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1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
Namzitara FS Kilmer
Offprint from STRINGS AND THREADS A Celebration of the Work of Anne Draffkorn Kilmer Edited by WOLFGANG HEIMPEL and GABRIELLA FRANTZ - SZABÓ Winona Lake, Indiana EISENBRAUNS 2011 © 2011 by Eisenbrauns Inc. All rights reserved Printed in the United States of America www.eisenbrauns.com Drawing on the cover and beneath the title on p. iii by Cornelia Wolff, Munich, after C. L. Wooley, Ur Excavations 2 (1934), 105. Library of Congress Cataloging-in-Publication Data Strings and threads : a celebration of the work of Anne Draffkorn Kilmer / edited by Wolfgang Heimpel and Gabriella Frantz-Szabó. p. cm. Includes bibliographical references and index. ISBN 978-1-57506-227-3 (hardback : alk. paper) 1. Kilmer, Anne Draffkorn. 2. Music—Middle East—History and criticism. 3. Music archaeology— Middle East. I. Kilmer, Anne Draffkorn. II. Heimpel, Wolfgang. III. Frantz-Szabó, Gabriella. ML55.K55S77 2011 780.9—dc22 2011036676 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. †Ê Contents Preface .............................................................. vii Abbreviations ......................................................... ix GUITTY AZARPAY The Imagery of the Manichean ‘Call’ on a Sogdian Funerary Relief from China ................ 1 DOMINIQUE COLLON Chinless Wonders ................................ 19 JERROLD S. COOPER Puns and Prebends: The Tale of Enlil and Namzitara. 39 RICHARD L. CROCKER No Polyphony before A.D. 900! ...................... 45 DANIEL A. FOXVOG Aspects of Name-Giving in Presargonic Lagash ........ 59 JOHN CURTIS FRANKLIN “Sweet Psalmist of Israel”: The Kinnôr and Royal Ideology in the United Monarchy .............. 99 ELLEN HICKMANN Music Archaeology as a Field of Interdisciplinary Research ........................ -
That Just Makes You Tired!
That Just Makes You Tired! Have you ever noticed that mere observation can make you tired? (Well, me neither). However, my son is always the thinker and he made an observation worthy of contemplation, i.e., idolatry is hard work! Yes, says he and here’s why. The Babylonians had at least eleven major gods: Tiamat: in one area she epitomized the beauty of the feminine, while the other showcasing how she represented the chaotic scope of primordial origins,” i.e., in another area she takes “the form of a giant dragon to wreak havoc on the younger generation of gods and is also said to have created the first batch of monsters and ‘poison- filled dragons…” I think I’ve met her. Enlil, Enki, and Anu: It has been reported that Mesopotamian had a supreme triad: Enlil, possibly portrayed as the ‘Lord of Air,’ Anu, god of the heavens, Enki, god of wisdom and earth. Of these it was Enlil “who brought upon the great flood upon humanity because he was “perturbed by their higher rate of fertility and the general ‘noise’ they made (that disturbed his sleep). Enki, translated as the ‘Lord of the Earth,’ has also been depicted as a deity of creation, crafts, intelligence and even magic.” Marduk: Seemingly the most famous of the Babylonian gods. Marduk has been portrayed as ‘the very King of gods (or even Storm God), draped in royal robes, whose fields of ‘expertise’ ranged from justice, healing to agriculture and magic. Historically, the famous ziggurat of Babylon was also dedicated to Marduk, which has been referred to a “the (literary) model for the Biblical Tower of Babel.” Other Babylonian gods included Ishtar, Sin, Shamash, Nisaba, Ashur, and Ninkasi. -
INTRODUCTION to BREWING Marie-Annick Scott
INTRODUCTION TO BREWING Marie-Annick Scott 1 TABLE OF CONTENTS History pg 2 Malt varieties pg 8 Other fermentables pg 9 Hops pg 11 Bittering compounds pg 12 Flavour compounds pg 12 Hop products pg 12 Water pg 14 Yeast pg 18 Equipment pg 20 Mash profiles pg 22 Detailed brew day steps pg 26 After brew day pg 34 Designing your own recipes pg 39 Glossary pg 43 © 2019 Marie-Annick Scott 2 INTRODUCTION TO BREWING Welcome to a one-day course on brewing. During this course you will learn how to transform grains and hops into drinkable beer. Throughout the day, we will be demonstrating how to make beer using your own equipment and guide you through the process to design your very own recipes. Brewing is an extremely old practice, even predating civilisation. Historians like to argue whether beer or bread came first, but we do know that it’s the reason humans started living together, moving from a hunter-gatherer lifestyle to farming and eventually, cities. AN EXTREMELY BRIEF HISTORY OF BEER While we have evidence of beer and brewing going back over 10 000 years, the oldest written reference to beer is the “Hymn to Ninkasi” Given birth by the flowing water, tenderly cared for by Ninhursaja! Ninkasi, given birth by the flowing water, tenderly cared for by Ninhursaja! Having founded your town upon wax, she completed its great walls for you. Ninkasi, having founded your town upon wax, she completed its great walls for you. Your father is Enki, the lord Nudimmud, and your mother is Ninti, the queen of the abzu. -
Miscellaneous Babylonian Inscriptions
