The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

Total Page:16

File Type:pdf, Size:1020Kb

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat Thu, Jun 10, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 14:49 Wagner Overture to Tannhauser Philadelphia 03734 Sony 62403 074646240328 Orchestra/Ormandy 00:17:1916:10 Giuliani Rossiniana No. 1, Op. 119 David Russell 08180 Telarc 80525 089408052521 00:34:5924:50 Mozart Quintet in E flat for Piano & Brendel/Holliger/Brunn 12823 Philips 422 699 028942251427 Winds, K. 452 er/Baumann/Thunema nn 01:01:19 28:39 Strauss, R. Dance Suite from harpsichord Dresden State 11226 EMI 64350 077776435022 pieces by Francois Couperin Orchestra/Kempe Classics 01:31:1315:46 Locatelli Concerto in E flat, Op. 7 No. 6 Amsterdam Bach 01991 Radio unavailabl N/A Soloists/Have Netherland e for sale s 01:47:5911:58 Aulin Three Water Colors Omnibus Wind 03023 Opus3 19304 739242019304 Ensemble 6 02:01:2723:34 Haydn Symphony No. 043 in E flat, Austro-Hungarian 04927 Nimbus 5531 710357553028 "Mercury" Haydn Orchestra/Fischer 02:26:0124:11 Ponce Sonata romantica Joseph Pecoraro 05167 The N/A 783707205823 Orchard 02:51:12 08:43 Vivaldi Violin Concerto in D, Op. 3 No. Carmirelli/I Musici 00240 Philips 412 128 02894121282 9 03:01:2515:33 Ibert Festival Overture French National Radio 07193 Musical 514364 717794436426 and TV Heritage Orchestra/Martinon Society 03:17:5825:31 Novak Toman and the Wood Nymph, BBC 07049 Chandos 9821 095115982129 Op. 40 Philharmonic/Pesek 03:44:2915:50 Beethoven Piano Sonata No. 6 in F, Op. Jonathan Biss 12332 JB 15029 889176279966 10 No. 2 Recordings 04:01:4910:37 Albinoni Oboe Concerto in B flat, Op. 9 Pierlot/I Solisti 01884 Erato 55036 08908850362 No. 11 Veneti/Scimone 04:13:2621:30 Rachmaninoff The Isle of the Dead, Op. 29 BBC Welsh 02803 Nimbus 5344 083603534424 Symphony/Otaka 04:35:5623:57 Suk Serenade for Strings in E flat, Orpheus Chamber 10084 DG 447 109 028944710922 Op. 6 Orchestra 05:01:2307:43 Mozart Overture to Lucio Silla, K. 135 Academy of Ancient 00765 L'Oiseau 417 592 028941759221 Music/Hogwood Lyre 05:10:0619:30 Rossini Ballet Music from Otello Monte-Carlo Opera 01729 Philips 422 843 028942284326 Orchestra/Almeida 05:30:3610:28 Frederick the Recorder Sonata in B flat Petri/Petri/Petri 01252 RCA Red 7749 07863577492 Great Seal 05:42:0406:13 Gershwin Three Preludes Shaham/Previn 05063 DG 453 470 028945347028 05:49:12 10:13 Fill Music: announcer selects 06:01:0008:19 Telemann Concerto in G "in the Polish Academy of Ancient 00409 L'Oiseau 411 949 028941194923 style" Music/Hogwood Lyre 06:10:3405:04 Elgar Aubade from Nursery Suite Hallé Orchestra/Elder 13264 Hallé 7548 506500134155 7 06:16:5307:34 Sor Variations on a Theme by Christopher Parkening 00856 EMI 49404 077774940429 Mozart, Op. 9 06:25:4213:24 Rameau Fifth Concert (for harpsichord Podger/Pinnock/Manso 10421 Channel 6212 723385621225 and strings) n Classics 06:40:4108:24 Moncayo Huapango Festival Orchestra of 11445 Naxos 8.550838 730099583824 Mexico/Batiz 06:50:2009:36 Saint-Saëns Havanaise, Op. 83 Chang/Philadelphia 03506 EMI 55026 724355502629 