One Last Wish James Horner Piano
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I SEE YOU (Theme from AVATAR)
CONDUCTOR 04002982 From the Twentieth Century Fox Motion Picture AVATAR I SEE YOU (Theme from AVATAR) Lyrics by SIMON FRANGLEN, JAMES HORNER and KUK HARRELL Music by JAMES HORNER and SIMON FRANGLEN Arranged by EDWARD LEE Duration – ca. 2:05 INSTRUMENTATION 1 - Full Score 8 - Flute Part 1 2 - Oboe 6 - B% Clarinet/B% Trumpet 4 - Violin 6 - B% Clarinet/B%Trumpet % Part 2 2 - E Alto Saxophone 4 - Violin 4 - B% Clarinet 2 - B%Tenor Saxophone 2 - E% Alto Saxophone/E% Alto Clarinet Part 3 2 - F Horn 2 - Violin 4 - Viola 4 - B%Tenor Saxophone/Baritone T.C. 2 - F Horn Part 4 4 - Trombone/Baritone B.C./Bassoon 2 - Cello 2 - B% Bass Clarinet 4 - Trombone/Baritone B.C./Bassoon 2 - Baritone T.C. 2 - Cello Part 5 2 - E% Baritone Saxophone 4 - Tuba 2 - String Bass/Electric Bass 2 - Percussion 1 Drum Set 2 - Percussion 2 Sus. Cym. 2 - Mallet Percussion Bells 1 - Timpani Additional Parts U.S. $2.50 Score (04002982) U.S. $5.00 8 84088 50015 3 From the Twentieth Century Fox Motion Picture AVATAR HAL LEONARD FLEX-BAND SERIES I SEE YOU Lyrics by SIMON FRANGLEN, (Theme from AVATAR) JAMES HORNER and KUK HARRELL Slowly (Œ = 68) Music by JAMES HORNER and SIMON FRANGLEN j .. .. j .. Arranged by EDWARD LEE PART 1 Fl. œ œ nœ œ œ œ nw bb 4 œ œ ‰ ‰ 2 ‰ 4 œ œ ‰ ‰ Flute/Oboe & b 4 œ œ œ œ 4 nœ œ 4 œ œ œ œ nw .. J J .. J p f Ob. p F p F p F p F p F 4 j j 2 . -
All Or Write: P.O
Tangtewqpd i 8 . - • .. lil • M -• * •'•-- . in if § H i Visit Tanglewoods Neighbor . White Pines at Stockbridge, the only luxury condominium in Stockbridge. You'll find us a short walk down the road among whispering pines; sunny, rolling meadows; quiet, cool woodlands ... a truly uncommon condominium community on 95 acres of a turn-of-the- century estate. Half our luxurious, contemporary units have been completed in and around the original French Provincial buildings. (A very few of these are available for immediate occupancy.) A third of the remaining 34 units . duplex country villas . will also be ready this summer. White Pines homeowners are already enjoying their on-site private recreation facilities . year-round swimming pool, Har-Tru tennis courts, exercise facilities, sauna and lakefront beach. We invite you to visit our furnished model, open seven days a week. Featured in Sfye JfeUf JJork Sinter For information, call or write: P.O. Box 529 White Hawthorne Street Stockbridge, MA 01262 (413)637-1140 Pines Our sales agent is: country estate Reinholt Realty condominiums Main Street, Lenox (413) 637-1251 or Main Street, Stockbridge (413) 298-3664. at Stockbridge Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Vice-Chairman J. P. Barger, Vice -Chairman Mrs. John M. Bradley, George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. -
Download Booklet
ForEward PYOTR IL’YICH TCHAIKOVSKY (1840-1893) PIANO CONCERTO NO. 1 About 20 years ago I watched my first concerto and share the excitement of childhood with you, NUTCRACKER SUITE on TV – it was Tchaikovsky’s First Piano the listener! Concerto played by Emil Gilels from 1959. It hit me: the power, the energy, the sheer scale Heartfelt thanks to Marco Assetto, Bob and of this piece! I decided I wanted to play it, but Elisabeth Boas, Sir Vernon and Lady Ellis, Sir it took time until I felt ready. A few years George and Lady Iacobescu, Sir Harvey and Piano Concerto No. 1 in B-Flat Minor, Op. 23 later, whilst studying at the Guildhall School Lady McGrath, Sara Naudi, Andrew and 1 I. Allegro non troppo e molto maestoso [20.39] of Music and Drama with Ronan O’Hora, I felt Samantha Popper for believing in me and 2 II. Andantino semplice [6.51] this was the time to approach the piece. After making this project happen! 3 III. Allegro con fuoco [7.18] a few good months of practicing, I started performing it in concerts. One of my most Alexandra Dariescu Nutcracker Suite, Op. 71a (arr. Mikhail Pletnev) fulfilling performances took place at the 4 I. Tempo di marcia viva [2.01] Royal Albert Hall with the Royal Philharmonic 5 II. Dance of the Sugar Plum Fairy: Andante ma non troppo [2.00] Orchestra. When the opportunity arose to record 6 III. Tarantella [1.23] 7 IV. Intermezzo [4.24] my first concerto disc, I knew it had to be this one. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
