West Germany's Early Dealings with Plastic Waste
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Otto Klemperer Curriculum Vitae
Dick Bruggeman Werner Unger Otto Klemperer Curriculum vitae 1885 Born 14 May in Breslau, Germany (since 1945: Wrocław, Poland). 1889 The family moves to Hamburg, where the 9-year old Otto for the first time of his life spots Gustav Mahler (then Kapellmeister at the Municipal Theatre) out on the street. 1901 Piano studies and theory lessons at the Hoch Conservatory, Frankfurt am Main. 1902 Enters the Klindworth-Scharwenka Conservatory in Berlin. 1905 Continues piano studies at Berlin’s Stern Conservatory, besides theory also takes up conducting and composition lessons (with Hans Pfitzner). Conducts the off-stage orchestra for Mahler’s Second Symphony under Oskar Fried, meeting the composer personally for the first time during the rehearsals. 1906 Debuts as opera conductor in Max Reinhardt’s production of Offenbach’s Orpheus in der Unterwelt, substituting for Oskar Fried after the first night. Klemperer visits Mahler in Vienna armed with his piano arrangement of his Second Symphony and plays him the Scherzo (by heart). Mahler gives him a written recommendation as ‘an outstanding musician, predestined for a conductor’s career’. 1907-1910 First engagement as assistant conductor and chorus master at the Deutsches Landestheater in Prague. Debuts with Weber’s Der Freischütz. Attends the rehearsals and first performance (19 September 1908) of Mahler’s Seventh Symphony. 1910 Decides to leave the Jewish congregation (January). Attends Mahler’s rehearsals for the first performance (12 September) of his Eighth Symphony in Munich. 1910-1912 Serves as Kapellmeister (i.e., assistant conductor, together with Gustav Brecher) at Hamburg’s Stadttheater (Municipal Opera). Debuts with Wagner’s Lohengrin and conducts guest performances by Enrico Caruso (Bizet’s Carmen and Verdi’s Rigoletto). -
37? M8/J S/0.3Sz
37? M8/J S/0.3SZ PAUL HINDEMITH AND NEUE SACHLICHKEIT: ZEITOPER IN THE WEIMAR REPUBLIC DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Kristine Helene Kresge, B.M., M.M. Denton, Texas May, 1992 37? M8/J S/0.3SZ PAUL HINDEMITH AND NEUE SACHLICHKEIT: ZEITOPER IN THE WEIMAR REPUBLIC DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Kristine Helene Kresge, B.M., M.M. Denton, Texas May, 1992 FOREWORD The vibrant cultural atmosphere of Berlin in the 1920s produced an unparalleled wealth of art, music and literature. As one of the leading young composers of his day, Paul Hindemith (1895-1963) was not immune to the trends and controversies surrounding him during his tenure as professor of composition at the Berlin Hochschule fur Musik. Opera as an art form was undergoing rapid changes. Aesthetic aims were being challenged and redefined. Along with Ernst Krenek and Kurt Weill, Hindemith was influenced by a new movement in the art world, Neue Sachlichkeit, which inexactly translated is "New Representationalism" or "New Objectivity." The term was first coined for an art exhibit in 1925 in Mannheim, and the results of the Neue Sachlichkeit philosophy are best seen in the works of the Bauhaus movement. This new aesthetic also exerted a direct influence upon the Zeitoper, which had its roots in the cabaret. Loosely defined as music theater which employs contemporary cultural references to music, politics, etc., Zeitoper as a genre was utilized by such diverse composers as Kurt Weill (Der Zar lasst sich photographieren [The Czar Gets His Picture TakenJ, 1928) and Ernst Krenek (Jonny spielt auf [Jonny strikes up], 1927). -
Otto Klemperer Archive [Finding Aid]. Library of Congress. [PDF Rendered
Otto Klemperer Archive Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2012 February Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu010027 LC Online Catalog record: http://lccn.loc.gov/2006560666 Processed by the Music Division of the Library of Congress Collection Summary Title: Otto Klemperer Archive Span Dates: 1792-1988 Bulk Dates: (bulk 1920-circa 1970) Call No.: ML31.K59 Creator: Klemperer, Otto, 1885-1973 Extent: 20,000 items ; 111 containers ; 29 linear feet Language: Collection material in English, German, and a small amount in Dutch Location: Music Division, Library of Congress, Washington, D.C. Summary: Conductor and composer. The archive documents Otto Klemperer's life and career. It contains manuscript and printed music, correspondence, family papers, writings by and about Klemperer, interviews, legal and financial documents, clippings, programs, photographic materials, materials related to the Kroll Opera, and books annotated by Klemperer and his daughter Lotte. The archive also contains production and resource materials, including scripts, interviews, background materials, and photographs, that Philo Bregstein used in making a documentary film about Klemperer's life and work. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Bregstein, Philo, 1932- Klemperer, Lotte. Klemperer, Otto, 1885-1973--Archives. Klemperer, Otto, 1885-1973--Correspondence. -
KURT WEILL NEWSLETTER Vol
KURT WEILL NEWSLETTER Vol. 2 No. 1 Spring 1984 Foundation Initiates Grants Program Early Weill Manuscripts Discovered The Board of Trustees is pleased to contain a detailed description of the On November 5, 1983, during the last announce the establishment of the project, a current resume of individuals day of the Kurt Weill Conference at Foundation's first grants program, de involved and/or a profile of purposes, Yale University, Foundation President signed to further its goals of promoting activities and past achievements of or Kirn Kowalke announced the discovery public understanding and appreciation ganizations, and an itemized statement of 14 early Weill manuscripts dating of the musical works of Kurt Weill. In of how the amom1t requested would be from 1916-19, with one fragment com 1984, the Foundation is accepting pro utilized. After applications have been posed possibly as early as 1911. Of the posals in five major categories related reviewed by the Foundation's staff, ad 14 manuscripts, 11 are of compositions to the perpetuation of Weill' s artistic ditional supporting materials may be W1known to have existed, or presumed legacy: requested for consideration by the Ad lost. Dr. Hanne Weill Holesovsky, l. Research Grants visory Panel on Grant Evaluations, daughter of Weill's brother Hanns, in 2. Publicatwn Assistance which will make recommendations to formed Lys Syrnonette in November, 3. Performance and Production Grants the Board of Trustees. Grants will be 1981, that her mother, Rita Weill (now 4. Dissertatwn Fellowships awarded on an objective and non-dis deceased), might possess a number of 5. Travel Grants criminatory basis.