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Home , 10 Years Solo Live, Brad Mehldau, Elegiac Cycle, Highway Rider, House on Hill, Jeff Ballard (musician)

FOR IMMEDIATE RELEASE: Press Contacts: April 5, 2016 Eileen Chambers/CSO 312.294.3092 Stephanie Kulke/Kickstart Marketing 773.501.4360 Photos Available By Request [email protected]

SYMPHONY CENTER PRESENTS SERIES CONTINUES WITH APPEARANCE BY THE TRIO

Friday, April 22, at 8:00 PM

CHICAGO—The Symphony Center Presents (SCP) Jazz Series continues with an appearance by pianist Brad Mehldau and his powerhouse trio, Friday, April 22, 2016, 8:00 p.m. The Brad Mehldau Trio (Brad Mehldau, ; , bass and , drums) made their debut on the SCP Jazz series in 1999, and returns to the series for the first time since 2009. Known for stretching musical boundaries and comfortable with a repertoire that includes original compositions, jazz standards and rock hits from artists ranging from to to Sufjan Stevens, the Brad Mehldau Trio communicates a unique intensity.

The Brad Mehldau Trio returns to in anticipation of the June 2016 release of , the first for the group since 2012’s critically-acclaimed . For their new project, the Trio digs deep into the American Blues songbook and pop ballads, imbuing well-known tunes with the group’s distinctive textures and adventurous musical approach. The new release features by Buddy Johnson, Cole Porter, , , Jack Strachey, and Paul McCartney.

Brad Mehldau moved to and first came to prominence as a member of ’s quartet in the 1990s before becoming a bandleader himself. His trio, which tours the world extensively, made eight acclaimed recordings for Warner Bros., including the five widely praised Art of the Trio with former drummer . Brad Mehldau’s recordings on Nonesuch include the solo disc Live in Tokyo and five trio records—Day Is Done, , Live, Ode, and Where Do You Start—as well as a collaboration with soprano Renée Fleming, ; and two collaborations with . Mehldau’s critically acclaimed four-CD set, was released by Nonesuch in November 2015.

Equal parts improviser and formalist, Mehldau’s musical personality forms a dichotomy. He is first and foremost an improviser, and cherishes the surprise and wonder that can occur from a spontaneous musical idea that is expressed directly, in real time. But he also has a deep fascination for the formal architecture of music, and it informs everything he plays.

In December of 2015, Mehldau received the Wigmore Medal, the first jazz ever to do so. Mehldau was also curator of the annual jazz series at London’s from 2009 to 2011, and was the first-ever jazz artist to hold the Richard and Barbara Debs Composer’s Chair at , in its 2010–11 season. The Brad Mehldau Trio was named Best International Ensemble at the 2013 Echo Awards, the same year that Where Do You Start was chosen as of the Year by the Académie du Jazz.

Tickets for all SCP Jazz series concerts can be purchased by phone at 800-223-7114 or 312- 294-3000; online at cso.org, or at the Symphony Center box office: 220 S. Michigan Ave., Chicago, IL 60604.

Discounted student tickets for select concerts can be purchased, subject to availability, online in advance or at the box office on the day of the concert. For group rates, please call 312-294- 3040.

Artists, programs and prices are subject to change.

Symphony Center Presents Jazz series is sponsored by Exelon.

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Symphony Center Presents Friday, April 22, 2016, 8:00 p.m. Jazz Brad Mehldau Trio

Brad Mehldau, piano Larry Granadier, bass Jeff Ballard, drums

Tickets: $28-89

Brad Mehldau Jazz pianist Brad Mehldau has recorded and performed extensively since the early 1990s. Mehldau’s most consistent output over the years has taken place in the trio format. Starting in 1996, his group released a series of five records on Warner Bros. entitled The Art of the Trio (recently re-packaged and re-released as a 5-Disc box set by Nonesuch in late 2011). During that same period, Mehldau also released a solo piano recording entitled , and a record called Places that included both solo piano and trio songs. Elegiac Cycle and Places might be called “concept” albums made up exclusively of original material with central themes that hover over the compositions. Other Mehldau recordings include , a collaborative effort with the innovative musician and producer Jon Brion, and Anything Goes —a trio outing with Larry Grenadier and drummer Jorge Rossy.

His first record for Nonesuch, Brad Mehldau Live in Tokyo*, was released in September 2004. After ten rewarding years with Rossy playing in Mehldau’s regular trio, drummer Jeff Ballard joined the band in 2005. The label released its first album from the Brad Mehldau Trio— Day is Done —on September 27, 2005. An exciting double live trio recording entitled Brad Mehldau Trio Live was released on March 25th, 2008 (Nonesuch) to critical acclaim. On March 16, 2010 Nonesuch released a double-disc of original work entitled , the highly anticipated follow up to Largo. The album was Mehldau’s second collaboration with renowned producer Jon Brion and featured performances by Mehldau’s trio—drummer Jeff Ballard and bassist Larry Grenadier—as well as percussionist , saxophonist Joshua Redman, and a chamber orchestra led by Dan Coleman. In 2011 Nonesuch released – a two CD release with a companion DVD of the 2006 performance, and Modern Music, a collaboration between pianists Brad Mehldau and and composer/arranger . In 2012 Nonesuch released an album of original songs from the Brad Mehldau Trio – Ode – the first from the trio since 2008’s live disc and the first studio trio recording since 2005’s Day is Done. Ode went on to garner a Grammy-Nomination. Nonesuch released the Brad Mehldau Trio’s Where Do You Start, a companion disc to the critically acclaimed Ode, in the fall of 2012. Whereas Ode featured 11 songs composed by Mehldau, Where Do You Start comprises the Trio’s interpretations of 10 tunes by other composers, along with one Mehldau original. In 2013 Mehldau produced and performed on , the acclaimed Nonesuch release from Joshua Redman. 2013 also saw a number of collaborative tours including a duo tour with mandolin virtuoso , piano duets with Kevin Hays and a new electric project with drummer entitled “Mehliana” which will have its debut release in 2014.

