HERE AND THERE 2A Thursday, November 17,1983 Daily Nexus

By KEYVAN BEHNIA “ No Exit,” which comes on at midnight. (re)production of an old song, is very different from the Rolling Stone magazine in a special issue last month H ie Best of The Bunch Cabs’ early works like “Eddie’s Gone” or “Talkover.” The reported of the invasion of British music into U.S. pop scene THIS MORTAL COIL: “ Sixteen days, Song of the siren” — electronic music here never loses its hold on the victim. It with an army of new groups. Some of these new groups like This 12 inch single is the collaboration of six musicians attacks one’s feet the same way nerve gas attacks one’s Eurvthmics have been around for quite some time and are from four different bands. The final sound that is achieved spine. The Cabs are becoming more accessible while still finally getting noticed here. And still American radio and is hard to define. The mostly instrumental title track is nine being worthwhile. For a full treat, check out their last media remain slow in reacting to new groups and styles minutes of intoxicating noise which at times is filled with album, Crackdown. that come out of England every month. Here are new the energy and intensity of neo-psychedelia, and at d if-. singles from groups that represent a wide range of musical ferent times reminds one of the post-punk sounds of JOY DIVISION: Love Will Tear Us Apart — What could I styles. You probably won’t hear half of these songs on any Bauhaus and Joy Division. The other song on this single, possibly say to add to the praise this song has already commercial radio station. But there are ways to hear some “Son of the siren,” has been the number one independent received? Re-released to compete with Paul Young’s good of these songs before you actually spend your money. The single on the British charts for the past three weeks. cover, this single is storming up the charts again. “Love easiest would be to listen to KCSB 92FM which airs a Elizabeth, from Coctea Twins, provided one of the best Will Tear Us Apart” remains one of the best songs of our variety of alternative rock programs. There are three female vocals of the year. Her passionate, dream-like voice time. But don’t take my word for it. Give it a listen and shows that would be your best bet for hearing some of the will stay with you long after the song is over. This single judge for yourself. singles mentioned below. They are: Victoria Lo’s “ Queer would be a rewarding investment. BLITZ: Solar — Available only as a 7 inch, this is the most Beat” which airs every Wednesday at 8 p.m., followed by CABARET VOLTAIRE: “Yashar” — Do you remember polished and accessible work by this English band yet. Janice Peterson's “ Underground” at 10 p.m. and my show, the early days of these electro-noise boys? “Yashar,” a (Please turn to pg.7A, col.l)

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Gives Life To 'Oliver' Production When the New York production of the hit musical Oliver comes to the Arlington Theatre on Saturday, Nov. 19 for To Production of Greek Tragedy both matinee and evening performances, it will be one of the largest theatrical presentations to come to the tri­ constructed on the grey and ominous shores of Thrace county area. This Music Theatre Associates production has where the Greeks have made camp. a company of 48 with orchestra, and boasts award­ Euripides uses this dramatic text to underscore his winning set design, sophisticated lighting towers and im­ meditations on social responsibility and personal freedom peccable costuming. vis-a-vis the indeterminable nature of good and evil. To the grief-striken mother who has lost her land, her husband, Tickets for the evening performance are $15, $14, and $13 and her children, justice is an absurd notion — nothing and for the matinee $14, $13, and $12, available at the matters when the emotions supersede the intellect. All Arlington Ticket Agency with phone charge by calling 963- seems like the “rambling of despair,” so how can there be 4408. Children half-price at the matinee. Student rush one- such a thing as “ truth” ? And why must the children of half price tickets are available one hour before per­ Polymestor suffer? The crime inherent in the suffering of formance. the innocent (children) is a point argued earlier by Hecuba herself before Odysseus, Tliere is clear answer to these questions. Glenn gives his production of the play a disturbing af­ terimage when, as if to add a second denouement, the stage By JONATHAN ALBURGER area fades to black on the corpses of Polymestor’s sons. Euripides’ ancient tale of social injustice and personal The choice in direction is powerful as it encourages anguish, Hecuba, vemacularized in a fine translation by discussion and gives rise to a score of possible in­ William Arrowsmith, has been given dramatic life in an terpretations. But one point is clear: each viewer must be inspired and moving UCSB Department of Dramatic Art his own judge. production under the able aegis of Dr. Stanley Glenn. The play worked well in the small Studio Theatre, providing an intimate look into the pain and torment of TODAY: REGIONAL OVERVIEW Hecuba, the former queen of Troy who bereaves the deaths 12$0 Noon: S to rk . Plaza Rally with Blase Bonpane of her children during the siege of Troy by the Greek army 8:00 PM: UCen Pavillion, speaker Blase Bonpane, under Agamemnon and Achilles. leading scholar on Central America ft former While being held prisoner for dubious political crimes, Maryknoll Priest. Hecuba is forced to part with her only surviving child, her daughter Polyxena, who is to be killed as a symbolic gesture for the revenge of Achilles’ ghost. Forced to beg and plea on her knees before Talthybius for A10' v and up the life of her daughter, Hecuba is reduced to a pitiful wretch, a mere slave enduring the yoke of w ar’s' op­ Shampoo, haircut, blow dry pression. But the royal blood of the princess is shed: with (Goleta Salon Only) bold defiance before the son of Achilles, Polyxena bares her breasts and invites the sword to draw her blood so as to die 964-7781 a “ free” woman. Of her own volition, a most perverse fate Credit for the success of Tuesday night’s Hecuba must is sealed. Cecilia Kouma gave a commanding performance also be given to Susan Verducci for her fiercly. charged Dé C u t as Polyxena. performance in the demanding title role. Verducci — Fueled by the power of a mother’s love, Hecuba rages despite her youth for playing an “old wretch” — was en­ against the “chaos caused by inconsistent gods” ( “Zeus tirely believable, confident, and in control of both language kept me alive to suffer” ) and damns the Greek politicians and character. Her enormously emotional Hecuba was (Halft Expuetr’ for their insufferable power plays. skillfully and poignantly realized. To worsen matters and exacerbate Hecuba’s mounting Tom Elliott is also notable for his heartfelt “ con­ desperation, the remains of Hecuba’s youngest son, fessional” monologue. The chorus of captive Trojan women F o r Women .. Men Polydorus, are brought before the fallen queen. Again, she worked well around and through the action. (The rest of the 5776 Calle Real • Close to campus rails against the gods and curses her misfortune. This time cast, unfortunately, merely supported without distinction.) Between Fairview ft Patterson Hecuba turns her angst into carefully calculated revenge. Hecuba continues tonight through Nov. 19 and Dec. 1-3 in Weekdays 9:00 a.m. * 8 p.m. The women attendants to Hecuba (the play’s chorus) chant the UCSB Studio Theatre. Saturdays 8:30 a.m. • 4 p.m. murderous incantations, exclaiming that “death is the debt Schwartzkopf of life,” as they lure Polydorus’ murderer, the avaricious king of Thrace, Polymestor, and his two sons into their sinister scheme of revenge. With his eyes poked out by Hecuba’s dagger, Polymestor writhes helplessly on the ground, promising retribution for the the women’s killing of his two sons. Hecuba merely asks how the pain and the grief feel. In an informal trial by Agamemnon, Polymestor and Hecuba present their sides of the story: Polymestor claims political motives prompted him to kill the young boy, but Hecuba points out the real greed for gold and hypocricy underlying Polymestor’s confession, thusly justifying her plotted revenge. Hecuba unfolds before the abstract tent tapestries (Sharon Perlmutter’s designs are striking and functional)

