| Index by Title |

Acting Egyptian, contents Gitre ...... 83

Against Abstraction, Books for the Trade ...... 4–53 Moreiras ...... 66 Agent of Change, Trade Backlist ...... 46–53 Orozco ...... 60 Series Announcements ...... 31 All New, All Different? Austin & Hamilton . . . . . 74 Books for Scholars ...... 54–85 America’s Most Alarming Writer, Broyles ...... 32 Award Winners ...... 70–71

Bea Nettles, Scholars Backlist ...... 69 Allen ...... 36 Beyond Market Value, Texas on Texas ...... 86–91 Campbell-White ...... 96 Tower Books ...... 92–97 Big Wonderful Thing, 6 Harrigan ...... Journals ...... 98–106 Biscuits, the Dole, and Nodding Donkeys, Sales Information ...... 107 Brown ...... 9. 0 Sales Representatives ...... 108–109 Border Citizens, Meeks ...... 57 Staff List ...... 110–111 Border Land, Border Water, Alvarez ...... 56 Index by Author ...... 111 Bowie, Hesse ...... 26 Caught in the Path of Guitar King, The Sky That Denied Me, Katrina, Dann ...... 22 Fakhreddine ...... 84 Picou & Nicholls ...... 78 Handbook of Latin American Strength Coaching Cetamura del Chianti, Studies, Vol. 73, in America, de Grummond ...... 76 McCann ...... 69 Shurley, Todd & Todd . . . . 72 Charles White, meXicana Fashions, Students of Revolution, Roberts ...... 94 Hurtado & Cantú ...... 58 Rueda ...... 68 Clio’s Laws, From Road Sides by Emily Wallace Tenorio-Trillo ...... 64 Michael Ray Charles, Texas Seafood, Smith ...... 40 Stoops ...... 88 Comics and Pop Culture, Grant & Henderson ...... 5 No Way but to Fight, The Value of Aesthetics, We live in an information-rich world. As a publisher of international scope, the University of Texas Dakotah, Smith ...... 44 Cant ...... 80 Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around Bowden ...... 12 Quinceañera Style, Why Lhasa de Sela Matters, the globe by identifying the most valuable and relevant information and publishing it in books, journals, and Earl Campbell, González ...... 61 Goodman ...... 30 digital media that educate students; advance scholarship in the humanities and social sciences; and deepen Price ...... 18 humanity’s understanding of history, current events, contemporary culture, and the natural environment. Road Sides, Wûf, Egypt’s Beer, Wallace ...... 14 Varol ...... 85 Foda ...... 82

Engendering Revolution, Copyright © 2019 by the University of Texas Press. All rights reserved. Elfenbein ...... 65 Front cover photo: Big Wonderful Thing author Stephen Harrigan The Eye of the Mammoth, unsuccessfully experimenting with a Texas identity circa 1985. The Harrigan ...... 11 impromptu photo session with Bill Wittliff led to Harrigan’s ironic but university of texas press persistent nickname: Bronco (photo © Bill Wittliff). The Florentine Codex, Back cover photo: Earl Campbell before his boyhood home in Tyler, Peterson ...... 62 Texas (Shelly Katz, Sports Illustrated/Getty Images). books for books for the trade the trade

Texas “cow boy.” Courtesy of the Library of Congress. | history | “I couldn’t believe Texas was real. ...the same A tour de force by a New York Times best-selling big author and master storyteller who captures the From the book: wonderful rich history of a state that sits at the center of the thing The state has nation-sized measurements: 268,000 square miles that oceans nation, yet defiantly stands apart in all, 827 road miles from its westernmost city, El Paso, to Beau- and the highest mountains are.” mont, near the Louisiana border. But its insistent and imposing —GEORGIA O’KEEFFE sense of itself has created a vast mythical mindscape as well. A HISTORY OF TEXAS Stephen Harrigan Because it looms large in the world’s imagination, and in fact is large, Texas has a history that is of consequence not just to itself, and not just to the nations it was once part of or the nation it Big Wonderful Thing briefly became. It sits at the core of the American experience, and A History of Texas its wars, its industries, its presidents, its catastrophes, its scien- bye St phen Harrigan tific discoveries have never stopped shaping the world. “I salute the Empire of Texas!” President Franklin Roosevelt The story of Texas is the story of struggle and triumph grandly declared when he visited the Centennial Exposition Stephen Harrigan in a land of extremes. It is a story of drought and flood, invasion and Austin, Texas war, boom and bust, and of the myriad peoples who, over centuries the week after it opened. His tongue may have been slightly in Harrigan has devoted much of his of conflict, gave rise to a place that has helped shape the identity of his cheek, and he may have been playing to the besotted native life to exploring and explaining the United States and the destiny of the world. Texas, ever since his family crossed “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe pride of his audience. But it was not much of a stretch to call the Red River from Oklahoma in remembered of her first encounter with the Lone Star State. It was, 1953. He is the author of numerous the state an empire, and still isn’t. The scale of Texas has always for her, “the same big wonderful thing that oceans and the highest works of nonfiction and fiction, including the critically acclaimed mountains are.” been—to borrow a word invented to describe the exposition’s novels A Friend of Mr. Lincoln, Re- Big Wonderful Thing invites us to walk in the footsteps of an- architecture—Texanic. In every dimension that matters, it is a member Ben Clayton, and the New cient as well as modern people along the path of Texas’s evolution. York Times best seller The Gates of Blending action and atmosphere with impeccable research, New very big place. the Alamo. He is a longtime writer York Times best-selling author Stephen Harrigan brings to life with for Texas Monthly and an award- “I couldn’t believe Texas was real,” remembered Georgia winning screenwriter who has writ- novelistic immediacy the generations of driven men and women who ten many movies for television. shaped Texas, including Spanish explorers, American filibusters, O’Keeffe, who arrived in the Panhandle as a young artist and Comanche warriors, wildcatters, Tejano activists, and spellbinding teacher in 1912. Her first impression was grander than even The Texas Bookshelf artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Roosevelt’s. Her new home was not a state, not an empire, but release date | october 6∑ x 9∑ inches, 992 pages, 188 b&w Written in fast-paced prose, rich with personal observation and a world. Texas, she thought, was “the same big wonderful thing photos, 10 maps a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby that oceans and the highest mountains are.” ISBN 978-0-292-75951-0 $35.00 | £27.99 | C$52.50 Foote about the Civil War. Like those volumes it is a big book about hardcover a big subject, a book that dares to tell the whole glorious, gruesome,

ISBN 978-1-4773-2004-4 epically sprawling story of Texas. $35.00 e-book

6 University of Texas Press | fall 2019 University of Texas Press | fall 2019 7 “Stephen Harrigan has given us a wonderful new history of Texas. It tells us all we need to know and little that we don’t need to know. A splendid effort.” —Larry McMurtry

“Big Wonderful Thing is history at its best—comprehensive, deeply informed, pleasurable, and filled with surprise and delight. It is at once a gift to the people of Texas and an unflinching explanation to the world at large of America’s most controversial state. The book itself is truly a big wonderful thing.” —Lawrence Wright 1. 2. 3. 4. 5.

“No one tells the story of Texas better than Stephen Harrigan. He brings to Big Wonderful Thing contemporary and thoughtful analy- sis along with the most graceful writing anywhere. Harrigan pulls no punches but uses humor and pathos to examine the complexities and contradictions that have made us who we are. Finally, Texas has the rich and honest history it deserves.” —Mimi Swartz

“It’s rare to find a book that so compellingly weds such deep re- search with brilliant storytelling. A masterwork and a Texas history for the ages, destined to become a classic.” —Dan Rather 6. 7. 8. 9. 10. 11. 12.

“I am not sure which is the greater achievement here: digesting such a vast amount of historical data or making that gigantic wall of information fun to read. Because it certainly is the latter. I challenge the reader, in fact, to open to any page of this 829-page colossus and not have fun. It’s all interesting, and that is not hype. Harrigan tacks brilliantly through the shifting winds of Texas history by telling a series of rip-snorting good tales.” —S.C. Gwynne

Opposite page: [see p.111 for photo credits]

8 University of Texas Press | fall 2019 13. 14. 15. 16. 17. new in paperback

| texas | Literature

By the author of the critically acclaimed and best-selling novels The Gates of the Alamo and A Friend of Mr. Lincoln, here is the definitive, career-spanning collection of non- fiction from one of America’s leading writers, Stephen Harrigan

18. 19. 20. 21. 22. 23. 24. The Eye of the Mammoth New and Selected Essays

bye St phen Harrigan Foreword by Nicholas Lemann

History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. Stephen Harrigan’s career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ances- tors’ village in the Czech Republic. And now, in this new edition, he movingly recounts in “Off Course” a quest to learn all he can about his father, who died in a plane crash six months before he was born. Harrigan’s deceptively straightforward voice belies an intense curiosity about things that, by his own admission, may be “unknow- 25. 26. 27. 28. 29. able.” Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, the mo- tives of a caged tiger, or a father we never met, but Harrigan’s gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a Jack and Doris Smothers long-extinct mammoth. Series in Texas History, Life, and Culture

release date | october “Harrigan is a masterful story- 6 x 9 inches, 376 pages teller, cataloguing scenery and ISBN 978-1-4773-2009-9 $19.95 | £15.99 | C$29.95 character beautifully, often with paperback ISBN 978-1-4773-2054-9 great humor.” —Publishers Weekly $19.95 (starred review) e-book

University of Texas Press | fall 2019 11 30. 31. 32. 33. 34. 35. 36. | literature | Unnatural “A quintessentially History of In this fourth volume of his “Unnatural History American vision . . .” of America” series, acclaimed journalist Charles —Los Angeles Times Book Review America Bowden interweaves his own biography with a vivid history of the American Great Plains to “. . . gritty in the extreme . . . soul explore how identity is forged history, the germinal material, vast and brooding . . .” —Jim Harrison “Bowden’s anger is delicious . . .” Blues for Cannibals Dakotah —Outside The Notes from Underground Foreword by Amy Goodman and Denis Moynihan The Return of the Future “Bowden writes with the intensity of Joan $17.95 | paperback, e-book by Charles Bowden Didion, the voracious hunger of Henry Miller, Foreword by Terry Tempest Williams the feral intelligence and irony of Hunter Thompson, and the wit and outrage of Edward “On a bend, I will see it, a piece of ground off to the side. I will know the feel of this place: the leaves stir slowly on the trees, Abbey . . . gutsy, soulful, pyrotechnic . . .” —Chicago Tribune Charles Bowden dry air smells like dust, birds dart and the trails are made by (1945–2014) beasts living free.” Author of many acclaimed books “A thrillingly good writer whose grandness about the American Southwest and When award-winning author Charles Bowden died in of vision is only heightened by the bleak US-Mexico border issues, Bowden 2014, he left behind a trove of unpublished manuscripts. Dakotah was a contributing editor for GQ, originality of his voice.” Some of the Dead Harper’s, Esquire, and Mother marks the landmark publication of the first of these texts, and the —New York Times Book Review Are Still Breathing Jones, and also wrote for Aperture. fourth installment in his acclaimed “Unnatural History of Ameri- Living in the Future His honors included a PEN First ca.” Bowden uses America’s Great Plains as a lens—sometimes sul- Foreword by Scott Carrier Amendment Award, a Lannan Liter- lied, sometimes shattered, but always sharp—for observing pivotal “. . . brilliant, fierce, and clear as Arizona $17.95 | paperback, e-book ary Award for Nonfiction, and the Sidney Hillman Award for outstand- moments in the lives of anguished figures, including himself. sunlight.” —Richard Ben Cramer ing journalism that fosters social In scenes that are by turns wrenching and poetic, Bowden de- and economic justice. scribes the Sioux’s forced migrations and rebellions alongside his own ancestors’ migrations from Europe to Midwestern acres beset by unforgiving winters. He meditates on the life of his resourceful “. . . (Bowden’s) vista . . . sizzles with mother and his philosophical father, who rambled between farm the harsh, unrelenting glare of a release date | november communities and city life. Interspersed with these images are clear- 5∏ x 8∏ inches, 192 pages eyed, textbook-defying anecdotes about Lewis and Clark, Daniel hyperrealist painting.” Boone, and, with equal verve, twentieth-century entertainers “Pee —Publisher’s Weekly ISBN 978-1-4773-1996-3 Wee” Russell, Peggy Lee, and other musicians. The result is a kalei- $24.95 | £19.99 | C$27.50 Blood Orchid hardcover doscopic journey that penetrates the senses and redefines the notion “. . . a new pitch of mournful lyricism An Unnatural History of America ISBN 978-1-4773-1998-7 of heartland. Dakotah is a powerful ode to loss from one of our most Foreword by $24.95 fiercely independent writers. and visionary power. . . .” William Langewiesche e-book —The Nation Institute $17.95 | paperback, e-book

12 University of Texas Press | fall 2019 University of Texas Press | fall 2019 13 | food |

An illustrated A-to-Z companion for discov- ering the history, cuisine, and landmarks of a southern road trip A

Between Candor and Ellerbe, North Carolina, Lee and Amy Berry counted forty-four produce stands along Highway 220 and knew they needed a way to differentiate their own. So in 2002 the Berrys built a berry—a twenty- four-foot-tall building shaped like the strawberries they sell. According to Lee, business immediately doubled. Object-shaped structures (deemed “ducks” among architects, in homage to a duck-shaped building on Long Island) aren’t all whimsy. As the Berry’s berry illustrates, they advertise, tempting motorists to the roadside. And they exalt, often celebrating something about a particu- lar place or its people. There are earlier examples, includ- ing French draughtsman Jean Jacques Lequeu’s plans for a cow-like barn in the late eighteenth century, and James F. Lafferty’s “Lucy,” an elephant-shaped building in South Road Sides Atlantic City that was built in 1881 and still stands near its orig- inal location. But novelty architecture found its giant footing in the 1920s along an expanding network of highways. “Rural farm An Illustrated Companion to Dining silos became bottles selling automotive oil, and water towers could by the seeming touch of a wand become a pineapple or a and Driving in the American South strawberry,” writes architectural historian David Gebhard. 1 by Emily Wallace

An illustrated glovebox essential, Road Sides explores the fundamentals of a well-fed road trip through the American South, from A to Z. There are detours and destinations, accompa- nied by detailed histories and more than one hundred original il- lustrations that document how we get where we’re going and what to eat and do along the way. Emily Wallace Learn the backstory of food-shaped buildings, including the K Durham, North Carolina folks behind Hills of Snow, a giant snow cone stand in Smithfield, Born and raised in North Carolina, North Carolina, that resembles the icy treats it sells. Find out how Wallace is the art director and dep- kudzu was used to support a burgeoning highway system, and get Edith Edwards slowly backs a minivan out of a carport, KUDZU spelled uty editor for the quarterly journal out across her North Carolina license plate. “It was a mistake to plant it,” to know Edith Edwards—the self-proclaimed Kudzu Queen—who she says of the spindly bamboo shoots that surround the building. “It’s Southern Cultures and a freelance invasive.” Then Edwards cuts across the four-hundred-acre farm that’s writer and illustrator. Her work has turns the obnoxious vine into delicious teas and jellies. Discover the been in her husband’s family for more than two centuries and heads to- ward Mary’s Field. appeared in the Washington Post, roots of kitschy roadside attractions, and have lunch with the state- There, kudzu curls up and over the banks of Clarence Henson Road Oxford American, Southern Living, employed mermaids of Weeki Wachee Springs in Florida. before crawling forty acres across Kudzu Cow Farm and clambering up the trees. It’s a scene that would have enthused Channing Cope and the and other publications. Road Sides is for everyone—the driver in search of supper or su- twenty thousand members of his Kudzu Club in the early 1940s. Then, the expanding highway system had left shoulders like that of Clarence perlatives (the biggest, best, and even worst), the person who can- Henson Road unstable, with shifting sand and topsoil that had been de- release date | october not resist a local plaque or snack and pulls over for every historical pleted by the long-nosed boll weevil, the loathsome bug that killed King 6 x 8 inches, 188 pages, 112 illustra- Cotton. “And this brings us to the miracle plant kudzu,” Cope wrote in his tions marker and road stand, and the kid who just wants to gawk at a manifesto, Front Porch Farmer, in 1949. “There is nothing like it for the holding and building of those red barren hills.” ISBN peach-shaped water tower. Over the sixty-year period after the vine was first introduced to the 978-1-4773-1656-6 United States by Japan at the Centennial International Exposition of 1876 $24.95 | £17.99 | C$37.50 in Philadelphia, the first official World’s Fair in the United States, kudzu hardcover