Orchestra/Sawallisch 07:01:3109:23 Mendelssohn String Symphony No. 02 in D English String 01460 Nimbus 5141 083603514129 Orchestra/Boughton Thu, Jun 10, 2021 - The Classical Station, WCPE 2 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 07:12:09 07:55 Vivaldi Trumpet Concerto in B flat, RV Nakariakov/Saint Paul 03777 Teldec 10788 706301078822 548 Chamber Orchestra/Wolff 07:21:1906:46 Schubert 5th mvt (Menuetto allegretto) Mozzafiato/L'Archibud 03685 Sony 66264 074646626429 from Octet in F, D. 803 elli 07:29:2008:03 Chadwick Jubilee from Symphonic Cincinnati Pops/Kunzel 01458 Telarc 80144 089408014420 Sketches 07:38:5806:55 Chabrier Bouree fantastique French National 00635 Erato 88018 326965880182 Orchestra/Jordan 8 07:47:0805:46 Bach Sarabande from Partita No. 4 Angela Hewitt 04572 Hyperion 67191/2 034571171913 in D, BWV 828 07:54:0905:54 Beethoven Finale (Allegro molto) from Blair Quartet 03066 Warner 45855 093624585527 String Quartet No. 9 in C, Op. Bros. 59 No. 3 08:01:3804:23 Mozart Overture to The Marriage of Orchestra of the 18th 07758 Philips 426 231 028942623125 Figaro, K. 492 Century/Bruggen 08:07:16 08:14 Bond Concerto No. 4 in C minor Parley of Instruments 02385 Hyperion CDA6646 034571164670 /Goodman 7 08:16:4511:25 Smetana Three Dances from The Cleveland 00728 Sony 36716 07464367162 Bartered Bride Orchestra/Szell 08:30:10 09:39 Chopin Three Mazurkas, Op. 59 Martha Argerich 05320 EMI 56805 724355680525 08:41:0404:17 Bach, W.F. Allegro from Trio Sonata in A Stern/Rampal/Parnas/ 03681 Sony 64509 07464645092 minor Ritter 08:46:3604:14 Williams Liberty Fanfare Boston Pops/Lockhart 06670 Boston 0003 828020000325 Pops Recordings 08:52:05 07:20 Fill Music: announcer selects 09:01:1521:01 Weber Clarinet Concerto No. 1 in F Meyer/Dresden State 02274 EMI 47351 077774735124 minor, Op. 73 Orchestra/Blomstedt 09:23:3112:38 Dvorak Scherzo capriccioso, Op. 66 Oslo 02225 EMI 49995 077774999526 Philharmonic/Jansons 09:37:3921:40 Chaminade Piano Trio No. 1 in G minor, Rembrandt Trio 03384 Dorian 90187 053479018724 Op. 11 10:01:0927:21 Prokofiev Peter and the Wolf, Op. 67 Royal 00602 Telarc 80126 089408012624 Philharmonic/Previn 10:30:0029:18 Rodrigo Concerto Madrigal for two P. & A. 00861 Philips 400 024 028940002427 guitars and orchestra Romero/Academy SMF/Marriner 11:01:0835:21 Mozart Piano Concerto No. 22 in E flat, de Larrocha/Vienna 00657 London 410 140 028941014023 K. 482 Symphony/Segal 11:37:44 08:40 Dvorak Dumka and Furiant, Op. 12 William Howard 02368 Chandos 9044 095115904428 11:47:3902:06 Ponce Preludio in E Christopher Parkening 05152 Angel 56730 724355673008 11:50:4508:56 Berlioz Roman Carnival Overture, Op. London 00547 Philips 416 430 028941643025 9 Symphony/Davis 12:01:31 03:12 Lyapunov "Lullaby" from Twelve Bertrand Chamayou DownloadErato 01902952 n/a Transcendental Etudes, Op. 42435 11" 12:05:5814:25 Danzi Wind Quintet in G minor, Op. Vienna Quintet 03885 Nimbus 5479 710357547928 56 No. 2 12:21:3812:24 Mielczewski Canzona prima a 2 Tutti e solo Chamber 03744 Dorian 80136 751758013629 Ensemble 12:35:32 07:32 Fill Music: announcer selects 12:44:1915:06 Schumann Papillons, Op. 