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— Howard Rosenberg, LOS ANGELES TIMES Monday thru Friday 7 p.m. to 11 p.m. THIS WEEK ONLY Nov. 17th thru Nov. 23rd ------BEER------55 AFTER 60 oz. PITCHER ------*1 plus tax A panel of UCSB faculty members will discuss the implications of the television movie. The Day After, a film about the aftermath of nuclear war, on 928 Embarcadero del Norte— ph. 968-6969 Faculty Forum WE LISTEN EXCLUSIVEL Y TO KTYD 99.9 FM Cable Channel 21 Monday, Nov. 21, 8 p.i The program will be repeated Tuesday, Nov. 22 at 7 p.m. and it «EL ^ Wednesday, Nov. 23 at 10 p.m.

A PUBLIC SERVICE OF UCSB '\ , 1 % V 4A Thursday, November 17,1983 Daily Nexus New Directions In Film V J S S f r * , Kielowski Examines The 'Camera Buff' By RONE WILLIAMS Kielowski’s vision of the importance of the artists is ŸÜ Imagine the life of a film maker. We’ve read books, seen qualified by the reluctant acknowledgement of his films, and heard rumors about him. We know that his is a responsibility to those he involves in his projects. life filled with endless cash, torrid sex, rampaging egos, forty-foot limos, nubile starlets, exotic substances, and the All this makes the film sound unbearably serious, and it’s conspicuous consumption of all of the above, and quite a not. Self-conscious as a film of this nature must be, it is few other things that I’m too middle-class to think of at the seldom pretentious. When it seems to be so, then director is fe»SKÄgtg» Im «... moment. This is Hollywood, right? Well, Camera Buff usually satirizing the many hopeless pretensions of the film <1979) concerns the birth of a film maker, but you can just industry and critics. Much, but by no means all of the forget about Hollywood, or even Western European, in­ humor is based upon a certain rudimentary knowledge of spired notions about the life he might lead. The scene the film-making process. changes from a beach-side Malibu pleasure villa to a concrete block with windows in Poland, The acting is excellent. The characters are warm and This alteration in setting doesn’t bother Filip Mosz (Jerzy human despite a subject and structure that works against Stohr, who also wrote some of the dialogue) in the least. believable portrayals. As the representative of authority, He’s a dumpy, likeable man with a dumpy, likeable wife the character of the director of the factory where Filip I (Malgorzata Zabkowska) who gives birth in the first few works and makes his films could easily have degenerated A New Play By Kaaren Lee Brown minutes of the film. After getting ripped in the time- into the socialist twin of the bloated, piggish, blindly honored tradition, Filip purchases an eight mm movie ignorant capitalist. Ewa Pokas’ portrayal helps the Directed By Darryl F. PoHock camera to film the kid. Tliere’s no turning back when he audience feel a certain uneasy sympathy for this basically gets roped into recording the 25th jubilee of his factory, and repulsive man. Pokas delivers a speech that ostensibly Presented By the resultant film wins a minor prize. As soon as Filip steps contains the film’s “ message” of social responsibility that, out into the world with his camera, he comes under the I would suggest, contains large amounts of sarcasm and The UCSB Department scrutiny of the system of social authority that had cynicism infused by the worldlywise Kielowski. of Dramatic Art previously looked the other way when he’d been sucking on Camera Buff is designed to appear to be the work of a bottle of Vodka. The wife’s none-too-pleased herself and amateur it depicts. The picture is grainy, the soundtrack is walks without explanation. But Filip still has his camera, sparse and simple, the camera movement seems awkward Nov. 16-19 8 PM Old Little Theatre, UCSB and that’s the important thing. Or is it? and obvious, the lighting is harsh and dusky, and the The irony of the seemingly irreconcilable differences structure is somewhat fragmented. However, the visual (No Late Seating) existing between social, personal, and artistic interests exposition and clarity of the storyline belie this initial All Tickets $2.50 form the crux of the film. As might be expected, writer- impression. The beautiful and seemingly disconnected Arts Lectures Ticket Office (961-3535) and director Krzysztof Kielowski seems to favor artistic en­ opening sequence is referred to both explicitly and im­ deavor, but realizes full well that the world he finds himself plicitly in the main body and merits a certain amount of ~ in sees things quite dif­ attention and thought. ferently. And, he suggests, it Camera Buff is an easy-going, but valid work that sees with eyes more myopic deserves to be attended by the curious and the film­ and mindless than any conscious when it screens next Sunday at 7:30 in Campbell viewfinder. However, A L O H A Restaurant Hall. 370 S to lto M . 