Christmas Light Devotionals 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Thrill of Hope
Digital Collections @ Dordt Faculty Work Comprehensive List 12-3-2019 Advent: A Thrill of Hope Howard Schaap Dordt University, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Christianity Commons Recommended Citation Schaap, H. (2019). Advent: A Thrill of Hope. Retrieved from https://digitalcollections.dordt.edu/ faculty_work/1125 This Blog Post is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Advent: A Thrill of Hope Abstract "Despite the darkness—of literature, of human nature, of the decline fall into winter—we have God’s promises." Posting about meaningful Christmas carols from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation. https://inallthings.org/advent-a-thrill-of-hope/ Keywords In All Things, Advent, hope, Christmas, night Disciplines Christianity Comments In All Things is a publication of the Andreas Center for Reformed Scholarship and Service at Dordt University. This blog post is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/1125 December 3, 2019 Advent: A Thrill of Hope Howard Schaap The older I get, the more I find the descent into darkness that is November and December on the northern plains terrifying. “What if the sun doesn’t come back?” I can imagine myself asking with ancient ancestors of similarly northern climates. -
And He Shall Reign Forever! a Sermon Based on Daniel 7:13,14
And He Shall Reign Forever! A sermon based on Daniel 7:13,14 Grace and peace to you from him who is, and who was, and who is to come…from Jesus Christ, who is the faithful witness, the firstborn from the dead, and the ruler of the kings of the earth. I have this rule, which, I’ll admit, my wife doesn’t particularly care for, and that’s: no Christmas music until after Thanksgiving. I don’t have a great reason for that rule, I just prefer to give Thanksgiving its fair due before turning toward Christmas. Well, we’re just a few day away from Thanksgiving, so I thought I’d bend my rule slightly and talk about Christmas music. If you had to choose a piece of music that encapsulates Christmas for you, what would it be? Anyone care to share? Maybe Silent Night, Joy to the World, Away in the Manger. In high school, we sang this beautiful piece composed by John Rutter, What Sweeter Music. But the one that comes to my mind is Handel’s Messiah. Quite a few of the movements of that piece are devoted to Christmas, the birth of Jesus. Do you know what the most famous song of that work is? Well, of course, it’s the Hallelujah Chorus. Now, while a large portion of the Messiah focuses on the birth of Jesus, the Hallelujah Chorus (even though it’s often sung at Christmas) it doesn’t. I mean, just listen to some of these lyrics: “For the Lord God omnipotent reigneth… King of kings, and Lord of lords… And He shall reign forever and ever.” Do you hear what the focus is? The same as the focus of today’s worship. -
We Gather Opening Voluntary Gesu Bambino Pietro A
Service of the Nativity of the Lord Christmas Eve December 24, 2014 Nativity by He Qi Currently a Minnesota resident (USA), He Qi has studied at Nanjing Normal University, Nanjing Art Institute in China and Hamburg Art Institute in Germany. He was the first among Mainland Chinese to earn a Ph.D. in Religious art after the Cultural Revolution (1992). He also received his Honorary Doctor Degree from Australia Catholic University in Melbourne (May, 2011). His art works have been displayed in museums, galleries, universities and churches all over the world. We Gather Opening Voluntary Gesu Bambino Pietro A. Yon Christine Sasse, violin Call to Worship/ Lighting the Christ Candle Leader: Come, all peoples of the earth and rejoice. People: Let us come to Bethlehem and see what God is doing. We welcome you to Faith Leader: Come, friends of God, and be amazed. Des Peres for worship this evening! Learn more People: Let us come to the stable and see where God dwells. about us at Leader: Come, all who have despaired of God's presence. www.faithdesperes.org People: Let us come to the manger and see that God is alive among us. Leader: Come, all who have known darkness. People: Let us come to the Christ Child and see the light of the world. *Song Response Angels We Have Heard on High (refrain only) gloria * Whenever you see this symbol, please stand if you are able. *Opening Prayer *Opening Hymn 134 Joy to the World antioch Isaac Watts (1674 -1748) is known as the “father of English hymnody.” His text of Joy to the World is a paraphrase of Psalm 98. -
Celebrate Christmas!With
