DOCSLIB.ORG

Skowhegan AD2020 Print Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Skowhegan AD2020 Print Program A VIRTUAL CELEBRATION SEPTEMBER 16, 2020 7:30PM PROGRAM PREMIERE ANN L. GUND CHAIR, BOARD OF TRUSTEES DONALD MOFFETT F '04 CHAIR, BOARD OF GOVERNORS EVENT CO-CHAIRS ELEANOR ACQUAVELLA SIR DAVID ADJAYE OBE BOB COLACELLO CHIARA EDMANDS SUYDAM (SYDIE) LANSING JANE LAUDER JOEL SHAPIRO F '76, '80 & ELLEN PHELAN AERIN LAUDER ZINTERHOFER AFTER-PARTY CO-CHAIRS DERRICK ADAMS A '02, F '13 CAROLINE HOFFMAN ELLE PÉREZ A '15 AMITHA RAMAN CO-DIRECTORS KATIE SONNENBORN SARAH WORKNEH DIGITAL PROGRAM KATIE SONNENBORN AND SARAH WORKNEH, CO-DIRECTORS ANN L. GUND, CHAIR, BOARD OF TRUSTEES FOUNDATION FOR ART & PRESERVATION IN EMBASSIES SKOWHEGAN IMPACT AWARD PRESENTATION FEATURING JENNIFER DUNCAN, JO CAROLE LAUDER, EDEN RAFSHOON, ROBERT STORR A '78, F '02, AND DARREN WALKER PERFORMANCE VIDEO BY JACOLBY SATTERWHITE A '09 EL ANATSUI F '07 SKOWHEGAN MEDAL FOR SCULPTURE PRESENTATION FEATURING NANA OFORIATTA AYIM, DAMIAN LENTINI, AND CHIKA O. OKEKE-AGULU INTRODUCTION BY ABIGAIL DEVILLE A '07 BARBARA HUNT MCLANAHAN IN MEMORIAM SKOWHEGAN GOVERNORS’ AWARD FOR OUTSTANDING SERVICE TO ARTISTS PRESENTATION FEATURING CAY SOPHIE RABINOWITZ, CHRISTIAN RATTEMEYER, ERIC RHEIN, AMY SADAO, AND ELLEN F. SALPETER INTRODUCTION BY JENNIE C. JONES A '96, F '14 MUSIC PERFORMANCE BY IAN ISIAH + MISTERVACATION INTRODUCTION BY DERRICK ADAMS A '02, F '13 SPECIAL APPEARANCES BY DANIEL BOZHKOV A '90, F '11, '16 ANGELA DUFRESNE F '17 STEVE DIBENEDETTO F '19 NEIL GOLDBERG F '15 GORDON HALL A '13 SHAUN LEONARDO A '04 ALIX PEARLSTEIN F '04 SONDRA PERRY A '13, F '19 ALISON SAAR F '93 FOLLOWING THE PROGRAM, JOIN US ON INSTAGRAM LIVE FOR THE AFTER-PARTY @SKOWHEGANART A–ALUMNI F–FACULTY FOUNDATION FOR ART & PRESERVATION IN EMBASSIES SKOWHEGAN IMPACT AWARD PRESENTATION FEATURING JENNIFER DUNCAN, JO CAROLE LAUDER, EDEN RAFSHOON, ROBERT STORR A '78, F '02, AND DARREN WALKER e Foundation for Art and Preservation in Embassies (FAPE) is a public-private partnership dedicated to providing permanent works of American art for U.S. embassies worldwide. FAPE was founded in 1986 by Leonore Annenberg, Wendy W. Luers, Lee Kimche McGrath and Carol Price. For more than thirty years, the organization has contributed to the U.S. Department of State’s mission of cultural diplomacy by partnering with American artists whose works encourage cross-cultural understanding within the diplomatic community and the international public. FAPE fullls its mission through site-specic commissions, original print and photography collections, preservation projects, and other arts initiatives. e organization receives no government funding and all artworks commissioned or placed by FAPE are gis, representing the generosity and patriotism of some of the United States’ greatest artists and donors. As of 2020, FAPE has raised more than $150 million in art and monetary contributions, and works by more than 220 preeminent American artists have been placed in more than 140 countries across Europe, Asia, Latin America and Africa. LOUISIANA BENDOLPH American, 1960 American Housetop (for the Arnetts) 2005: Paulson Fontaine Press Aquatint/so-ground etching, 45 ½ x 38 inches Gi of e Honorable Ronald S. Lauder and Mrs. Jo Carole Lauder JENNIFER DUNCAN has been with FAPE since 1994 and became Director in A native of Atlanta, Georgia, Mrs. Rafshoon graduated from Hollins College, attended 2002. Her responsibilities include the overall management of FAPE, including Board the Sorbonne and the New York School of Interior Design, and received an M.A. in relations, art projects, fundraising, membership and serving as the principal liaison Art History from George Washington University. She resides in Washington, D.C. between FAPE and the State Department. Ms. Duncan plans and executes FAPE’s Annual Events for artist and donor recognition in Washington, D.C. For more than 20 years, Ms. Duncan has led eorts to commission preeminent ROBERT STORR (A '78, F '02) is an artist, critic and curator, and is Chairman American artists to donate works to U.S. embassies for its Site-Specic Collection, and of FAPE’s Professional Fine Arts Committee. From 1990 to 2002, he was the curator has managed the commission, installation and fundraising processes for these and then senior curator at MoMA’s Department of Painting and Sculpture. Storr was projects. Working with FAPE’s leadership, Board and Fine Arts Advisor, Robert Storr, the rst