201 W. C ontilo Gang of Four Teaches In Q oloU , MS-1001 S.B., 063-3308 Invites You Our Own Campbell Hall to get acquainted with our dinner menu (and at a great value) By HUGH HAGGERTY ALL YOU CAN EAT Everyone at the Gang of Four concert in Campbell Hall will probably never go back into Thu r«d«y (only) after 4 p.m. that place and think how great it would be to see the Gang of Four in there. We know. W e’ll sit and look at a professor get all worked up over a paragraph and wonder what it would be CHICKEN STEAK FISH like if a hard band played behind that professor while (s)he grips the microphone and Tartyakl Marinated Tempura sweats. (Is it a' professor or is ft Memorex?) A smoke machine will hiccup and big Stylo a Chartoroltad Stylo $ 4 9 9 flourescent light sticks will flash in time to a heavy beat and then we’ll daydream onto PLUS Pork Fried Rice — Aloha Fries — Salad only more important things... Okay, so I started out pretty weird but it sure was strange to see this band that I’ve followed for four years play a gig in a place which I usually associate with note-taker’s cramp. The lights went out and a great funk song flowed over a politely waiting audience. The band came out and told us about a “ Man With A Good Car.” Two pretty back-up singers went “ hoo-hoo” and singer Jon King crooned, “ Fate is in my hands and in the tran­ smission.” That’s something Karl M arx might’ve said had he owned a good car. Taking after Richard Nixon, King then sings, “ But do you realize, what I said’s not what I meant.” Hmmmm. The greatest moment of the night came after that song when guitarist Andrew Gill told the audience to ignore the bouncers and come up and dance. The bouncers looked bad but the mostly standing audience kept the excitement high. Jon King took to the rear of the stage to play keyboards and Gill played front man for CT most of the band’s new material. The new stuff doesn’t come across very well on vinyl but grcindmoN gertie/ performed live, it achieved a moody ambience which entranced the audience. “Is It SANDWICHES COOKIES Love?” and “Womantown” didn’t get many people dancing but the fluorescent light sticks had the eyes dancing around in their sockets. In good humor, King and Gill opened their first encore with a great Cockney rhyme and SOMETHING SPECIAl! then tore through “ Cheeseburger” and another new song. For the second encore, they Grandma Gertie's played the only two songs from the first album we were to hear all night: We were treated BREAKFAST ORIGINAL to the song about tossed aside lovers, “Damaged Goods” and “Anthrax,” the song about Freshly Baked, Homemade “ Regular” Bun love as a disease. “Anthrax fell apart midway but Gill still got his kicks cranking out beer French or Whole Wheat bottle distortion and using the old rub-the-fretboard-against-the-amp trick. 2 Scrambled Eggs, Ham and Melted Cheese Me First, probably Santa Barbara’s most innovative band (along with Iron Curtain) opened the show. If this band would work a little more on their textures they could be one with Grandma Gertie's Special Spices $1.50 UNTIL NOON ONLY of the top bands in the West. Too often, they build up a wall of Talking Heads style rhythms but instead of creating that tension, Me First ends up washing itself out in over­ compensation. Nonetheless, this doesn’t take away from the fact that this band has a lot of fun on stage and works up quite a sweat which you can do, too, tonight when Me First plays at the Pub. )ne of ¡ran ima Gertie’s Famous Homemade cookie Preeont this ad to cashier WITH PURCHASE OF ANY SANDWICH on»'goodn /2 4«tm i 11/27 COORS-BUDWEISER-LOWENBRAU HENRY’S & BUDWEISER LIGHT BEST HAPPY HOUR IN TOWN-2-6 p.m.