ISBN 978-1-4773-1934-5 61 62 $24.95 e-book

14 University of Texas Press | fall 2019 University of Texas Press | fall 2019 15 Lance of Charlotte, North Carolina, ground nuts into butters that he spread between cookies and crackers. Chief among nackets is the notch-edged Nab. Nabisco coined the nick- name in 1928, using it to market all manner of snack packs, including Oreos and Lorna Doones, and creating “NAB Diners”—primitive vending N machines—to distribute them during the 1940s. But today, more often than not, the catchall term refers to a thin layer of peanut butter between two orange crackers. Lance called his version the Toastchee when he launched it in 1938. But the name’s not necessary. No matter the brand, it’s a Nab—the ruler of a road trip, the salve on a workday, the corner- Philip Lance got stuck with a raw deal—five hundred pounds of green stone of a country store. peanuts—and roasted it, hawking the snacks for a nickel a bag in 1913. Another darling of the corner mart is the Coke and peanut combo, It was far from a novel move, as it mimicked enslaved Africans who had a snack that writer John T. Edge believes “was likely born of country sold roasted peanuts on Market Street in Wilmington, North Carolina, well store commerce.” “Think of Coke and peanuts as a prototype fast- before the start of the Civil War, or Thomas Rowland of Norfolk, Virginia, food for the 20th century South,” he has said. Advertised on metal who had shipped them to Italian street peddlers in New York signs affixed to buildings, Coca-Cola was one of the first wide- City around the conflict’s end. But it was smart, as legumes spread gas station offerings, and a handful of peanuts poured in featured in a large swath of the nacket (cheap, light fare) added a punch of protein. It also made the snack convenient to industry in the South and well beyond. consume while driving. “Any road trip was fueled by a sleeve of Farmers like Tom Huston of Columbus, Georgia, who roasted and salted peanuts and a glass bottle of Coke,” Edge, a native of gleaned all that he could about peanut cultivation from central Georgia, has said. George Washington Carver, began packing salted nuts in Atkinson’s little peanut butter bar—a crisp candy wrapped in a hand- glassine sleeves before the Depression; under different some striped sleeve—lacked Coca-Cola’s caffeine but still marketed itself ownership, Tom’s brand of peanuts and sugary peanut as a “tasty energy food.” Founded in 1932 by B. E. and Mabel Atkinson bars later became vending machine staples. Starting in of Lufkin, Texas, the company focused on small cheap candies that 1935, the Hardy family of Hawkinsville, Georgia, soaked Depression-era folks could afford (the peanut butter bar debuted for just peanuts in salt and dished them into briny bags to sell a penny). The company introduced one of its most popular treats in the by the roadside (today they run more than twenty 1950s, the blazingly orange Chic-O-Stick—a confection made of peanut stands in central Georgia). And around 1915, Philip butter, sugar, and toasted coconut that rivaled sweets like Idaho’s Chicken

80 81

tables in his masterful Southern Food: At Home, on the Road, in History, but he hardly needed to leave his base in Nashville to be convinced of their stature. “For reasons that are unclear,” he claimed in the late \’80s, “Tennessee is the leading Southern state in both the number and the quality of cafes, diners, and restaurants featuring traditional down-home M cooking for lunch (and many of them also serve other meals).” Still, Egerton, in his rambling, found many meat-and-threes—restau- rants so named for plating one meat and three vegetables (macaroni among them)—shuttered or struggling. He suspected, as did Evins, that main streets, with their mom-and-pop restaurants and shops, were being The way Dan Evins saw it, the high pressure under which Colonel Sanders swept away by the fast lanes that breezed past them. was frying chicken had seeped into daily life. Southerners had traded Under these conditions, Cracker Barrel was in some ways an instant high-backed chairs for stools or booths or car seats, swapping comfort hit. Located immediately off an exit ramp and setting yesteryear’s table in for convenience. They’d dispensed with the dinner plate, eating out of a building meant to look like an old country store, it met a real need. The disposable buckets or wax paper sleeves. And they’d rerouted, rushing first restaurants sold gasoline and made rocking chairs into rest stops. around the South by way of the growing interstate. Often on the road as And, as Egerton noted on his travels, in some places Cracker Barrel a rep for his family’s oil company, Evins dreamt of a place where travelers (and a smaller South Carolina competitor, Po’ Folks) served the best, or could sit down for a home-cooked meal. In 1969, he made one, founding even the only, hot “home-cooked” meal in town—a trend that continues. Cracker Barrel on the side of I-40 where it cut through his hometown of Today, there are more than 650 Cracker Barrels in forty-five states. The Lebanon, Tennessee. menu includes references to real or imagined homes or people: Uncle The original menu contained fast-food requisites—a “sho nuff” ham- Hershel’s Favorite, a breakfast special, is named for Evins’s actual relative; burger and a “skillet fried” hot dog. But it also featured homemade bis- Momma’s French Toast Breakfast reads as more vague. But the question cuits, a bowl of beans with onions and pickle relish, and greens flecked nags, whose home does Cracker Barrel purport to be? And whom does with hog jowl and finished with cornbread. These hot dishes resembled it welcome? the hearty midday meals that southerners had long eaten to fuel days Historian Jill Cooley notes that, in 1969, on the heels of the civil rights of hard work, a tradition they were reluctant to let go of. “As dinner for movement, the restaurant meant to replicate a country store “would working people gradually moved from home kitchens to the cafes and have implied nostalgia for the racial etiquette that had permeated these restaurants of cities and towns,” John Egerton wrote, “the pattern of heavy spaces.” At times in Cracker Barrel’s history, such sentiments have been dining at noon was continued.” Egerton chronicled the region’s steam more blatant than a mere suggestion. In the early days, stores shelved Confederate memorabilia next to their old-fashioned candy. And in 2004,

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16 University of Texas Press | fall 2019 University of Texas Press | fall 2019 17 | biography | Sports

Earl Campbell Yards after Contact

by Asher Price A fascinating biography of the legendary Texas football star who earned the Heisman Trophy and an MVP award—while making wrenching sacrifices to achieve his record-setting greatness

Earl Campbell was a force in American football, win- ning a state championship in high school, rushing his way to a Heis- man trophy for the University of Texas, and earning MVP as he took the Houston Oilers to the brink of the Super Bowl. An exhilarating blend of biography and history, Earl Campbell chronicles the chal- lenges and sacrifices one supremely gifted athlete faced in his jour- ney to the Hall of Fame. The story begins in Tyler, Texas, featuring his indomitable mother, a crusading judge, and a newly integrated high school, then moves to Austin, home of the University of Texas (infamously, the last all-white national champion in college football), where legendary coach Darrell Royal stakes his legacy on recruiting Campbell. Later, in booming, Luv-Ya-Blue Houston, Campbell reach- es his peak with beloved coach Bum Phillips, who celebrates his star runner’s bruising style even as it takes its toll on Campbell’s body. Drawing on new interviews and research, Asher Price reveals how a naturally reticent kid from the country who never sought the spotlight ran into complex issues of race and health. In an age when concussion revelations and player protest against racial injustice rock the NFL, Campbell’s life is a timely story of hard-earned success—and heart-wrenching sacrifice. Campbell clinching a touchdown during his rookie NFL campaign (George Honeycutt © Houston Chronicle) 18 University of Texas Press | fall 2019 University of Texas Press | fall 2019 19 From the book:

The relationship between Earl Campbell, then all of eighteen years old, and Darrell Royal began frostily. “I understand you don’t like black people,” Campbell finally told the famous coach. Royal was stricken, but composed. “No, Earl, that’s wrong,” he said. The coach told Earl and his mother that he wasn’t going to talk about what other people had said about him, but that he would tell them anything they wanted to know about his own thoughts and feelings and about the University of Texas. . . . Earl Campbell told him that his dream was to be able to buy a new house for his mother someday—and Coach Royal told him and Ann Campbell about his own mother’s early death, how his grandmother looked after him when he returned to Hollis as a fifteen-year-old, and how he always regretted that she died before he had grown up and was able to help her.

A relationship that had started out Campbell and Royal talking strategy on chilly began to warm. the sideline (Austin American-Statesman) The coach went on the offensive. He told Earl that even though his abilities were impressive, he would have to prove Campbell before his boyhood home in Tyler, Texas (Shelly Katz, Sports Illustrated/Getty Images) himself to earn playing time. And then, in a savvy move, he ad- “Not since the appearance of dressed the “inducements” that he suspected were being offered to Campbell. These H. G. Bissinger’s Friday Night Asher Price were the early days of under-the-table Lights have we seen such an Austin, Texas “scholarships.”. . . Price is a state desk reporter for the Austin American-Statesman. He “Earl, if this is a factor, and that is what important and insightful book grew up in New York City, studied you want, please don’t string me along,” English at Yale, and holds graduate on the world of Texas football.” degrees in public policy and jour- he told Campbell. “Some way or another, —y Ra mond Arsenault nalism. He is also the author of Year let me know you’re not interested in us if author of Arthur Ashe: A Life and Freedom Rid- of the Dunk and coauthor of The ers: 1961 and the Struggle for Racial Justice Great Texas Wind Rush. you’re going to go for that kind of deal.” Now it was Campbell’s opportunity to release date | september show his faithfulness to the civil rights “Earl Campbell is a towering 6 x 9 inches, 320 pages, 12 b&w struggle, and he framed it in a strikingly self-aware way: “Coach,” he told Royal, of- figure in the history of sports. photos fering a line similar to the one with which he had rejected bribes, “my people were ISBN 978-1-4773-1649-8 $27.95 | £21.99 | C$41.95 bought and sold when they didn’t have a choice. Nobody is going to buy Earl.” hardcover Caption Tk. Finally, there is a book worthy ISBN 978-1-4773-1908-6 of the man.” — dave Zirin $27.95 sports editor at The Nation e-book

20 University of Texas Press | fall 2019 University of Texas Press | fall 2019 21 Michael Bloomfield at the reopening | music | Biography of the Fenway Theatre in Boston, December 1971 (Alamy Stock photo)

This first comprehensive biography of the late, great Michael Bloomfield brings to life a daz- zling electric-guitar virtuoso who transformed rock ’n’ roll in the 1960s and made a lasting impact on the blues genre

Guitar King Michael Bloomfield’s Life in the Blues by David Dann

Named one of the world’s great blues-rock guitarists by David Dann Rolling Stone, Mike Bloomfield (1943–1981) remains beloved by White Sulphur Springs, fans nearly forty years after his untimely death. Taking readers New York backstage, onstage, and into the recording studio with this legend- Dann is a commercial artist, music ary virtuoso, David Dann tells the riveting stories behind Bloom- historian, writer, and amateur mu- field’s work in the seminal Paul Butterfield Blues Band and the mes- sician who worked for many years in the news industry, including merizing Electric Flag, as well as the Super Session album with Al serving as copublisher of an award- Kooper and Stephen Stills, Bob Dylan’s Highway 61 Revisited, and winning Catskills weekly. Most soundtrack work with Peter Fonda and Jack Nicholson. recently, he was editor of Artenol, In vivid chapters drawn from meticulous research, including a radical art journal described more than seventy interviews with the musician’s friends, rela- by the New York Times as “a cross between The New Republic and tives, and band members, music historian David Dann brings to life Mad Magazine.” He has produced Bloomfield’s worlds, from his comfortable upbringing in a Jewish radio and video documentaries of family on Chicago’s North Shore to the gritty taverns and raucous Michael Bloomfield and served as a nightclubs where this self-taught guitarist helped transform the consultant to Sony/Legacy on their sound of contemporary blues and rock music. With scenes that are recent Bloomfield boxed set. as electrifying as Bloomfield’s music, this is the story of a life lived at full volume. release date | october 6∑ x 9∑ inches, 736 pages, 36 b&w photos

ISBN 978-1-4773-1877-5 $39.95 | £33.00 | C$59.95 hardcover

ISBN 978-1-4773-1893-5 $39.95 e-book

22 University of Texas Press | fall 2019 University of Texas Press | fall 2019 23 Paul Butterfield Blues Band with Mike Bloomfield at the Newport Folk Festival, July 28, 1965; from left: Jerome Arnold (behind Bloomfield), Bloomfield, Sam Lay, Butterfield, and Elvin Bishop (photo courtesy of Dr. John Rudoff)

From the book:

Bob Dylan knew how important Mike Bloomfield had been to the development and expan- sion of American popular music at a time when Top 40 radio was preoccupied with British invaders, surfer dudes, and lemon twisters. Michael was not only a startlingly original and brilliant player, but also pivotal in introducing a generation to the blues and to those masters who originated it. In a few years, Bloomfield would help Dylan reshape his own music, lead- ing to a pop revolution that would define much of the music of the 1960s and 1970s. Nearly five decades after they first met, Bob was still in awe of his friend’s artistry. “He could just flat out play. He had so much soul. And he knew all the styles, and he could play them so incred- Michael Bloomfield (left) makes a point to Bob Dylan (right) during Highway 61 Revisited sessions (photo by Don Hunstein; courtesy of Sony Music Archive) ibly well,” Dylan told Rolling Stone. Bloomfield was the one guitarist who, for Bob Dylan, set the standard for all the others. “An important and compelling book about an important and compelling The story of Michael Bloomfield’s life is a fascinating tale of musical genius and artistic innovation, a saga punctuated by unorthodox adventures and wild excesses. Its arc parallels artist. Bloomfield’s peers—Hendrix, Clapton, Joplin, the Rolling Stones, a time in American history when pop culture was undergoing a radical change, when poli- and of course Dylan—have had their lives chronicled in exhaustive detail, tics, drugs, sex, and rock ’n’ roll were growing up. Bloomfield grew with them and contrib- uted to their maturation. His musical ideas, coupled with his extraordinary personality and and this biography is long overdue. Dann’s research is excellent, and the boundless energy, proved to be irresistible for a generation of young musicians. Certainly writing strong and engaging, tracing Bloomfield’s journey and telling his they were for Bob Dylan. story with skill and understanding.” —Elijah Wald author of Escaping the Delta and Dylan Goes Electric!

24 University of Texas Press | fall 2019 University of Texas Press | fall 2019 25 Hesse_7181_2pp

| music/biography |

An inventive biography of David Bowie, featuring María Hesse’s cosmic illustrations of this otherworldly music legend

Bowie An Illustrated Life

by María Hesse and Fran Ruiz translated by Ned Sublette

María Hesse David Bowie was a master of artifice and reinvention . In Spain that same spirit, illustrator María Hesse and writer Fran Ruiz have created a vivid retelling of the life of David Robert Jones, from his An illustrator and graphic designer, Hesse is the author of Frida Kahlo: working-class childhood to glam rock success to superstardom, con- An Illustrated Life. cluding with the final recording sessions after his cancer diagnosis. Fran Ruiz Narrated from the rock star’s point of view, Bowie colorfully Spain renders both the personal and the professional turning points in a life marked by evolution and innovation. We see Bowie facing the Ruiz is a professor of geography and history, and his writing regularly sorrow of his brother’s mental illness, kicking a cocaine habit while appears in the magazine Cultural other musicians succumbed to deadly overdoses, contending with a Use Manual. tumultuous love life, and radiat- Hesse_7181_2pp Ned Sublette ing joy as a father. Along the way, New York City he describes how he shattered the Sublette is a musicologist and the boundaries of song and society author of four previous books. with a counterculture cast that included Iggy Pop, Brian Eno, release date | september and Freddie Mercury—as well as 6∏ x 9∏ inches, 168 pages, 129 his own creations, Ziggy Stardust color illustrations and the Thin White Duke. ISBN 978-1-4773-1887-4 Evocatively illustrated from $21.95 | C$32.95 start to finish, Bowie is a stellar hardcover tribute to an inimitable star. ISBN 978-1-4773-1889-8 $21.95 e-book 88 Not for sale in the United Kingdom

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26 121 University of Texas Press | fall 2019 University of Texas Press | fall 2019 27

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But I wasn’t going to disappear down a hole. In 1985 I participated That same year I acted in the movie Labyrinth. Since so many people in the solidarity concert Live Aid in Wembley Stadium. I gave up part thought I was a heartless monster, I decided to become one, and I Also by of my performance time to show a video about famine in Ethiopia, delighted in being the villain in a children’s story. and the donations picked up. I dedicated “Heroes” to Joey and all the children of the world. I also appeared in Absolute Beginners, set in the 1950s, in which I María Hesse played a ruthless publicist.