American-born director of the Venice Biennale and organized the 2007 she completed FAPE’s largest project—the art collection for the U.S. Mission to the exhibition, ink with the Senses–Feel with the Mind: Art in the Present Tense. United Nations in New York City. Storr has also served as the Dean of Yale School of Art from 2006 to 2016 and has Ms. Duncan served as a member of the State Department’s 21st Century Embassy Task taught at the CUNY Graduate Center; Harvard University; the Bard Center for Force, is a Board member of the Association of Professional Art Advisors, and is a Curatorial Studies; the Rhode Island School of Design; the Tyler School of Art; the member of ArtTable. She received an Art History degree from the University of University of Texas, Austin; and the New York Studio School, among others. He has Pittsburgh and currently resides in Arlington, Virginia. been a contributing editor at Art in America since 1981 and a writer for publications including Artforum, Parkett and Art Press as well as the author of dozens of museums catalogs and art monographs. JO CAROLE LAUDER has long been devoted to the arts and civic causes, and is Chairman of the Board of FAPE. She is also Co-Chairman of the Trustees’ Council for the National Gallery of Art in Washington, D.C. DARREN WALKER is President of the Ford Foundation and Vice President of FAPE. He is a member of Governor Cuomo’s Reimagining New York Commission and Mrs. Lauder has worked extensively with e Museum of Modern Art since 1970. She co-chair of NYC Census 2020. Prior to joining the Ford Foundation, he was Vice is currently President Emerita of e International Council and held the position of President at Rockefeller Foundation, overseeing global and domestic programs. President for sixteen years. She was Chairman of MoMA’s Contemporary Arts Council Walker co-chairs New York City’s Mayoral Advisory Commission on City Art, and now is Honorary Chairman. She was founder of MoMA’s Junior Associates and is Monuments, and Markers, and has served on the Independent Commission on New a member of the museum’s Trustee Committees on Architecture and Design; Film and York City Criminal Justice and Incarceration Reform and the UN International Video; and Photography. Labour Organization Global Commission on the Future of Work. Walker co-founded both the US Impact Investing Alliance and the Presidents’ Council on Disability Mrs. Lauder was born and raised in Wilmington, Delaware, and received a B.F.A. from Inclusion in Philanthropy. Walker is a member of the Council on Foreign Relations, the Tyler School of Fine Arts in Philadelphia. She and her husband, Ronald, have two the American Academy of Arts and Sciences and is the recipient of 16 honorary daughters and reside in New York City. degrees and university awards, including Harvard University’s W.E.B. Du Bois Medal. EDEN RAFSHOON is President of FAPE. She serves as the ocial Board liaison with the State Department and was a member of the State Department’s 21st Century Embassy Task Force. During the Carter Administration, Mrs. Rafshoon worked in e White House Social Oce and was Co-Chairman of Artists for Carter-Mondale, where she was instrumental in producing a portfolio of artists’ prints for the Democratic National Committee. In 1980, Mrs. Rafshoon served as Chairman of the International Sculpture Conference and Exhibition in Washington, D.C., and in 1994, President Clinton appointed Mrs. Rafshoon to the Federal Commission of Fine Arts. She was reappointed for a second term in 1998. JENNIFER DUNCAN has been with FAPE since 1994 and became Director in A native of Atlanta, Georgia, Mrs. Rafshoon graduated from Hollins College, attended 2002. Her responsibilities include the overall management of FAPE, including Board the Sorbonne and the New York School of Interior Design, and received an M.A. in relations, art projects, fundraising, membership and serving as the principal liaison Art History from George Washington University. She resides in Washington, D.C. between FAPE and the State Department. Ms. Duncan plans and executes FAPE’s Annual Events for artist and donor recognition in Washington, D.C. For more than 20 years, Ms. Duncan has led eorts to commission preeminent ROBERT STORR (A '78, F '02) is an artist, critic and curator, and is Chairman American artists to donate works to U.S. embassies for its Site-Specic Collection, and of FAPE’s Professional Fine Arts Committee. From 1990 to 2002, he was the curator has