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Estreno Del Drama MARAT-SADE. La Vanguardia

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Estreno Del Drama MARAT-SADE. La Vanguardia I fagina 52 LA VANGUARDIA ESPAÑOLA DOMINGO, 13 OCTUBRE 1968 POLIORAMA. - Estreno del drama EL VALLE DE LAS LA VIL MÍUÑECAS SEDUCCIÓN CINE EE. UU Color Dir. Mark Rob- Española. Color Dir. José M.» MARAT-SADE son. Con Patty Duque. Barbara "Porqué. Con Analía Gadé y Fer- Parkins v Susan Hayward. Dra nando Fernán Gómez. Comedia de Peter Weiss ASI NO SE TRATA ma. Tres muchachas acuden a la La tristona de una pareja en que A UNA DAMA gran ciudad. Sueñan con hacerse los papeles se hallan invertidos: famosas y ricas. Pero Para etlo él es ej seducido que exige repa- EE- Uy Color. Dir Jack Smight. ración matrimonial v ella es la Si ya era harto notorio que las posibilidades artísticas, estéticas e in- Con Rod St^iqer v Lee RemtTk. la vida les exige una dosis creciente- de tensión, de egoís- seductora que después no oule- cluso documentales del teatro son ya, gracias a la técnica moderna, de una Policiaca. Un sádico crimina, re saber nada (Windccr.) experto en -distraes aterroriza mo v de dureza. (Coliseum ) formidable magnitud, la realización de «Marat-Sade» no sólo lo confirma a u ciudad 'ie N-. HVP York sino, que desvanece toda duda. Estamos asistiendo a una época en que ya (Mo-ntecarlo.) ESTA NOCHE ME LOS CAÑONES DE no hay nada imposible en el terreno de la ficción escénica, como no lo hay AVENTURA EN RUSIA LANZO SAN SEBASTIAN tampoco para el cine. E£. U'U Color. C n. rama. Pro- Italiana Coior. Dir EHore Fiz- Mejicana. Color. Dir. Henrl Ver- ductor J. Jay Fra-nkel. Presenta- zarotti. Con Rocky RQberts v n*>uil Con Anthony Quinn y An- El excepcional drama de Peter Weiss, «Marat-Sade», no es sólo una da por Bihg Cro&hy. Documen- Lola Falana. Comedia. Un grupo janette Comer. Aventuras. La "i- tal Filmada ¿ntersmerre er Ru- de chicos y chicas en una Piava da de un bandido mejicano que obra artística de singular originalidad, sino también un experimento teatral sia, reflejando sus costumbres, de moda intentan pasar lo me- en los avatares de su vida fue de tales magnitudes que hasta, hace pocos años se habría considerado inal- sus ciudades, sus Dd'sajcs. sus jor posible sus vacaciones. (Ca- Jef* espiritual y bienhechor de palacios y s-is espectáculos. pítol ) un pueblo a .punto <íe perecer. canzable. TEATRO (Nuevo Cinerama,) Inspirado en la novela de Wllllam Peter Weiss es un autor alemán de ilimitadas y nobles ambiciones den- Barby Faherty. S. I. (Aribau.) BECKET GRANDES VACACIONES tro de su arte. Esta obra suya, bajo el título de «Persecución y asesinato r Italo-francesa. Color. Dir. Jean ABIERTO POR Inglesa. Revisión, cciioi P. Pe. Girault Con Louis de Funes y LOS FELINOS de Jean Paul Marat, representado por los enfermos del hospicio de Cha- DEFUNCIÓN ter Glenvilte. Con Petí.r O'Tcce Fe'dy Mayne. Cónrica. El direc- Francesa. Direct. Rene Clement y Richa-d Burton H Stór c¿ Bec- tor de un instituto famoso por el renton, bajo la dirección del marqués de Sade», no se atrevió a estrenarla Disparate cónr'Cfl original de Mi- ket fue amigo favo- to de Er Con Jane Fonda y Al ata Delon. gue' GHa Con Franz Jotiam. porcentaje de aprobados cuenta Suspense Un jugador profesio- ninguna compañía de su país. Fue la «Royal Shakespeare Company», de neme El de Inglaterra v más tar- con una oveja negra en el esta- nal huye a Europa perseguido Conchita Bautista v Gustavo Re de, al ser nomb-ado arzobispo blecimiento: su propio hijo. (F¿- por unos gángsters colocándose Londres, la que cometió la aventurada pero también venturosa empresa. Dir. C&rlos Avllez íVictoria-) de Canterbury. se enfrentó con el mina.) de chófer de una rica viuefa ame- Influyó en su logro la decisión de Peter Broók, gran director de escena, propio monarca (Florida Cinera- ricana qué vive en compañía de EL TRAGALUZ ma.) s-u joven prima Con ambas vi- eminente figura del teatro y el cine británicos. Comedia origina; de Antonio Sue- INTRIGA EN EL virá una intrigante aventura. El asesinato de Jeau Paul Marat ocurrió el 13 de julio de 1893. No ro Vallejó. Por la Compañía Ti- BONNIE V CLVDE GRAN HOTEL (Arcadia.) Arte v Ensayo en ver- tular del Teatro Bellas Artes de tE. UU Color Ou Arthur Penn. EE UU. Color Dir. Richard Qui- .sión original subtitulada es cierto que el marqués de Sade, aristócrata volteriano y disoluto, que Madrid Con José M' Rodero. Cor Warr&n Beattv y Faye Du- ne Con Rod T'aylor, Catherine Pablo Sanz, Amparo Martí y nawav Drama La verdadera his Spaak y Kari Malden. Drama. había pasado una gran parte de su vida en las prisiones de París, escri- toris de dos notónos criminales