The Who (From the 1981 Album FACE DANCES) Transcribed by Sglcoil Words and Music by Pete Townshend

Total Page:16

File Type:pdf, Size:1020Kb

The Who (From the 1981 Album FACE DANCES) Transcribed by Sglcoil Words and Music by Pete Townshend YOU BETTER YOU BET As recorded by The Who (From the 1981 Album FACE DANCES) Transcribed by SglCoil Words and Music by Pete Townshend C Csus2sus4 C(type 2) F G Am Gm Fm C/G xx 5 fr. xx x 5 fr. xx x 5 fr. xxx 5 fr. xxx 7 fr. 5 fr. 3 fr. xxx x Gsus4 G(type 2) Am VIII Dm GIII A E B CVIII x x x xxx 8 fr. x 5 fr. 3 fr. xx ` 4 fr. xx ` 6 fr. xx ` 6 fr. xx 8 fr. D Bm A G5 Am/E G/D C5/G G(type 3) xx 7 fr. xxx 10 fr. xxx 9 fr. x xx x xx x xxx xxx A Intro Moderately = 164 N.C. P N.C.(C5) 4 1 4 V V V V V V V V V V V V I 4 u u Gtr I mf let ring 3 3 3 (3) 3 3 3 T 1 1 1 1 1 A B 4 V V V V V I 4 V V V V V V V V V V Gtr II mf let ring 3 3 3 3 3 T 1 1 1 1 1 A 0 0 0 0 0 B (C5) (Fsus2) (G) 7 V V V V V V V V V V V V V V V V V V V V V V I u u u u u V u let ring 3 3 3 (3) 3 3 3 3 3 3 3 3 T 1 1 1 1 1 1 1 1 3 0 A 0 B V V V V V V V V V I V V V V V V V V V V V V V V V V V V V V V V let ring 3 3 3 3 3 1 1 3 3 T 1 1 1 1 1 1 1 1 3 0 0 0 A 0 0 0 0 0 0 0 0 0 0 B 2004 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org YOU BETTER YOU BET - The Who Page 2 of 7 1. , 2. 3. (C5) (Fsus2) (G) (G) 3x 11 V V V V V V V V V V V V V V V V V V V V V V V V V V I u u u u u V u u V u let ring 3 3 3 (3) 3 3 3 3 3 3 3 3 3 3 T 1 1 1 1 1 1 1 1 3 0 3 0 A 0 0 B V V V V V V V V V 3x I V V V V V V V V V V V V V V V V V V V V V V let ring 3 3 3 3 3 1 1 3 3 T 1 1 1 1 1 1 1 1 3 0 0 0 A 0 0 0 0 0 0 0 0 0 0 B B Verses TC Csus2sus4 C(type 2) F G Gtr III k c j c ^ _ _ _ _ _ ^ _ _ _ _ _ _ _ _ _ 16 V V V V V V V V I V V V V V V V V V V V V V V V V Gtr I let ring 3 3 3 3 1 1 3 3 T 1 1 1 1 1 1 3 0 A 0 0 0 0 0 0 0 0 B (type 2) C Csus2sus4 c C F Gc ^ _ _ k _ _ _ j ^ _ _ _ _ _ _ _ _ _ 20 V V V V V V V V I V V V V V V V V V V V V V V V V let ring 3 3 3 3 1 1 3 3 T 1 1 1 1 1 1 3 0 A 0 0 0 0 0 0 0 0 B C Csus2sus4 C(type 2) F G k c j c ^ _ _ _ _ _ ^ _ _ _ _ _ _ _ _ _ 24 V V V V V V V V I V V V V V V V V V V V V V V V V let ring 3 3 3 3 1 1 3 3 T 1 1 1 1 1 1 3 0 A 0 0 0 0 0 0 0 0 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org YOU BETTER YOU BET - The Who Page 3 of 7 (type 2) C Csus2sus4 c C F G ^ _ _ k _ _ _ j _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 28 V V V V I V V V V V V V V let ring 3 3 3 3 T 1 1 1 1 A 0 0 0 0 B C Pre-Chorus Half-Time = 82 Am P Gm F C(type 2) F Gtr II c c c _ _ _ _ _ _ _ _ _ _ _ _ _ k_ _ _ k _ _ _ _ l l_ _ l_ _ l_ _ _ _ _ l l_ _ _ _ W V V V V 32 W V V V eV V W V V V V k V k W k V V V VV V V V VVVVVV V I W u V Gtr I let ring let ring 8 8 6 5 8 8 T 10 10 8 6 5 5 5 6 8 8 8 8 8 8 9 9 7 5 5 5 5 5 10 10 10 A 5 5 B I U U Gtr III T 5 A 7 B 7 5 To Coda Fm C/G Gsus4 G(type 2) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ l _ _ _ _ _ _ _ _ _ _ W V W W 36 V V eV V V V V V V W V V W W I eV V V k V W W let ring 8 8 7 T 8 8 8 8 8 8 8 10 10 10 10 9 9 (0) 7 7 A 10 B 11 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org YOU BETTER YOU BET - The Who Page 4 of 7 D Chorus Double-Time = 164 C P F Am VIII G Gtr III c ^ _ ^ _ k _ _ _ _ _ _ V V V V V V V 39 V V V } } } } V V V V V V V V V V I V V V V V V V } } } } V V V j V V V Gtr I 3 3 x x x x 5 5 8 8 8 7 7 7 8 T 1 1 1 1 x x x x 6 6 10 10 10 8 8 8 8 A 0 0 (0) 5 5 9 9 9 7 7 7 B C F Am VIII G ^ ^ j _ _ _ _ _ _ V V V V V V V 43 V V V } } } } V V V V V V V V V V I V V V V V V V } } } } V V V j V V V V 3 3 x x x x 5 5 8 8 8 7 7 7 7 T 1 1 1 1 x x x x 6 6 10 10 10 8 8 8 8 A 0 0 (0) 5 5 9 9 9 7 7 7 7 B Half-Time = 82 1. Dm P Am GIII Dm Am ^ _ l _ l _ k _ l _ _ _ ^ _ l _ l 47 V V V V V V V V V V I V V V l V l V V V V V V V V k V V V V V V l V l let ring let ring let ring 5 5 5 5 5 T 6 5 3 3 3 3 3 3 3 3 6 5 6 5 7 7 7 5 4 7 7 7 7 7 5 A 7 7 5 7 7 B P Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org YOU BETTER YOU BET - The Who Page 5 of 7 2. III III G Dm Am G c ^ l _ _ ^ _ _ _ l _ l _ j _ _ _ _ k 50 V V V V V V V V V I W V V V V k V l W V v let ring 3 5 3 T 3 6 6 6 5 5 5 3 3 4 7 7 7 5 4 4 A 5 7 7 5 5 B P V V V V V V t q I V V V V V l V l V t q u Gtr II N.H. 5 5 T 6 6 5 6 5 3 [5] 7 5 7 7 5 4 [5] A 7 7 5 [5] B P E Bridge 1. 2. A E B CVIII B Dm Am GIII Gtr I ` k ` k ` k k ` k l l _ _ _ _ _ _ _ _ ^ _ _ _ _ _ 53 I T A B Dm Am GIII Am/E G/D Am/E G/D Am/E ^ _ l _ l ^ l _ _ _ _ _ l _ _ _ _ _ 57 I T A B C5/G G(typeC5/G 3) G(typeC5/G 3) Am/E G/D Am/E G/D Am/E C5/G G(typeC5/G 3) G(typeC5/G 3) l l l l l l _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 60 I T A B Generated using the Power Tab Editor by Brad Larsen.
Recommended publications
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • Smash Hits Volume 60
    35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene.
    [Show full text]
  • "The Who Sings My Generation" (Album)
    “The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone.
    [Show full text]
  • “Quiet Please, It's a Bloody Opera”!
    UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun.