managed the commission, installation and fundraising processes for these and then senior curator at MoMA’s Department of Painting and Sculpture. Storr was projects. Working with FAPE’s leadership, Board and Fine Arts Advisor, Robert Storr, the rst American-born director of the Venice Biennale and organized the 2007 she completed FAPE’s largest project—the art collection for the U.S. Mission to the exhibition, ink with the Senses–Feel with the Mind: Art in the Present Tense. United Nations in New York City. Storr has also served as the Dean of Yale School of Art from 2006 to 2016 and has Ms. Duncan served as a member of the State Department’s 21st Century Embassy Task taught at the CUNY Graduate Center; Harvard University; the Bard Center for Force, is a Board member of the Association of Professional Art Advisors, and is a Curatorial Studies; the Rhode Island School of Design; the Tyler School of Art; the member of ArtTable.
Load more

Recommended publications
  • Arte No Es Vida: Actions by Artists of the Americas, 1960-2000
    1230 Fifth Avenue New York, NY 10029 212 831 7272 Contact: Lauren Van Natten T. 212 660 7102 [email protected] For Immediate Release ARTE ≠ VIDA: ACTIONS BY ARTISTS OF THE AMERICAS, 1960-2000 Landmark Exhibition at El Museo del Barrio Highlights Performative Actions by Over 75 Latino / Latin American Artists January 30 – May 18, 2008 Press Preview: Thursday, January 31, 3:00 – 5:00 p.m. NEW YORK, NY – January 17, 2008 – El Museo del Barrio, New York’s premier Latino and Latin American cultural institution, is pleased to announce its groundbreaking exhibition Arte ≠ Vida: Actions by Artists of the Americas, 1960 – 2000, which will be on view from January 30 through June 8, 2008. “Arte no es vida” surveys, for the first time ever, the vast array of performative actions created over the last half century by Latino artists in the United States and by artists working in Puerto Rico, the Dominican Republic, Cuba, Mexico, Central and South America. Curated by Deborah Cullen, Director of Curatorial Programs at El Museo del Barrio, Arte ≠ Vida is the recipient of a prestigious 2006 Emily Hall Tremaine Exhibition Award. Through a rich and lively presentation of photographs, video, texts, ephemera, props, and artworks that reference canonical works, the exhibition represents a landmark within the documentation of action art. Arte ≠ Vida expands standard descriptions of “performance art,” revealing how work created by Caribbean, Latino and Latin American artists is often not only dramatized but politicized. An accompanying exhibition catalogue will serve as the first comprehensive resource publication to address this segment of the field of performative art.
    [Show full text]
  • About the Leonore Annenberg Scholarship, Fellowship, and School Funds
    A Project of the Annenberg Public Policy Center at the University of Pennsylvania About the Leonore Annenberg Scholarship, Fellowship, and School Funds The Leonore Annenberg Scholarship, Fellowship, and School Funds is a ten-year (2008-2018), three-pronged initiative, designed and administered by a three-person staff at the Annenberg Public Policy Center of the University of Pennsylvania. The Leonore Annenberg College Scholarship Fund provides four-year, all-expense awards to successful high school juniors who have faced serious challenges. The Leonore Annenberg Fellowship Fund for the Performing and Visual Arts offers strategic support for talented young artists who are poised to become cultural leaders of the next generation. The Leonore Annenberg School Fund for Children makes high-impact resources available to underserved public elementary schools. Members of the program staff work closely with long-time partner organizations focused on school reform, and with major U.S.- based arts organizations and institutions, to identify exceptional candidates for these awards. All grants are made on an invitation- only basis and approved by a four-member Selection Council. ******************************************************** Leonore Annenberg served as U.S. Chief of Protocol, a position that carries the rank of ambassador, during the first term of the administration of Ronald Reagan. She succeeded her late husband, Ambassador Walter H. Annenberg, as president and chairman of the Annenberg Foundation in 2002. At her death in 2009, she left a significant body of philanthropic work reflecting her lifelong commitment to public service, education, and the arts..