2 Vladimir Ashkenazy 01129 London 414 474 028941447425 13:01:1515:48 Tchaikovsky Capriccio italien, Op. 45 Minnesota 04809 Reference 80 030911108021 Orchestra/Oue Recordings Thu, Jun 10, 2021 - The Classical Station, WCPE 3 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 13:18:33 12:30 Haydn, M. Symphony No. 15 in D Slovak Chamber 02578 CPO 999 154 761203915422 Orchestra/Warchal 13:32:3314:51 Elgar Cockaigne Overture (In London BBC Symphony/Davis 02671 Erato 94809 745099480929 Town,) Op. 40 13:48:54 10:19 MacDowell Two Fragments after the Song Royal 01381 Library of 104 N/A of Roland, Op. 30 Philharmonic/Krueger Congress 14:01:0321:12 Telemann Suite in D for Viola da Gamba Cunningham/Orch Age 03094 Harmonia 7045 093046709327 and Strings Enlightenmt/Huggett Mundi 14:23:45 25:49 Gade Symphony No. 8 in B minor, Stockholm 00888 Svensk 399 n/a Op. 47 Sinfonietta/Jarvi 14:51:0408:48 Graupner Bassoon Concerto in G Smith/English 02517 ASV 681 501197506812 Chamber 9 Orchestra/Ledger 15:01:4228:41 Dvorak Serenade in E for Strings, English Chamber 04221 Seraphim 69110 724356911024 Op.22 Orchestra/Barenboim 15:31:5303:34 Bach Sheep May Safely Graze from Ma/Amsterdam 07015 Sony 93927 82796939720 Cantata 208 Baroque Classical Orchestra/Koopman 15:36:5722:29 Saint-Saëns Violin Sonata No. 1 in D minor, Bachmann/Neiman 11021 Bridge 9394 090404939426 Op. 75 16:00:41 09:25 Rossini Overture to The Thieving National 00370 London 443 850 028944385021 Magpie Philharmonic/Chailly 16:11:0109:00 Lecocq Finale and Donkey Polka from National 00266 London 411 898 02894189820 Mam’zelle Angot Ballet Philharmonic/Bonynge 16:20:56 07:01 Tchaikovsky Scherzo from Orchestral Suite USSR 01230 Melodiya 278825/2 314902338825 No. 1 in D minor, Op. 43 Symphony/Svetlanov 6 6 16:28:5208:05 Albinoni Oboe Concerto in B flat, Op. 7 Holliger/I Musici 04024 Philips 432 115 028943211529 No. 3 16:38:12 04:40 Chopin Prelude in D flat, Op. 28 No. 15 Nelson Freire 03726 Sony 62415 074646241523 "Raindrop" Classical 16:43:4707:41 Thomas Overture to Raymond New York 01302 CBS 37240 07464372402 Philharmonic/Bernstein Records 16:52:23 07:28 Sarasate Scottish Airs, Op. 34 Pine/Scottish Chamber 04789 Cedille 083 735131908320 Orchestra/Platt 17:01:0611:44 Copland El Salon Mexico Detroit 11438 Naxos 8.559758 636943975824 Symphony/Slatkin 17:13:45 06:31 Joplin Bethena (A Concert Waltz) Perlman/Previn 03076 EMI 47170 077774717021 17:21:1102:35 Beethoven 1st mvt (Allegro con brio) from Gallois/Seo 13638 Naxos 8.578358 747313835874 Flute duo in G 17:24:4104:07 Brahms Hungarian Dance No. 4 in F Vienna 00634 DG 410 615 028941061522 sharp minor Philharmonic/Abbado 17:30:0308:32 Waldteufel Dolores (A Waltz) Orchestra of the 01139 Philips 400 012 028940001222 Vienna People's Opera/Bauer-Theussl 17:39:3008:08 Rimsky-Korsak Overture to May Night Rotterdam 00627 Philips 411 446 028941144621 ov Philharmonic/Zinman 17:48:33 11:18 Vivaldi Concerto in D, RV 94 Musical Offering 00269 Nonesuch 79067 N/A 18:01:0612:25 Bach Italian Concerto in F, BWV 971 Cyprien Katsaris 03611 Sony 66272 n/a Classical 18:14:2603:41 Mozart Overture to The Impresario, K.
