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Central Florida Future, Vol. 34 No. 7, October 3, 2001
University of Central Florida STARS Central Florida Future University Archives 10-3-2001 Central Florida Future, Vol. 34 No. 7, October 3, 2001 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 34 No. 7, October 3, 2001" (2001). Central Florida Future. 1612. https://stars.library.ucf.edu/centralfloridafuture/1612 Turnovers, THE central florida mistakes costly • against Hokies l · -For more, see SPORTS l l I • October 3, 2001 •THE STUDENT NEWSPAPER SERVING UCF SINCE 1968 • Wf!!W.UCFfuture.c • Man ·enters dorm, ·touches women • AMY EDWARDS · The police don't know how Chollet STAFF WRITER entered the exterior of building, but said all the women's rooms were unlocked. • Four women reported to UCF police Three of the women were on the third that a man entered their Seminole Hall floor of the building and the fourth victim dorm rooms at about 5 a.m., Sept. 23, and was on the second floor; all students were • touched them in their sleep. in separate rooms . After pleading with the man to leave "I've never seen anything like this in her room, the first vic my 17 1/2 years here," Williamson said. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Filmmake Yourself: Film - und medienspezifische Erzählstile der Independent Movie Community im Web 2.0 - Zeitalter“ Verfasser Georg Csarmann angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Mag. Dr. habil. Ramón Reichert 2 Danksagung Die vorliegende Diplomarbeit wäre ohne der Hilfe diverser Menschen nicht möglich gewesen: Ich möchte mich bei meinen Eltern bedanken, die mir mein Studium ermöglicht haben, sowie bei meinen Freunden, speziell meinen Mitbewohnern und meiner Freundin, die immer ein offenes Ohr hatten wenn ich ihnen meine verschiedensten Theorieansätze und Herangehensweisen an diese Arbeit präsentiert habe. Die Gespräche mit ihnen waren mindestens genauso wichtig wie die Recherchearbeit im Laufe des Schreibprozesses. Weiters danke ich meinem Betreuer Univ.-Prof. Mag. Dr. habil. Ramón Reichert, dessen Expertise im Bereich neuer Medien ein ständiger Ansporn war, ihm die bestmögliche Auseinandersetzung mit dem von mir gewählten Thema vorzulegen. Zu guter Letzt möchte ich noch einmal festhalten, wie wichtig das Medium des bewegten Bilds für mich ist, sei es nun als Zuseher oder als Filmemacher. Die Möglichkeit, in diesem Feld zu arbeiten und neue Wege zu erkunden, hat mir oft dabei geholfen, meinem Leben einen Sinn zu geben. 3 4 Inhaltsverzeichnis 1. Einleitung S. 9 2. American Independent Film S. 15 2.1 Was ist „Independent Film“? S. 15 2.2 Eine kurze Geschichte des „American Independent Film“ S. 17 3. Inszenierte Authentizität anhand Steven Soderberghs The Girlfriend Experience S. 21 3.1 Pornografische Internet – Videos als Parallele zu Film- und medienspezifischen Erzählstilen im Web 2.0 – Zeitalter S. -
Cannes Critics Week Panel Films Screened During TIFF Cinematheque's Fifty Years of Discovery: Cannes Critics Week (Jan. 18-22
Cannes Critics Week panel Films screened during TIFF Cinematheque’s Fifty Years of Discovery: Cannes Critics Week (Jan. 18-22, 2012) In honour of the fiftieth anniversary of Semaine de la Critique (Cannes Critics Week), TIFF Cinematheque invited eight local and international critics and opinion-makers to each select and introduce a film that was discovered at the festival. The diversity of their selections—everything from revered art-house classics to scrappy American indies, cutting-edge cult hits and intriguingly unknown efforts by famous names—testifies to the festival’s remarkable breadth and eclecticism, and its key role in discovering new generations of filmmaking talent. Programmed by Brad Deane, Manager of Film Programmes. Clerks. Dir. Kevin Smith, 1994, U.S. 92 mins. Production Co.: View Askew Productions / Miramax Films. Introduced by George Stroumboulopoulos, host of CBC’s Stroumboulopoulos Tonight, formerly known as The Hour. Stroumboulopoulos on Clerks: “When Kevin Smith made Clerks and it got on the big screen, you felt like our voice was winning.” Living Together (Vive ensemble). Dir. Anna Karina, 1973, France. 92 mins. Production Co.: Raska Productions / Société Nouvelle de Cinématographie (SNC). Introduced by author and former critic for the Chicago Reader, Jonthan Rosenblum. Rosenblum on Living Together: “I saw Living Together when it was first screened at Cannes in 1973, and will never forget the brutality with which this gently first feature was received. One prominent English critic, the late Alexander Walker, asked Anna Karina after the screening whether she realized that her first film was only being shown because she was once married to a famous film director; she sweetly asked in return whether she should have therefore rejected the Critics Week’s invitation. -
Inside: Will Eisner! J. Michael Straczynski!