Mehldau’s musical personality forms a dichotomy. He is first and foremost an improviser, and greatly cherishes the surprise and wonder that can occur from a spontaneous musical idea that is expressed directly, in real time. But he also has a deep fascination for the formal architecture of music, and it informs everything he plays. In his most inspired playing, the actual structure of his musical thought serves as an expressive device. As he plays, he listens to how ideas unwind, and the order in which they reveal themselves. Each tune has a strongly felt narrative arch, whether it expresses itself in a beginning, an end, or something left intentionally open-ended. The two sides of Mehldau’s personality—the improviser and the formalist—play off each other, and the effect is often something like controlled chaos.

Mehldau has performed around the world at a steady pace since the mid-1990s, with his trio and as a solo pianist. His performances convey a wide range of expression. There is often an intellectual rigor to the continuous process of abstraction that may take place on a given tune, and a certain density of information. That could be followed by a stripped down, emotionally direct ballad. Mehldau favors juxtaposing extremes. He has attracted a sizeable following over the years, one that has grown to expect a singular, intense experience in his performance.

In addition to his trio and solo projects, Mehldau has worked with a number of great jazz , including a rewarding gig with saxophonist Joshua Redman’s band for two years, recordings and concerts with Pat Metheny, and , and recording as a sideman with the likes of , , , and Charles Lloyd. For more than a decade, he has collaborated with several musicians and peers whom he respects greatly, including the guitarists Peter Bernstein and and tenor saxophonist . Mehldau also has played on a number of recordings outside of the jazz idiom, like ’s Teatro and singer- ’s Scar. His music has appeared in several movies, including Stanley Kubrick’s Eyes Wide Shut and Wim Wender’s Million Dollar Hotel. He also composed an original soundtrack for the French film, Ma Femme Est Une Actrice. Mehldau composed two new works commissioned by Carnegie Hall for voice and piano, The Blue Estuaries and The Book of Hours: Love Poems to God, which were performed in the spring of 2005 with the acclaimed classical soprano, Renee Fleming. These songs were recorded with Fleming and released in 2006 on the Love Sublime record; simultaneously, Nonesuch released an album of Mehldau’s jazz compositions for trio entitled House on Hill. A 2008 Carnegie Hall commission for a cycle of seven love songs for Swedish mezzo-soprano premiered in 2010. Love Songs, a double album that paired the newly commissioned cycle, with a selection of French, American, English, and Swedish songs that Mehldau and von Otter performed together, was released in late 2010 (on the Naïve label) to unanimous praise.

Mehldau was appointed as curator of an annual four-concert jazz series at London’s prestigious Wigmore Hall during its 2009-10 and 2010-11 seasons, with Mehldau appearing in at least two of the four annual concerts. In late January 2010 Carnegie Hall announced the 2010-11 season-long residency by Mehldau as holder of the *Richard and Barbara Debs Composer’s Chair at Carnegie Hall*—the first jazz artist to hold this position since it was established in 1995. Previous holders include Louis Andriessen (2009– 2010), Elliott Carter (2008–2009), and John Adams (2003–2007).

The Chicago Symphony Orchestra: www.cso.org and www.csosoundsandstories.org Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. Since 2010, the preeminent conductor Riccardo Muti has served as its 10th music director. Yo-Yo Ma is the CSO’s Judson and Joyce Green Creative Consultant, and Samuel Adams and Elizabeth Ogonek are its Mead Composers-in-Residence.

From baroque through contemporary music, the CSO commands a vast repertoire. Its renowned musicians annually perform more than 150 concerts, most at Symphony Center in Chicago and, each summer, at the suburban Ravinia Festival. They regularly tour nationally and internationally. Since 1892, the CSO has made 58 international tours, performing in 29 countries on five continents.

People around the globe listen to weekly radio broadcasts of CSO concerts and recordings on the WFMT radio network and online at cso.org/radio . Recordings by the CSO have earned 62 Grammy Awards, including two in 2011 for Muti’s recording with the CSO and Chorus of Verdi's Messa da Requiem (Muti’s first of four releases with the CSO to date). Find details on these and many other CSO recordings at www.cso.org/resound.

The CSO is part of the Chicago Symphony Orchestra Association, which also includes the Chicago Symphony Chorus (Duain Wolfe, Director and Conductor) and the Civic Orchestra of Chicago, a training ensemble for emerging professionals. Through its prestigious Symphony Center Presents series, the CSOA presents guest artists and ensembles from a variety of genres—classical, jazz, world, and contemporary.

The Negaunee Music Institute at the CSO offers community and education programs that annually engage more than 200,000 people of diverse ages and backgrounds. Through the Institute and other activities, including a free annual concert with Muti and the CSO, the CSO is committed to using the power of music to create connections and build community.

The CSO is supported by thousands of patrons, volunteers and institutional and individual donors. Bank of America is the Global Sponsor of the CSO. The CSO’s music director position is endowed in perpetuity by a generous gift from the Zell Family Foundation. The Negaunee Foundation provides generous support in perpetuity for the work of the Negaunee Music Institute.