    [Show full text]
  • Washington University Record, July 2, 1987
    Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 7-2-1987 Washington University Record, July 2, 1987 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, July 2, 1987" (1987). Washington University Record. Book 414. http://digitalcommons.wustl.edu/record/414 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. I '/^OH/MGr / O/N/ /V//i/5/7V ,~*:-- § Washington WASHINGTON ■ UNIVERSITY- IN • ST- LOUIS ARCHIVES u*«ry JUL i '87 RECORD Vol. 11 No. 36/July 2, 1987 Science academy's medical institute elects two faculty Two faculty members at the School of Medicine have been elected mem- bers of the prestigious Institute of Medicine of the National Academy of Sciences. New members of the institute are Michel M. Ter-Pogossian, Ph.D., and Samuel A. Wells Jr., M.D. Ter- Pogossian is professor of radiology at the School of Medicine and director of radiation sciences for Mallinckrodt Institute of Radiology. Wells is Bixby Professor and chairman of the De- partment of Surgery at the medical school. He is also chief of surgery at Barnes and Children's Hospitals in the Washington University Medical Center. The two are among 40 new members elected to the institute in recognition of their contributions to health and medicine or related fields. As members of the institute, which was established in 1970, Wells and Ter-Pogossian will help examine health policy issues and advise the federal government.
    [Show full text]
  • Presidential Handwriting File, 1981-1989
    PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 – REAGAN LIBRARY COLLECTIONS This collection is available in whole for research use. Some folders may still have withdrawn material due to Freedom of Information Act restrictions. Most frequent withdrawn material is national security classified material, personal privacy, protection of the President, etc. PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 The Presidential Handwriting File is an artificial collection created by the White House Office of Records Management (WHORM). The Presidential Handwriting File consists of a variety of documents that Ronald Reagan either annotated, edited, or wrote in his own hand. When documents containing the president's handwriting were received at WHORM for filing, the original was placed in the Presidential Handwriting File and arranged by the order received. A photocopy of the document was placed in the appropriate category of the WHORM: Subject File. The first page of the casefile was stamped Handwriting File, indicating the location of the original documents. However, WHORM often failed to indicate on the original documents the original location (i.e. the six digit tracking number, Subject Category Code). The Presidential Handwriting File, as created by the White House, did not contain handwriting found in staff and office files. The Library will be creating a further series of handwriting material from staff and office files. In order to provide better access to the Presidential Handwriting File, the collection has been arranged into six series. Each series is arranged chronologically by the date of the document. Each document has been marked with the appropriate WHORM: Subject File category and a six digit tracking number.
    [Show full text]
  • Museum of Arts and Design
    SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry.
    [Show full text]
  • Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex
    This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education.
    [Show full text]
  • Annenberg's $27.5 Million Endowment
    UNIVERSITY of PENNSYLVANIA Tuesday, December 19, 2000 Volume 47 Number 16 www.upenn.edu/almanac/ Annenberg’s $27.5 Million Endowment: Institute for Adolescent Risk Communication agers and ensure that they become healthy, happy “Most of these campaigns, and the research and productive adults,” President Rodin said. accompanying them, have concentrated on re- “The new Institute will harness the formidable ducing one risky behavior at a time,” she said. efforts already underway in this area at the “What’s lost in this ‘single issue’ approach is Annenberg Public Policy Center and provide whether, for example, a successful anti-smoking important new opportunities for scholars to col- campaign results in a decreased perception of laborate with colleagues at other schools and the risks of drugs, or how the effectiveness of a centers at Penn who are working on issues of particular campaign changes as very young teens adolescent behavior.” grow older. What works for one campaign may An additional $2.5 million will be used to actually be harmful to another. establish the Walter and Leonore Annenberg “The new Institute will enable us to have, for Walter Annenberg Leonore Annenberg Chair for the Director of the Public Policy Center the first time, an integrated focus on adolescent at Penn’s Annenberg School for Communication. risk communications that will leverage our exper- A $25 million endowment from the The chair will be held by the director of the Center. tise and resources for the best possible results.” Annenberg Foundation of St. Davids, will be The Honorable Leonore Annenberg, Vice Dean Jamieson said that the Institute would used to establish a new Institute for Adolescent Chairman of the Annenberg Foundation, said: also provide additional opportunities for under- Risk Communication at Penn’s Annenberg Pub- “With our nation increasingly focused on minimiz- graduate and graduate student research in ado- lic Policy Center, according to an announcement ing adolescent risk, this new Institute is poised to lescent risk.