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Full Bar at Sierra’s Hacienda, 525 State Daily Nexus Thursday. November 17,1983 5A ETP Does Drama of'40s OPEN 24 HRS his typewriter. He wrote of a world where boys talk and spit without ever bothering the cigarettes that live in their Let* ORCHID faces. Chicago-born, schooled abroad, and long-time resident of California, Chandler always kept flames of rC0 BOWL enthusiasm blazing with captivating stories like Farewell •Bowling - Billiards M y Lovely, The Lady In The Lake, and The Long Goodbye. This story was originally adapted to the stage by & •Panda Chinese Restaurant Chicago’s wildly inventive Organic Theatre.. ET P expands on some of the ideas used by O.T. with double and even OPEN LANES ALL WEEKEND triple casting of roles. E T P ’s current casting issues twelve roles to six performers. COUNTRY MUSIC Set designer Fred Duer creates a theatrical and flam­ DANCING • Thurs-Sat Nite boyant atmosphere with a set characterized with a background of windows plus various shears and drapes at ORCHID BOWL - GALLEON ROOM different depths. The shifting scenes are achieved by subtly 5925 Calle Real • Goleta • 967-0128 altering the basic set and changing the lighting effects. Eric Spahr and Nancy Nufer in The Little Private-eye Phillip Marlowe may exit from the exotically UCSB DEPARTMENT OF DRAMATIC ART Sisters. furnished apartment of Mavis Weld and then reenter the Presents By GRETA WEDUL sam e’door with the space quickly converted to his con­ animal masks puppets The great mystery writers of the ’30s and the ’40s like trastingly stark drab office. dancing Raymond Chandler and Dashiell Hammett, did much more Costumes and music also aid in distinguishing the folk ballet than just write captivating mysteries combining themes of transitions. Nancy Nufer’s costume designs are par­ loneliness, greed, illusion and a sense of honor. They ticularly important as they clarify which of her three generated an appeal to those of us who are, “ hopelessly, characters is currently being staged. innocently romantic,” according to Ensemble Theatre The show runs in the intimate 141 seat house of the E.T.P. Project Director Walter Schoen. After speaking with the through Dec. 3, showing every Thursday through Saturday performers playing the lead roles in The Little Sister, which at 8 p.m., Sunday at 7 p.m. and a matinee performance rims from now until Dec. 3 at the newly-refurbished Nov. 20. For information and reservations contact the box Alhecama Theatre one solid impression I derived is that office at 962-8606. the company chose this script after anticipating the op­ portunity for quite awhile. In fact, they have all wanted to re-enact the intriguing scenarios depicted by the mystery writers of the ’40s on stage since first viewing the movies Student Written And and reading the books. Dexterously portraying all three of the female per­ Directed, Th e Rising TH E sonalities presented in The Little Sister, Nancy Nufer RED SHOES reflects on her interest in the production as being due, “a fascination I’ve developed for these mysteries since I was a folk ballet play Wind' Examines story by Hans Christian Andersen young. Everyone,” reflects Nufer, “loved those stories and adapted by Marie Starr and Lisa Merki it was always my ambition to re-create that mysterious directed by Johanne Tvedtén atmosphere on stage.” Judging by the enthusiastic Grim Realities A Theater for Young Audiences Production audience response throughout the impeccable staged performance, I feel supported in extending sincere com­ By M.T. HANSON made excellent use of the November 12 & 19 pliments to a production that creates an appeal that works. T h e UCSB Drama small stage, am impressive 11 am & 2 pm It’s a pleasure being thoroughly entertained by a polished Department’s premiere of feat in itself. Most of the UCSB MAIN THEATRE cast of professionals who are all exact in their charac­ The Rising Wind, an original actors are on stage at all TICKETS $1

terizations. script by Kaaren Lee Brown, times, which is interesting ARTS & LECTURES The script includes all of the appropriate characters. was “surprisingly good”. (Please turn topg.KA, col,5) TICKET OFFICE Eric Spahr brillantly portrays the private eye Phillip Centered around the hospital 961-3535 Marlowe who is the “hard-boiled detective” constantly therapist of five terminally softened by naive idealism. Though P.I. Marlowe con- ill patients, the play con­ sistenly derives truth from a tangled web of alibis, he is fronts death, dying, and oblivious to the characteristics in his personality which being left behind, in a crisp distinguish him as a special kind of American hero swayed insightful manner, Directed by romantic innocence. Guys like Marlowe, though tough by UCSB senior Darryl ThcltyoHngen and relentless, always end up falling for beautiful, blond Pollock, the play provided dames like Mavis Weld. an opportunity for both the The plot is concerned primarily with the variety of people author and director to who are attempting to make a profit from blond starlet collaborate on ideas, which Handbook, /ggg Mavis Weld’s rising career and from the damage which apparently worked as the their knowledge of her association with gangsters might do actors created a realistic to her career. It portrays gangster against gangster, friend atmosphere, posing some against friend, and family against family — all for the serious questions, and even If you havem gol ii- providing some answers to greater glory of the almighty dollar and the power ■tAsa Is li I associated with it. Hollywood, typically, is always at the the concept of death. core. Performed in the Campus In The Little Sister, Raymond Chandler mastered his own Little Theatre, which has brand of dialect and established it in prose. His modest and been in existence since the mild-mannered personal world transformed when he sat at campus opened, the cast And it’s free! Here it is! The complete, unexpurgated, official Two Fingers Handbook. The straight scoop, the final poop behind Two Fingers — the premium tequila. Forget about your other “ little black books!’ If you haven’t got this one — you haven’t got it.