Recommended publications
  • Correspondences – Jean Sibelius in a Forest of Image and Myth // Anna-Maria Von Bonsdorff --- FNG Research Issue No
    Issue No. 6/20161/2017 CorrespondencesNordic Art History in – the Making: Carl Gustaf JeanEstlander Sibelius and in Tidskrift a Forest för of Bildande Image and Konst Myth och Konstindustri 1875–1876 Anna-Maria von Bonsdorff SusannaPhD, Chief Pettersson Curator, //Finnish PhD, NationalDirector, Gallery,Ateneum Ateneum Art Museum, Art Museum Finnish National Gallery First published in RenjaHanna-Leena Suominen-Kokkonen Paloposki (ed.), (ed.), Sibelius The Challenges and the World of Biographical of Art. Ateneum ResearchPublications in ArtVol. History 70. Helsinki: Today Finnish. Taidehistoriallisia National Gallery tutkimuksia / Ateneum (Studies Art inMuseum, Art History) 2014, 46. Helsinki:81–127. Taidehistorian seura (The Society for Art History in Finland), 64–73, 2013 __________ … “så länge vi på vår sida göra allt hvad i vår magt står – den mår vara hur ringa Thankssom to his helst friends – för in att the skapa arts the ett idea konstorgan, of a young värdigt Jean Sibeliusvårt lands who och was vår the tids composer- fordringar. genius Stockholmof his age developed i December rapidly. 1874. Redaktionen”The figure that. (‘… was as createdlong as wewas do emphatically everything we anguished, can reflective– however and profound. little that On maythe beother – to hand,create pictures an art bodyof Sibelius that is showworth us the a fashionable, claims of our 1 recklesscountries and modern and ofinternational our time. From bohemian, the Editorial whose staff, personality Stockholm, inspired December artists to1874.’) create cartoons and caricatures. Among his many portraitists were the young Akseli Gallen-Kallela1 and the more experienced Albert Edelfelt. They tended to emphasise Sibelius’s high forehead, assertiveThese words hair were and addressedpiercing eyes, to the as readersif calling of attention the first issue to ofhow the this brand charismatic new art journal person created compositionsTidskrift för bildande in his headkonst andoch thenkonstindustri wrote them (Journal down, of Finein their Arts entirety, and Arts andas the Crafts) score.
    [Show full text]
  • Thursday Playlist
    February 20, 2020: (Full-page version) Close Window “Lesser artists borrow, great artists steal.” — Igor Stravinsky Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Liszt Hungarian Rhapsody No. 6 in D Budapest Festival Orchestra/Fischer Philips 456 570 028945657028 Awake! Symphony in D, "The Petrification of Phineus and 00:13 Buy Now! Dittersdorf Cantilena/Shepherd Chandos 8564/5 5014682856423 his Friends" 00:31 Buy Now! Haydn Symphony No. 076 in E flat Academy of Ancient Music/Hogwood BBC MM253 n/a Vonsattel/Sussmann/Swensen/O'Neill 01:01 Buy Now! Franck Piano Quintet in F minor Music@Menlo Live n/a 653738268220 /Finckel New York Chamber Music 01:35 Buy Now! Lully Suite ~ The Forced Marriage Dorian 90189 053479018922 Ensemble/Pederson 01:45 Buy Now! Mozart Fantasia in C minor, K. 475 Lars Vogt EMI 36080 094633608023 02:00 Buy Now! Weber Overture ~ Der Freischutz Philharmonia/Klemperer EMI 13073 n/a 02:11 Buy Now! Strauss, R. 2nd mvt (Andante) ~ Cello Sonata in F, Op. 6 Coppey/le Sage Harmonia Mundi 911550 794881314324 02:20 Buy Now! Mendelssohn Symphony No. 3 in A minor, Op. 56 "Scottish" London Classical Players/Norrington EMI 54000 077775400021 Rimsky- 02:59 Buy Now! Ivan the Terrible National Philharmonic/Stokowski Sony Classical 62647 074646264720 Korsakov 03:04 Buy Now! Tchaikovsky The Seasons (orchestrated version) Moscow Chamber Orchestra/Orbelian Delos 3255 013491325521 03:48 Buy Now! Handel Concerto Grosso in G, Op. 6 No. 1 Guildhall String Ensemble/Salter RCA 7895 078635789522 04:01 Buy Now! Devienne Flute Concerto No.
