Vaisnav Devotion and Conflict: Doctrinal Differences Between the Gaudiyas and the Vallabhites and Its Implications
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In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
ATINER's Conference Paper Series HIS2015-1862
ATINER CONFERENCE PAPER SERIES No: LNG2014-1176 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HIS2015-1862 Prajñāpāramitā: from Concept to Icon Megha Yadav Student Jawaharlal Nehru University India 1 ATINER CONFERENCE PAPER SERIES No: HIS2015-1862 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. This paper has been peer reviewed by at least two academic members of ATINER. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Yadav, M. (2016). " Prajñāpāramitā: from Concept to Icon", Athens: ATINER'S Conference Paper Series, No: HIS2015-1862. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN: 2241-2891 6/04/2016 2 ATINER CONFERENCE PAPER SERIES No: HIS2015-1862 Prajñāpāramitā: from Concept to Icon Megha Yadav Student Jawaharlal Nehru University India Abstract In the Mahāyāna tradition, the doctrine of emptiness and Selflessness of the person holds a great place; which is also known as the second turning of the wheel of law. This doctrine or philosophy has been preserved in a category of texts, known as Prajñāpāramitā literature. -
Perfect Guru
Perfect Guru By H. H. Krishna Chaitanya Swami 1 Table of contents Introduction Chapter 1 Who can be called a guru? Chapter 2 Qualities and activities of guru. Chapter 3 Indra lost heaven by offending his spiritual master. Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada and Bhakti Svarupa Damodara Swami Srila Sripada Introducion Introduction A guru is one who disseminates transcendental knowledge among his disciples with reference to distinction of matter, spirit and Supreme Spirit, Godhead. Many teachers have tried to be gurus, but not all of them could become a guru for want of necessary qualification. To be a guru, one must be able to protect his disciples from falling down into the repeated cycle of birth, death, old age, and disease by associating the disciple with God in yoga. Guru teaches mainstream yoga practices, given in the scriptures, which unites the disciple with the Supreme Lord. A Guru does not manifest magic, gold, siddhis. He neither watch TV serials nor digital movies, and certainly does none of the prohibited acts viz. eat betel nuts, smoke ganja, and travel for amusement, eat meat, drink alcohol, has close association with females, nor gamble. He cannot be identified from a long beard and curly long hair with golden turban, a clever disguise to attract the followers. The goal of a guru is not to render dry social services in the form of hospitals and schools unless it is strongly connected to the Supreme Lord Krishna. He does not wear gold and diamond ornaments on his body, does not dance with his female disciples. -
An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva
An understanding of Maya: The philosophies of Sankara, Ramanuja and Madhva Department of Religion studies Theology University of Pretoria By: John Whitehead 12083802 Supervisor: Dr M Sukdaven 2019 Declaration Declaration of Plagiarism 1. I understand what plagiarism means and I am aware of the university’s policy in this regard. 2. I declare that this Dissertation is my own work. 3. I did not make use of another student’s previous work and I submit this as my own words. 4. I did not allow anyone to copy this work with the intention of presenting it as their own work. I, John Derrick Whitehead hereby declare that the following Dissertation is my own work and that I duly recognized and listed all sources for this study. Date: 3 December 2019 Student number: u12083802 __________________________ 2 Foreword I started my MTh and was unsure of a topic to cover. I knew that Hinduism was the religion I was interested in. Dr. Sukdaven suggested that I embark on the study of the concept of Maya. Although this concept provided a challenge for me and my faith, I wish to thank Dr. Sukdaven for giving me the opportunity to cover such a deep philosophical concept in Hinduism. This concept Maya is deeper than one expects and has broaden and enlightened my mind. Even though this was a difficult theme to cover it did however, give me a clearer understanding of how the world is seen in Hinduism. 3 List of Abbreviations AD Anno Domini BC Before Christ BCE Before Common Era BS Brahmasutra Upanishad BSB Brahmasutra Upanishad with commentary of Sankara BU Brhadaranyaka Upanishad with commentary of Sankara CE Common Era EW Emperical World GB Gitabhasya of Shankara GK Gaudapada Karikas Rg Rig Veda SBH Sribhasya of Ramanuja Svet. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
Vaishnava Calendar Mlr 2017-2018