MISCELLANEOUS BABYLONIAN INSCRIPTIONS BY GEORGE A. BARTON PROFESSOR IN BRYN MAWR COLLEGE ttCI.f~ -VIb NEW HAVEN YALE UNIVERSITY PRESS LONDON HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MDCCCCXVIII COPYRIGHT 1918 BY YALE UNIVERSITY PRESS First published, August, 191 8. TO HAROLD PEIRCE GENEROUS AND EFFICIENT HELPER IN GOOD WORKS PART I SUMERIAN RELIGIOUS TEXTS INTRODUCTORY NOTE The texts in this volume have been copied from tablets in the University Museum, Philadelphia, and edited in moments snatched from many other exacting duties. They present considerable variety. No. i is an incantation copied from a foundation cylinder of the time of the dynasty of Agade. It is the oldest known religious text from Babylonia, and perhaps the oldest in the world. No. 8 contains a new account of the creation of man and the development of agriculture and city life. No. 9 is an oracle of Ishbiurra, founder of the dynasty of Nisin, and throws an interesting light upon his career. It need hardly be added that the first interpretation of any unilingual Sumerian text is necessarily, in the present state of our knowledge, largely tentative. Every one familiar with the language knows that every text presents many possi- bilities of translation and interpretation. The first interpreter cannot hope to have thought of all of these, or to have decided every delicate point in a way that will commend itself to all his colleagues. The writer is indebted to Professor Albert T. Clay, to Professor Morris Jastrow, Jr., and to Dr. Stephen Langdon for many helpful criticisms and suggestions. Their wide knowl- edge of the religious texts of Babylonia, generously placed at the writer's service, has been most helpful. -
NINAZU, the PERSONAL DEITY of GUDEA Toshiko KOBAYASHI*
NINAZU, THE PERSONAL DEITY OF GUDEA -The Continuity of Personal Deity of Rulers on the Royal Inscriptions of Lagash- Toshiko KOBAYASHI* I. Introduction 1. Historical materials from later periods For many years, I have examined the personal deities of rulers in Pre- Sargonic Lagash.(1) There are not many historical materials about the personal deities from Pre-Sargonic times. In as much as the materials are limited chiefly to the personal deities recorded in the royal inscriptions, not all aspects of personal deities are clear. In my paper "On Ninazu, as Seen in the Economic Texts of the Early Dynastic Lagas (1)" in Orient XXVIII, I discussed Ninazu, who appears in the administrative-economic texts of Pre-Sargonic Lagash. Ninazu appears only in the offering-lists in the reign of Uruinimgina, the last ruler of Pre-Sargonic Lagash. Based only on an analysis of the offering-lists, I argued that Ninazu was the personal deity of a close relative of Uruinimgina. In my investigation thus far of the extant historical materials from Pre-Sargonic Lagash, I have not found any royal inscriptions and administrative-economic texts that refer to Ninazu as dingir-ra-ni ("his deity"), that is, as his personal deity. However, in later historical materials two texts refer to Ninazu as "his deity."(2) One of the texts is FLP 2641,(3) a royal inscription by Gudea, engraved on a clay cone. The text states, "For his deity Ninazu, Gudea, ensi of Lagash, built his temple in Girsu." Gudea is one of the rulers belonging to prosperous Lagash in the Pre-Ur III period; that is, when the Akkad dynasty was in decline, after having been raided by Gutium. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
3 a Typology of Sumerian Copular Clauses36
3 A Typology of Sumerian Copular Clauses36 3.1 Introduction CCs may be classified according to a number of characteristics. Jagersma (2010, pp. 687-705) gives a detailed description of Sumerian CCs arranged according to the types of constituents that may function as S or PC. Jagersma’s description is the most detailed one ever written about CCs in Sumerian, and particularly, the parts on clauses with a non-finite verbal form as the PC are extremely insightful. Linguistic studies on CCs, however, discuss the kind of constituents in CCs only in connection with another kind of classification which appears to be more relevant to the description of CCs. This classification is based on the semantic properties of CCs, which in turn have a profound influence on their grammatical and pragmatic properties. In this chapter I will give a description of CCs based mainly on the work of Renaat Declerck (1988) (which itself owes much to Higgins [1979]), and Mikkelsen (2005). My description will also take into account the information structure of CCs. Information structure is understood as “a phenomenon of information packaging that responds to the immediate communicative needs of interlocutors” (Krifka, 2007, p. 13). CCs appear to be ideal for studying the role information packaging plays in Sumerian grammar. Their morphology and structure are much simpler than the morphology and structure of clauses with a non-copular finite verb, and there is a more transparent connection between their pragmatic characteristics and their structure. 3.2 The Classification of Copular Clauses in Linguistics CCs can be divided into three main types on the basis of their meaning: predicational, specificational, and equative. -
Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Western Kentucky University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2008 A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Comparative Methodologies and Theories Commons, History of Religions of Eastern Origins Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Craig, Leah Whitehead, "A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature" (2008). Honors College Capstone Experience/Thesis Projects. Paper 106. http://digitalcommons.wku.edu/stu_hon_theses/106 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. A Journey Into the Land of No Return: Death Attitudes and Perceptions of Death and Afterlife in Ancient Near Eastern Literature Leah Whitehead Craig Senior Honors Thesis Submitted to the Honors College of Western Kentucky University Spring, 2008 Approved by: _________________________________ _________________________________ -
Women in the Ancient Near East: a Sourcebook
WOMEN IN THE ANCIENT NEAR EAST Women in the Ancient Near East provides a collection of primary sources that further our understanding of women from Mesopotamian and Near Eastern civiliza- tions, from the earliest historical and literary texts in the third millennium BC to the end of Mesopotamian political autonomy in the sixth century BC. This book is a valuable resource for historians of the Near East and for those studying women in the ancient world. It moves beyond simply identifying women in the Near East to attempting to place them in historical and literary context, follow- ing the latest research. A number of literary genres are represented, including myths and epics, proverbs, medical texts, law collections, letters and treaties, as well as building, dedicatory, and funerary inscriptions. Mark W. Chavalas is Professor of History at the University of Wisconsin-La Crosse, where he has taught since 1989. Among his publications are the edited Emar: The History, Religion, and Culture of a Syrian Town in the Late Bronze Age (1996), Mesopotamia and the Bible (2002), and The Ancient Near East: Historical Sources in Translation (2006), and he has had research fellowships at Yale, Harvard, Cornell, Cal-Berkeley, and a number of other universities. He has nine seasons of exca- vation at various Bronze Age sites in Syria, including Tell Ashara/Terqa and Tell Mozan/Urkesh. ROUTLEDGE SOURCEBOOKS FOR THE ANCIENT WORLD HISTORIANS OF ANCIENT ROME, THIRD EDITION Ronald Mellor TRIALS FROM CLASSICAL ATHENS, SECOND EDITION Christopher Carey ANCIENT GREECE, THIRD EDITION Matthew Dillon and Lynda Garland READINGS IN LATE ANTIQUITY, SECOND EDITION Michael Maas GREEK AND ROMAN EDUCATION Mark Joyal, J.C. -
Mesopotamian Culture
MESOPOTAMIAN CULTURE WORK DONE BY MANUEL D. N. 1ºA MESOPOTAMIAN GODS The Sumerians practiced a polytheistic religion , with anthropomorphic monotheistic and some gods representing forces or presences in the world , as he would later Greek civilization. In their beliefs state that the gods originally created humans so that they serve them servants , but when they were released too , because they thought they could become dominated by their large number . Many stories in Sumerian religion appear homologous to stories in other religions of the Middle East. For example , the biblical account of the creation of man , the culture of The Elamites , and the narrative of the flood and Noah's ark closely resembles the Assyrian stories. The Sumerian gods have distinctly similar representations in Akkadian , Canaanite religions and other cultures . Some of the stories and deities have their Greek parallels , such as the descent of Inanna to the underworld ( Irkalla ) resembles the story of Persephone. COSMOGONY Cosmogony Cosmology sumeria. The universe first appeared when Nammu , formless abyss was opened itself and in an act of self- procreation gave birth to An ( Anu ) ( sky god ) and Ki ( goddess of the Earth ), commonly referred to as Ninhursag . Binding of Anu (An) and Ki produced Enlil , Mr. Wind , who eventually became the leader of the gods. Then Enlil was banished from Dilmun (the home of the gods) because of the violation of Ninlil , of which he had a son , Sin ( moon god ) , also known as Nanna . No Ningal and gave birth to Inanna ( goddess of love and war ) and Utu or Shamash ( the sun god ) . -
Inanna: a Modern Interpretation
The University of Maine DigitalCommons@UMaine Honors College Spring 2019 Inanna: A Modern Interpretation Erin Butts University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Communication Commons, and the Theatre and Performance Studies Commons Recommended Citation Butts, Erin, "Inanna: A Modern Interpretation" (2019). Honors College. 485. https://digitalcommons.library.umaine.edu/honors/485 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. INANNA: A MODERN INTERPRETATION By Erin Butts A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications, Theatre) The Honors College The University of Maine May 2019 Advisory Committee: Elizabeth Neiman, Associate Professor of English and Women’s, Gender, and Sexuality Studies, Co-Advisor Mary Jean Sedlock, Lecturer in Theatre, Production Manager, and Technical Director, Co-Advisor Daniel Bilodeau, Chair of Theatre and Dance Julie Lisnet, Instructor of Theatre Jennie Woodard, Preceptor in the Honors College © 2019 Erin H. Butts All Rights Reserved ABSTRACT Sumer has a culture lost to history. Currently, the University of Maine offers no courses about ancient Mesopotamia, one of the first civilizations. Over the years, historians have been translating the cuneiform tablets containing their religion and history. There has been one adaptation of those translations, by Diane Wolkstein in 1983 to bring the stories to a wider audience through a collection of stories around the goddess Inanna.