Pnscfa up your party with Two Fingers! Want to add a little punch to your good times? Two Fingers is all it takes — along with the great tasting recipes you’ll find in our “ punchy” new handbook! “ In Depth" tequila drinking — spoken here. SUN: HAPPY HOUR— ALL NITE WITH DOUG ALLAN Want an in-depth report on how tequila’s really made? Or, just the recipe for a fantastic Two Fingers MON: DANCE TO THE LIVE SOUND OF INPULSE AFTER M.N.F.B. “ Depth Charge?” Our new book has it all! TUES: LADIES NITE— LADIES NO COVER WITH TERRY HOWELL WED: OLDIES & GOODIES WITH GERRY DE WITT TH U R : TH E RAVE - NO COVER TIL 10 - GEORGE TH O M P SO N FRI: DOUG ALLAN DANCE PARTY SAT: TWO DECADES OF MUSIC WITH TERRY HOWELL IWo Fingers — Man or Myth? ISOMETHMGS ALWAYS HAPPENMG Actually, Two Fingers is a little o f both — as well as the wildest, thirstiest hombre AT Dei ever to cross the U.S.-Mexican border. Read all about him, drink his famous premium tequila and you, too, may become a legend Thurs Only, 2 fori in your own time! For your free handbook, on cover charge send your name and address to: TWO FINGERS TEQUILA HANDBOOK for UCSB students P.O. Box #32127, Dept. 00 TEQUILA w/ I.D. Detroit, Michigan 48232 27 w. Canon Perdido 965-7733 The premium tequila. 6A Thursday. November 17,1993 Daily Nexus Film Classic A t the Arlington Carnes' The Children of Paradise' (1945) 4, By MATTHIAS ROSENTHAL formance-length inversion of real life with the rich ones low When I first saw Marcel Carnes’ 1945 film eight years ago down and close to the action and the poor ones high up and in Munich, West Germany, I met a man outside the cinema remote from the stage, cheerfully commenting .on the who claimed he has seen Les Enfants du Paradis 32 times, action and firing it on in their own innocent and enthusiastic having followed its relatively rare number of showings all way, being in “ paradise” for the length of a poetic illusion. over Western Europe since the ‘50s. On the other hand, the The film establishes oppositions not only between theater last time I saw it, at Exeter, England, my friend could not and real life, romance and poverty, but also between the keep her eyes open and slept through a solid hour of the metropolitan .crowds and the loneliness of the ostracized three-hour-performance. and alienated artist. Although Les Enfants Du Paradis is not exactly what you The film could be criticized for its pseudo-romantic would call an action film, being more interested in la vie idealization of poverty; for Came, obviously, the poor interieure than in overtly dramatic action, it contains represent the state of paradise and poetic innocence, a pre- everything your theatrical and movie-addicted heart could civilizatory condition within civilization that forms the possibly wish for: comedy and tragedy, melodrama and moral counterpart of the sinful and sophisticated poetry, romance and adventures of the mind as well as the metropolitan life in Paris. This idea of idealizing poverty is eye. The Children of Paradise is the cinematic achievement one in the tradition of Poetic Realism that started out with of the century and is in film what Proust’s A la Recherche this film, continuing until Visconti’s Rocco and his Brothers du Temps Perdu, Joyce’s Ulysses, Pound’s Cantos and and Fellini’s La Strada. Eliot’s Waste Land are in 20th century literature: (in­ The film’s life comes entirely from Jean-Louis Barrault’s cidentally, the screen writer is the French Poet Jacques superb performance. He is the man with the mask, the Prevert. It is an all-comprehensive psycho-epic set in the lonely picassoesque Pierrot, the Proteus-like changer of second half of 19th century Paris, exploring passionate love appearances,the magician who enchants the crowds. Ac­ AN NEW lor 1983 • The Ski Event of the Veer — a mysterious big-city-lady (Arletty) between two men, a tion, photography and plot are completely subordinated to melancholy, spaced-out pantomime (Jean-Louis Barrault) the powerful and yet subtle impact of his personality, in this and a no less mysterious Parisian Gentleman (Claude case meaning “persona” (mask) as well as the TONIGHT