FINAL-Is-Islam-A-Death-Cult -Martyrdom-And-The
2 | Is Islam a Death Cult? Martyrdom and the American-Muslim Imagination Author Biography Dr. Jonathan A. C. Brown is the Director of Research at Yaqeen Institute, and an Associate Professor and Chair of Islamic Civilization at Georgetown University. Disclaimer: The views, opinions, findings, and conclusions expressed in these papers and articles are strictly those of the authors. Furthermore, Yaqeen does not endorse any of the personal views of the authors on any platform. Our team is diverse on all fronts, allowing for constant, enriching dialogue that helps us produce high-quality research. Copyright © 2017. Yaqeen Institute for Islamic Research 3 | Is Islam a Death Cult? Martyrdom and the American-Muslim Imagination In the name of Allah, the Most Merciful, the Grantor of Mercy The topic of martyrdom in general, and certainly in Islam, is very sensitive. One can never be too clear about things these days, so before delving into the topic I want to state clearly my own position: I categorically and unconditionally condemn the killing of noncombatants by anyone, whether state or non-state actors, uniformed military or insurgents. I take the position of Imam Malik and al-Awza’i, that one is not permitted to kill civilians even if it seems necessary to achieve some valid military objective. It is never acceptable. I think it is vital for us as American Muslims to demonstrate our concern for all human beings, not just Americans and not just Muslims. We have to speak and rise up anytime that any of God’s creation is attacked, regardless of whether the victims are Muslims or not. -
La La Land Waltz
Waltz from La La Land Danced by Ryan Gosling and Emma Stone Choreographed by Mandy Moore Reconstruction and description by Richard Powers Soundtrack music available on iTunes, CDs, YouTube and elsewhere Cross-Step Waltz: Co-Waterfall Lead: Starting in inside lane, facing LOD, in waltz position, slightly offset with partner at your right side. 1) Cross R over L, toward LOD 2) Side L, LOD 3) R slights falls back, LOD ...all while rotating CW 180º, with long steps, especially count 1. Follow: Starting in outside lane, facing against LOD (backing), in offset waltz position. 1) Step back L, diagonally LOD, like rocking back. 2) Rock forward R, diagonally LOD, like rocking forward. 3) L foot slightly walks forward LOD ...all while rotating CW 180º, with shorter steps, to let your partner pass by you. 4,5,6) The Lead does exactly what the Follow did, and vice versa. La La Land Dream Fantasy Waltz Easier version Music: La La Land Soundtrack: Epilogue, at 4:33 Part 1 Bars 1, 2 Co-Waterfall rotating CW 3 Co-Waterfall not rotating, like a promenade (Follow stays in the right lane) 4 Follow's Outside Underarm Turn. The Follow steps forward R, side L, back R. Part 2: Repeat Part 1 2 Part 3 1-3 3 Co-Waterfalls, with the Follow coming into the inside lane at the end. 4 The Lead releases the Follow toward LOD and she half-turns CW to travel LOD, passing him by and taking opposite swingout hands (his R and her L). Part 4 1 In opposite swingout position the Follow crosses L over R, with weight and holds for 2 counts. -
Press Release 1/5
PRESS RELEASE 1/5 IN THE CATHEDRAL OF SOUND: “THE PINK FLOYD EXHIBITION: THEIR MORTAL REMAINS” • After London and Rome, the interactive exhibition at the Dortmunder “U” Centre for Arts and Creativity looks back on the 50-year history of the British cult band • The innovative Sennheiser audio guide and 360-degree audio installations provide a thrilling experience in sound and vision Dortmund/Wedemark, 23 August 2018 – Higher and higher it climbs. The escalator in the Dortmunder “U" goes right up to the sixth floor. Having arrived at the top, visitors can also marvel at reaching a summit in audio-visual experience. From 15 September 2018, they can see – and of course hear – “The Pink Floyd Exhibition: Their Mortal