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Visionsplendidfilmfest.Com
Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Così Fan Tutte Cast Biography
Così fan tutte Cast Biography (Cahir, Ireland) Jennifer Davis is an alumna of the Jette Parker Young Artist Programme and has appeared at the Royal Opera, Covent Garden as Adina in L’Elisir d’Amore; Erste Dame in Die Zauberflöte; Ifigenia in Oreste; Arbate in Mitridate, re di Ponto; and Ines in Il Trovatore, among other roles. Following her sensational 2018 role debut as Elsa von Brabant in a new production of Lohengrin conducted by Andris Nelsons at the Royal Opera House, Davis has been propelled to international attention, winning praise for her gleaming, silvery tone, and dramatic characterisation of remarkable immediacy. (Sacramento, California) American Mezzo-soprano Irene Roberts continues to enjoy international acclaim as a singer of exceptional versatility and vocal suppleness. Following her “stunning and dramatically compelling” (SF Classical Voice) performances as Carmen at the San Francisco Opera in June, Roberts begins the 2016/2017 season in San Francisco as Bao Chai in the world premiere of Bright Sheng’s Dream of the Red Chamber. Currently in her second season with the Deutsche Oper Berlin, her upcoming assignments include four role debuts, beginning in November with her debut as Urbain in David Alden’s new production of Les Huguenots led by Michele Mariotti. She performs in her first Ring cycle in 2017 singing Waltraute in Die Walküre and the Second Norn in Götterdämmerung under the baton of Music Director Donald Runnicles, who also conducts her role debut as Hänsel in Hänsel und Gretel. Additional roles for Roberts this season include Rosina in Il barbiere di Siviglia, Fenena in Nabucco, Siebel in Faust, and the title role of Carmen at Deutsche Oper Berlin. -
2008, WDA Global Summit
World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns. -
Inaugural Samsung AACTA Awards Attracts Star Power to Present
Media Release for immediate release: Thursday 19th January, 2012 INAUGURAL SAMSUNG AACTA AWARDS CEREMONY ATTRACTS STAR POWER TO PRESENT Australia’s most highly acclaimed acting and entertainment celebrities are confirmed to attend the inaugural Samsung AACTA Awards Ceremony on January 31st at the iconic Sydney Opera House, to present the awards recognising our finest achievements in acting, directing, producing and screenwriting across film and television in 2011. Leading the star-studded array of presenters is AACTA President (or Prez as he prefers) Geoffrey Rush and such international luminaries as Cate Blanchett, Jonathon and Anthony LaPaglia and Rachael Taylor. Local favourites joining them will include Xavier Samuel, Rob Carlton, Lincoln Lewis, Alex Dimitriades, Todd Lasance, Shane Bourne, Gigi Edgley, Blake Davis, Richard Wilkins, Callan McAuliffe, Judy Morris, Samara Weaving and Adam Elliot. The event will be held at the Sydney Opera House Concert Hall and broadcast that night on the Nine Network. Audiences will be regaled with Australia’s own sweet heart Olivia Newton-John as she takes to the stage to perform for the first time a medley from the soundtrack of her new film A Few Best Men. She will bring her special touch to the classic 1960s track ‘Daydream Believer’ made famous by the Monkeys, and her brand new song ‘Weightless’, for which she revisited her award-winning partnership with songwriter and producer John Farrar, who created such timeless classics as 'You're the One That I Want', 'Hopelessly Devoted to You' and 'Magic' amongst many. The opening of the AACTA Awards Ceremony and Olivia Newton-John's performance will be choreographed by Australia's very own Broadway Choreographer and Director Jason Gilkison. -
Out and About with the Vic-Wells