ONLY Brasseur) — as well as the realistic situation of the late 19th psychologically plausible individual character behind this century street-and stage artists. The pantomimes put on by mask. NOV 17 UCSB CAMPBELL HALL Pierrot Barrault and his Comedia dell’ arte group, full of There will only be three screenings of this film at the Thlirt 7 ft 9 pm • Free Parking • To Benefit Tierra Hall, Santa Cruz Dorm melancholy poetry, mirror the romantic triangle formed by Arlington Theatre: Sun. Nov. 20; Mon., Nov. 21; and Wed., Barrault, Arletty and Brasseur. Nov. 23 at 7 p.m. SAVE 500 Advance Dtecounl Tickets at afl Ski Shops and Leopold's Reds (IV) The English version of the title renders only one-half of the original French meaning. Les Enfants Du Paradis are Avant Garde: not only those who live in anarchy and artistic innocence A 2 HOUR TREK-A-THON! and naivety, they are also those who cannot afford the expensive seats in the theater and have to watch the per­ 'Murder Is formance from the cheap seats far back and high up, from the area the French call, ironically, “le paradis” and the Not A Story English “ the Gods.’’ The Children of Paradise are a By JAIME RAXTEN modern version of what the Groundlings were in The final week of the Contemporary Avant-Garde Film FESTIVAL Shakespearian times, the poor, the socially outcast who series features two non-narrative films. So you’re won­ nevertheless took a lively interest in theatrical spectacles. dering what a non-narrative film is like? Many of you are In this film the inside world of the theaters is a poetic probably familiar with the form from viewing image of the dreams and desires of the poor, a per- Koyaanisqatsi. If you found that difficult to sit through, or the previous weeks of this series, chances are that you won’t make it through this week’s screening. A thirty-minute feature by Leslie Tornton starts out the evening. I find the title, Adynata: Murder is Not a Story quite alluring. Adynata means “a stringing together of impossibilities.” Reminiscent of Koyaanisquatsi in form and title. Because there is no plot one is drawn to the structure of the film. One of the most important images is STAR TREK BLOOPERS the initial shot of a 19th century Chinese aristocrat with his ALL 3 OUTRAGEOUS REELS IN COLOR wife. Now the idea is to take all that internal dialogue that NEVER SHOWN ON TV can be a nuisance when viewing conventional features and RARE NEVER-SEEN FOOTAGE Tet it mingle wth the images on the screen. All those un­ STAR TREK QUIZ conscious feelings, the views and prejudices of the viewer, 2ND PILOT OUT-TAKES are supposed to become part of the film’s message. THE BEST OF STAR TREK & MORE Whether this will come about for you Thursday night is a good question. Perhaps many of you will be thinking about UCSB Physics No.1610 a midterm for Friday. The images presented are difficult to put together. The East-might be seen from the West in this -TWO DAYS ONLY- film, but it’s a very cloudy view of both cultures. Sat. & Sun. Novem ber 19-20 The second feature this week which I was unable to see is ENSEMBLE THEATRE PROJECT Staub and Huillet’s From the Cloud To A Distance. In this Show 7 &■ 9:30 p.m. presenrs film the directors have adopted two texts by Italian poet Sponsored by UCSB Model United Notions Raymond Chandler's prototype private eve thriller Pavese. Part 1 features a dialogue between Oedipus and adapted by Stuart Cordon and Carolyn Purdy-Gordon Admission *2** UCSB Students/ 3“ General Public Tiresias. Part 2 concerns a man who returns home after the war to face the same questions and the same despair. It is The Little Sister by the directors who made End Rachachant seen the intial week. The films are still $2.50/3, but this week they will be Plays Thursday, Friday, screened in Broida 1610. and Saturday Evenings at 8:00 p.m. Every Sunday Evening NOV 4-DEC 3 at 7:00 p.m. IT'S HERE! Sunday Matinees: November 13 & 20 at 200 p.m. No performance Thanksgiving, November 24 J BOX o ffic e 962-8606 • 914 Santa Barbara St. hero// % ______Proitew» py arrangement wirft rue Primarie Pubkwifl co ofowcjgo \ ALL KINDS OF BOOKS -.‘'Tw*»