Frida Kahlo An Illustrated Life by maría hesse translated by achy obejas

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When I was nine my father brought home a stack of 45 rpm American records. Our machine had only the 78 speed. They sounded strange at that speed, but even so, I loved the music. When I heard Little Richard’s “Tutti Frutti,” something changed. It revealed the multi-colored truth hiding in mundane life. Everything vibrated to the rhythm of the polychromatic energy that emanated from record players, waking a desire in me that I didn’t know I had. Then the record stopped, and everything faded again.

BUT THE DESIRE CONTINUED. I INTUITED THAT THE ONLY WAY TO SATIATE IT WAS TO DEDICATE MY LIFE TO MUSIC.

74

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28 University of Texas Press | fall 2019 University of Texas Press | fall 2019 29 | music | Biography “This book beautifully Also from this series: portrays the uniqueness 004 of Lhasa as a human being and a musician. WHY Her life was too short; her music and voice are eternal.” The first biography of the timeless bohemian —rufus wainwright world-music chanteuse who dazzled audiences LHASA around the globe and charted exhilarating new DE SELA musical territory before her tragic death at thirty-seven Fred Goodman MATTERS Evelyn McDonnell & oliver wang, series editors Why Lhasa de Sela Matters Recently published: bye Fr d Goodman

An artist in every sense of the word, Lhasa de Sela wowed audiences around the globe with her multilingual songs and spellbinding performances, mixing together everything from Gypsy music to Mexican rancheras, Americana and jazz, chanson fran- çaise, and South American folk melodies. In Canada, her album La Llorona won the Juno Award and went gold, and its follow-up, The Living Road, won a BBC World Music Award. Tragically, de Sela Fred Goodman succumbed to breast cancer in 2010 at the age of thirty-seven after New York City recording her final album, Lhasa. Tracing de Sela’s unconventional life and introducing her to a Goodman is a former editor at Roll- 5 x 7 inches, 192 pages 5 x 7 inches, 168 pages 5 x 7 inches, 152 pages ing Stone whose work has appeared new generation, Why Lhasa de Sela Matters is the first biography of ISBN 978-14773-1872-0 ISBN 978-14773-1871-3 ISBN 978-1-4773-1884-3 this sophisticated creative icon. Raised in a hippie family traveling in the New York Times and many $16.95 | £12.99 $16.95 | £12.99 $16.95 | £12.99 magazines. His previous books between the United States and Mexico in a converted school bus, de paperback, e-book paperback, e-book paperback, e-book include the award-winning The Sela developed an unquenchable curiosity, with equal affinities for Mansion on the Hill: Dylan, Young, the romantic, mystic, and cerebral. Becoming a sensation in Mon- Geffen, Springsteen, and the Head- on Collision of Rock and Commerce. treal and Europe, the trilingual singer rejected a conventional path Forthcoming: to fame, joining her sisters’ circus troupe in France. Revealing the details of these and other experiences that inspired de Sela to write such vibrant, otherworldly music, Why Lhasa de Sela Matters sings Why Patti Smith Why Rage Against the Why Paul and Linda with the spirit of this gifted firebrand. Matters Machine Matters McCartney Matter release date | november Caryn R ose Michelle Stephen Trask 5 x 7 inches, 200 pages “This book beautifully portrays the Threadgould ISBN 978-1-4773-1962-8 Why the B-52s Matter Why Solange Matters $16.95 | £12.99 | C$25.50 uniqueness of Lhasa as a human being Annie Zaleski Why Labelle Matters Stepha nie paperback and a musician. Her life was too short; adel e bertei Phillips ISBN 978-1-4773-1964-2 $16.95 her music and voice are eternal.” e-book —Rufus Wainwright

30 University of Texas Press | fall 2019 University of Texas Press | fall 2019 31 | literature | Essays And Criticism

A collection of fifty inspiring reflections on the life and work of award-winning writer Charles Bowden, with contributors who include his editors, collaborators, and admiring writers— and a coda from Bowden himself

America’s Most Alarming Writer Eassays on the Life and Work of Charles Bowden

Ed ited by Bill Broyles and Bruce J. Dinges

The author of more than twenty books and a revered Bill Broyles and Bruce J. Dinges contributor to numerous national publications, Charles Bowden Tucson, Arizona (1945–2014) used his keen storyteller’s eye to reveal both the dark underbelly and the glorious determination of humanity, particularly Broyles, a research associate at the University of Arizona’s South- in the borderlands between the United States and Mexico. In Amer- west Center, is coauthor of Among ica’s Most Alarming Writer, key figures in his life—including his edi- Unknown Tribes, Desert Duty, and tors, collaborators, and other writers—deliver a literary wake of the Sunshot. Dinges is retired director of man who inspired them throughout his forty-year career. publications and editor of the Arizona Part revelation, part critical assessment, the fifty essays in this Historical Society’s Journal of Arizona History. He is the author of numerous collection span Bowden’s rise as an investigative journalist through articles and editor of several books on his years as a singular voice of unflinching honesty about natural southwestern and Civil War history. history, climate change, globalization, drugs, and violence. As the Chicago Tribune noted, “Bowden wrote with the intensity of Joan Didion, the voracious hunger of Henry Miller, the feral intelligence and irony of Hunter Thompson, and the wit and outrage of Edward Abbey.” An evocative complement to The Charles Bowden Reader, release date | november 5∏ x 8∏ inches, 328 pages, 44 b&w the essays and photographs in this homage brilliantly capture the photos spirit of a great writer with a quintessentially American vision. Bowden is the best writer you’ve (n)ever read. ISBN 978-1-4773-1990-1 $29.95 | £23.99 | C$44.95 hardcover

ISBN 978-1-4773-1992-5 $29.95 e-book

32 University of Texas Press | fall 2019 University of Texas Press | fall 2019 Texas Book Festival, 2010 (© Parker33 Haeg) Contents

I ntroduction, Bill Broyles and Over the Line, Alice Leora Briggs Bruce J . Dinges Heart’s Desire, Molly Molloy B eginnings White, Red, and Black, Julián Cardona Traveling and Not Traveling with Chuck, Over the Rainbow, Peg Bowden Eugene Richards On Campus, David Allmendinger Taking History Off Campus, T railing Bowden Charles Bowden letter Bowden’s Need to Walk, Judy Nolte Temple Street Signs with Lew Kreinberg and Bowden Nails the Door Shut behind Us, Charles Bowden, Barbara Houlberg Todd Schack Chuck Becomes a Reporter, Muir, Abbey, Bowden, Mike Evans Kathleen Dannreuther A Desert Evening with Chuck, Mike Lundgren Let the Tortoises Roll, Norma Coile The Mesquite Tree and the Endless Loop, The Jimi Hendrix of Journalism, Tony Davis Tom Sheridan

Bw o den’s Southwest W riters on Bowden Stand My Watch, Katie Lee America’s Most Alarming Writer, Give Light to the Air, Molly McKasson Jim Harrison How’s My Government?, Ray Carroll He Heard the Music, Scott Carrier Discovering Chuck, Winifred J . Bundy Charles Bowden and La Santa Muerte, Leslie Marmon Silko Mr. Southwest, Joseph C . Wilder The License Plate Said “Hayduke”: Chuck Chuck’s Desert Garden, Kasey Anderson Bowden and the Red Cadillac—A Memory, Planting Trees, Kim Sanders Luis Alberto Urrea A Man for All Seasons, Phil Jordan Scratchboard Opposites, Gary Paul Nabhan Chuck Bowden in the Twilight Zone, Cal Lash Drawn to the Flames: Bowden and Agee, The Most Fearless Writer in America, Expanding the Boundaries of American Ken Sanders Nonfiction,William deBuys Wild Gods of Mexico, Don Henry Ford Jr . P ublishing Chuck Crossing the Line, James Galvin Writing in the Moment, Melissa Harris The Fountain Theatre, Francisco Cantú The Big Kick: Editing Chuck, Rebecca Saletan Pure Bowden, William Langewiesche Of Rock ’n’ Roll and Corn Laws: A Few Words Street Reporter on La Línea, Philip Caputo on Charles Bowden, Gregory McNamee No One Gets Out Alive, Richard Grant Sketches of Chuck, Tim Schaffner Assembling a Bowden Bibliography, Coda Walt Bartholomew Here Stands a Reporter, Tom Zoellner Lessons from Anger and Love, Clara Jeffery Packing Chuck’s Legacy, Mary Martha Miles Collaborators Why We Carry On, Alan Weisman I Have Had to Make Up My Life As Interviewing a Tire, Jack Dykinga I Went Along, Charles Bowden Dickens, Melville, and Bowden, Michael Berman

Top: Hiker, 1986 (© Jack Dykinga); Bottom: Plano, Texas, 1998 (© Eugene Richards)

34 University of Texas Press | fall 2019 University of Texas Press | fall 2019 35 Self Totem, July 1968, gelatin silver print with applied colors | photography |

A survey of ground-breaking mixed- media photography, spanning a half century of innovative perspectives that push the boundaries of how we define photography

George Eastman Museum Bea Nettles Harvest of Memory

Ed ited by Jamie M. Allen and Olivia Lahs-Gonzales with additional texts by Bea Nettles and Amy L. Powell

From her hand-colored, machine-stitched photograph- ic prints to her artist’s books and well-known Mountain Dream Tarot card deck, the first-known photographic treatment of the tarot, Bea Nettles’s work has always upended tradition. Bea Nettles: Harvest of Memory presents the span of her art across half a century, in conjunction with an exhibition co-organized by the George East- man Museum in Rochester, New York, and the Sheldon Art Galler- ies in St. Louis, Missouri. Recognized for her innovations in mixed-media photography, George Eastman Museum Rochester, New York Nettles used alternative photographic processes that produced tex- tured works with subjects including self-portraits; investigations of Founded in 1947 and located in the body and its relationship to nature and landscape; and the ex- Rochester, New York, the East- man Museum is the world’s oldest perience of mothering, loss, and aging. A tremendously productive photography museum and one of artist, Nettle’s work has received critical acclaim, and been acquired the oldest film archives, with major into the permanent collections of museums coast to coast. Now, for collections in photography and the first time in her fifty-year career, Bea Nettles: Harvest of Memo- cinema and their technologies, as ry offers a large-scale retrospective, tracing the journey of an artist well as photography books. who profoundly illuminates our inner worlds. release date | october 10∏ x 9∏ inches, 272 pages, 296 illustrations

ISBN 978-1-4773-1925-3 $50.00 | £41.00 | C$75.00 hardcover

36 University of Texas Press | fall 2019 University of Texas Press | fall 2019 37 Mountain Dream Tarot, 1975, card deck with offset lithographs

Bea Nettles Olivia Lahs-Gonzales Urbana, Illinois Saint Louis, Missouri Of related Nettles’s international exhibi- Lahs-Gonzales is the director of the tion career began in 1970 with Sheldon Art Galleries in St. Louis, interest “Photography Into Sculpture” at Missouri. the Museum of Modern Art. She received two National Endowment Amy L. Powell for the Arts Photography Fellow- Powell is the curator of modern ships, and taught for thirty years at and contemporary art at Krannert the University of Illinois, Urbana- Art Museum at the University of Champaign. Illinois, Urbana-Champaign.

Jamie M. Allen Rochester, New York Allen is the Stephen B. and Janice G. Ashley Associate Curator in the Department of Photography at the Nathan Lyons George Eastman Museum. In Pursuit of Magic essays by jamie m. allen, lisa hostetler, and jessica s. mcdonald

ISBN 978-1-4773-1787-7 $55.00 | £44.00 hardcover

Opposite page: Lake Lady, 1970, collage with photographs

38 University of Texas Press | fall 2019 University of Texas Press | fall 2019 39 | texas | Art and Architecture

Featuring nearly one hundred color images, this is the first in-depth examination of the work of Michael Ray Charles, whose provoca- tive paintings recast images of racism in consumer culture

Michael Ray Charles A Retrospective

by Cherise Smith

Michael Ray Charles is the most comprehensive presen- tation yet of the work of an artist who rose to prominence in the 1990s for works that engaged American stereotypes of African Americans. With a background in advertising and an archivist’s inquisitiveness, Charles developed an artistic practice that made startling use of found images and offered critiques of the narratives they fostered. Immersing readers in the imagination of this daring Cherise Smith painter, Michael Ray Charles celebrates and contextualizes a singu- Austin, Texas lar, major figure in the art world. Art historian Cherise Smith collaborated with the artist to cu- A curator and art historian, Cherise Smith is the Founding Execu- rate nearly one hundred color plates documenting nearly thirty tive Director of the Art Galleries years of visual art. These plates are framed by an interview with the at Black Studies, Chair of and artist and by Smith’s own deep interpretive essay on Charles’s work. Associate Professor in the African Smith explores topics ranging from the controversy resulting from and African Diaspora Studies Charles’s provocative appropriations of stereotypical racial material Department, and a professor in the Department of Art and Art History to his techniques of sampling from popular culture; from his com- at the University of Texas at Austin. mentaries on African American men and sports to his work with She is the author of Enacting Oth- director Spike Lee on Bamboozled. Both clear-eyed and complex, ers: Politics of Identity in Eleanor this retrospective demonstrates the significant role that Michael Antin, Nikki S. Lee, Adrian Piper, Ray Charles’s work has played in defining what art is today. and Anna Deavere Smith. release date | january 9 5/8 x 11∏ inches, 296 pages, 162 color and b&w images

ISBN 978-1-4773-1917-8

Opposite page: (Forever Free) Liberty Brothers Permanent $60.00 | £50.00 | C$75.00 Daily Circus: Sealboy, 1995 (Tony Shafrazi Gallery, New York) hardcover

40 University of Texas Press | fall 2019 University of Texas Press | fall 2019 41 42 University of Texas Press | fall 2019 University of Texas Press | fall 2019 43 Forever Free) Elvis Lives!, 1997 (Tony Shafrazi Gallery, New York) (Forever Free) American Gothic, 1994 (Tony Shafrazi Gallery, New York) | history | United States |

The first biography of the heavyweight boxing champion, preacher, and celebrity pitchman who fought his way out of urban poverty and through the venal world of prizefighting to make it in America

No Way but to Fight George Foreman and the Business of Boxing by Andrew R. M. Smith

Olympic gold medalist . Two-time world heavyweight champion. Hall of Famer. Infomercial and reality TV star. George Foreman’s fighting ability is matched only by his acumen for selling. Yet the complete story of Foreman’s transition from an urban ghetto to global celebrity has never before been told. Raised in Houston’s “Bloody Fifth” Ward, battling against scar- Andrew R. M. Smith city in housing and food, young Foreman fought sometimes for Woodstock, Connecticut survival and other times just for fun. But when a government pro- Smith is an assistant professor of gram rescued him from poverty and introduced him to the sport of sport management and history boxing, his life changed forever. at Nichols College. Originally In No Way but to Fight, Andrew R. M. Smith traces Foreman’s from Guelph, Ontario, he lives life and career from Great Migration to Great Society, through the with his wife and daughters Cold War and Culture Wars, out of urban Houston and onto the in Woodstock, Connecticut. world stage where he discovered that fame wrought new challenges. Terry and Jan Todd Drawing on new interviews with George Foreman and declassified Series on Physical government documents, as well as more than fifty domestic and Culture and Sports international newspapers and magazines, Smith brings to life the exhilarating story of a true American icon. No Way but to Fight is an release date | january 6 x 9 inches, 408 pages, 25 b&w epic worthy of a champion. photos