VAISHNAVA CALENDAR 2017-2018 (Gourabda 530 - 531) Month Date Event Breaking Fast Mon 13th Festival of Jagannath Misra ---- Mar 2017 Fri 24th Ekadashi Next day after Sunrise Wed 5th Sri Rama Navami Fasting till Sunset Fri 7th Ekadashi Next day after Sunrise Their Lordships' 20th Brahmotsava celebrations Mon 10th begin (in Bangalore) - Dhvaja Arohana Apr 2017 Fri 14th Beginning of Salagrama & Tulasi Jala Dana Wed 19th Brahma Ratha ---- Brahmotsava celebrations end (in Bangalore) Fri 21st ---- - Dhvaja Avarohana Sun 23rd Dvadasi (Fasting for Ekadasi vrata) Next day after Sunrise Sat 29th Akshaya Tritiya ---- Sat 6th Ekadashi Next day after Sunrise Narasimha Chaturdashi: Tue 9th Fasting till dusk May 2017 Appearance of Lord Narasimhadeva Mon 22nd Ekadashi Next day after Sunrise Mon 5th Ekadashi Next day after Sunrise Wed 7th Panihati Chida Dahi Utsava Jun 2017 Tue 20th Ekadashi Next day after Sunrise Sat 24th Srila Bhaktivinoda Thakura - Disappearance Fasting till noon Sun 25th Jagannatha Puri Ratha Yatra ---- Mon 3rd Jagannatha Puri Bahuda Ratha Yatra ---- Tue 4th Ekadashi Next day after Sunrise First month of Chaturmasya begins. Fasting Sun 9th ---- July 2017 from Shak (green leafy vegetables) for one month Founding Day (As per the Founding Document: Thu 13th CERTIFICATE OF INCORPORATION OF ISKCON) Thu 20th Dvadasi (Fasting for Ekadasi vrata) Next day after Sunrise Thu 3rd Ekadashi and Jhulan Yatra begins Next day after Sunrise Balarama Jayanthi: Appearance of Lord Balarama Mon 7th Jhulan Yatra ends Fasting till noon Second month of Chaturmasya -
Swaroop Sampradaya 1 ______
The Swaroop Sampradaya 1 _______________________________________________________________________________________ The Swaroop Sampradaya Akkalkot Niwasi Shree Swami Samarth “This book attempts to showcase the life of the exalted masters of the Swaroop Sampradaya and gives a brief outlook of the tremendous humanitarian work undertaken by the followers of this sect for the spiritual and material upliftment of the common man” The Swaroop Sampradaya 2 _______________________________________________________________________________________ Copyright 2003 Shree Vitthalrao Joshi charities Trust First Edition All rights reserved. No part of this book may be reproduced in any form or transmitted by any means - electronic or otherwise -- including photocopy, recording, or any information storage and retrieval system, without the express permission in writing from: Shree Vitthalrao Joshi Charities Trust, C-28, 'Suyash'/ 'Parijat', 2nd Floor, Near Amar Hind Mandal, Gokhale Road (North), Dadar (West), Mumbai, Pin Code: 400 028, Maharashtra State, INDIA. Shree Vitthalrao Joshi Charities Trust The Swaroop Sampradaya 3 _______________________________________________________________________________________ Table of Contents Swaroop-Sampradaya........................................................................................................... 5 Lord Dattatreya..................................................................................................................... 6 Shrimad Nrusimha Saraswati - Incarnation of Lord Dattareya .......................................... -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
A Revolution in Kṛṣṇaism: the Cult of Gopāla Author(S): Norvin Hein Source: History of Religions , May, 1986, Vol
A Revolution in Kṛṣṇaism: The Cult of Gopāla Author(s): Norvin Hein Source: History of Religions , May, 1986, Vol. 25, No. 4, Religion and Change: ASSR Anniversary Volume (May, 1986), pp. 296-317 Published by: The University of Chicago Press Stable URL: https://www.jstor.org/stable/1062622 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to History of Religions This content downloaded from 130.132.173.217 on Fri, 18 Dec 2020 20:12:45 UTC All use subject to https://about.jstor.org/terms Norvin Hein A REVOLUTION IN KRSNAISM: THE CULT OF GOPALA Beginning about A.D. 300 a mutation occurred in Vaisnava mythology in which the ideals of the Krsna worshipers were turned upside down. The Harivamsa Purana, which was composed at about that time, related in thirty-one chapters (chaps. 47-78) the childhood of Krsna that he had spent among the cowherds.1 The tales had never been told in Hindu literature before. As new as the narratives themselves was their implicit theology. The old adoration of Krsna as moral preceptor went into a long quiescence. -
Devotional Practices (Part -1)
Devotional Practices (Part -1) Hare Krishna Sunday School International Society for Krishna Consciousness Founder Acarya : His Divine Grace AC. Bhaktivedanta Swami Prabhupada Price : $4 Name _ Class _ Devotional Practices ( Part - 1) Compiled By : Tapasvini devi dasi Vasantaranjani devi dasi Vishnu das Art Work By: Mahahari das & Jay Baldeva das Hare Krishna Sunday School , , ,-:: . :', . • '> ,'';- ',' "j",.v'. "'.