    [Show full text]
  • FRIQB ALBUM REPORT March 20, 1981 BILL HARD, Editor
    ¡ I •4:1 1tt ,. KAL RUDMAN PUBLISHER THE FRIDAY MORNING MJARTERBACKTN PROGRAMMING GUIDE CHERRY HILL PLAZA • 1415 E. MARLTON PIKE (Suite 505) e CHERRY HILL NEW JERSEY 08034 • (609) 428-8648 FRIQB ALBUM REPORT March 20, 1981 BILL HARD, Editor Easy Choices SANTANA, "ZEBOP", COLUMBIA You'd have to be on a permanent promo lunch to miss all the radio raves on the advance 12", and that doesn't even have the best tracks!! I court a total of 59 adds on the 12" and once the "Primera Invasion/Searchin'" segue hits radio, all cf that 12" play will convert to Lp-presto---Instant Chart Mauler. WYNF's Nick Van Cleve nails it with, "I echo all comments that refer back to the energy and excitement Carloi-Tid on the rAbraxis' album. This sucker is a smash and will be one of the biggest recordsfor album rock this year. The 'Searchin" track is far and away my pick for the strongest." "CONCERTS FOR THE PEOPLE OF KAMPUCHEA", ATLANTIC Alan WoTmark played me the RockpiTe and Wings/Rockestra tracks shortly after Christmas, and lo and behold in slides twin Lp package at deadline. I really haven't had a chance to live with the record, but with a quick skip through I recommend "Sister Disco" from the Who, "The Wait" and "Tatooed Love Boys" from the Pretenders, "Crawling From The Wreckage" and "Little Sister" from Rockpile (the Robert Plant vocals will drive 'ern nuts), "Now I'm Here' from Queen, and all of side 4---as Paul clearly outclasses everyone. In fact, I'll wager side 4 gets more play than all others put together.
    [Show full text]
  • Guitar TAB Anthology
    Guitar TAB Anthology Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1100-7 ISBN-13: 978-1-4706-1100-2 Cover photo used by permission Album art: The Who Sings My Generation © 1965 MCA Records • A Quick One © 1966 MCA Records • The Who Sell Out © 1967 MCA Records • Tommy © 1969 MCA Records • Live at Leeds © 1970 MCA Records • Who’s Next © 1971 MCA Records • Meaty Beaty Big and Bouncy © 1971 MCA International • Quadrophenia © 1973 MCA Records • The Who by Numbers © 1975 MCA Records • Who Are You © 1978 MCA Records • Face Dances © 1981 MCA Records • It’s Hard © 1982 MCA Records CONTENTS Title Album Page 5:15 ................................... Quadrophenia ............................... 4 Baba O’Riley ........................... Who’s Next ................................ 15 Bargain ................................ Who’s Next ................................ 22 Behind Blue Eyes ....................... Who’s Next ................................ 35 Eminence Front ........................ It’s Hard ................................... 42 Happy Jack ............................ 1966 single ................................ 48 I Can See for Miles
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]
  • U.K. Blank Tape Firms
    .., :.':... See giant pull -output -up centerfold 08120 t30 Z49GRE E N L YM O'JT L+G Mt kbt t4O'NTY GREENLY C T Y NEWSPAPER 374) ELM LING BEACH CA «eb07 A Billboard Publication The Radio Programming, Music /Record International Newsweek ly June 13. 1981 $3 (U.S.) New Life For WEA Adopts NAIRD, Indie U.K. Blank Tape Firms CX- Encoded Distribs Agree Unite, Fight Levy Lobby By LEO SACKS CBS System By PETER JONES PHILADELPHIA -A dramatic turnaround By ALAN PENCHANSKY & in the fortunes of the National Assn. of Inde- LONDON -A newly orchestrated cam- He says: "We just cannot accept that the JIM McCULLAUGH pendent Record Distributors and Manufac- paign to fight record company demands for home -taping problem is as bad as the CHICAGO -The WEA labels' adoption of turers, reflecting the growing economic health a sizable levy on blank tape in the U.K. to record companies say. It's not home-taping CBS' CX- encoded disk program has pushed of specialty indie labels and their wholesalers, compensate for home taping, is under way in isolation that is responsible for slumping that noise reduction system farther toward marked the organization's 1981 convention, here following the formation of the Tape record sales. Also to blame are high prices, large scale consumer reality. which convened here last Sunday (30). Manufacturers Group (TMG). poor technical quality and artistic quality. Product on all WEA labels -Atlantic, NAIRD, whose convention in Kansas City The fiery new organization is headed by "But it is time the record companies real- Elektra /Asylum, Nonesuch and Warner Bros.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • Trouser Press