ISBN 978-1-4773-1976-5 $29.95 | £23.99 | C$44.95 hardcover

ISBN 978-1-4773-1978-9 $29.95 e-book George Foreman, 1973 (Bert Verhoeff/Anefo) 44 University of Texas Press | fall 2019 University of Texas Press | fall 2019 45 Recently Published reviews for G o Ahead in the Rain “Warm, immediate, and intensely personal...This lush New York Times Best Seller and generous book is a call to pay proper respects not just to a sound but to a feeling.” —New York Times

“Riveting and poetic… Abdurraqib’s gift is his ability to flip from a wide angle to a zoom with ease. He is a five-tool writer, slipping out of the time- line to deliver vivid, memoiristic splashes as well as letters he’s crafted to

directly address the central players, dead and living.” —Washington Post

“Abdurraqib has a seemingly limitless capacity to share what moves him, which means that to read Go Ahead in the Rain, you don’t need to be a Tribe Called Quest fan: Abdurraqib will make you one. His love for the group is

infectious, even when it breaks his heart.” —NPR

“Abdurraqib’s exploration of A Tribe Called Quest uses his love for the group to leverage remarkably sharp insights about the band and him- self. Forthright without being solipsistic, the book is a marvel of criti-

cism and self-examination.” —Pitchfork

“Abdurraqib…makes an implicit argument for a criti- Go Ahead in the Rain cism that works toward connection. At the heart of Notes to A Tribe Called Quest Go Ahead in the Rain are questions about ourselves; it asks how and why we love artists, and what we can by Hanif Abdurraqib do with that love.” —The Nation “This book is a gorgeous offering that will bury itself in the overjoyed heart of every kid who came of age in the ’90s.” “Abdurraqib’s writing is so generously thoughtful...He makes everything —Samantha Irby feel relevant, and he doesn’t swerve into the more self-congratulatory mu- 5∏ x 7∏ inches, 216 pages ISBN 978-1-4773-1648-1 sic writing that dives so far into the weeds without reserving room for the $16.95 *Not for sale in the United Kingdom paperback, e-book joy and heartache that springs from the music.” —Paste Magazine

46 University of Texas Press | fall 2019 University of Texas Press | fall 2019 47 Recently Published Recently Published

Featured this fall in Ken Burns’s newest Over 250,000 copies sold documentary, Country Music

Country Music USA One Hundred Love Sonnets 50th Anniversary Edition Cien sonetos de amor

by Bill C. Malone and Tracey E. W. Laird by Pablo Neruda translated by Stephen Tapscott Since the first edition was published in 1968, Bill Malone’s Country Music USA has been the definitive history of coun- Beautifully redesigned as a gift edition, this bilingual try music. Now, as one of the chief historical sources for Ken Burns’s Spanish-English volume, which has sold nearly 250,000 copies, pres- latest film, Malone’s book tells the story of America’s quintessen- ents the joyfully erotic love poetry of Nobel laureate Pablo Neruda. tial musical genre for a new audience—on the page and on the screen. 5∏ x 6∏ inches, 240 pages 6 x 9 inches, 768 pages ISBN 978-0-292-75760-8 ISBN 978-1-4773-1534-7 ISBN 978-1-4773-1535-4 $19.95 | £15.99 | C$29.95 $45.00 | £37.00 | C$67.50 $27.95 | £21.99 | C$41.95 hardcover hardcover paperback, e-book

48 University of Texas Press | fall 2019 University of Texas Press | fall 2019 49 Recently Published Recently Published

Human Matter A Fiction By Rodrigo Rey Rosa translated by Eduardo Aparicio

“Rey Rosa’s novel is defined by frailty, the sensation of the uncertain, those small ways of escaping the suffocating Central American reality, the distance between what was and what is possible to feel.” —Página 12

ISBN 978-1-4773-1646-7 $19.95 | £15.99 paperback, e-book

The Enlightened Army B y David Toscana translated by Keith Carter: Fifty Years David William Foster By Keith Carter “Toscana is ready to join the ranks of

Carter’s photographs provide a vision of Texas as we all Latin America’s finest novelists.” want to imagine it to be: a hot-as-hell oasis where people lead pic- — Kirkus Reviews turesque yet complex lives, imbued with a sense of calm that can only be felt when an endless landscape extends in all directions. His work helps a transplant like me remember the state for the things that I miss rather than for the reasons I left.

10∏ x 12√ inches, 320 pages ISBN 978-1-4773-1801-0 ISBN 978-1-4773-1777-8 $65.00 | £54.00 $19.95 | £15.99 hardcover paperback, e-book

50 University of Texas Press | fall 2019 University of Texas Press | fall 2019 51 Recently Published Recently Published

Mercados William S. Burroughs William S. BurroughS Recipes from the Markets and the Cult oF ro Ck ’n’ roll and the Cult of Mexico CaSey rae of Rock ’n’ Roll B y David Sterling By Casey Rae A glorious tribute to the beloved Mexican “William S. Burroughs was as much a quiet markets where James Beard Award– rock star as he was an artist or a writer. His winning author David Sterling found inroads into audio, spoken word, and music cultural treasures—and the inspiration for created paths that we still follow. Casey more than one hundred delectable recipes. Rae’s book is a labor of love that offers a ISBN 978-1-4773-1040-3 map to understanding Burroughs’s complex $60.00 | £50.00 hardcover, e-book relationship to music and other art forms.” ISBN 978-1-4773-1650-4 —Chris Stein $27.95 | £21.99 co-founder of Blondie hardcover, e-book

Yucatán Revenge of the Recipes from a Culinary She-Punks Expedition A Feminist Music History from B y David Sterling Poly Styrene to Pussy Riot Winner of the 2015 James Beard Founda- By Vivien goldman tion Cookbook of the Year award, with “While Goldman jumps around, hopping over 275 authentic, easy-to-follow recipes, from band to band, she places the female lively stories of their origins, and luscious musical foment within the critical context illustrations, here is the definitive work of feminist theory and the cultural context on the foods of Yucatán, one of the world’s ISBN 978-0-292-73581-1 of society’s upheaval...Known as the ‘Punk $60.00 | £50.00 great regional cuisines. hardcover, e-book Professor’ as an adjunct at NYU, Goldman ISBN 978-1-4773-1654-2 extends her authority here.” — Kirkus $17.95 paperback, e-book *Not for sale in the United Kingdom

52 University of Texas Press | fall 2019 University of Texas Press | fall 2019 53 books for scholars

Detail from Huitzilopochtli with a falcon in The Florentine Codex, Biblioteca Medicea Laurenziana, Florence (courtesy of MIBACT) | history | United States | history | United States

A 150-year history of the border region between A detailed and insightful look at one hun- the United States and Mexico, told through the dred years of politics, culture, and racial fences and barriers, the river engineering proj- identity among diverse ethnic groups in ects, and the surveillance infrastructure that south-central Arizona have reshaped the natural landscape

Border Land, Border Water Border Citizens A History of Construction on The Making of Indians, Mexicans, and the US-Mexico Divide Anglos in Arizona | Revised Edition by C. J. Alvarez by Eric V. Meeks Foreword by Patricia Nelson Limerick From the boundary surveys of the 1850s to the ever- expanding fences and highway networks of the twenty-first century, In Border Citizens, historian Eric V . Meeks explores how Border Land, Border Water examines the history of the construction the racial classification and identities of the diverse indigenous, projects that have shaped the region where the United States and mestizo, and Euro-American residents of Arizona’s borderlands Eric V. Meeks Mexico meet. evolved as the region was politically and economically incorporated Flagstaff, Arizona Tracing the accretion of ports of entry, boundary markers, trans- into the United States. First published in 2007, the book examines Meeks is an associate professor portation networks, fences and barriers, surveillance infrastructure, the complex relationship between racial subordination and resis- of history at Northern Arizona and dams and other river engineering projects, C. J. Alvarez advanc- tance over the course of a century. On the one hand, Meeks links the University. es a broad chronological narrative that captures the full life cycle construction of multiple racial categories to the process of nation- Published in cooperation with C. J. Alvarez of border building. He explains how initial groundbreaking in the state building and capitalist integration. On the other, he explores the William P. Clements Center Austin, Texas nineteenth century transitioned to unbridled faith in the capacity to how the region’s diverse communities altered the blueprint drawn for Southwest Studies, Southern Methodist University Alvarez is an assistant professor of control the movement of people, goods, and water through the use up by government officials and members of the Anglo majority for Mexican American and Latina/o of physical structures. By the 1960s, however, the built environment their assimilation or exclusion while redefining citizenship and na- release date | november studies at the University of Texas of the border began to display increasingly obvious systemic flaws. tional belonging. 6 x 9 inches, 406 pages, 20 b&w at Austin. More often than not, Alvarez shows, federal agencies in both coun- The revised edition of this highly praised and influential study photos, 6 maps tries responded with more construction—“compensatory building” features a chapter-length afterword that details and contextualizes release date | october ISBN 978-1-4773-1965-9 6 x 9 inches, 352 pages, 32 b&w designed to mitigate unsustainable policies relating to immigration, Arizona’s aggressive response to undocumented immigration and $32.95* | £25.99 | C$49.50 photos, 2 illustrations,21 maps black markets, and the natural world. Border Land, Border Water ethnic studies in the decade after Border Citizens was first pub- paperback reframes our understanding of how the border has come to look and lished. Meeks demonstrates that the broad-based movement against ISBN 978-1-4773-1900-0 ISBN 978-1-4773-2044-0 $45.00* | £37.00 | C$67.50 function as it does and is essential to current debates about the fu- these measures had ramifications well beyond Arizona. He also re- $95.00* | £79.00 | C$142.50 hardcover ture of the US-Mexico divide. visits the Yaqui and Tohono O’odham nations on both sides of the hardcover

ISBN 978-1-4773-1903-1 Sonora-Arizona border, focusing on their efforts to retain, extend, ISBN 978-1-4773-1967-3 $45.00* and enrich their connections to one another in the face of increas- $32.95* e-book ingly stringent border enforcement. e-book

56 University of Texas Press | fall 2019 University of Texas Press | fall 2019 57 | latinx studies | Chicanx Studies

Fifteen scholars examine the social identities, class hierarchies, regionalisms, and other codes of communication that are exhibited or per- ceived in meXicana clothing styles

meXicana Fashions Politics, Self-Adornment, and Identity Construction

Ed ited by Aída Hurtado and Norma E. Cantú

Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics

Aída Hurtado of dress, and examine the role of consumerism and entrepreneur- Above: Rigo Maldonado, Too Much Is Santa Barbara, California ialism in the production of creating and selling a style, meXicana Never Enough (walking altar), detail (© Rigo Maldonado). Hurtado is a professor and the Luis Fashions examines and searches for meaning in these visible, per- Left: Rigo Maldonado, Callas (walking Leal Endowed Chair in the Depart- formative aspects of identity. altar), detail (© Rigo Maldonado) ment of Chicana and Chicano Stud- Focusing primarily on Chicanas but also considering trends con- ies at the University of California, nected to other Latin American communities, the authors highlight Santa Barbara. She is the author specific constituencies that are defined by region (“Tejana style,” and editor of numerous books, most recently Beyond Machismo: Inter- “L.A. style”), age group (“homie,” “chola”), and social class (marked sectional Latino Masculinities. by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, Norma E. Cantú which are not mutually exclusive but instead reflect a range of in- San Antonio, Texas release date | january tersections in occupation, origin, personality, sexuality, and fads. 6 x 9 inches, 368 pages, 29 b&w Cantú is the Norine R. and T. Frank Other elements include urban indigenous fashion shows, the shift- photos Murchison Endowed Professor in ing quinceañera market, “walking altars” on the Days of the Dead, Humanities at Trinity University in ISBN 978-1-4773-1959-8 San Antonio. In addition to pursu- plus-size clothing, huipiles in the workplace, and dressing in drag. $34.95* | £27.99 | C$52.50 ing scholarly research in folklore and Together, these chapters illuminate the full array of messages woven paperback literary studies, she has published into a vibrant social fabric. ISBN 978-1-4773-1958-1 poetry and fiction, including the $105.00* | £87.00 | C$152.50 award-winning Canícula: Snapshots hardcover of a Girlhood en la Frontera. Her most recent coedited volume is Entre ISBN 978-1-4773-1961-1 Guadalupe y Malinche: Tejanas in $34.95* Literature and Art. e-book

58 University of Texas Press | fall 2019 University of Texas Press | fall 2019 59 | latinx studies | History | latinx studies | American Studies

QUINCEANERAQ U I N C E A N E R A

The first comprehensive biography of a formi- A dynamic study of social negotiation and RACHEL GONZALEZ dable civil rights activist and feminist whose consumerism in the coming-of-age quinceañera grassroots organizing in Texas made her an celebration and the impact of normalizing spec- AGENT influential voice in the fight for equal rights for tacles of luxury of CHANGE Mexican Americans Adela Sloss-Vento d Latinx MEXICAN CIVIL RIGHTS TEXAS Socialgin Belongingg an and AMERICAN ACTIVIST FEMINIST lon Latinxl Be Consumerden Identitiestities cia mer I CYNTHIA E. OROZCO St�leSo nsu Co Agent of Change Quinceañera Style Adela Sloss-Vento, Mexican American Civil Social Belonging and Latinx Rights Activist and Texas Feminist Consumer Identities by Cynthia E. Orozco by Rachel Valentina González

The essayist Adela Sloss-Vento (1901–1998) was a power- Quinceañera celebrations, which recognize a girl’s tran- house of activism in South Texas’s Lower Rio Grande Valley through- sition to young womanhood at age fifteen, are practiced in Latinx out the Mexican American civil rights movement beginning in 1920 communities throughout the Americas. But in the consumer-driven and the subsequent Chicano movement of the 1960s and 1970s. At United States, the ritual has evolved from a largely religious cer- last presenting the full story of Sloss-Vento’s achievements, Agent of emony to an elaborate party where social status takes center stage. Rachel Valentina González Change revives a forgotten history of a major female Latina leader. Examining the many facets of this contemporary debut experience, Austin, Texas Cynthia E. Orozco Bringing to light the economic and political transformations that Quinceañera Style reports on ethnographic fieldwork in California, Ruidoso, New Mexico swept through South Texas in the 1920s as ranching declined and Texas, the Midwest, and Mexico City to reveal a complex, compelling González is an assistant professor of Mexican American and Latina/o Orozco is a professor of history and agribusiness proliferated, Cynthia E. Orozco situates Sloss-Vento’s story. Along the way, we meet a self-identified transwoman who uses studies at the University of Texas at humanities at Eastern New Mexico early years within the context of the Jim Crow/Juan Crow era. Re- the quinceañera as an intellectual space in her activist performance Austin. She was a Woodrow Wilson University, Ruidoso. She is the counting Sloss-Vento’s rise to prominence as a public intellectual, art. We explore the economic empowerment of women who own bar- Early Career Fellow and is the co- author of No Mexicans, Women, editor of Race and Cultural Practice or Dogs Allowed: The Rise of the Orozco highlights a partnership with Alonso S. Perales, the princi- rio boutiques specializing in the quinceañera’s many accessories and in Popular Culture. Mexican American Civil Rights pal founder of the League of United Latin American Citizens. Agent made-in-China gowns. And, of course, we meet teens themselves, Movement and coeditor of Mexican of Change explores such contradictions as Sloss-Vento’s tolerance of including a vlogger whose quince-planning tips have made her an release date | november Americans in Texas History. LULAC’s gender-segregated chapters, even though the activist was online sensation. 6 x 9 inches, 248 pages an outspoken critic of male privilege in the home and a decidedly Disrupting assumptions, such as the belief that Latino com- release date | january ISBN 978-1-4773-1969-7 6 x 9 inches, 310 pages, 15 b&w progressive wife and mother. Inspiring and illuminating, this is a munities in the United States can’t desire upward mobility without $29.95* | £23.99 | C$44.95 photos, 1 map complete portrait of a savvy, brazen critic who demanded reform on abandoning ethnoracial cultural legacies, Quinceañera Style also paperback both sides of the US-Mexico border. underscores the performative nature of class and the process of con- ISBN 978-1-4773-1986-4 ISBN 978-1-4773-1968-0 $40.00 | £33.00 | C$60.00 structing a self in the public, digital sphere. $90.00* | £74.00 | C$135.00 hardcover hardcover