~~ " ""'... ,. A." \'" , ."" ~ .. This book is dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, the founder acarya ofthe Hare Krishna Movement. He taught /IS how to perform pure devotional service unto the lotus feet of Sri Sri Radha & Krishna. Contents Lesson Page No. l. Chanting Hare Krishna 1 2. Wearing Tilak 13 3. Vaisnava Dress and Appearance 28 4. Deity Worship 32 5. Offering Arati 41 6. Offering Obeisances 46 Lesson 1 Chanting Hare Krishna A. Introduction Lord Caitanya Mahaprabhu, an incarnation ofKrishna who appeared 500 years ago, taught the easiest method for self-realization - chanting the Hare Krishna Maha-mantra. Hare Krishna Hare Krishna '. Krishna Krishna Hare Hare Hare Rama Hare Rams Rams Rama Hare Hare if' ,. These sixteen words make up the Maha-mantra. Maha means "great." Mantra means "a sound vibration that relieves the mind of all anxieties". We chant this mantra every day, but why? B. Chanting is the recommended process for this age. As you know, there are four different ages: Satya-yuga, Treta-yuga, Dvapara-yuga and Kali-yuga. People in Satya yuga lived for almost 100,000 years whereas in Kali-yuga they live for 100 years at best. In each age there is a different process for self realization or understanding God . -
Gates of the Lord: the Tradition of Krishna Paintings
FOR IMMEDIATE RELEASE JULY 29, 2015 MEDIA CONTACTS: Amanda Hicks Nina Litoff (312) 443-7297 (312) 443-3363 [email protected] [email protected] GATES OF THE LORD: THE TRADITION OF KRISHNA PAINTINGS AT THE ART INSTITUTE TO OFFER RARE GLIMPSE INTO ONE OF THE WORLD’S MOST INTIMATE AND PRIVATE RELIGIOUS TRADITIONS More than 100 Artworks from India and the United States Come Together in Chicago for a Groundbreaking Exhibition of Unique Indian Visual Culture CHICAGO—The Art Institute is proud to announce the opening of the highly anticipated special exhibition, Gates of the Lord: The Tradition of Krishna Paintings, on September 13, 2015 in Regenstein Hall where it will remain on view to audiences through January 3, 2016. Join the Art Institute of Chicago this fall to experience a stunning installation of more than 100 objects including pichvais—intricately painted cloth hangings—celebrating Shrinathji, a form of the Hindu god Krishna. This first of its kind large-scale exploration at any American museum of the art and aesthetics of the Pushtimarg sect of Hinduism, Gates of the Lord comprises a magnificent assembly of drawings, pichvais, paintings, and historic photographs. Madhuvanti Ghose, the Alsdorf Associate Curator of Indian, Southeast Asian, Himalayan and Islamic Art, highlights the special context for this exhibition saying, “This is a chance to showcase this very special artistic tradition to our audiences in the United States. Nathdwara and its artists are renowned for having preserved painting traditions in an unbroken legacy for more than four centuries. The exhibition provides us with an opportunity to celebrate these living traditional artists who have gone unrecognized for too long.” The extraordinary Lead Sponsorship of Nita and Mukesh Ambani and the Reliance Foundation and the generosity Anita and Prabhakant Sinha made it possible to borrow these artistic treasures from two prestigious and rarely exhibited private collections from India, the Amit Ambalal Collection (Ahmedabad, India) and the TAPI Collection (Surat, India). -
Substantial and Substantive Corporeality in the Body Discourses of Bhakti Poets
Perichoresis Volume 18.2 (2020): 73–94 DOI: 10.2478/perc-2020-0012 SUBSTANTIAL AND SUBSTANTIVE CORPOREALITY IN THE BODY DISCOURSES OF BHAKTI POETS YADAV SUMATI* PG Govt. College for Girls, Chandigarh, India ABSTRACT. This paper studies the representation of human corporeal reality in the discours- es of selected Bhakti poets of the late medieval period in India. Considering the historical background of the Bhakti movement and contemporary cultural milieu in which these mystic poets lived, their unique appropriation of the ancient concept of body is reviewed as revolu- tionary. The focus of the study is the Kabir Bijak, Surdas’s Vinay-Patrika, and Tulsidas’s Vinay- Patrika, wherein they look at and beyond the organic corporeality and encounter human body not as a socially, religiously, economically stamped noble body or lowly body; male body or female body, but a human body. This paper explores how, like existential phenomenologists, these poet/singers decode the material reality of human beings and link it to the highest goal of achieving Moksha (liberation from the cycle of birth-death) by making body a vulnerable but essential instrument towards spiritual awakening. The paper also reflects upon how these poets have suggested a middle path of absolute devotion to God while performing all earthly duties, seek spiritual enlightenment and avoid the extremities of asceticism and hedonism. KEYWORDS: corporeality, body, liberation, salvation, bhakti In this Kali Yug the body is full of woe, care, wickedness and diverse pains. Where there is steadfastness, peace and all purity, rise, Kabir, and meet it there. (Kabir) Those powerful rulers who had conquered the whole world, even made Yamraj (the God of death) their captive and tied him up—even they became the food of Kaal (Time), what do you count then? Contemplate and think about the whole matter seriously yourself—what is the truth, what is the reality.