■'""«oc* FOR ALL KINDS OF PEOPLE!

•••«* f 1 1 m e i * j u t e :x e :e * m. m magic lantern theatre i âl\IBRO/D£Bd BQQKSHQPi 960 Emborcodero del Norte IV 968-3356 Friday & Saturday Midnight Only 714 de le guerre pleze • 965-2400 • Daily Nexus Thursday, November 17,1983 7 A

instrumentation and tex­ rather than serious — Okay, Adam likes to put Singles Bar. tural melodies. But Numan musicians. During the his anatomy before his SKI still sings as if he has just course of the last few years, music. The problem is that (Continued from pg.2A) day,” he questions the ab­ woken up with a hangover. they have lost all the original his anatomy is ironically STEAMBOAT Reminiscent of early New surd reasons for which we These songs need sòme idealism of the New very similar to that of Dale California Ski Week Order, a solid, driving cling to life and don’t kill getting used to, but they are Romantic movement. In­ Bozzio of Missing Persons, guitar, integrated with ourselves. The accordion, Numan’s best effort since deed, this new single is going except that he has a smaller D EC . 10-17 keyboards and bass, the fiddle, the synthesizers ‘ ‘Pleasure Principle. ’ ’ to bring them closer to their chest. Anyway, somebody 259 - includes produces an energetic wall accompanied by his The Pit: dream of being the biggest should stop this bozo from 5 nights lodging of sound. The vocals are provocative vocals, set the group in the world. There is putting out such stupid DUR AN DURAN “ Union of 5 days lift tickets executed with perfect melancholy mood. This the Snake” — In the world of no reason to buy it, because singles. Why doesn’t he just Transportation precision, and the produc­ single is taken off the new pop, stardom should be the radio is going to play the release empty album covers Party, picnic, races, tion work on this record is The album Soulmining, spelled stardoom. The shit out of it in the months to plastered with his sexy £r more. outstanding. If Blitz which is one of the best debut Durans are a case in point. come. pictures? This song is n maintains the vitality of its albums of the year. Ever since the classic “Girls SPANDAU BALLET “Gold” definitely nominated for the music, while making it more GARY NUMAN: on Film,” they have ar­ — A silly love song with worst single of the year. H you missed early sign accessible, it may soon “ Warriors” — The three tistically suffered from their music which goes in a ups, space is still available For additional sign ups, call become one of England’s songs on this single show huge commercial success. redundant spiral from a After listening to it, there is Carolyn 968-3482. Last day leading musical forces. that Numan is maturing as a What is worse is that they group which suffers from the only one question in my for sign ups is Nov. 18th. songwriter. His usually The Rest: are perfectly content with same ills as Duran Duran. mind: How could Phil Call after 12 Noon. THE G UN CLUB: “ Death barren electronic sound is their image as pretty boys ADAM ANT “ Puss N Boots” Collins produce such crap? Party” — This maxi-single highlighted by interesting contains five solid songs by this three-piece band. The « ■ energetic, fast sound that the Gun Club produces has been compared to groups like the Birthday Party and the Lords of The New Church, the movies METROPOLITAN THEATRES CORPORATION despite a very original sound. The title song has a raging sound which grips your attention from start to finish. P A U L HAIG: “ Justice” — Your eyes might get over Paul Haig’s magnificent haircut, your heart might have no room for the breathtaking portrait on the cover of this single, but your feet will never overcome the infectious sounds of those marching synths and the rhythm boxes. “Justice” is an outstanding dance song with meaningful lyrics. This is music of the future by a brilliant artist. Do not overlook it. THE CURE: “Lovecats” — A Cure single that actually makes you smile? Surprise! If you are a fan of early Cure, don’t worry. Robert Smith has said (gulppp) that this will be the last in Cure’s trilogy of happy singles. There is a forewarning on the back of the cover which reads, “ It’s gotta be jazz.” Then comes the bass, lots of meows, the piano, and Smith’s moans and groans, which all blend into a sound unlike anything the Cure has ever done before. If you think these guys sound as if they’re having loads of fun here, you should see the video. It is outrageous. SIOUXIE AND THE BANSHEES: “Dear Prudence” — This is a good cover of an old Beatles song. If you thirst for new, original material, you will not be disappointed. Just flip the record over for two great songs. THE THE: “This is the day” — Matt Johnson, the creative force behind the The, has a fascination with the absurd, and in turn, despair. In “ This is the

Arts and Entertainment

E d ito r: Hugh Haggerty

Staff T h is Issue: Jo n a th a n A lb u rg e r • Keyvan Behnla M .T. Hanson Ja im e R axten M atthias Rosenthal Greta Wedul Rone Williams