ISBN 978-1-4773-1989-5 ISBN 978-1-4773-1971-0 $40.00 $29.95* e-book e-book

60 University of Texas Press | fall 2019 University of Texas Press | fall 2019 61 | latin american studies | Pre-Columbian Art History THE FLORENTINE Of related CODEX Scholars explore the most significant trove of An EncyclopEdiA of thE nAhuA Wor ld in SixtEEnth-cEntury MExico Nahua culture and language: an illustrated interest manuscript compiled after the Spanish conquest by a Franciscan friar with many indigenous

EditE d by Jeanette Favrot Peterson authors and painters and Kevin Terraciano

The Florentine Codex The Codex Mexicanus An Encyclopedia of the Nahua World in by lori boornazian diel ISBN 978-1-4773-1673-3 $55.00 | £45.00 Sixteenth-Century Mexico hardcover Ed ited by Jeanette Favrot Peterson and Kevin Terraciano

In the sixteenth century, the Franciscan friar Ber- Jeanette Favrot Peterson nardino de Sahagún and a team of indigenous grammarians, Santa Barbara, California scribes, and painters completed decades of work on an extraordi- Peterson is a research professor nary encyclopedic project titled General History of the Things of New House of Song sings and Cihuacoatl (Serpent Woman) appears; Florentine Codex, at the University of California, Spain, known as the Florentine Codex (1575–1577). Now housed in Biblioteca Medicea Laurenziana, Florence (courtesy of MIBACT) Santa Barbara, in the Department the Biblioteca Medicea Laurenziana in Florence and bound in three of History of Art and Architecture, lavishly illustrated volumes, the codex is a remarkable product of focusing on Latin American visual culture. Her most recent book is cultural exchange in the early Americas. Visualizing Guadalupe: From Black In this edited volume, experts from multiple disciplines analyze Madonna to Queen of the Ameri- the manuscript’s bilingual texts and more than 2,000 painted im- cas. With Kevin Terraciano, she is ages and offer fascinating, new insights on its twelve books. The con- among the cofounders of the Digital tributors examine the “three texts” of the codex—the original Na- Florentine Project, a long-term initiative launched in 2017 by the huatl, its translation into Spanish, and its painted images. Together, Getty Research Institute. these constitute complementary, as well as conflicting, voices of an extended dialogue that occurred in and around Mexico City. The Kevin Terraciano volume chapters address a range of subjects, from Nahua sacred be- Los Angeles, California release date | september 8∏ x 11 inches, 320 pages, 122 color liefs, moral discourse, and natural history to the Florentine artists’ Terraciano is a professor of history and 9 b&w photos, 1 map models and the manuscript’s reception in Europe. The Florentine at the University of California, Los Codex ultimately yields new perspectives on the Nahua world sev- Angeles, specializing in colonial Latin ISBN 978-1-4773-1840-9 eral decades after the fall of the Aztec empire. America. He is the author of The $55.00* | £45.00 | C$82.50 Mixtecs of Colonial Oaxaca and many hardcover other writings on Mexico and Meso-

ISBN 978-1-4773-1842-3 Night Axe; Florentine Codex, Biblioteca Medicea Laurenziana, america. Terraciano has won multiple $55.00* Florence (courtesy of MIBACT) awards for his publications, teaching, e-book and graduate mentoring at UCLA.

62 University of Texas Press | fall 2019 University of Texas Press | fall 2019 63 | history | | latin american studies | Gender and Women’s Studies/Politics

A thought-provoking collection that explores The first in-depth study of the overlooked yet CLIO’S the process of perceiving and writing about pivotal role played by maternalism, poor and ON HISTORY AND LANGUAGE history, nationalism, and identity working-class women’s unpaid labor, and un- LAWS equal gender power relations in propelling and sustaining Venezuela’s Bolivarian revolution

MAURICIO TENORIO-TRILLO TRANSLATED BY MARY ELLEN FIEWEGER

Clio’s Laws Engendering Revolution On History and Language Women, Unpaid Labor, and Maternalism by Mauricio Tenorio-Trillo in Bolivarian Venezuela Translated by Mary Ellen Fieweger by Rachel Elfenbein Mauricio Tenorio-Trillo Offering a unique perspective on the very notions and Rachel Elfenbein Chicago, Illinois practices of storytelling, history, memory, and language, Clio’s Laws In 1999, Venezuela became the first country in the Walla Walla, Washington Tenorio-Trillo is the Samuel N. collects ten essays (some new and some previously published in world to constitutionally recognize the socioeconomic value of An independent scholar, Elfenbein Harper Professor of History, Ro- Spanish) by a revered voice in global history. Taking its title from housework and enshrine homemakers’ social security. This land- holds a PhD in sociology from mance Languages, and Literatures the Greek muse of history, this opus considers issues related to the mark provision was part of a larger project to transform the state at the University of Chicago and an Simon Fraser University and was a historian’s craft, including nationalism and identity, and draws on and expand social inclusion during Hugo Chávez’s presidency. associate professor at the Centro de Fulbright scholar to Venezuela. She lnvestigación y Docencia Económi- Tenorio-Trillo’s own lifetime of experiences as a historian with deep The Bolivarian revolution opened new opportunities for poor and was awarded the Latin American cas (CIDE) in Mexico City. He is the roots in both Mexico and the United States. By turns deeply ironic, working-class—or popular—women’s organizing. The state recog- Studies Association’s 2018 Helen Safa Award for the research fea- author of several previous books, provocative, and experimental, and covering topics both lowbrow nized their unpaid labor and maternal gender role as central to tured in Engendering Revolution. including La Paz: 1876 and I Speak and highbrow, the essays form a dialogue with Clio about idiosyn- the revolution. Yet even as state recognition enabled some popular of the City: Mexico City at the Turn She works as an educator, research- cratic yet profound matters. women to receive public assistance, it also made their unpaid labor of the Century, which won the Spiro er, facilitator, and counselor with Kostof Book Award from the Society Tenorio-Trillo presents his own version of an ars historica (what and organizing vulnerable to state appropriation. civil society organizations in North of Architectural Historians. history is, why we write it, and how we abuse it) alongside a very per- Offering the first comprehensive analysis of this phenomenon, America and southern Africa. sonal essay on the relationship between poetry and history. Other Engendering Revolution demonstrates that the Bolivarian revolu- release date | december Joe R . and Teresa Lozano selections include an exploration of the effects of a historian’s auto- tion cannot be understood without comprehending the gendered Long Endowment in Latin 6 x 9 inches, 328 pages, 1 illustra- biography, a critique of history’s celebratory obsession, and a guide nature of its state-society relations. Showcasing field research that American and Latino Art tion; 8 b&w photos to reading history in an era of internet searches and too many books. comprises archival analysis, observation, and extensive interviews, and Culture ISBN 978-1-4773-1914-7 A self-described exile, Tenorio-Trillo has produced a singular tour of these thought-provoking findings underscore the ways in which $34.95 | £27.99 | C$52.50 release date | december the historical imagination and its universal traits. popular women sustained a movement purported to exalt them, paperback 6 x 9 inches, 264 pages even while many could not access social security and remained so- ISBN 978-1-4773-1913-0 ISBN 978-1-4773-1926-0 cially, economically, and politically vulnerable. $105.00 | £87.00 | C$157.50 $45.00* | £37.00 | C$67.50 hardcover hardcover ISBN 978-1-4773-1916-1 ISBN 978-1-4773-1929-1 $34.95 $45.00* e-book e-book

64 University of Texas Press | fall 2019 University of Texas Press | fall 2019 65 | latin american studies | Literature

In a deeply personal, genre-bending work, the Border Hispanisms critical theorist reflects on his career, from Jon Beasley-Murray, Alberto Morei r a s , his emigration from Spain to pursue doctoral and Gareth Williams, series editors studies to his thirty years of immersion in the capricious tides of academia

Against Abstraction Notes from an Ex-Latin Americanist Universal Violence and The Vanishing by Alberto Moreiras Citizenship Naming Frame Latina/o Studies at the On Mexico and the Promise Latin American Culture and Alberto Moreiras In 2015, members of the philosophy department at the Limits of Identity of Literature Theory in the Postdictatorial Era College Station, Texas University of Madrid conducted an interview with Alberto Moreiras by andrés r. guzmán by david e. johnson by eugenio claudio for the university’s digital archive. The resulting dialogues and di stefano Moreiras is a professor of Hispanic ISBN 978-1-4773-1763-1 ISBN 978-1-4773-1796-9 studies at Texas A&M University the Spanish edition of this work, Marranismo e inscripción, o el $29.95 | £23.99 $45.00 | £37.00 ISBN 978-1-4773-1619-1 and the author of numerous essays abandono de la conciencia desdichada, are the basis for Against paperback hardcover $29.95 | £23.99 and books on intellectual history, Abstraction, supplemented with an interview conducted for the paperback critical theory, and political thought, Chilean journal Papel máquina. In these landmark conversations, including Tercer espacio: Literatura Moreiras describes how, though he was initially committed to Latin y duelo en América Latina, and Línea de sombra: El no sujeto de lo político. American literary studies, he eventually transitioned to become an He is the coeditor, with Nelly Richard, eminent scholar of critical theory, existential philosophy, and ulti- of Pensar en/la postdictadura; the mately infrapolitics and posthegemony. coeditor of several journals; and an Blending intellectual autobiography with a survey of Hispan- editor of the University of Texas Press ism as practiced in universities in the United States (including the Border Hispanisms Series. schisms in Latin American subaltern studies that eventually led to Border Hispanisms Moreiras’s departure from Duke University), these narratives read Jon Beasley-Murray, Alberto like a picaresque and a polemic on the symbolic power of scholars. Moreiras, and Gareth Williams, Drawing on the concept of marranism (originally a term for Iberian series editors Jews and Muslims forced to convert to Christianity during the Mid- Infrastructures Culture and Photopoetics at release date | january dle Ages) to consider the situations and allegiances he has navigated 6 x 9 inches, 264 pages over the years, Moreiras has produced a multifaceted self-portrait of Race Revolution Tlatelolco that will surely spark further discourse. Concentration and Biopolitics Violence, Memory, and the Afterimages of Mexico, 1968 ISBN 978-1-4773-1982-6 in Colonial Mexico Making of Modern Mexico by samuel steinberg $45.00 | £37.00 | C$67.50 by daniel nemser by horacio legrás hardcover ISBN 978-1-4773-0748-9 ISBN 978-1-4773-1260-5 ISBN 978-1-4773-1075-5 $27.95 | £21.99 ISBN 978-1-4773-1985-7 $29.95 | £23.99 $29.95 | £23.99 paperback $45.00 paperback paperback e-book

66 University of Texas Press | fall 2019 University of Texas Press | fall 2019 67 Recently Published | latin american studies | History | reference | Latin American Studies Youth, Protest, and Coalition Building in Somoza-Era Nicaragua Students of Revolution An illuminating examination of the role The newest volume of the benchmark students played in promoting dissent bibliography of Latin American Studies

Claudia Rueda and spreading revolutionary ideas in Nicaragua during the Cold War

Students of Revolution Handbook of Latin Youth, Protest, and Coalition Building in American Studies, Vol. 73 Somoza-Era Nicaragua Social Sciences by Claudia Rueda by Katherine D. Mc Cann, Humanities Editor Students played a critical role in the Sandinista strug- Tracy North, Social Sciences Editor gle in Nicaragua, helping to topple the US-backed Somoza dictatorship in 1979—one of only two successful social revolutions Beginning with Number 41 (1979), the University of Tex- “The one source that sets ref- in Cold War Latin America. Debunking misconceptions, Students as Press became the publisher of the Handbook of Latin American erence collections on Latin Claudia Rueda of Revolution provides new evidence that groups of college and Studies, the most comprehensive annual bibliography in the field. American studies apart Corpus Christi, Texas secondary-level students were instrumental in fostering a culture of Compiled by the Hispanic Division of the Library of Congress and from all other geographic insurrection—one in which societal groups from elite housewives to annotated by a corps of more than 140 specialists in various disci- Rueda is an assistant professor areas of the world. . . . of history at Texas A&M Corpus rural laborers came to see armed revolution as not only legitimate plines, the Handbook alternates from year to year between social Christi. Her previous publications but necessary. sciences and humanities. The Handbook has pro- include “Agents of Effervescence: Drawing on student archives, state and university records, and The Handbook annotates works on Mexico, Central America, the vided scholars interested Student Protest and Nicaragua’s oral histories, Claudia Rueda reveals the tactics by which young ac- Caribbean and the Guianas, Spanish South America, and Brazil, Post-war Democratic Mobiliza- in Latin America with tions” in The Journal of Social tivists deployed their age, class, and gender to craft a heroic identity as well as materials covering Latin America as a whole. Most of a bibliographical source that justified their political participation and to help build cross- the subsections are preceded by introductory essays that serve as History, and she has coedited the of a quality unavailable digital archive Onda Latina: The class movements that eventually paralyzed the country. Despite biannual evaluations of the literature and research under way in Mexican American Experience. living under a dictatorship that sharply curtailed expression, these specialized areas. to scholars in most other students gained status as future national leaders, helping to sanctify branches of area studies.” release date | november — Latin American 6 x 9 inches, 352 pages, 8 b&w their right to protest and generating widespread outrage while they Research Review photos, 1 map endured the regime’s repression. Students of Revolution thus high- lights the aggressive young dissenters who became the vanguard of ISBN 978-1-4773-1930-7 $45.00* | £37.00 | C$67.50 the opposition. release date | published hardcover 6 x 9 1/4 inches, 728 pages

ISBN 978-1-4773-1932-1 ISBN 978-1-4773-1994-9 $45.00* $130.00* | £108.00 | C$195.00 e-book hardcover

68 University of Texas Press | fall 2019 University of Texas Press | fall 2019 69 Award Winners Award Winners

2018 PROSE Award for Architecture 2018 Warren Dean Memorial Prize and Urban Planning— in Brazilian Studies— Association of American Publishers Conference on Latin American History Banking on Beauty Street Occupations Urban Vending Street in Rio de Janeiro, Millard Sheets and Midcentury Occupations 1850–1925 Urban Vending in Rio de Janeiro, Commercial Architecture in California 1850–1925 by adam arenson by patricia acerbi

ISBN 978-1-4773-1529-3 ISBN 978-1-4773-1356-5 $45.00 $29.95 hardcover paperback

ISBN 978-1-4773-1358-9 $29.95 e-book

Patricia acerbi

2019 ALAA—Arvey Foundation Book Award 2018 Moise Khayrallah Prize in Association for Latin American Art Migration Studies Lettered Artists and the The Mexican Mahjar Transnational Maronites, Jews, and Languages of Empire Arabs under the French Mandate Painters and the Profession in Early Colonial Quito by camila pastor by susan verdi webster ISBN 978-1-4773-1462-3 ISBN 978-1-4773-1328-2 $29.95 $50.00 paperback CAMILA PASTOR hardcover ISBN 978-1-4773-1464-7 The M e x i c a n $29.95 e-book M a h j a r