FROM THE DESK OF DAVID GUTHRIE TWELVE TUNES OF 25 CHRISTMAS WOW CHRISTMAS PRESORTED CHRISTMAS FAVORITES FOR EASY 30 TOP CHRISTIAN ARTISTS FIRST-CLASS MAIL Celebrate When church musicians ask me about Word Music’s Christmas titles, arranged by Bryce Inman PIANO AND HOLIDAY SONGS U.S. Postage the question that I hear most often is “what do you have that will help me create 12 easy-to-play holiday arranged by Ken Barker Chock full of holiday faves PAID Christmas! an unforgettable moment?” favorites arranged for inter- This collection, designed for from today’s top CCM artists! Winona, MN with mediate piano: Angels We first through third grade Includes: Ave Maria (Rachael Permit #24 This is a great question. In our entertainment-inundated culture, the key element of time Have Heard on High • Carol of piano students, features Lampa) • Breath of Heaven you are now dealing with is the moment. That one, poignant moment of meaning, that the Bells • Deck the Hall • Go, arrangements with Iyrics. (Amy Grant) • Christmastime moment of wonder, that moment of worship, that moment of decision. We know that Tell It on the Mountain • Jingle Titles include: Christmas Is a Is Here (Sixpence None the the books we publish need to effectively capture such moments in order for church Bells • O Come, O Come, Emmanuel • Silent Night! Time to Love • Deck the Hall • Emmanuel • The First Richer) • Emmanuel (Michael W. Smith) • The First musicians to enjoy them and thus, for them to sell well in your store. Holy Night! • The Twelve Days of Christmas • We Noel • Infant Holy, Infant Lowly • O Little Town of Noel (FFH) • O Holy Night (Point of Grace) • What BIG RED & GREEN BOOK Three Kings • and more. -
Modeling Musical Influence Through Data
Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences. -
Soul Hits of the 80S
Soul hits of the 80s click here to download A budget three-CD set, Soul Hits of the 80's collects some of that awkward decade's soul moments from the Columbia/Sony catalog. Note the author's use of "moments" and the title's use of "hits," because they are, in fact, talking about the same songs. Not everything here was a hit, with some of the songs just squeaking into. Song List: www.doorway.ru Midnight Soul Collection: www.doorway.ru Love 80s music? Visit http. One and a half hour of non-stop soul 80's. Old Skool Funk Soul Classics - 80's Greatest Hits - Memories of The 80's Soul Funk. Song List: www.doorway.ru -- Visit: www.doorway.ru for more great 80s music. Video Description. Find a Various - Soul Hits Of The 80's first pressing or reissue. Complete your Various collection. Shop Vinyl and CDs. Find a Various - The Best Soul Hits Of The 80's first pressing or reissue. Complete your Various collection. Shop Vinyl and CDs. The Top Soul/Funk/Disco Singles. Author: goldwax I put this list together based on data from the Billboard R&B singles chart. To determine the rankings, I came up with a point system based on a song's peak position and weeks on the chart. Ranked in order of the most popular one-hit soul song wonders to the least popular, you can see which dance songs are favorites by viewers just like you. Feel free to place your votes for your favorite one-hit soul songs as well, including the best hits from the '70s and '80s. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Russell Dickerson ASCAP, BMI, SESAC Country Extends Streak >page 4 Winners Reflect On Their Jobs’ Value CMA Battles COVID-19 Successful country songwriters know how to embed their songs song of the year victor for co-writing the Luke Combs hit “Even >page 9 with just the right amount of repetition. Though I’m Leaving.” Old Dominion’s “One Man Band” took The performing rights organizations set the top of their 2020 the ASCAP country song trophy for three of the group’s mem- winners’ lists to repeat as the ASCAP, BMI and SESAC country bers — Trevor Rosen, Brad Tursi and Matthew Ramsey, who songwriter and publisher of the year awards all went to enti- previously earned the ASCAP songwriter-artist trophy in 2017 Christmas With ties who have pre- — plus songwriter The Oaks, LeVox, viously taken top Josh Osborne, Dan + Shay honors. A shley who adds the title >page 10 Gorley (“Catch,” to two song of the “Living”) hooked year winners he ASCAP’s song- co-wrote with Sam writer medallion Hunt: 2018 cham- Trebek Leaves Some for the eighth time, pion “Body Like a Trivia In His Wake and for the sev- Back Road” and >page 10 enth year in a row, 2015 victor “Leave when victors were the Night On.” unveiled Nov. 9. Even Ben Bur- Makin’ Tracks: Ross Copperman gess, who won Michael Ray’s (“What She Wants his first-ever BMI Tonight,” “Love award with “Whis- ‘Whiskey And Rain’ COPPERMAN GORLEY McGINN >page 14 Someone”) swiped key Glasses,” BMI’s songwriter cruised to the PRO’s title for the fourth time on Nov. -