Francisco Pi-errá. Dir.: José Osu- p La vida de un gran hotel con LOS QUE TOCAN biese una obra sobre este episodio. Lo que sí es cierto es que en diversas na. (Monatín.) de los a ños t re i n ta Qu e - o b s r an sus huéspedes atractivos miste- bancos y mataron a 18 c-ersonas riosos y simpáticos cuyas vidas EL PIANO ocasiones, en los diez años que estuvo recluido en el hospicio de Charenton, en su breve v volenta carrea se entrecruzan en la maraña de Española Color. D;r. Javier Aguí- se le autorizó para representar farsas escénicas, por el director del esta- LA CELESTINA (Uraei ) sucesos que" suelen ocurrir entre rre. Con Tony Léblanc y Con Obra clásica de Rojas en versión los muros de estos lujosos es- chita Velasco. Cómi:a Las «ha- blecimiento, Choulmier, No se trata por lo tanto de una obra «documental» de Alejandro Casona Con Mila- CAMELOT tablecimientos (Alexandra v At- zañas» y andanza-s de un pinto- —como ha escrito alguien— más que hasta cierto punto. Los hechos re- gros Lea) y Frnil'ia R-ubio. Dir EE UU Color O r. jostrua Lo- lanta.) resco grupo de anvisos dé lo José Osuna (Barcelona ) gan Con R chard Harris v Va- ajeno. (Borras.) presentados ocurrieron, sin duda, pero hay que suponer que no fueran nessa Reagrave Musical Ope exactamente así. reta de Frederick Lcewe que re- LA EXTRAÑA PAREJA MARAT SADE LA HORA DE LA tata una historia de amor y Et UU Coior. Panavisión Dir Inglesa Color. Dir. Peter Brook La ficción escénica permite, sin embargo, a Peter Weiss presentarnos FANTASÍA las nazañas del rey Arturo y Gene Saks. Con Jack Lemmon y Por «The R o v a I Shakespeare Comedia O'<ginai de Arma 8o- ios caballeros de '3 Mesa Re Walter Matthau. comedia. La Company». Drama La pe'secu- un impresionante cuadro de la época. De un lado, los locos, con lo que tiene nacci Por la Compañía de ' rene donda (W^ldc' Cinerama-i divertida historia de dos hombres ci6n v asesinato de Jean-Paui de monstruosa atracción la humanidad manicomial y sus alucinantes es- Gutiérrez Caba. con Francisco recién divorciados Q'ue deciden Marat. representado por los in- Piquer Adaptación y dirección- DE ESPALDAS A vivir juntos en el apartamento de ternos del Asilo de Chartenton. cenas, que van desde el aquelarre ¿ las danzas lúgubres y espasmódicas. José Luís Alonso íTalía ) SCOTLAND YARD uno de ellos y cuyos caracteres bajo la dirección del Marqués son totalmente dispares. ÍAsto- de Sa-de (Balmes.) Arte y En- De otro lado, el problema socio-económico, propio de la época, y que en inglesa Coic Dir Samuel Ga «•¡a Fantas¡o y París ) Uu. Con Van Heflín y Peter sayo en versión original subti- aquellos cruciales momentos de la Revolución francesa adquiría una san- LA VIDA Vaughan Espionaje Las aven tulada. grienta y bárbara tensión. Los conflictos derivados del hecho revolucio- SENTIMENTAL turas de un ex nspector de la LA MITAD DE Comedia crismal de LOuis Vede. CÍA Q'ue sintiéndose traiciona- nario se ponen en contraste a través de dos mentalidades y dos tempera- Versión en catalán de Xavie- Re- do y desengañado acepta un SEIS PENIQUES PERSONA gás Con Montserrat Carulüa v asento feo pero con muchos do. Inglesa Coló- Dir Georges Sid- Sueca. Dir. Ingmar B erg man Con mentos tan distintos como «Sade» y «Marat». Esta disparidad crea un duelo José Ignacio Abadal Fondos mu lares q>ue ganar (Excelsior. L<i- ney Con Tommy Steeie v Julia BIbn Anderson y Liv Ullmann- dialéctico entre ambos que en algunos momentos adquiere una gran fuerza. sicales de José Sola Oír Amonio ceo " Marv'and v Roxv.) Foster Musical. Narra la historia Drama- Una actriz que ha pe-di- Chic fW ndSO' ) de un joven huérfano que traba- do el habla v una enfermera per- Precisamente, porque en la controversia no hay posibilidad de que los in- DESCALZOS ja como aprendiz en una pañería manecen aisladas en una casa terlocutores lleguen a entenderse. y que encuentra una inesperada junto al mar Entre las dos mu- MARAT SADE POR EL PARQUE fortuna que casi da al traste con jeres se establece una total ¡den «Sade» es el aristócrata corrompido, ineonformista por temperamento, Drama origmai de Peter Weisí> EE UU Coló Dir Gene Saks. su vida sentimental (Comedia.) tifícación. (Publl.) Arte y Ensa- Con Adolfo Marsillach. José M.* Con Robert Redrord y Jane Fon- Versión original subtitulada yo en versión original subtitu- escéptico y desilusionado. Ha luchado y sufrido bajo la monarquía absoluta, Prada v serena Ve-Vano Di' da Comedia Las peripecias de <ada Adolfo Marsrttach {Panorama i una Joven pareja cíe recién ca pero luego no se siente tampoco a gusto bajo la república, que también lo sados al instalarse en un apar- LA NOVIA VESTÍA persigue y lo encarcela.
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