Transnational Maronites, Jews, and Arabs under the French Mandate

70 University of Texas Press | fall 2019 University of Texas Press | fall 2019 71 | history | United States

  The first comprehensive history of the Terry and Jan Todd Series social shifts and scientific discover- on Physical Culture and Sports   Jason P. Shurley ies that transformed weight lifting from Wales, Wisconsin a scorned folly to the ultimate game Sarah K. Fields, Thomas Hunt, Daniel A. IN Shurley is an associate professor Nathan, and Patricia Vertinsky, series editors of health, physical education,   changer for professional athletes recreation, and coaching at the University of Wisconsin– A history of the innovation Whitewater and previously that transformed sports served as the director of the JASON P. JAN TERRY SHURLEY TODD TODD kinesiology program at Con- cordia University–Texas. An NSCA-certified Strength and Conditioning Specialist and a Strength Coaching in America BOC-certified athletic trainer, he has also worked as a strength coach or athletic trainer in A History of the Innovation professional baseball, football, That Transformed Sports and hockey. Harvey Penick Dopers in Uniform Jan and Terry Todd by Jason P. Shurley, Jan Todd, and Terry Todd The Life and Wisdom of the Man The Hidden World of Austin, Texas Who Wrote the Book on Golf Police on Steroids by kevin robbins by john hoberman Founders and codirectors of It’s hard to imagine, but as late as the 1950s, athletes foreword by ben crenshaw the Stark Center for Physi- ISBN 978-0-292-75948-0 could get kicked off a team if they were caught lifting weights. cal Culture and Sports at the ISBN 978-1-4773-1549-1 $29.95 | £23.99 University of Texas at Austin, Coaches had long believed that strength training would slow down $17.95 | £13.99 hardcover the Todds wrote the classic a player. Muscle was perceived as a bulky burden; training em- paperback guide Lift Your Way to Youth- phasized speed and strategy, not “brute” strength. Fast forward to ful Fitness. Jan Todd is also a today: the highest-paid strength and conditioning coaches can now professor of kinesiology and earn $700,000 a year. Strength Coaching in America delivers the health education at UT-Austin and the author of Physical fascinating history behind this revolutionary shift. Culture and the Body Beauti- College football represents a key turning point in this story, and ful. A world-record-setting the authors provide vivid details of strength training’s impact on powerlifter, she was inducted the gridiron, most significantly when University of Nebraska foot- into the International Sports ball coach Bob Devaney hired Boyd Epley as a strength coach in Hall of Fame. Terry Todd (1937–2018) was the author of Terry and Jan Todd 1969. National championships for the Huskers soon followed, lead- four previous books. His many Series on Physical Culture ing Epley to launch the game-changing National Strength Coaches honors included induction into and Sports Association. Dozens of other influences are explored with equal the International Sports Hall of verve, from the iconic Milo Barbell Company to the wildly popu- Fame and being named a Leg- release date | december Mr. America Drug Games end by the Collegiate Strength 6 x 9 inches, 416 pages, 25 b&w lar fitness magazines that challenged physicians’ warnings against The Tragic History of The International Olympic and Conditioning Coaches photos strenuous exercise. Charting the rise of a new athletic profession, a Bodybuilding Icon Committee and the Politics Association. Strength Coaching in America captures an important transforma- of Doping, 1960-2008 ISBN 978-1-4773-1979-6 by john d. fair by thomas m. hunt $40.00 | £33.00 | C$60.00 tion in the culture of American sport. ISBN 978-0-292-76082-0 hardcover $25.00 | £19.99 ISBN 978-0-292-73749-5 ISBN 978-1-4773-1981-9 hardcover $25.00 | £19.99 $40.00 paperback e-book

72 University of Texas Press | fall 2019 University of Texas Press | fall 2019 73 | film, media, and popular culture | Comics | film, media, and popular culture | Comics

ALLALL NEW,NEW, An eye-opening exploration of the relationship This engaging collection explores the multi- ALLALL between racial attitudes and the evolution of the media intersections of comics, film, television, DIFFERENT?DIFFERENT? superhero in America, from Superman’s debut and popular culture over the last century, AA HISTORYHISTORY in 1938 through the Civil Rights era and con- ranging from Felix the Cat to Black Panther OF RACE AND OFOF RACERACE ANDAND temporary reinventions THETHE AMERICANAMERICAN SUPERHEROSUPERHERO

ALLAN W. AUSTIN AND PATRICK L. hamilton

All New, All Different? Comics and Pop Culture A History of Race and the American Superhero Adaptation from Panel to Frame by Allan W. Austin and Patrick L. Hamilton by Barry Keith Grant and Scott Henderson

Taking a multifaceted approach to attitudes toward It is hard to discuss the current film industry without Barry Keith Grant and Allan W. Austin race through popular culture and the American superhero, All New, acknowledging the impact of comic book adaptations, especially Scott Henderson Dallas, Pennsylvania All Different? explores a topic that until now has only received more considering the blockbuster success of recent superhero movies. Yet St . Catharines, Ontario Austin is a professor of history at discrete examination. Considering Marvel, DC, and lesser-known texts transmedial adaptations are part of an evolution that can be traced to Grant is a professor emeritus of Misericordia University. He is and heroes, this illuminating work charts eighty years of evolution in the turn of the last century, when comic strips such as “Little Nemo in film studies and popular culture at the author of two previous books, the portrayal of race in comics as well as in film and on television. Slumberland” and “Felix the Cat” were animated for the silver screen. Brock University. He is the author Quaker Brotherhood: Interracial or editor of two dozen previous Activism and the American Friends Beginning with World War II, the authors trace the vexed depic- Representing diverse academic fields, including technoculture, film books on film and popular culture, Service Committee, 1917–1950 and tions in early superhero stories, considering both Asian villains and studies, theater, feminist studies, popular culture, and queer studies, including The Dread of Difference: From Concentration Camp to Cam- nonwhite sidekicks. While the emergence of Black Panther, Black Comics and Pop Culture presents more than a dozen perspectives on Gender and the Horror Film and pus: Japanese American Students Lightning, Luke Cage, Storm, and other heroes in the 1960s and this rich history and the effects of such adaptations. four editions of Film Genre Reader. and World War II. In addition, 1970s reflected a cultural revolution, the book reveals how nonwhite Examining current debates and the questions raised by comics he served as co-editor of Asian Henderson is an associate professor in American History and Culture: An superheroes nonetheless remained grounded in outdated assump- adaptations, including those around authorship, style, and textual the Department of Communication, Encyclopedia and Space and Time: tions. Multiculturalism encouraged further diversity, with 1980s su- fidelity, the contributors consider the topic from an array of ap- Popular Culture, and Film at Brock Essays on Visions of History in Sci- perteams, the minority-run company Milestone’s new characters in proaches that take into account representations of sexuality, gender, University and the coeditor of Cana- ence Fiction and Fantasy Television. the 1990s, and the arrival of Ms. Marvel, a Pakistani-American her- and race as well as concepts of world-building and cultural appro- dian Television: Text and Context. oine, and a new Latinx Spider-Man in the 2000s. Concluding with priation in comics from Modesty Blaise to Black Panther. The result Patrick L. Hamilton release date | december Dallas, Pennsylvania contemporary efforts to make both a profit and a positive impact is a fascinating re-imagination of the texts that continue to push the 6 x 9 inches, 344 pages, 50 b&w photos on society, All New, All Different? enriches our understanding of the boundaries of panel, frame, and popular culture. Hamilton is an associate professor of ISBN 978-1-4773-1939-0 complex issues of racial representation in American popular culture. English at Misericordia University. $34.95* | £27.99 | C$52.50 He is the author of Of Space & Mind: paperback Cognitive Mappings of Contempo- release date | november ISBN 978-1-4773-1896-6 rary Chicano/a Fiction. He has also ISBN 978-1-4773-1938-3 6 x 9 inches, 424 pages, 75 b&w $95.00* | £79.00 | C$142.50 published on Los Bros Hernandez, $105.00* | £87.00 | C$157.50 photos hardcover The Walking Dead, and Westworld. hardcover ISBN 978-1-4773-1897-3 ISBN 978-1-4773-1899-7 ISBN 978-1-4773-1941-3 World Comics and Graphic $34.95* | £27.99 | C$52.50 $34.95* $34.95* Nonfiction Series paperback e-book e-book

74 University of Texas Press | fall 2019 University of Texas Press | fall 2019 75 | classics and ancient world | Etruscan More from this series:

A rare glimpse into an ancient Etruscan community that provides evidence for how Cities and Communities smaller communities could flourish despite centuries of nearby wars with the Romans of the Etruscans

nNa cy Thomson de Grummond and Lisa C. Pieraccini, series editors Cetamura del Chianti byn Na cy Thomson de Grummond Caere

Expanding the study of Etruscan habitation sites to include not only traditional cities but also smaller Etruscan commu- nities, Cetamura del Chianti examines a settlement that flourished during an exceptional time period, amid wars with the Romans in the fourth to first centuries BCE. Nancy Thomson Situated in an ideal hilltop location that was easy to defend and de Grummond had access to fresh water, clay, and timber, the community never Tallahassee, Florida grew to the size of a city, and no known references to it survive in De Grummond is M. Lynette ancient writings; its ancient name isn’t even known. Because no cities Thompson Professor of Classics at were ever built on top of the site, excavation is unusually unimpeded. Florida State University, director of Intriguing features described in Cetamura del Chianti include an excavations at Cetamura del Chianti, artisans’ zone with an adjoining sanctuary, which fostered the cult and coeditor of The Religion of the Etruscans and Caere. worship of Lur and Leinth, two relatively little known Etruscan dei- ties, and undisturbed wells that reveal the cultural development and Cities and Communities natural environment, including the vineyards and oak forests of Edited by Nancy Thomson de Grummond and Lisa C. Pieraccini of the Etruscans Chianti, over a period of some six hundred years. Deeply enhancing our understanding of an intriguing economic, political, and cultural release date | january environment, this is a compelling portrait of a singular society. 5∏ x 8∏ inches, 200 pages, 29 il- Veii Caere lustrations; 86 b&w photos edited by jacopo tabolli edited by nancy thomson ISBN 978-1-4773-1993-2 de grummond $29.95* | £23.99 | C$44.95 ISBN 978-1-4773-1725-9 and lisa c. pieraccini paperback $55.00 | £45.00 ISBN 978-1-4773-1910-9 hardcover ISBN 978-1-4773-0843-1 $90.00* | £74.00 | C$135.00 $55.00 | £45.00 hardcover hardcover

ISBN 978-1-4773-1912-3 $29.95* e-book

76 University of Texas Press | fall 2019 University of Texas Press | fall 2019 77 | sociology | CAUGHT Drawing on the accounts of more than twenty- The Katrina Bookshelf five hundred Katrina survivors, two researchers Kai Erikson, series editor IN THE provide a rare longitudinal look at the hur- PATH OF ricane’s financial, social, psychological, and KATRINA physical impacts A SURVEY OF THE HURRICANE’S J. STEVEN PICOU HUMAN EFFECTS & KEITH NICHOLLS

Caught in the Path of Katrina A Survey of the Hurricane’s Human Effects Recovering Standing in Children of Katrina Inequality the Need by alice fothergill and lori peek by J. Steven Picou and Keith Nicholls Hurricane Katrina, the San Culture, Comfort, and Coming Francisco Earthquake of 1906, Home after Katrina ISBN 978-1-4773-0546-1 $24.95 | £19.99 J. Steven Picou In 2008, three years after Hurricane Katrina cut a and the Aftermath of Disaster by katherine e. browne by steve kroll-smith paperback Mobile, Alabama deadly path along the northern coast of the Gulf of Mexico, researchers ISBN 978-1-4773-0737-3 Picou is the founding director of the J. Steven Picou and Keith Nicholls conducted a survey of the survivors ISBN 978-1-4773-1611-5 $24.95 | £19.99 $27.95 | £21.99 USA Coastal Resource & Resiliency in Louisiana and Mississippi, receiving more than twenty-five hundred paperback paperback Center and an award-winning profes- responses, and followed up two years later with more than five hun- sor of sociology at the University of dred of the initial respondents. Showcasing these landmark findings, South Alabama. He has published more than one hundred and fifty Caught in the Path of Katrina yields a more complete understanding of peer-reviewed articles, book chapters, the traumas endured because of the Storm of the Century. and research monographs and is the The authors report on evacuation behaviors, separations from coeditor of The Sociology of Katrina: family, damage to homes, and physical and psychological conditions Perspectives on a Modern Catastrophe. among residents of seven of the parishes and counties that bore the Keith Nicholls brunt of Katrina. The findings underscore the frequently dispropor- Mobile, Alabama tionate suffering of African Americans and the agonizingly slow pace of recovery. Highlighting the lessons learned, the book offers sugges- Nicholls is the senior associate director of the USA Coastal Resource & Resiliency tions for improved governmental emergency management techniques Center and an associate professor of po- to increase preparedness, better mitigate storm damage, and reduce litical science at the University of South the level of trauma in future disasters. Multiple major hurricanes Alabama. In addition to undertaking have unleashed their destruction in the years since Katrina, making Left to Chance Is This America? Displaced numerous other leadership roles, includ- this a crucial study whose importance only continues to grow. Hurricane Katrina and the Katrina as Cultural Trauma Life in the Katrina Diaspora ing conducting wide-ranging research Story of Two New Orleans by ron eyerman edited by lynn weber on the Exxon Valdez and Deepwater Ho- Neighborhoods and lori peek rizon oil spills, he has recently adminis- ISBN 978-1-4773-0547-8 release date | december ISBN 978-1-4773-1972-7 by steve kroll-smith, vern tered grant-funded activities to increase $24.95 | £19.99 ISBN 978-0-292-73764-8 6 x 9 inches, 152 pages, 17 b&w $75.00 | £62.00 | C$112.50 baxter, and pam jenkins health-care capacity in disaster-prone paperback $24.95 | £19.99 photos, 37 illustrations hardcover areas along the Gulf of Mexico coast. ISBN 978-1-4773-0384-9 paperback ISBN 978-1-4773-1973-4 ISBN 978-1-4773-1975-8 $24.95 | £19.99 The Katrina Bookshelf, $24.95 | £19.99 | C$37.50 $24.95 paperback Kai Erikson, Series Editor paperback e-book

78 University of Texas Press | fall 2019 University of Texas Press | fall 2019 79 | latin american studies | Anthropology, Art, and Visual Studies

An ethnographic study of the economic and cultural impact of aesthetics, focusing on an internationally renowned workshop where Oaxacan woodcarvings, or alebrijes, are highly profitable

A typical comercial woodcarving The Value of Aesthetics Oaxacan Woodcarvers in Global Economies of Culture by Alanna Cant

Unlike many other handicrafts in the Mexican A woodcarving by the Garcías in the “indigenous art” aesthetic (author photo) state of Oaxaca, which have long cultural and historical trajectories, Oaxacan woodcarving began in the second half of the twentieth century and has always been done for the commercial market. In The Value of Aesthetics, Alan- Alanna Cant na Cant explores how one family’s workshop in the village Cambridge, United Kingdom of San Martín Tilcajete has become the most critically and Joe R . and Teresa Lozano A social anthropologist, Cant is a re- Long Series in Latin economically successful, surpassing those of neighbors who search associate at the University of American and Latino art use similar materials and techniques. The dominance of this Kent and holds a doctorate from the and Culture family is tied to their ability to produce a new aesthetic that London School of Economics. In ad- dition to her work with artisans, she appeals to three key “economies of culture”: the tourist market release date | september has conducted research on contempo- for souvenirs, the national market for traditional Mexican arte- 6 x 9 inches, 232 pages, 8-page color rary Catholicism and the restoration insert and 1 map sanías, and the international market for indigenous art. of a sixteenth-century Dominican Offering a new analytical model by which anthropologists monastery in rural Oaxaca. She has ISBN 978-1-4773-1881-2 can approach visual aesthetics and conceptualize the power of studied and worked in anthropology $29.95* | £23.99 | C$44.95 artworks as socially active objects, The Value of Aesthetics shows in Canada, Germany, Norway, and paperback the United Kingdom, and her find- how aesthetic practices produce and redefine social and politi- ISBN 978-1-4773-1880-5 ings have appeared in the volume $90.00* | £74.00 | C$135.00 cal relationships. By investigating the links between aes- Critical Craft: Technology, Globaliza- hardcover thetics and issues of production, authorship, ownership, tion, and Capitalism as well as Eth- and identity, Cant shows aesthetic change to be a pro- nos: Journal of Anthropology, Visual ISBN 978-1-4773-1883-6 cess that ultimately repackages everyday life into com- Anthropology, and The Journal of $29.95* modified objects in Oaxaca. the Royal Anthropological Institute. e-book A high-quality or fina woodcarving

80 University of Texas Press | fall 2019 University of Texas Press | fall 2019 81 | middle eastern studies | History | middle eastern studies | History

The lively story of an iconic beer brand, Putting the spotlight on theatrical performance whose tumultuous business history and cultural identity in Cairo at the turn of the illuminates the cultural transformations last century, a historian reveals new aspects of of Egypt over the last century the transition from the Ottoman to the British regimes on Egypt’s path to self-rule

