How Was Your Holiday? I Know You Had Lots of Time in Africa As Cool, So It Was Good
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Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
A Punk Rock Short Film
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 For Want Of: A Punk Rock Short Film Jonathan P. Kieran University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Kieran, Jonathan P., "For Want Of: A Punk Rock Short Film" (2015). University of New Orleans Theses and Dissertations. 1992. https://scholarworks.uno.edu/td/1992 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. For Want Of: A Punk Rock Short Film A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film Production by Jonathan P. Kieran B.A. Ursinus College, 2007 May, 2015 Dedicated to my mother and sister and to my fellow filmmakers. ii Table of Contents Abstract .............................................................................................................................. -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
The Sociology of Music and Social Distinctions: P!NK's Career As an Example of Social Linkage
Digital Commons @ Assumption University Honors Theses Honors Program 2019 The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage David Cifarelli Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Cifarelli, David, "The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage" (2019). Honors Theses. 49. https://digitalcommons.assumption.edu/honorstheses/49 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Sociology of Music and Social Distinctions: P!NK’s Career as an Example of Social Linkage David Cifarelli Faculty Supervisor: Christopher Gilbert, Ph. D Department of English A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2019 Cifarelli 1 Introduction Music is extremely social. It is one of the most expressive art forms our society holds. Due this expressive nature, the art of making music can hold many social connotations and directly involve or relate itself to social occurrences, movements and ideals. This intertwined relationship thus allows music to be a conductor of social change by existing and working within these various social constructs. In addition, those involved with the music-making business are, by association, also potential conductors of social change. -
1-24-21 Sermon
1-24-21 "The Trouble with Mercy" Jonah 3:1-5, 10; 4:1-5 Central Christian Church David A. Shirey The reading began with the words, “The word of the LORD came to Jonah a second time, saying, “Get up, go to Nineveh, that great city, and proclaim to it the message that I tell you.” If this is the “second time” God instructed Jonah to go to Ninevah, what happened the first time? Well, the first time is at the beginning of Chapter 1 when God says, “Arise, go to Ninevah.. and cry against it; for their wickedness has come up before me” (Jonah 1:1, 2). “Go to Ninevah,” God says. Ninevah—capitol city of Assyria. Assyria, the nation that destroyed Israel in 721 B.C. Assyria, the nation that then subjugated and oppressed the southern kingdom of Judah for almost 100 years. Assyria: present-day Iraq. The book of Jonah begins with a prophet called up for duty—drafted to serve in the Persian Gulf as a missionary to his nation’s bitterest foe. Well, Jonah was a draft-dodger. He said, “Go to Ninevah? Nothin’ doin’!” and rather than heading north to Canada, he fled west toward Tarshish. Ninevah was due east by land. Jonah sailed due west by sea. Caught the first ship out of Joppa the next morning and went AWOL from the Lord’s command. Tarshish, many scholars believe, was a coastal city in Spain. Think Acapulco. Maui. Shangri-la. In other words, a much more preferable place to serve God than Ninevah. -
Ernest Glen Wever Biographical Memoir
NATIONAL ACADEMY OF SCIENCES E RNEST GLEN WEVER 1902—1991 A Biographical Memoir by J A C K VERNON Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1997 NATIONAL ACADEMIES PRESS WASHINGTON D.C. ERNEST GLEN WEVER October 16, 1902–September 4, 1991 BY JACK VERNON E WERE DRIVING from Princeton, N.J., to Hibernia, N.␣ J., Wwhen I asked Glen Wever, “What do we know about hearing in bats?” He answered, “About all we know is what Donald Griffin has written; that is, they detect and catch their prey by echo location, a term invented by Griffin. We really know nothing about their hearing ability except that it must be amazing; after all, they do with their ears what the rest of us do with our eyes.” This conversation took place over forty years ago. Glen Wever and I were driving to Hibernia to try to lo- cate an abandoned zinc mine that we had heard was the home of hibernating bats. We were on a bat-collecting trip, the first of many to follow, from which we hoped to acquire some bats (Myotis Lucifugus, as it turned out) for experi- mental purposes. We planned to record the AC cochlear potentials from the bats’ inner ears, which, at that time, had never been done. A filling-station attendant in Hibernia directed us to the zinc mine, where we found the entrance blocked with a heavy steel plate and a sign that read “KEEP OUT.” Left to my own devices, I think I would have obeyed the sign, but Glen said, “I think we can just manage to crawl 371 372 BIOGRAPHICAL MEMOIRS under that barricade.” We proceeded to do just that. -