    [Show full text]
  • Musicweb International December 2020 NAXOS RELEASES: LATE
    NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook).
    [Show full text]
  • [STENDHAL]. — Joachim Rossini , Von MARIA OTTINGUER, Leipzig 1852
    REVUE DES DEUX MONDES , 15th May 1854, pp. 731-757. Vie de Rossini , par M. BEYLE [STENDHAL]. — Joachim Rossini , von MARIA OTTINGUER, Leipzig 1852. SECONDE PÉRIODE ITALIENNE. — D’OTELLO A SEMIRAMIDE. IV. — CENERENTOLA ET CENDRILLON. — UN PAMPHLET DE WEBER. — LA GAZZA LADRA. — MOSÈ [MOSÈ IN EGITTO]. On sait que Rossini avait exigé cinq cents ducats pour prix de la partition d’Otello (1). Quel ne fut point l’étonnement du maestro lorsque le lendemain de la première représentation de son ouvrage il reçut du secrétaire de Barbaja [Barbaia] une lettre qui l’avisait qu’on venait de mettre à sa disposition le double de cette somme! Rossini courut aussitôt chez la Colbrand [Colbran], qui, pour première preuve de son amour, lui demanda ce jour-là de quitter Naples à l’instant même. — Barbaja [Barbaia] nous observe, ajouta-t-elle, et commence à s’apercevoir que vous m’êtes moins indifférent que je ne voudrais le lui faire croire ; les mauvaises langues chuchotent : il est donc grand temps de détourner les soupçons et de nous séparer. Rossini prit la chose en philosophe, et se rappelant à cette occasion que le directeur du théâtre Valle le tourmentait pour avoir un opéra, il partit pour Rome, où d’ailleurs il ne fit cette fois qu’une rapide apparition. Composer la Cenerentola fut pour lui l’affaire de dix-huit jours, et le public romain, qui d’abord avait montré de l’hésitation à l’endroit de la musique du Barbier [Il Barbiere di Siviglia ], goûta sans réserve, dès la première épreuve, cet opéra, d’une gaieté plus vivante, plus // 732 // ronde, plus communicative, mais aussi trop dépourvue de cet idéal que Cimarosa mêle à ses plus franches bouffonneries.
    [Show full text]
  • The Elgar Sketch-Books
    THE ELGAR SKETCH-BOOKS PAMELA WILLETTS A MAJOR gift from Mrs H. S. Wohlfeld of sketch-books and other manuscripts of Sir Edward Elgar was received by the British Library in 1984. The sketch-books consist of five early books dating from 1878 to 1882, a small book from the late 1880s, a series of eight volumes made to Elgar's instructions in 1901, and two later books commenced in Italy in 1909.^ The collection is now numbered Add. MSS. 63146-63166 (see Appendix). The five early sketch-books are oblong books in brown paper covers. They were apparently home-made from double sheets of music-paper, probably obtained from the stock of the Elgar shop at 10 High Street, Worcester. The paper was sewn together by whatever means was at hand; volume III is held together by a gut violin string. The covers were made by the expedient of sticking brown paper of varying shades and textures to the first and last leaves of music-paper and over the spine. Book V is of slightly smaller oblong format and the sides of the music sheets in this volume have been inexpertly trimmed. The volumes bear Elgar's numbering T to 'V on the covers, his signature, and a date, perhaps that ofthe first entry in the volumes. The respective dates are: 21 May 1878(1), 13 August 1878 (II), I October 1878 (III), 7 April 1879 (IV), and i September 1881 (V). Elgar was not quite twenty-one when the first of these books was dated. Earlier music manuscripts from his hand have survived but the particular interest of these early sketch- books is in their intimate connection with the round of Elgar's musical activities, amateur and professional, at a formative stage in his career.