IINNSSIIDDEE:: WWIILLLL EEIISSNNEERR!! JJ.. MMIICCHHAAEELL SSTTRRAACCZZYYNNSSKKII!! $ 95 MAGAAZZIINEE August 5 2003 In the USA JJEEPPHH BBOOBB LLOOEEBB && SSCCHHRREECCKK JJIIMM LLEEEE DIANA SCHUTZ DDEENNNNYY OO’’NNEEIILL FFAABBIIAANN NNIICCIIEEZZAA GGEETTTTIINNGG AA NNOOVVEELL PPAAUULL PPUUBBLLIISSHHEEDD DDIINNII Batman, Bruce Wayne TM & ©2003 DC Comics MAGAZINE Issue #5 August 2003 Read Now! Message from the Editor . page 2 The Spirit of Comics Interview with Will Eisner . page 3 He Came From Hollywood Interview with J. Michael Straczynski . page 11 Keeper of the Bat-Mythos Interview with Bob Schreck . page 20 Platinum Reflections Interview with Scott Mitchell Rosenberg . page 30 Ride a Dark Horse Interview with Diana Schutz . page 38 All He Wants To Do Is Change The World Interview with Fabian Nicieza part 2 . page 47 A Man for All Media Interview with Paul Dini part 2 . page 63 Feedback . page 76 Books On Writing Nat Gertler’s Panel Two reviewed . page 77 Conceived by Nuts & Bolts Department DANNY FINGEROTH Script to Pencils to Finished Art: BATMAN #616 Editor in Chief Pages from “Hush,” Chapter 9 by Jeph Loeb, Jim Lee & Scott Williams . page 16 Script to Finished Art: GREEN LANTERN #167 Designer Pages from “The Blind, Part Two” by Benjamin Raab, Rich Burchett and Rodney Ramos . page 26 CHRISTOPHER DAY Script to Thumbnails to Printed Comic: Transcriber SUPERMAN ADVENTURES #40 STEVEN TICE Pages from “Old Wounds,” by Dan Slott, Ty Templeton, Michael Avon Oeming, Neil Vokes, and Terry Austin . page 36 Publisher JOHN MORROW Script to Finished Art: AMERICAN SPLENDOR Pages from “Payback” by Harvey Pekar and Dean Hapiel. page 40 COVER Script to Printed Comic 2: GRENDEL: DEVIL CHILD #1 Penciled by TOMMY CASTILLO Pages from “Full of Sound and Fury” by Diana Schutz, Tim Sale Inked by RODNEY RAMOS and Teddy Kristiansen . -
Award Winning Filmmaker Kevin Smith to Address Illinois Wesleyan Commencement on May 7 Bob Aaron Illinois Wesleyan University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @ Illinois Wesleyan University Illinois Wesleyan University Digital Commons @ IWU News and Events University Communications 2000 Award Winning Filmmaker Kevin Smith to Address Illinois Wesleyan Commencement on May 7 Bob Aaron Illinois Wesleyan University Recommended Citation Aaron, Bob, "Award Winning Filmmaker Kevin Smith to Address Illinois Wesleyan Commencement on May 7" (2000). News and Events. Paper 732. http://digitalcommons.iwu.edu/news/732 This Article is brought to you for free and open access by The Ames Library, the Andrew W. Mellon Center for Curricular and Faculty Development, the Office of the Provost and the Office of the President. It has been accepted for inclusion in Digital Commons @ IWU by the faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. April 18, 2000 CONTACT: Bob Aaron, 309/556-3181 Award Winning Filmmaker Kevin Smith to Address Illinois Wesleyan Commencement on May 7 BLOOMINGTON, Ill.--Award-winning film director and writer Kevin Smith--whose screen credits include Clerks, Mallrats, and Chasing Amy--will address an estimated 535 graduates and their families at Illinois Wesleyan University's commencement for its 150th year on May 7 (Sunday). IWU's 1 p.m. graduation ceremony (the processional of graduates and faculty begins at 12:45 p.m.) will take place on the Eckley Quadrangle unless inclement weather forces the event inside the Shirk Center, 302 E. Emerson, Bloomington. Smith will receive an honorary doctor of humane letters degree for his contributions to the art and science of filmmaking. -
PDF of This Issue
WelcomeReturning Students The Weather· Today: Sunny, 75°F (24°C) Tonight: loudy, 63°F (17°C) Tomorrow: Cloudy, 80°F (27°C) Detail , Page 2 Cambridge, Massachusett 02139 Thursday, Augu t 30, 2001 By Jeffrey Greenbaum STAFF REPORTER Institute Sues Over Digital TVLicensing In yesterday's freshman housing By Jennifer Krishnan the lawsuit. lottery, over 80 percent of the 679 1st 2nd 3rd 4th 5th NEWS EDITOR "We believe that a rather large lottery entrants received one of their er 85 1 MIT has announced that they are number of companies that are mak- top two choices. suing Sony Electronics, Inc. for man- ing digital television or components "We tried to maximize the Bexley 16 1 ufacturing and selling digital televi- of digital television will be or are amount of people who got their first BurtoD-Connor 42 49 2 sions that use components and tech- operating under the claims of our or second choice," said Denise Val- East Campus 41 32 13 nologies patented by the Institute. patents," Nelsen said. lay, manager of Undergraduate