Transcript 0:00 Ronak Patel (RP): Before Coming in Here I've Never
Interview with Ronak Patel: Transcript 0:00 Ronak Patel (RP): Before coming in here I've never tattooed before, getting used to the tattoo machine and that, that was a struggle of it's own. starting out wasn't very confident in my skills and my abilities, and you know just came with time and practice and tips from other artists around me, watching how other people did things and now I feel more confident. Am I the best tattoo artist already? No. I have a long road to go but have I improved since I began? Absolutely! 0:30 Guy Prandstatter (GP): Hello everybody and welcome to the tattoo trainer podcast my name is Guy Prandstatter and I am the tattoo trainer. My guess on the show today is Ronak Patel from our Philadelphia location and Ronak is a really talented graphic artist who found himself working and managing a liquor store and he's gonna share with you how he went from working at that liquor store and managing that liquor store to be one of our premier tattoo artist in our PA location. So let's get right in to the interview and could tell you his story. 1:01 Alright, Ronak, welcome to ART tattoo trainer podcast, man, thanks for being here I'm really really glad you're here. I was really looking forward to this today co'z you're just somebody who I've really admired, y'know watching your development watching you grow and become someone that we can all count on here. -
Video Monitor
FOR WEEK ENDING MAY 13, 2001 Music Video BiIIboard Video Monitor P R O G R A M M I N G THE MOST-PLAYED CLIPS AS MONITORED BY BROADCAST DATA SYSTEMS NEW ONS" ARE REPORTED BY THE NETWORKS (NOT BY BDS) FOR THE WEEK AHEAD Dúß Disney Channel Scales Back MUSIC FIRST Continuous Programming Continuous programming Continuous programming Continuous rogramming Videos, Concert Programming W. NE 1235 Street, 2806 Opryland Dr. 1515 Broadpway, NY, NY 10036 1515 Broadway,p NY, NY 10036 D.C. 20018 Washington, Nashville, TN 37214 1 Destiny's Child, Survivor 1 Janet, All For You 1 Ray J Wait A Minute original programming Gary Marsh 1 Brooks & Dunn, Ain't Nothing 'Bout You 2 Chndina Aguikra, UI' Kim, Mya L Pk*, Lady Marmalade 2 Lifehouse, Hanging By A Moment D ISNEY'S MUSIC CUTBACK 2 112, Peaches & Cream 2 Gary Allan, Right Where I Need To Be 3 Eve, Let Me Blow Ya Mind 3 Destiny's Child, Survivor 3 2Pac, Until The End Of Time Say goodbye to music videos and explains the network's decision to 3 Jamie O'Neal, When I Think About Angels* 4 Nelly, Ride Wit Me 4 Dido, Thank You Ja Rule, I Cry 4 4 Mark McGuinn, Mrs. Steven Rudy 5 Staind, It's Been Awhile 5 Uncle Kracker, Follow Me 5 Eve, Let Me Blow Ya Mind regular concerts on Disney Channel. drop music videos and regular con- 5 Travis Tritt, It's A Great Day To Be Alive 6 Snoop Dogg, Lay Low 6 Aerosmith, Jaded 6 Aaliyah, We Need Resolution A 6 Faith Hill, If My Heart Had Wings 7 Janet, All For You 7 Matchbox Twenty, Mad Season 7 Lil Bow Wow, As of June 1, the network will no cert specials: "We just don't want Puppy Love 7 Kenny Chesney Don't Happen Twice 8 Dave Matthews Band, The Space Between 8 Train, Drops Of Jupiter 8 Christina Aguilera, UI' Kim, Mya & PiJ& Lady Marmalade 8 Pv toy Bottom Boys, I Am A Man Of Constant Sorrow 9 Linkin Park, Crawling 9 Jennifer Lopez, Play have same programming our 9 Three TThe.. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. -
Left to My Own Devices
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 12-17-2010 Left to My Own Devices Charisse Celino University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Celino, Charisse, "Left to My Own Devices" (2010). University of New Orleans Theses and Dissertations. 1251. https://scholarworks.uno.edu/td/1251 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Left to My Own Devices A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Charisse Celino B.A., Loyola University, 2002 B.F.A, Loyola University, 2008 December 2010 Copyright 2010, Charisse Celino ii Acknowledgements I would like to thank my committee; Doyle Gertjejansen for asking the right questions, Cheryl Hayes for heart and soul and Jim Richard for fighting for and believing in me.