Deutsche Nationalbibliografie 2012 T 12
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 12 Stand: 19. Dezember 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT12_2012-3 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Universal Production Music Has Rebranded Its Product from 2B to 2C This Year
Table of Contents Introduction························································································3 TVC·································································································· 4 Commentary············································································ 4 TVC Storyboard········································································· 6 Blog··································································································9 Commentary············································································ 9 Blog Demo············································································· 11 Twitter·····························································································14 Commentary···········································································14 Twitter Demo·········································································· 15 Instagram························································································· 16 Commentary···········································································16 Instagram Demo·······································································17 References························································································ 18 Introduction Universal Production Music has rebranded its product from 2B to 2C this year. This portfolio will help Universal Production Music build a connection with public customers. The key message is, “Bring your -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
2020 Carols by Candlelight Song Book
Vision Australia presents Carols by Candlelight 2020 SOUVENIR SONG BOOK THIS CHRISTMAS EVE DONATE givetocarols.com DEC 24TH Christmas Eve 8pm AEST, Channel 9 Broadcast Partner DEC DEC DEC 24TH 24TH 24TH Carols by Candlelight 2020 3 Season’s greetings elcome to Vision Australia’s WCarols by Candlelight. Each year Carols by Candlelight brings families together to share in the joy of Christmas, something more important than ever this year. While 2020 has been full of surprises, one thing that hasn’t changed is the support Vision Australia provides to children who are blind or have low vision and their families. We’ve again been there for thousands of children across Australia, helping them to succeed at school, develop important life skills, learn to use technology to be independent, and enjoy all the wonders childhood has to offer. This year, we hope you can join The sounds the spirit of Christmas by enjoying Carols by Candlelight and helping us to raise funds so we can continue to provide our services for children. of Your generosity will help Vision Australia make the future as bright as possible for children who are blind or have low vision and their Christmas families. Merry Christmas! ince its inception in Ron Hooton, Vision Australia CEO 1938, Vision Australia’s Changing lives for more than 80 years SCarols by Candlelight hannel 9 is proud to be has become a much-loved Banks MBE, a veteran of radio. included special messages from Hobson, Lucy Durack, Debra Cpartnering once Christmas tradition and this On Christmas Eve in 1937, he the lord mayors of London and Byrne, Delta Goodrem, Rob again with Vision year is no exception. -
Volume 71, Number 12 (December 1953) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1953 Volume 71, Number 12 (December 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 12 (December 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/72 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. • • Early Choral Masters Series LeTTeRS the gift Choral composition flourished in Europe from the 13th century to about the complete prr-emlnenee ever choral muale; 10 mUCh10 middle of the 18th century. During this period the techniques of contrapuntal cepttons rhere we re hardly any choral com_ .. 01 Illllu.l >ftb bull~, , T 0 T D E EDITOR and harmonic practice were established, laying the basis for the future devel- the late 18th cen'ury or 'h. ho'" of 'Ile 1Dth"""Ul}' 1 """-Iut!ll> ~ that speaks opment of practically all Western music. It was not untn after 1600 that of the 20th century. ho ver, a rene ...eel In~reat lw bot0u1ing 1llt1illl~ interest in instrumental composition gradually relegated choral music to a works of Ole ~arJy chonl mu~,.