Resi- iCG~or 99 In the lawsuit, MIT alleges that Mack Araki, a representative of dential Services. In order to accom- ewHouse 39 13 5 "Sony has directly infringed ... on Sony, said the corporation would plish this, the Office of Residential [the patents in question] by manu- not discuss the pending litigation. Life and Student Life Programs Next House 56 32 facturing, .,. selling, and/or offering (RLSLP) ran the lottery three time , Random 14 4 to sell ... the said digital systems Sony less cooperative than others and selected the results in which the SeDior House '1 11 4 and components." "We have offered license for greatest number of freshmen received Unassigned "MIT has a large part of patents these patents to the companies .. -
Dig! Discussion Guide
www.influencefilmclub.com Dig! Discussion Guide Director: Ondi Timoner Year: 2004 Time: 107 min You might know this director from: Cool It (2010) We Live In Public (2009) Join Us (2007) FILM SUMMARY In 1995, filmmaker Ondi Timoner set out to film 10 bands on the verge of being signed by major record labels in order to analyze the relationship between art and commerce. Anton Newcombe of The Brian Jonestown Massacre was included in that mosh-pit of musicians. He also suggested his friends, The Dandy Warhols, and the rest became music history. DIG! follows the bands over the course of 7 years as they traverse the turbulent music industry. Courtney Taylor- Taylor and his band, The Dandy Warhols, are filmed as they record albums, sign a major label deal with Capitol Records, make extravagant music videos, travel the wide world, and party with the hip and famous. Anton Newcombe and his band, The Brian Jonestown Massacre, are also filmed as they record albums, reject labels and listeners, and become more known for their raucous infighting and drug abuse than for their music. Pure rock ‘n’ roll viewing, the film is a well-rounded examination of a particular time in popular culture. The choices of modern-day musicians play out over the course of time. Hell-bent to create uncensored music untouched by the corporate machine, Newcombe demonstrates the hard-toiled consequences of his decisions. Taylor-Taylor and band members, on the other hand, rise from strength to strength and luxury to luxury. DIG! proves that like oil and water, money and music just do not mix for some musicians. -
The Political Economy of Independent Film: a Case Study of Kevin Smith Films
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Political Economy of Independent Films: A Case Study of Kevin Smith Films Grace Kathleen Keenan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE POLITICAL ECONOMY OF INDEPENDENT FILMS: A CASE STUDY OF KEVIN SMITH FILMS By GRACE KATHLEEN KEENAN A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Arts in Media Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Grace Kathleen Keenan defended on April 9, 2009. ____________________________________ Jennifer M. Proffitt Professor Directing Thesis ____________________________________ Stephen D. McDowell Committee Member ____________________________________ Andrew Opel Committee Member __________________________________________________ Stephen D. McDowell, Chair, Department of Communication __________________________________________________ Gary R. Heald, Interim Dean, College of Communication The Graduate School has verified and approved the above named committee members. ii For my parents, who have always seen me as their shining star iii ACKNOWLEGEMENTS Dr. Proffitt: Without your dedication to learning and students, this thesis would have been impossible. You truly have the patience of an angel. Much love. Dad: How do you put up with me? Thank you for all your emotional and financial support. Mom: You are always striving to understand. I think I get that from you. Newton Hazelbaker: Again, how do you put up with me? Thank you for your absolute and unconditional love. Laura Clements: Perhaps the most fun person I’ve ever met. -
Mise En Page 1