    [Show full text]
  • Granados, De Falla & Modernisme
    Voices of Ascension Chorus & Orchestra 212-358-1469 Dennis Keene, Conductor & Artistic Director voicesofascension.org SPAIN: GRANADOS, DE FALLA & MODERNISME FEB 9, 2017 AT 8PM Church of the Ascension 32 5th Avenue at 10th Street Ramon Casas The Open Air Party (c. 1901-1902) The turn of the 20th Century saw the flowering of the Modernisme movement in Barcelona and a flourishing of music across Spain. This concert comprises works from the period for chorus, soprano, violin, piano and organ. Many compositions will be entirely new to listeners, but they captivate the ear upon first hearing. Pablo Casals is renowned as a cellist, but he also wrote haunting, deeply spiritual choral music. Virtually unknown today, Enric Morera, Manuel Blancafort, and Manuel Oltra composed exceptional works for chorus. De Falla’s El Amor Brujo for piano contrasts with Granados's works for violin, songs and an aria from Goyescas. Granados’s long-lost Cant de les estrelles, written in 1911 for three choirs, piano and organ, will be performed in New York for only the second time. VoA received a GRAMMY-nomination for the 2007 New York Premiere live concert recording with pianist Douglas Riva: Song of the Stars. CONCERT PROGRAM: Rosarium Beatae Virginis Mariae Pablo Casals Pater noster 1876-1973 Ave Maria, Ave Maria, Ave Maria Gloria Patri Panem nostrum Sancta Maria, Sancta Maria Sicut erat Voices of Ascension chorus & Mark Kruczek, organ Dennis Keene, Conductor and Artistic Director 1 Voices of Ascension Chorus & Orchestra 212-358-1469 Dennis Keene, Conductor & Artistic
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Architecture in the Experience Economy: the Catalog Showroom and Best Products Company a Di
    UNIVERSITY OF CALIFORNIA Los Angeles Architecture in the Experience Economy: The Catalog Showroom and Best Products Company A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Christina Bernadette Gray 2019 © Copyright by Christina Bernadette Gray 2019 ABSTRACT OF THE DISSERTATION Architecture in the Experience Economy: The Catalog Showroom and Best Products Company by Christina Bernadette Gray Doctor of Philosophy in Architecture University of California, Los Angeles, 2019 Professor Sylvia Lavin, Chair Although it is often assumed that production must logically precede consumption, the development of postmodern architecture complicates this narrative. The development of postmodern architecture undermined established structures by centralizing the role of consumption and the consumer. This dissertation examines ways in which various conservative trends pushed the consumer closer toward production. These changes ushered in the experience economy of which Best Products Company and the broader catalog showroom phenomena were particularly emblematic. Drawing on these changes within the history of retail architecture, this dissertation sets out to explore how architecture emerged into the postmodern period as a box, a malleable shell that was increasingly being invaded and overturned by a powerful consumer. ii This dissertation of Christina Bernadette Gray is approved. Dana Cuff Michael Osman Debora Silverman Sylvia Lavin, Committee Chair University of California, Los
    [Show full text]
  • Andy Warhol: When Junkies Ruled the World
    Nebula 2.2 , June 2005 Andy Warhol: When Junkies Ruled the World. By Michael Angelo Tata So when the doorbell rang the night before, it was Liza in a hat pulled down so nobody would recognize her, and she said to Halston, “Give me every drug you’ve got.” So he gave her a bottle of coke, a few sticks of marijuana, a Valium, four Quaaludes, and they were all wrapped in a tiny box, and then a little figure in a white hat came up on the stoop and kissed Halston, and it was Marty Scorsese, he’d been hiding around the corner, and then he and Liza went off to have their affair on all the drugs ( Diaries , Tuesday, January 3, 1978). Privileged Intake Of all the creatures who populate and punctuate Warhol’s worlds—drag queens, hustlers, movie stars, First Wives—the drug user and abuser retains a particular access to glamour. Existing along a continuum ranging from the occasional substance dilettante to the hard-core, raging junkie, the consumer of drugs preoccupies Warhol throughout the 60s, 70s and 80s. Their actions and habits fascinate him, his screens become the sacred place where their rituals are projected and packaged. While individual substance abusers fade from the limelight, as in the disappearance of Ondine shortly after the commercial success of The Chelsea Girls , the loss of status suffered by Brigid Polk in the 70s and 80s, or the fatal overdose of exemplary drug fiend Edie Sedgwick, the actual glamour of drugs remains, never giving up its allure. 1 Drugs survive the druggie, who exists merely as a vector for the 1 While Brigid Berlin continues to exert a crucial influence on Warhol’s work in the 70s and 80s—for example, The Philosophy of Andy Warhol , as detailed by Bob Colacello in the chapter “Paris (and Philosophy )”—her street cred.