Egypt’s Beer Acting Egyptian Stella, Identity, and the Modern State Theater, Identity, and Political Culture bym O ar D. Foda in Cairo, 1869–1930

Although alcohol is generally forbidden in Muslim by Carmen M. K. Gitre countries, beer has been an important part of Egyptian identity for much of the last century. Egypt’s Stella beer (which only coinci- At the turn of the twentieth century—during the “pro- dentally shares a name with the Belgian beer Stella Artois) became tectorate” period of British occupation in Egypt—theaters and other Omar D. Foda a particularly meaningful symbol of the changes that occurred in performance sites were vital for imagining, mirroring, debating, Ellicott City, Maryland Egypt after British Occupation. and shaping competing conceptions of modern Egyptian identity. A Foda is a visiting assistant profes- Weaving cultural studies with business history, Egypt’s Beer central figure in this diverse spectrum was the effendi, an emerging sor of history at Towson University. traces Egyptian history from 1880 to 2003 through the study of class of urban, male, anti-colonial professionals whose role would He holds a PhD in Near Eastern social, economic, and technological changes that surrounded the ultimately become dominant. Acting Egyptian argues that perfor- Languages and Civilizations from production and consumption of Stella beer in Egypt, providing an mance themes, spaces, actors, and audiences allowed pluralism to the University of Pennsylvania, Carmen M. K. Gitre and his work has appeared in sever- unparalleled case study of economic success during an era of seis- take center stage while simultaneously consolidating effendi voices. Blacksburg, Virginia al journals and volumes, including mic transformation. Delving into archival troves—including the pa- From the world premiere of Verdi’s Aida at Cairo’s Khedivial Gitre is an assistant professor of his- The Birth of the Arab Citizen and pers of his grandfather, who for twenty years was CEO of the com- Opera House in 1869 to the theatrical rhetoric surrounding the tory at Virginia Tech University. She the Changing of the Middle East. pany that produced Stella—Omar D. Foda explains how Stella Beer revolution of 1919, which gave women an opportunity to link their holds a PhD in history from Rutgers achieved a powerful presence in all popular forms of art and media, visibility to the well-being of the nation, Acting Egyptian examines release date | december University and previously taught in the international studies and history 6 x 9 inches, 296 pages, 19 b&w including Arabic novels, songs, films, and journalism. As the com- the ways in which elites and effendis, men and women, used newly departments at Seattle University. photos, 1 chart pany’s success was built on a mix of innovation, efficient use of lo- built performance spaces to debate morality, politics, and the impli- cal resources, executive excellence, and shifting cultural dynamics, cations of modernity. Through scripts, playbills, ads, and numerous ISBN 978-1-4773-1955-0 release date | december $34.95* | £27.99 | C$52.50 this is the story of the rise of a distinctly Egyptian “modernity” seen other sources, the book brings to life provocative debates and dis- 6 x 9 inches, 240 pages, 5 b&w paperback through the lens of a distinctly Egyptian brand. sent that fostered a new image of national culture and echoed urban photos, 1 map life in the struggle for independence. ISBN 978-1-4773-1954-3 ISBN 978-1-4773-1918-5 $105.00* | £87.00 | C$157.50 $50.00* | £41.00 | C$75.00 hardcover hardcover

ISBN 978-1-4773-1957-4 ISBN 978-1-4773-1920-8 $34.95* $50.00* e-book e-book

82 University of Texas Press | fall 2019 University of Texas Press | fall 2019 83 | middle eastern studies | Literature and Language | middle eastern studies | Literature and Language

Twenty intimate poems by renowned Lebanese An award-winning metaphorical love poet Jawdat Fakhreddine, translated by his story set during the height of the Turkish- daughter Huda in collaboration with Roger Kurdish civil war Allen, explore such themes as familial love and connection, displacement, memory, and grief

The Sky That Denied Me Wûf Selected Poems BY KEMAL VAROL translated by Dayla Rogers BY JAWDAT FAKHREDDINE Translated by Huda Fakhreddine and Roger Allen

Born in 1953 in the small village of Sultaniyeh in south Told through the voice of a canine narrator, Wûf is a Kemal Varol Lebanon, Jawdat Fakhreddine is considered one of the most promi- love story set in a Kurdish town during the Turkish-Kurdish civil Istanbul, Turkey nent members of the second generation of modernist Arab poets. war. The novel follows Mikasa, a street dog who falls in love with Kemal Varol began his literary Influenced by a childhood bond with nature, the southern landscape Melsa, a guard dog at the headquarters of the Kurdish political par- JAWDAT FAKHREDDINE career as a poet. Wûf (originally of his village, and early readings of classical Arabic poetry, Fakhred- ty. At the moment the two are about to consummate their love, they titled Haw) received the Cevdet Beirut, Lebanon dine’s poems bring into conversation modern preoccupations find themselves cruelly separated by Turquoise, a Kurdish turncoat Kudret Literature Prize and the Jawdat Fakhreddine teaches Arabic and the Arab poetic tradition. These twenty poems, translated by who does the state’s dirty work. Mikasa ends up at a military facil- Bursa Contemporary Journalists’ literature at the Lebanese Universi- Association 2015 Peace Prize. ty in Beirut and has published more Fakhreddine’s daughter, Huda, along with translator Roger Allen, ity where he is trained to detect landmines. When Turquoise takes than ten poetry collections. form an intimate dialogue between poet and reader, exploring such command of the outpost where Mikasa’s stationed, Mikasa sets his CMES Emerging Voices personal terrain as marriage, fatherhood, and the loss of a parent. sights on revenge at any cost. from the Middle East Distributed for the Center for CMES Modern Middle Using simple, elegant language, Fakhreddine maintains subtle ten - Having taken the Turkish literary world by storm, Kemal Varol’s Middle Eastern Studies Eastern Literatures in sions within these poems, transforming the mundane, the domestic, Wûf offers an unflinching account of one of the Middle East’s most University of Texas at Austin Translation and the everyday into poetic linguistic events. intractable conflicts as it tackles universal themes of love and loss Distributed for the Center for with humor and pathos. Translated by PEN/Heim Award winner release date | january Middle Eastern Studies Dayla Rogers, the novel renders in English a one-of-a-kind love sto- 5∏ x 8∏ inches, 170 pages University of Texas at Austin ry with a narrator its readers won’t soon forget. ISBN 978-1-4773-1948-2 release date | january $16.00* | £12.99 | C$24.00 5.5 x 8.5 inches, 80 pages paperback

ISBN 978-1-4773-1951-2 ISBN 978-1-4773-1950-5 $16.00* | £12.99 | C$24.00 $16.00* paperback e-book

ISBN 978-1-4773-1953-6 For sale only in the United States $16.00* and its territories and dependencies e-book (including the Philippines)

84 UNIVERSITY OF TEXAS PRESS | FALL 2019 UNIVERSITY OF TEXAS PRESS | FALL 2019 85 texas on texas

Ross S. Sterling campaigning for governor, 1930 (courtesy Briscoe Center for American History, University of Texas at Austin) | food | Texas TEXAS A sumptuous cookbook and illustrated guide SEAFOOD to identifying, catching, buying, cooking, and A COOKBOOK AND savoring more than two hundred species of fish COMPREHENSIVE and seafood from the Texas Gulf GUIDE

PJ STOOPS AND BENCHALAK SRIMART STOOPS Texas Seafood A Cookbook and Comprehensive Guide

by PJ Stoops and Benchalak Srimart Stoops

The abundance of seafood available from the northwest Gulf of Mexico includes hundreds of delicious species that are often overlooked by consumers. Celebrating this regional bounty, Texas Seafood showcases the expertise of longtime fishmongers and chefs PJ and Apple Stoops. Readers will find familiar fish like Red Snap- per along with dozens of little-known finfish and invertebrates, PJ Stoops and Benchalak including tunas, mackerels, rays, and skates, as well as bivalves, Srimart Stoops shrimps, crabs, and other varieties, many of which are considered Houston, Texas “bycatch” (seafood that a fisher didn’t intend to catch), but are no The Stoopses are experienced more difficult to prepare and are just as delicious as those commonly fishmongers and were the chefs at found at your local supermarket. Foreign Correspondent, a farm-to- The Stoopses provide a complete primer on sourcing these wild- table northern Thai eatery that was named one of Bon Appétit’s Best caught delicacies, with fascinating details about habitats and life New Restaurants in 2015. PJ Stoops cycles as well as practical advice on how to discern quality. Texas was also the driving force behind Seafood concludes with simple, delectable recipes, many infused Houston’s “Total Catch Market,” with the flavors of Apple’s Thai heritage. Dishes such as Steamed a regular event that sold bycatch Curried Crab, Crispy White Shrimp, Escolar on a Grill with Green seafood from the Gulf of Mexico. Mango Salad, Cast Iron Roasted Gulf Coast Swordfish Steaks with release date | november Rio Grande Grapefruit, and Chicken-Fried Ribbonfish are just a few 7 x 9 inches, 440 pages, 150 illus- ways to savor the best of the Gulf. trations

ISBN 978-1-4773-1803-4 $35.00 | £27.99 | C$52.50 hardcover

ISBN 978-1-4773-1922-2 $35.00 e-book

88 University of Texas Press | fall 2019 University of Texas Press | fall 2019 89 | texas | History

In his deeply researched sequel to Hood, Bonnet, and Little Brown Jug, a master storyteller of Texas politics brings to life pivotal moments of backroom wrangling, economic crashes, and aftershocks still felt nearly a century later

Biscuits, the Dole, and Nodding Donkeys Texas Politics, 1929–1932 byr No man D. Brown, edited and with an introduction by Rachel Ozanne

When the venerable historian Norman D . Brown pub- lished Hood, Bonnet, and Little Brown Jug in 1984, he earned na- tional acclaim for revealing the audacious tactics at play in Texas politics during the Roaring Twenties, detailing the effects of the Ku Klux Klan, newly enfranchised women, and Prohibition. Shortly before his death in 2015, Brown completed Biscuits, the Dole, and Nodding Donkeys, which picks up just as the Democratic Party was poised for a bruising fight in the 1930 primary. Charting the gover- norships of Dan Moody, Ross Sterling, Miriam “Ma” Ferguson in her second term, and James V. Allred, this engrossing sequel takes its title from the notion that Texas politicians should give voters what Focus on American they want (“When you cease to deliver the biscuits they will not be History Series for you any longer,” said Jim “Pa” Ferguson) while remaining wary of W. Lee “Pappy” O’Daniel on the release date | october federal assistance (the dole) in a state where the economy is fueled by Norman D. Brown Rachel Ozanne campaign trail, 1938 (courtesy 6 x 9 inches, 592 pages, 13 b&w oil pump jacks (nodding donkeys). Briscoe Center for American History, Austin, Texas Austin, Texas University of Texas at Austin) photos Taking readers to an era when a self-serving group of Texas poli- Brown (1935–2015) taught history Ozanne holds a PhD in history from ISBN 978-1-4773-1945-1 ticians operated in a system that was closed to anyone outside the $45.00* | £37.00 | C$67.50 state’s white, wealthy echelons, Brown unearths a riveting, little- at the University of Texas at Austin the University of Texas at Austin, for nearly fifty years before his retire- where she currently teaches. She is hardcover known history whose impact continues to ripple at the capitol. ment in 2010. His many previous also on the faculty of Austin Com- ISBN 978-1-4773-1947-5 books include Hood, Bonnet, and munity College. $45.00* Little Brown Jug and Daniel Web- e-book ster and the Politics of Availability.

90 University of Texas Press | fall 2019 University of Texas Press | fall 2019 91 Tower Books is named in honor of the University of Texas at Austin’s most prominent landmark. Acting as a consultant and publisher, the University of Texas Press partners with colleges, schools, and other divisions of the university to produce institu- tional histories, commemorative anniversary editions, exhibition catalogues, and similar volumes under the Tower Books imprint. tower books

Main Mall through trees with students and Battle Hall | tower books |

An exhibition catalog featuring the artwork of Charles White, an influential and beloved artist, educator, and activist

THE GORDON GIFT TO THE UNIVERSITY OF TEXAS

The Blanton Museum of Art Charles White The Gordon Gift to The University of Texas

Ed ited by Veronica Roberts With essays by Esther Adler, Carter E. Foster, Edmund T. Gordon, Edmund W. Gordon, Rudolph H. Green, Ashley James, John P. Murphy, Jared Quinton, Veronica Roberts, Cherise Smith, and Phillip A. Townsend

Charles White (1918–1979), one of the twentieth century’s most accomplished and innovative draftsmen, was also highly re- garded as an educator and activist. His life spanned the Great Depression and the WPA era as well as the civil rights movement and the early days of feminism, movements that he not only actively participated in but also shaped. This catalog celebrates the artist’s remarkable career and legacy and the generous gift of artworks to Veronica Roberts The University of Texas from Susan G. and Edmund W. Gordon, life- Austin, Texas long friends of White and his wife, Frances. In addition to essays on each of the twenty-three works of art A curator of modern and contem- porary art at the Blanton, Roberts owned by The University of Texas and an interview with Edmund edited and contributed essays to Gordon and his son, Ted Gordon, the catalog includes first-person Nina Katchadourian: Curiouser tributes to White from artists, writers, actors, activists, and stu- (2017) and Converging Lines: Eva dents whose lives he touched, including fellow artists Margaret Hesse and Sol LeWitt (2014). Burroughs and Alice Neel; singer Harry Belafonte; poet Langston release date | september Hughes; and former students David Hammons, Kent Twitchell, and 9 7/8 x 12 inches, 224 pages, 85 Kerry James Marshall. illustrations

ISBN 978-1-4773-2002-0 $29.95 | £23.99 | C$44.95 paperback

Harriet, 1972 (Black Studies at UT Austin) 94 University of Texas Press | fall 2019 University of Texas Press | fall 2019 95 | tower books |

A fascinating memoir by a passionate bibliophile and pioneering venture capitalist

The Harry Ransom Center Beyond Market Value A Memoir of Book Collecting and the World of Venture Capital by Annette Campbell-White

Beyond Market Value chronicles Annette Campbell- White’s remarkable life, from a childhood spent in remote mining camps throughout the British Commonwealth, where books cre- Frontispiece from T. S. Eliot’s A Song for Simeon ated an imaginary home; to her early adulthood in London, where she first discovered a vocation as a book collector; to Silicon Valley, where she built a pioneering career as a formidable venture capital- ist. She recalls the impulsive purchase of the first book in her collec- tion, T. S. Eliot’s A Song for Simeon, and her pursuit of rare editions of all one hundred titles listed in Cyril Connolly’s The Modern Move- Annette Campbell-White ment. Campbell-White’s collecting and career peaked in 2005, when Oakland, California she acquired the last of the Connolly titles and was first named to Annette Campbell-White was the Forbes’ Midas List, the annual ranking of the most successful deal- first biotechnology analyst on Wall makers in venture capital. Street and the first female partner In 2007, out of concern for their preservation, Campbell-White at Hambrecht & Quist, a lead- release date | september ing investment banking firm. She rashly sold the Connolly titles she had spent more than twenty years 7 x 10 inches, 240 pages, 8-page founded MedVenture Associates, a assembling, leading to a new appreciation of what remained of her color insert venture capital business that, over collection and, going forward, a broader focus on collecting modern- ISBN 978-1-4773-1935-2 time, created more than $5 billion ist letters, manuscripts, and ephemera. Beyond Market Value is both $29.95 | £23.99 | C$44.95 in cumulative value. She appeared a loving tribute to literary collecting and a telling account of the chal- hardcover on Forbes’ Midas List from 2005– 2007. She is a committed supporter lenges of being a woman in the male-dominated world of finance. ISBN 978-1-4773-1937-6 of the arts, having established the $29.95 Jules Barthélémy Péaron’s poster for Verlaine’s first published Kia Ora Foundation in 1997. collection of verse, Poèmes saturniens (1866) e-book