President: Vice President: No. 480 - September 2012 Simon Russell Beale CBE Nickolas Grace Price 50p when sold Out and About with the Vic-Wells Shakespeare at the British Museum There will be a Vic-Wells visit to the British Museum’s current exhibition Shakespeare: staging the world on Monday, 1st October 2012. The exhibition provides a new insight into the emerging role of London as a world city four hundred years ago, interpreted through the innovative perspective of Shakespeare’s plays - and features over 190 objects. The exhibition creates a unique dialogue between these objects drawn from the museum’s collection. Great paintings, rare manuscripts, maps, drawings, armour, coins and other intriguing objects are all examined through the lens of Shakespeare’s plays. Shakespeare: staging the world also explores the theatre-going experience at the time. The newly built playhouses were situated in the suburbs: Bankside was an area with a dangerous and notorious reputation. The theatres needed to attract large numbers of playgoers and so performances had to appeal to a wide spectrum of society, from groundlings to courtiers. Objects excavated from the sites of the Globe and Rose theatres, such as a sucket fork for sweetmeats and the skull of a bear, illustrate the Southwark of Shakespeare’s day, the cultural world inhabited by the playhouse, which rubbed shoulders with bear-baiting arenas as well as brothels and pubs. The British Museum has produced, working with the Royal Shakespeare Company, a series of new digital interventions which appear throughout the exhibition, allowing visitors to encounter Shakespeare’s words and characters alongside the objects on The Lyte Jewel display. -
The Corner Shop PR Current Projects 2017
The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................ -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Sweet Country
Presents SWEET COUNTRY Directed by Warwick Thornton / In cinemas 25 January 2018 Starring HAMILTON MORRIS, BRYAN BROWN and SAM NEILL PUBLICITY REQUESTS: TM Publicity / Tracey Mair / +61 2 8333 9066 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/sweet-country Distributed in Australia by Transmission Films SWEET COUNTRY is produced by Bunya Productions, with major production investment and development support from Screen Australia’s Indigenous Department, in association with the South Australian Film Corporation, Create NSW, Screen Territory and the Adelaide Film Festival. International sales are being handled by Memento and the Australian release by Transmission Films. © 2017 Retroflex Lateral Pty Ltd, Screen NSW, South Australian Film Corporation, Adelaide Film Festival and Screen Australia SHORT SYNOPSIS Inspired by real events, Sweet Country is a period western set in 1929 in the outback of the Northern Territory, Australia. When Aboriginal stockman Sam (Hamilton Morris) kills white station owner Harry March (Ewen Leslie) in self- defence, Sam and his wife Lizzie (Natassia Gorey-Furber) go on the run. They are pursued across the outback, through glorious but harsh desert country. Sergeant Fletcher (Bryan Brown) leads the posse with the help of Aboriginal tracker Archie (Gibson John) and local landowners Fred Smith (Sam Neill) and Mick Kennedy (Thomas M. Wright). Fletcher is desperate to capture Sam and put him on trial for murder – but Sam is an expert bushman and he has little difficulty outlasting them. Eventually, for the health of his pregnant wife, Sam decides to give himself up. -
Kiss Me, Kate Music and Lyrics by Cole Porter Book by Sam & Bella Spewack
Kiss Me, Kate Music and lyrics by Cole Porter Book by Sam & Bella Spewack Teaching resources researched and written by Simon Pollard 1 Kiss Me, Kate – teaching ResouRces Kiss Me, Kate Contents Kiss Me, Kate at The Old Vic 3 Cole Porter: His Story 4 Sam and Bella Spewack: Their Story 5 Cole Porter Chronology 6 Kiss Me, Kate: Notable Productions 7 Another Op’nin, Another Show: The Story Behind Kiss Me, Kate 8 Kiss Me, Kate Synopsis 9 Character Breakdown 10 Musical Numbers 11 The Taming of the Shrew Synopsis 13 I Hate Men: Gender politics in Kiss Me, Kate & The Taming of the Shrew 14 ‘Breaking the color line’: Integrating the theatre in 1940s America 15 If Music Be the Food of Love: Musicals Based on Shakespeare Plays 16 In conversation with... Hannah Waddingham 17 Adam Garcia 18 Clive Rowe 19 Gareth Valentine, Musical Director 20 Bibliography 21 2 3 Kiss Me, Kate – teaching ResouRces Cole Porter His Story Cole Albert Porter was born on 9 June 1891 in Peru, Indiana. His father, Sam Porter, was a local pharmacist and his mother, Kate Cole, was the daughter of James Omar ‘J. O.’ Cole allegedly ‘the richest man in Indiana’. Porter proved a talented musician from an early age, learning the violin and piano from the age of six, and he composed his first operetta with the help of his mother when he was just ten years old. In 1905, he enrolled at the Worcester Academy in Massachusetts, where his musical skills made him very popular and he was elected class valedictorian.