Prevent an accident. To Change Without Notice Stay aware. - cso 8A Thursday. November 17,1983 Daily Nexus U2 Can Live *** Attractions*** Rising Wind... By JAY DE DAPPER On Nov. 25, 26 and Dec. 3, 4, 1983, Gilbert & Sullivan’s (Continued from pg.SA) consciousness on stage, but It’s almost Christmas (well, in marketing terms it is now delightful comic operetta, Iolanthe (pronounced: Eye-oh- because they often talk this may smooth itself out the “Christmas season,” so buy, buy, buy!) which means it lanth-ee) will be presented at the Lobero Theatre in Santa about one another: when one with time. One actress, is time for the annual deluge of new album releases from Barbara by the Gilbert & Sullivan Company of Santa speaks the others, seated on Paula Kimberley Long, as everybody who’s sold more than fifteen records during the Barbara. These premier performances mark the beginning chairs to the left of the set, Jackie, a young adolescent year. November is traditionally filled with greatest hit of a tour that will take this repertory company to outlying fade into the background. dying of cancer, is especially packages, re-releases and live records. This year promises communities and other stages in Santa Barbara. There are a number of good, the actress-possessing to be no different, as the early results show. The Gilbert & Sullivan Company of Santa Barbara was juxtapositional scenes where a natural stage presense, On Monday those Irish protest rockers U2 released a little formed by Bill Budd in January, 1983 and currently num­ two characters, ignoring the bringing to her character something to tide us over until the next studio record, bers 120 performers, instrumentalists and technicians. It is the other’s presense, share both ease and charm. promised for sometime next winter. Since U2’s third record a non-profit, totally volunteer organization which presents the stage in a common Through her character’s War met with huge success, it only makes sense that we the works of Gilbert & Sullivan for the benefit of charitable flashback, such as when acceptance of death, she ties hear from them again before we forget about them. Under a and benevolent groups within the Santa Barbara area. The Julia, played by Tracy the play’s conflict and Blood Red Sky is the result. company’s intial performances of Mikado during the Burcham, and Anna, played resolution together. This “ mini-LP” is an eight-song, thirty-five minute summer of 1983, were greeted with rave reviews and this by Connie Alex, recall compilation of radio and television broadcasts made over show is still being performed by them, in true repertory images of their husbands Grey Hubbard, as the past few months. For the price of an E P, you get more fashion. before they became ter­ Richard, and Sean Heyman, music than many artists are able to “ pack” onto an album. Iolanthe curtain time for the Friday and Saturday minally ill. This works very as Michael, the disillusioned For this reason alone, Under a Blood Red Sky is a wor­ evening performances is 8 p.m.; Sunday’s matinee at 2 nicely as it shows the Priest, are also good, but the thwhile record to pick up. The music only adds to the value. p.m. Tickets for all shows are $7 (reserved seating) and $5 helplessness one feels at core of this play is its While Jimmy Iovine could hardly be said to be my for seniors and students. They are available at the Lobero facing someone else’s death, talented script, which, in an favorite producer(Stevie Nicks, Tom Petty, etc.), he has Theatre Office, or by calling 963-0761, and the net proceeds as well as emphasizing the one act form, won the taken these live recordings and remixed them with an eye for the November shows will benefit The Santa Barbara isolation people feel when Sherrill C. Corwin towards transferring live U2 to recorded U2 without losing Ballet Company. losing a spouse or family Metropolitan Theatres the intensity. Iovine mixes the audience up as if they are an member. Award. The Rising Wind is integral part of the band. This is a good move because with Susan Alexander will be directing the UCSB dance Although all the acting is sharp, insightful, vibrant, U2, the crowd very much is. division’s fall concert, By Leaps and Bounds, for per­ convincing, occasionally the and humorous, quite worthy At times Iovine is a bit overzealous, however. On “I Will formances December 1,2, and 3 in the UCSB Main Theatre. lack of experience shows, of UCSB’s support and at­ Follow,” for example, the Edge is virtually inaudible while Performances will be at 8 p.m. in the Main Theatre. Ticket manifesting in a self- tendance. the audience and Bono appear to be one and the same — information is available from the Arts & Lectures Ticket noisy. While “ Gloria” is brilliant in every other way, Iovine Office or by calling 961-3535. manages to distract us from this with the same production technique. Not all is bad, though. For the most part Iovine’s The AMAN Folk Ensemble returns to Santa Barbara for work shines. their third visit to perform international ethnic dance The two previously unreleased songs, “ 11 O’clock Tick- authentically staged with lavish, colorful costumes and Tock” and “Party Girl” are both well-performed and well- rousing musical accompaniment. “ One of the finest ethnic produced. “Party Girl” is the real gem here, demon­ companies anywhere. Repeat: anywhere.” (L.A. Times) strating that the Edge can indeed do more than pick. “New For ticket information, contact Arts & Lectures Ticket Y ear’s Day” also highlights some brilliant work on guitar. Office at 961-3535. The band is much too conservative on “Sunday Bloody Sunday,” however. This track could have been the studio The multi-talented John Klemmer has been added (in place version with an audience track laid over it. of Ramsey Lewis) to Friday’s line-up of the Santa Barbara The boys are best on “Electric Co.” and “40.” “Electric Jazz Festival lasting throughout this weekend at the Lobero Co.” is a good rework of a great song. Bono’s break into Theatre. The line up already includes such greats as “Send in the Clowns” is one-of-a-kind. The moment that Freddie Hubbard and Larry Carlton. For further in­ makes the record, though, is “40.” Recorded in Germany, formation call 963-0761. the crowd takes over the chant as the band finishes playing the anthem and leaves the stage. The crowd sings without The Shakespeareans of UCSB are flying again and they’re any prompting: “How long to sing this song.” It is a very planning on doing the famous farce, The Comedy of Errors nice moment on a competently-produced and well-played for the winter quarter. This is open to all students whether A.S. Program Board is proud to announce that record. Merry Christmas. Now about those January white interested in performance, set design, lights, make-up, sales.... costume, etc. The first meeting will be this Monday, Nov. 21 Stevie Ray Vaughn and Double Trouble will be at 4 p.m. in Girvetz 1108. Please attend! For further in­ playing in UCSB’s Campbell Hall Friday, Dec. formation, call 965-5790. 2 at 8p.m. Tickets go on sale this Monday. I /T\PR 0GRAM BOARD

TODAY at noon FREE Come See "M e First1 AMAN Tonight in The Pub A t9 PM America's International Folk Ensemble In The Pub

TRIVIALYMPICS Do you know lots of little categories of trivia questions Trivialympics show in two tidbits of information that include television, movies, years. The first have little value but to im­ music, sports, cartoons and Trivialympics was in May of press your friends? Would potpourri. Twelve questions 1982 and the second was in you like to turn that will be asked each hour and May of 1983. The over­ knowledge into money and the first individual or group whelming popularity of the prizes? Well here’s your to call in with the correct past two events ensures that chance. KCSB and the A.S. answer will be awarded one Book 3 will be as successful Program Board present point. The team with the as ever. In addition to trivia, Trivialympics Book 3 this most points at the end of the there will be seven “ theme” Sunday, Nov. 20,1983, from 7 show will be awarded a cash hous of rock music. p.m. to 2 a m . The prize of $75. Second place Dan Kerman is Executive Santa Barbara favorites Me First will be Trivialympics is a 7-hour receives $25. Producer and co-host of the playing at the Pub tonight at 9 p.m. Don’t miss radio trivia marathon, Trivialympics. David where listeners can call in In addition three prizes James, Jaimie Roedel, and the last show of the Miller High Life Rock and rack up points for will be given away for each D ave W eaver are the Series this quarter, sponsored by A.S. Program correct answers and win hour for individual correct Associate Producers and co­ Board and Miller. The Rock Series will be back cash and prizes. The answers. This is the third hosts as well. next quarter — see you then!