96 University of Texas Press | fall 2019 University of Texas Press | fall 2019 97 journals

Photograph of Project Pigeon from the Burrhus Frederic Skinner Papers at Harvard University Archives. From JCMS. | journals | Asian Music Information & Culture Information & Culture Information Editor: Ricardo D. Trimillos Information Editor: Ciaran B. Trace Culture& University of Texas at Austin Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, A Journal of History Information & Culture: A Journal of History publishes 0 UBR1 WINTER/SPRING 50 NUMBER 1 E M U L O V publishing all aspects of the performing arts of Asia and their cul- high-quality, peer-reviewed articles on topics related to the history of tural context. information. In keeping with the spirit of information studies, the work Volume 54 is human centered and explores the interactions of people, organiza- O 1Number tions, and societies with information and technologies. Social and cul- tural context of information and information technology, viewed from O 2019 2019 VOLUME 50 NUMBER 1 WINTER/SPRING 2019 a historical perspective, is at the heart of the journal’s interests. JOURNAL OF THE SOCIETY FOR ASIAN MUSIC

Volume 54 O Number 1 O 2019 University of Texas Press

Semiannual Triannual ISSN 0044-9202 ISSN 2164-8034 individuals $38/yr individuals $56/yr institutions $90/yr institutions $230/yr students $30/yr students/retired $40/yr JOURNAL OF THE HISTORY SEXUALITY Diálogo JOURNAL OF THE

Volume 22 Number 1 Spring 2019 Center for Latino Research, DePaul University University of Texas Press University DePaul forResearch, Latino University Center 2019 Spring Number 1 Volume 22 Diálogo Journal of the INTERVIEW HISTORY Entre las grietas de la ciudad surge una vida por desborde: una entrevista al artista visual mapuche Eduardo Rapimán, Andrea Echeverría Diálogo OF ARTICLES Los paisajes de la memoria mapuche en Parias zugun de Adriana Paredes Pinda, Andrea Echeverría An Interdisciplinary Studies Journal Editor: Elizabeth C. Martínez Published for the Center for Latino Research at DePaul University Non rao nete (nuestro mundo medicinal): La medicina visionaria del pueblo shipibo y su relación con los seres vivos, by the University of Texas Press Pedro Favaron and Astrith Gonzales Volume 22 Number 1 Spring 2019 SEXUALITY Poetics and Politics of Indigenous-Language Literatures in Mexico and Colombia: Forms of Protest and Resistance, Wendy Call and Luz María Lepe Lira History of Sexuality DePaul University VOLUME 28 NUMBER 1 JANUARY 2019 Los dueños de los minerales: Documentos y documentales contra el extractivismo en Abya Yala, Juan G. Sánchez Martínez Los comunicados y las políticas de autorrepresentación amazónico-peruanas, Andrea Elvira Cabel García Poesía quechua peruana y antiextractivismo entre 2009–12, Ulíses Juan Zevallos-Aguilar

REFLECTIONS/REFLEXIONES El Sumak Kawsay (buen convivir) y Ars Industrialis (economía del cuido y la colaboración), Juan Duchesne Winter Crónicas actuales, Macedonio Villafán Broncano Diálogo: an Interdisciplinary Studies Journal is published Editor: Annette Timm La mina desde la visión cultural spiritual de los pueblos K’anas quechuas, Urpi Adela Carlos Ríos VOLUME 28 NUMBER 1 La memoria de la tierra sagrada, Liliana Ancalao Meli Relación entre los Ñuu savi y el Territorio en la Montaña de Guerrero: La vida comunitaria ante el extractivismo, Edith Herrera Martínez with support from DePaul University’s College of Liberal Arts and University of Calgary Comunicado de apoyo al Pueblo Mapuche, Liliana Ancalao Meli and Adriana Paredes Pinda Es hora de escuchar a la Madre Tierra, Llamado de los Pueblos Originarios ABOUT THE ARTISTS Social Sciences and the Office of the Provost. Diálogo is a refereed Brus Rubio Jeisson Castillo

RINCÓN CREATIVO

By Juan Pío Mamani Chambi, Mikeas Sánchez, Kimberly Blaeser, Kim Shuck and Omar Aramayo, Humberto journal published since 1996 that seeks research and reflection articles JANUARY 2019 PAGES 1–172 The Journal of the History of Sexuality spans geograph- Ak’abal, Gaspar Pedro González, Ch’aska Eugenia Anka Ninawaman, Rayen Kvyeh, Andrew Judge, Judith Santopietro, Hernán Hurtado Trujillo, María Teresa Panchillo Nekulwual, and Gloria Cáceres Vargas

BOOK/FILM/MEDIA REVIEWS By Hannah Palmer, Miguel Rocha Vivas, Juan G. Sánchez Martínez, Daniel Castelblanco, and Omar Aramayo of regional and hemispheric contexts with a focus on diverse Latin ic and temporal boundaries, providing a much-needed forum for American, US Latino, and Indigenous populations and experiences, historical, critical, and theoretical research in its field. Its cross- ISSN 1090-4972 (print) recent immigration, and places of origin. Diálogo publishes articles cultural and cross-disciplinary character brings together original Diálogo2201-CVR.indd a 1/1/19 11:32 PM that help bridge barriers between academic and local communities, UNIVERSITY OF TEXAS PRESS articles and critical reviews from historians, social scientists, and book and film/media reviews, and interviews pertinent to Latino humanities scholars worldwide. communities in the US, the Caribbean, and Latin America. Triannual Semiannual ISSN 1043-4070 ISSN 1090-4972 individuals $63/yr individuals $60/yr institutions $390/yr institutions $120/yr students $42/yr

100 University of Texas Press | fall 2019 University of Texas Press | fall 2019 101 | journals | Latin American Music Review

UNIVERSITY OF TEXAS PRESS Revista Latin JCMS: JOURNAL OF CINEMA AND MEDIA STUDIES JCMS: Journal of CinemaPO BOX 7819 ■ AUSTIN, TX 78713 de Música American Latin American Latino Music • Transnational Science Fiction at the End Americana Review of the World: Consensus, Conflict and the volume 39: number 2 ■ fall/winter 2018 Politics of Climate Change Neil Archer • and Media Studies UNIVERSITY OF TEXAS PRESS Music Review Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo Maria Flood • A Global Cinematic Experience: Cinépolis,

■ Film Exhibition, and Luxury Branding Editor: Caetlin Benson-Allott Editor: Robin D. Moore volume 39: number 1 Juan Llamas-Rodriguez • On the Concept of Setting: A Study of V. F. Perkins Seth Barry Georgetown University University of Texas at Austin Watter • A Dark Exilic Vision of 1960s Britain: Gothic Horror and Film Noir Pervading Losey and Pinter’s The Servant

In January 2018, the members of the Society for Cinema Latin American Music Review explores the historical, ■ Christopher Weedman • Paulin Soumanou fall/winter 2018 fall/winter Vieyra in Translation translated by Mélissa and Media Studies voted decisively to change the name of their scholarly ethnographic, and sociocultural dimensions of Latin American mu- Gélinas • In Focus: What’s So Funny about SPRING 2019 Comedy and Humor Studies? • edited by Maggie publication to JCMS: Journal of Cinema and Media Studies. JCMS will sic in Latin American social groups, including the Puerto Rican, Hennefeld, Annie Berke, and Michael Rennett pursue the same mission as Cinema Journal—publishing the best work Mexican, Cuban, and Portuguese populations in the United States. | 58:3

on audiovisual media by SCMS members—and continue its rich historyCOVER: TK of Articles are written in English, Spanish, or Portuguese. conscientious self-examination and cutting-edge scholarship. Indeed, it is precisely because of this history that the journal’s name needed to change.

Semiannual Quarterly ISSN 0163-0350 ISSN 2578-4900 I ndividuals $46/yr individuals $60/yr Institutions $174/yr institutions $264/yr VOLUME 75, NUMBER 1 Studie THE JOURNAL OF The Journal of Studies in Latin American S INDIVIDUAL in

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a Latin american merican PoP ular Culture Editors: Jon Sperry, Lynn University Volume 36 2018 Editor: Melissa A. Fitch

university of texas press and Len Sperry, Florida Atlantic University Po The University of Arizona P ular Culture The Journal of Individual Psychology provides a forum Studies in Latin American Popular Culture, an annual for the finest dialogue on Adlerian practices, principles, and theo- interdisciplinary journal, publishes articles, review essays, and inter-

PUBLISHED BY THE UNIVERSITY OF TEXAS PRESS retical development. Articles relate to theoretical and research is- views on diverse aspects of popular culture in Latin America. Since its for

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sues as well as to concerns of practice and application of Adlerian inception in 1982, the journal has defined popular culture broadly as THE NORTH AMERICAN SOCIETY OF ADLERIAN PSYCHOLOGY

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published by the university of texas press SPRING 2019 Texas Studies in Literature and Language Texas Studies in 83 The Velvet Light Trap the velvetthe trap light

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61.1 Spring 2019 61.1 Spring the a critical journal of film & television velvet The Velvet Light Trap offers critical essays on sig- PUBLISHED BY THE UNIVERSITY OF TEXAS PRESS Literature and TSLL light trap nificant issues in film studies while expanding its commit- ment to television as well as film research. Each issue pro- SPRING 2019 61.1

CHRISTOPHER J. vokes debate about critical, theoretical, and historical topics STUART Sedgwick’s “Reading Language Marcher Straight” PAGE 1 relating to a particular theme. JESSE RUSSELL Geoffrey Hill and the Holocaust PAGE 28 Editors: Douglas Bruster and James Cox The Velvet Light Trap is edited at the University of Wiscon-

BRENDEN O’DONNELL Gore Vidal’s Moral University of Texas at Austin sin at Madison and the University of Texas at Austin, with the Program PAGE 49

LINDSAY MUNNELLY James’s The Spoils | 2019 83 number support of media scholars at those institutions and throughout of Poynton PAGE 72 Texas Studies in Literature and Language is an estab- the country. lished journal of literary criticism publishing substantial essays re-

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2019 Number 1 journal features articles and book reviews. The University of Tex- march 2019 Latin America and the Caribbean. PUBLISHED BY THE UNIVERSITY OF TEXAS PRESS as Press publishes the journal for UT Austin’s Center for Mexican American Studies (CMAS) with support by the Voces Oral History Triannual Project at the university’s School of Journalism. ISSN 1545-2476 individuals $70/yr Annual institutions $120/yr ISSN 2574-0180 students $20/yr Individuals $43/yr latin american residents Institutions $130/yr $20/yr

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108 University of Texas Press | fall 2019 University of Texas Press | fall 2019 109 | staff | | Index by Author |

Photo credits Allen, Harrigan, University of Texas Press pages 9–10 Bea Nettles ...... 36 The Eye of the Mammoth . . . 11 (512) 471-7233 • fax (512) 232-7178 • isbn prefixes 978-0-292- and 978-1-4773- Alvarez, Hesse, Page 9: 1. Barbara Jordan, Frank Wolfe/LBJ Library Border Land, Border Water . . . 56 Bowie ...... 26 Visit us online at www.utexaspress.com 2. Moon landing, NASA 3. Dallas, early 1960s, Briscoe Austin & Hamilton, Hurtado, 4. 1849 Alamo daguerreotype, Briscoe meXicana Fashions . . . . . 58 director’s office design and production business 5. George W. Bush, WTC, G. W. Bush Library All New, All Different? . . . . 74 6. Spindletop, Briscoe McCann, David Hamrick Dustin Kilgore Lizbeth Lynch 7. Selena, John Dyer Bowden, 8. George H. W. Bush, Getty Handbook of Latin American Director Design and Production Chief Financial Officer 9. Bullet holes from the Tower shooting, Dakotah ...... 12 Briscoe Studies, Vol. 73 ...... 69 Allison Faust Manager Kristin Duvall 10. Ann Richards, Getty Brown, Assistant to the Director tbd Royalty and HR Manager 11. Lead Belly, Library of Congress Meeks, 12. Quanah Parker, Library of Congress Biscuits, the Dole, and Border Citizens ...... 57 Victoria Corcoran Designer Linda Ramirez 13. LBJ taking oath of office, Cecil Stoughton/LBJ Library Nodding Donkeys ...... 90 Development Officer Sarah Mueller Accounts Payable Manager 14. John Pershing, Pancho Villa & Álavaro Moreiras, Production Coordinator Jennifer Nuzzo Obregon, Briscoe Broyles, Against Abstraction . . . . .66 acquisitions 15. Roger Staubach and Tom Landry, Getty America’s Most Alarming Cassandra Cisneros Accounts Receivable 16. Terry’s Texas Rangers, Fort Bend Orozco, History Assoc. Writer ...... 32 Robert Devens Design and Production Manager 17. Waddies on the trail, Library of Congress Agent of Change ...... 60 Assistant Director and Assistant Dawn Bishop, Kate Shannon Page 10: Campbell-White, Peterson, Editor-in-Chief Simon Renwick Order Processing/ 18. LBJ campaigning for Senate, Austin 96 American-Statesman/LBJ Library Beyond Market Value . . . . . The Florentine Codex . . . . 62 Jim Burr, Kerry Webb Marketing Designer Customer Service 19. Edna Ferber, Getty Senior Editors 20. Judge Roy Bean, DeGolyer/SMU Cant, Picou & Nicholls, sales and marketing warehouse 21. Two future presidents, G. W. Bush Library 80 Caught in the Path E. Casey Kittrell 22. John Bell Hood, National Archives The Value of Aesthetics . . . . 23. Bonnie & Clyde, Library of Congress of Katrina ...... 78 Sponsoring Editor Gianna LaMorte Paul Guerra 24. Georgia O’Keeffe, O’Keeffe Museum Dann, Sarah McGavick Assistant Director and Warehouse Supervisor 25. Braceros, Getty Price, 26. Ross Perot, Briscoe Guitar King ...... 22 Assistant Editor Sales and Marketing Manager David Guerrero, Rey Renteria, 27. 1977 National Women’s Conference, Earl Campbell ...... 18 Houston Chronicle de Grummond, Andrew Hnatow Bob Barnett Ramon Zazueta 28. Klan rally, Fort Bend History Assoc. Roberts, Cetamura del Chianti . . . .76 Editorial Assistant National Sales Manager Warehouse Staff 29. Larry McMurtry, Fondren/Rice University 94 30. Davy Crockett, Ransom Center Charles White ...... Cameron Ludwick 31. Audie Murphy, The State Preservation Elfenbein, copyediting journals Board, Austin Rueda, Publicity and 32. Lee Harvey Oswald, Briscoe Engendering Revolution . . . 65 Students of Revolution . . . . 68 Robert Kimzey Communications Manager Christopher Farmer 33. Norma McCorvey, aka Jane Roe, Bill Janscha/AP Fakhreddine, Shurley, Todd, & Todd, Managing Editor Demi Marshall Journals Manager 34. Sam Houston, Library of Congress 35. Henry B. González, Briscoe The Sky That Denied Me . . . 84 Strength Coaching Lynne Chapman Exhibits and Advertising Karen Broyles, Stacey Salling 36. Lady Bird Johnson, Austin American- in America ...... 72 Senior Manuscript Editor Manager Journals Production Editors Statesman/LBJ Library Foda, Bruce Bethell Bailey Morrison Elizabeth Locke Egypt’s Beer ...... 82 Smith, Michael Ray Charles . . . . 4. 0 Manuscript Editor Website and Digital Journals Customer Service Gitre, Marketing Coordinator & Circulations information systems Acting Egyptian ...... 83 Smith, Joel Pinckney No Way but to Fight . . . . .44 rights and permissions González, William Bishel Publicity and Promotions Stoops, Quinceañera Style ...... 61 Assistant Director and Assistant For rights inquiries, contact Texas Seafood ...... 88 Information & Business tbd [email protected] Goodman, Tenorio-Trillo, Systems Manager Marketing Assistant 30 Why Lhasa de Sela Matters . . . Clio’s Laws ...... 64 Sharon L. Casteel Angelica Lopez-Torres Grant & Henderson, Digital Publishing Manager International Rights Manager Varol, UT Press belongs to the Comics and Pop Culture . . . 75 Wûf ...... 85 Peggy Gough Association of University Presses. Rights & Permissions Visit the AUP website, Harrigan, Wallace, Coordinator www.aupresses.org Big Wonderful Thing . . . . . 6 Road Sides ...... 14

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