Remains”. This interactive multimedia exhibition runs until 10 February 2019. After Rome and London, where the retrospective was very well received, Dortmund is the first and only venue in Germany. It presents a review of the British cult band’s creative work: fifty years of music history over an area of 1,000 square metres, illustrated chronologically on the basis of more than 350 exhibits, perfectly matched with innovative audio technology that allows the visitors to immerse themselves in the unmistakable sound of Pink Floyd. And Sennheiser is the audio partner responsible. Fascinating worlds of sound have been created, bringing the band’s career, its albums, its sound engineering and its performances to life in a stunning audio-visual display. The Dortmunder U – Centre for Arts and Creativity is presenting the major Pink Floyd retrospective “The Pink Floyd Exhibition: Their Mortal Remains“ from 15 September 2018 to 10 February 2019. -
Pre-Assessment
Name: _________________________________________________ Date: ____________________________ Film Music Unit Pretest 6th Grade Music Multiple Choice 1. What is a melody? a. The main line in music b. The background line in music c. A song that we sing d. The rhythmic drive in music. 2. The line of music associated with Luke Skywalker in the movie Star Wars is called a ___________________. a. Sequence b. Ostinato c. Leitmotif d. Melody 3. What was the first movie with an entire original score? a. Gone with the Wind b. King Kong c. Casablanca d. Star Wars 4. What year did synthesizers become introduced as a part of film music? a. 1958 b. 1968 c. 1978 d. 1980 True or False 5. Music was included as a part of film starting with the first motion picture. True False 6. Film composers are not always well-respected in their careers. True False 7. Film music is played by a symphony. True False 8. Ascending melodies are generally happy, while descending melodies are generally sad. True False Matching Match each film with the composer who wrote the film score. 9. ___________ Star Trek a) Hans Zimmer 10. ___________ Edward Scissorhands b) Jerry Goldsmith 11. ___________ Titanic c) Max Steiner 12. ___________ The Lion King d) Danny Elfman 13. ___________ The Pink Panther e) John Williams 14. ___________ King Kong f) James Horner 15. ___________ Star Wars g) Henry Mancini Name: _________________________________________________ Date: ____________________________ Fill in the Blank Insert the best word into each blank. Not all words will be used. character consonance dissonance geographic harmony historic piano tension timbre 16. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
The Prisoner's Apothecary
Oct. 30 - Nov. 6, 2019 www.lansingcitypulse.com Locally owned • A newspaper for the rest of us The Prisoner’s Apothecary Visiting MSU artist plants seeds to a revolution See page 15 2 www.lansingcitypulse.com City Pulse • October 30, 2019 Thanksgiving Fresh includes materials, snacks & refreshments Cut Flower $ Call the Floral Shop Centerpiece Class 45 517-372-5610 to reserve your spot City Pulse • October 30, 2019 www.lansingcitypulse.com 3 Favorite Tings Kewpee’s owner Autumn Weston and her Kewpie doll BWL Seeks Public Input on Future Energy Plan for Region The BWL will host open houses to seek public input as we update our plan to continue delivering cleaner, affordable and reliable power to the region. Join us at one of the dates below to learn about the BWL’s new Integrated Resource Plan People really don’t know how to that’s been part of us since we started (IRP), which will serve as the foundation for our take the baby. People don’t even know in 1923. I’m a fourth-generation own- what to call our mascot. Some know er and we always got Kewpie dolls for new strategic plan. what a Kewpie doll is, but most just our birthdays. I always thought “Can’t call it the “creepy baby.” Even I’m I get a Cabbage Patch doll or Barbie Wednesday, Nov. 6, 4:30-7pm guilty of that. I’ve got two tattoos of or something? This baby doesn’t even BWL REO Depot, 1201 S. Washington Ave., Lansing them so I don’t think they are that have clothes to play with.” creepy.