved, de --liv er me, Je - sus. ˙ œ œ œ œ œ œ ˙ œ œ REFRAIN %Melody G C D # j j j j & œ œ. j Œ œ œ œ œ œ. Œ Œ‰ œ œ œ œ ˙ Ó Tenor Je- sus,œ œ mee and hum-- le heart ed,œ œ hear my prayer, # j j j œ œ. j Œ œ œ œ œ œ. j Œ Œ‰ œ œ œ œ ˙ Ó &Alto œSAMPLEœ œ œ œ œ œ Harmony œ œ. œ œ œ œ œ œ œ. œ œ œ ˙ C G C # j & Œ‰ j j Ó Ó Œ œ œ. j Œ