    [Show full text]
  • Virginia Commonwealth University Commencement Program Virginia Commonwealth University
    Virginia Commonwealth University VCU Scholars Compass VCU Commencement Programs VCU University Archives 1983 Virginia Commonwealth University Commencement Program Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/vcucommence © Virginia Commonwealth University Downloaded from http://scholarscompass.vcu.edu/vcucommence/18 This Program is brought to you for free and open access by the VCU University Archives at VCU Scholars Compass. It has been accepted for inclusion in VCU Commencement Programs by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. RICHMOND The Coliseum May 14, 1983 10:00 A.M. BOARD OF VISITORS Virginia Commonwealth University Douglas H. Ludeman, Rector Daniel T. Balfour, Vice Rector Harold I. Nemuth, Secretary Mrs. FitzGerald Bemiss Thomas E. Butt Custis L. Coleman Benjamin W. Cotten F. Wilson Craigie, Jr. Sigsby W. Gayle Robert J. Grey Philip B. Morris William G. Reynolds W. Roy Smith Mrs. Charles G. Thalhimer Anne Marie Whittemore Jack H. Wyatt The audience is respectfully asked not to enter onto the floor of the Coliseum until after the ceremony has concluded and all graduates have left the Coliseum floor. PROGRAM The President of the University, Presiding Processional* Virginia Commonwealth University Pomp and Circumstance March No. I-Edward Elgar Symphony Orchestra Jack Jarrett, Conducting Invocation A. Patrick L. Prest Professor and Chairman of Program of Patient Counseling National Anthem Academic Festival Overture, Op. BO-Johannes Brahms VCU Symphony Orchestra Introduction of Guests Edmund F. Ackell President of the University Commencement Address Robert A. Wilson Third Rector of Virginia Commonwealth University Conferring of Honorary Degrees The President of the University Sydney Lewis Frances A.
    [Show full text]
  • Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue Published by WCA ● Gallery Guide
    1 Wexner Center for the Arts Exhibition History Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue published by WCA ● Gallery Guide ●LaToya Ruby Frazier: The Last Cruze February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Sadie Benning: Pain Thing February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Stanya Kahn: No Go Backs January 22 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●HERE: Ann Hamilton, Jenny Holzer, Maya Lin September 21 – December 29, 2019 *+●Barbara Hammer: In This Body (F/V Residency Award) June 1 – August 11, 2019 *Cecilia Vicuña: Lo Precario/The Precarious June 1 – August 11, 2019 Jason Moran June 1 – August 11, 2019 *+●Alicia McCarthy: No Straight Lines February 2 – August 1, 2019 John Waters: Indecent Exposure February 2 – April 28, 2019 Peter Hujar: Speed of Life February 2 – April 28, 2019 *+♦Mickalene Thomas: I Can’t See You Without Me (Visual Arts Residency Award) September 14 –December 30, 2018 *● Inherent Structure May 19 – August 12, 2018 Richard Aldrich Zachary Armstrong Key: * Organized by the Wexner Center ♦ Catalogue published by WCA + New Work Commissions/Residencies ● Gallery Guide Updated July 2, 2020 2 Kevin Beasley Sam Moyer Sam Gilliam Angel Otero Channing Hansen Laura Owens Arturo Herrera Ruth Root Eric N. Mack Thomas Scheibitz Rebecca Morris Amy Sillman Carrie Moyer Stanley Whitney *+●Anita Witek: Clip February 3-May 6, 2018 *●William Kentridge: The Refusal of Time February 3-April 15, 2018 All of Everything: Todd Oldham Fashion February 3-April 15, 2018 Cindy Sherman: Imitation of Life September 16-December 31, 2017 *+●Gray Matters May 20, 2017–July 30 2017 Tauba Auerbach Cristina Iglesias Erin Shirreff Carol Bove Jennie C.
    [Show full text]