AGENDA / CINÉ / RESTOS / SHOPPING / ÉVASION-LOISIRS / BIEN-ÊTRE… GUIDE GRATUIT VEDETTES AZÉNOR BR0ES7 T LASER GA0M8 E BREST LOISIRS 3009 0 BREST LES TONTONS ZINGUEURS BR1ES1 T Brest et sa région N°117 MAI/JUIN 2016 www.sortirici.com «Le monde enchanté de l'enfance» n'est pas celui pourtant du petit Thomas… UN ENFANT de Thomas BERNHARD Né discrètement en Hollande où sa mère va cacher un accouchement hors mariage, Thomas Bernhard est bientôt recueilli par ses grands-parents qui vivent Un roman plein de fraîcheur, avec à Vienne. La crise économique des années trente les force à s'établir dans un village aux environs de Salzbourg où l'enfant découvre avec ravissement des personnages attachants et de la vie campagnarde. Le grand-père, vieil anarchiste, doit aller s'installer à multiples rebondissements, aussi Traunstein, en Bavière. Le jeune Thomas se familiarise avec le monde de efficace qu’un bonne série la petite ville, commence à s'émanciper, fait l'école buissonnière et ses américaine ! premières escapades à vélo. Éditions Gallimard, 160p. LES YEUX COULEUR DE L'histoire, et l'atmosphère si particulière du bassin PLUIE d’Arcachon, à travers le destin de cinq héroïnes. de Sophie T AL MEN LA MAISON DU CAP de Françoise BOURDON 1849. Léonie, fille de modestes résiniers, grandit blessée par le désamour de sa mère, qui, un jour, lui assène : « Tu n'es pas faite pour le bonheur, tout comme ta dernière fille. ». Elle deviendra ramas- seuse de sangsues. Sa benjamine, Margot, refuse cette existence de labeur et de honte : à elle la Ville d'Hiver, à elle le choix d'une autre vie. -
Black & White / Color
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’S IT ACCURATELY VOLUME 50, IssUE 125 | MONDAY, apRIL 18, 2016 | ndsMCOBSERVER.COM University releases survey results Service Report shows greater awareness of sexual assault policy, available resources responds By MARGARET HYNDS Editor-in-Chief to award T he University released the results from the 2015 Campus Climate Survey on Monday in an decision email to the student body, shed- ding light on the status of student By COURTNEY BECKER perception and understanding News Writer of sexual violence on campus and related University policy. Responding to the The email, sent from University University’s controversial deci- President Fr. John Jenkins, in- sion to honor Vice President Joe cluded a 28-page survey report as Biden and former Speaker of well as the Committee on Sexual the House John Boehner with Assault Prevention’s (CSAP) rec- the 2016 Laetare Medal, stu- ommendations moving forward dents held a pro-life prayer ser- and a one-page results overview. vice outside the Main Building The questionnaire, conducted on Sunday. last January and February, asked In his opening remarks, se- questions about sexual assault nior Timothy Bradley said the and the campus atmosphere as gathering served as an oppor- it pertains to sexual assault, ha- tunity for members of the com- rassment and misconduct. Vice munity to come together in President for Student Affairs Erin prayer, not a protest. Hoffmann Harding said this was “We’re gathered here to join the second administration of the together in prayer for a greater Campus Climate Survey — the respect for human life, and es- first occurred in the fall of 2012. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
Articles Issue 9: Articles Romantic Comedy and the Construction of Heterosexuality
4/10/2014 Scope | Issue 9| Articles Issue 9: Articles Romantic Comedy and the Construction of Heterosexuality Ewan Kirkland, Buckinghamshire Chilterns University College, UK Cinema viewers of Richard Curtis' multistranded romantic comedy Love Actually (2003) would probably have been unaware that the film originally included a lesbian relationship. Consisting of the headmistress of Karen's (Emma Thompson) son's school, and the teacher's girlfriend, at home, dying of cancer, this couple now appears amongst the DVD deleted scenes. In his commentary, Curtis explains the couple's removal was purely a matter of running time and artistic continuity. However, the ease with which the two women's relationship was edited, their evident isolation within a text made of interconnected storylines, together with the pair's comparative age in a film predominantly featuring bright young couples, and the fact that one is close to death, indicates the precarious position of sexuallymarginalized identities within romantic comedy cinema. As suggested by Andy Medhurst's (2005) acerbic retitling of Curtis' 1994 film Four Surviving Heterosexuals and a Dead Queer, homosexual and lesbian characters do not fare well within a genre almost exclusively geared towards male/female union. That sexuality in romantic comedy is limited to heterosexuality as the privileged, even the only, form of sexual expression permitted, seems a rather obvious point to make. Although queer characters may feature, even in significant roles, the genre is primarily about heterosexual characters, heterosexual relationships, and consequently, about heterosexuality. This paper explores not the absent homosexuality but the everso present heterosexuality which pervades the romantic comedy genre and the various myths by which it is characterized.