    ARTIST TITLE SECTION ISSUE Dick Wagner incl (guitarists) 35 Richard Wagner Hit and Run 35 Wah! Nah Poo the Art of Bluff 69 Green Circles 84, 88 Wah! Heat Green Circles 61 John Waite Ignition Hit and Run 77 Waitresses article 73 incl 41 Fax n Rumours 90 Wasn’t Tomorrow Wonderful? 72 Bruiseology 87 America Underground 30 Rick Wakeman article 20 Rhapsodies Hit and Run 42 1984 Hit and Run 66 T. Bone Walker Singing the Blues 1 Scott Walker Fire Escape in the Sky Hit and Run 69 Walker Brothers Nite Flights 34 Wall Green Circles 48 Larry Wallis Green Circles 26 See also Pink Fairies Wall of Voodoo article 81, 87 Dark Continent Hit and Run 69 Call of the West Hit and Run 80 Green Circles 60 Joe Walsh incl (guitarists) 35 The Best of Joe Walsh Hit and Run 35 There Goes the Neighborhood Hit and Run 65 Steve Walsh Schemer-Dreamer Hit and Run 48 Wang Chung Points on the Curve Hit and Run 96 Ward 8 America Underground 96 Steve Warley Steve Warley Hit and Run 81 Warm Jets Green Circles 48 Paul Warren and the One of the Kids Hit and Run 55 Explorers Warsaw Pakt Fax n Rumours 26 Jeff Waryan Figures 94 Washington DC scene America Underground 26, 42, 80, 84, 95 :30 Over DC (Limp) America Underground 39 Was (Not Was) Was (Not Was) 68 Born to Laugh at Tornadoes 94 Green Circles 73 Water Pistols Green Circles 19 Muddy Waters / Howlin’ Wolf Muddy and the Wolf 82 Geraint Watkins Geraint Watkins and the Dominators 43 Green Circles 57 Kit Watkins Frames of Mind Hit and Run 85 Gerald Watkiss Purgatory and Paradise Hit and Run 32 Ben Watt and Robert Wyatt Green
    [Show full text]
  • The W Ho De Ultiem E Rockband Loek Dekker Loek Dekker
    Loek Dekker Loek Dekker The Who De ultieme rockband Loek Dekker INHOUDSOPGAVE Voorwoord Jan Rot: Mijn generatie .................................................................................................................... 7 Proloog: The Who met Tommy in het Concertgebouw van Amsterdam, 29 september 1969 ..................................................................................................................................................................... 9 01 Alle begin is moeilijk: The Detours (1960-1963) ............................................................................... 13 02 Het mod-avontuur: The High Numbers en The Who (1964) ...........................................27 03 Een middelvinger naar de bestaande orde: My Generation (1965) ..........................45 04 Populair in Europa met singles en A Quick One (1966) .......................................................... 61 05 Is Amerika te veroveren? Murray the K, Monterey en een explosie (1967) .....75 06 The Who Sell Out brengt nog niet het grote succes (1967-1968) .................................87 07 The deaf, dumb and blind boy: Tommy (1968-1969) ...............................................................103 08 Top of the bill op Woodstock en Isle of Wight (1969) ............................................................... 115 09 Snoeihard de beste: Live at Leeds (1970) .................................................................................................129 10 Mislukking Lifehouse wordt triomf Who’s Next (1971).........................................................143
    [Show full text]
  • The Roamin' Tattler
    THE ROAMIN’ TATTLER !~*~________________________ A Guide to the Happening Local Events and the Eventful Local Happenings ~*~! Issue 17 SpecialOCTOBER Spooky DOUBLE Double ISSUE! Issue! October 2019 ——————————————— Joel Peterson Editor-in-Chief A Villa Roma Publication Always Free The ^ Return I To form! NEWWHO ALBUM DUE NOVEMBER 22 A new album from the Who, simply titled Who, (or, possibly Detour), is their first long player in 13 years, and will be released on the Polydor label on November 22. Endless Wire, their 2006 release, though welcome after a 24 year layoff from recording, was a bit of a sprawling mess. The band seem to have got- ten a few more things right this time around. Perhaps influenced by Who co-producer D. Sardy, Pete Townshend seems to have much better sense in editing himself this time around. Endless Wire began it’s life as a mini opera EP entitled Wire and Glass. It was short, punchy, and delivered the goods. By the time it had been fleshed out with more (too much) material, the resulting album was a hit or miss affair that required two vinyl albums to hold all the music. This time, less is more. Eleven songs, on a single LP, all the flab cut away, and no overarching themes or pretentious concepts. The production, judging from the newly issued single track Ball and Chain, finally gets the sound right for the first time since 1978’s Who Are You: diamond hard, with slash- ing guitars the song is a blues that sounds gloriously sloppy in a good way (think Join Together).\ In addition to original members Townshend and vocalist Roger Daltrey, the band, such as it is, in- cludes long time bassist Pino Palladino and drummer Zak Starkey.
    [Show full text]