    [Show full text]
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
    [Show full text]
  • The Italian Girl in Algiers
    Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music
    [Show full text]
  • Naxcat2005 ABRIDGED VERSION
    CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.
    [Show full text]
  • NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
    NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty.
    [Show full text]
  • Mauro GIULIANI Le Rossiniane Goran Krivokapić, Guitar Mauro Giuliani (1781–1829) Giuliani’S Six Rossiniane for Solo Guitar Are Fantasias Rossiniana No
    Mauro GIULIANI Le Rossiniane Goran Krivokapić, Guitar Mauro Giuliani (1781–1829) Giuliani’s six Rossiniane for solo guitar are fantasias Rossiniana No. 1, Op. 119 (c. 1820 –23) Le Rossiniane or potpourris (i.e. medleys) on themes taken from (Le Rossiniane, Part 1, Op. 119) Rossini’s operas. The first five are dated around 1820–23 Introduction (Andantino) – Otello , Act III. Scene e Mauro Giuliani, one of the great masters of the early 19th Seville , was written within three weeks. Nearly 40 stage during Giuliani’s time in Rome, and the last was published Romanza: Assisa a piè d’un salice (Desdemona) century, wrote a vast quantity of guitar music including works constitute his ultimate output, as well as sacred in 1827/28. At the time of composition the public would Andante grazioso – L’Italiana in Algeri , Act I, Scene 3. variations, sonatas, concertos, duets and studies. An music, cantatas, incidental music, hymns, choruses, have been well aware of the themes of Rossini’s music Cavatina: Languir per una bella (Lindoro) important part of his career was spent in Vienna where he miscellaneous vocal pieces and instrumental works, but nowadays only the more popular may be immediately Maestoso – L’Italiana in Algeri , Act I, Scene 5. Duetto: was well acquainted with Beethoven, Moscheles, among others. recognisable to an audience. However, the tunes are so Ai capricci della sorte (Isabella, Taddeo) Hummel, Mayseder, Spohr and other leading musicians Giuliani’s music was largely neglected by the leading strong and vivid that a first acquaintance with such Moderato – L’Italiana in Algeri , Act II.
    [Show full text]
  • THOMAS SØNDERGÅRD BBC National Orchestra of Wales Sibelius Menu
    THOMAS SØNDERGÅRD BBC National Orchestra of Wales Sibelius Menu Tracklist Credits Programme Note Biographies THOMAS SØNDERGÅRD BBC National Orchestra of Wales Jean Sibelius (1865 –1957) Symphony No. 1 in E minor, Op. 39 1. Andante, ma non troppo – Allegro energico ................................... 11:2 0 2. Andante ............................................................................................. 9:29 3. Scherzo: Allegro .................................................................................. 5:15 4. Finale (Quasi una fantasia): Andante – Allegro molto ..................... 12:06 Symphony No. 6, Op. 104 5. Allegro molto moderato .................................................................... 8:05 6. Allegretto moderato .......................................................................... 6:10 7. Poco vivace ....................................................................................... 4:04 8. Allegro molto .................................................................................... 10:11 Total Running Time: 66 minutes RECORDED AT POST-PRODUCTION BY BBC Hoddinott Hall, Cardiff, UK Julia Thomas 3–5 December 2014 COVER IMAGE BY PRODUCED BY Euan Robertson Philip Hobbs and Tim Thorne DESIGN BY RECORDED BY toucari.live Philip Hobbs and Robert Cammidge Produced in association with The BBC Radio 3 and BBC National Orchestra of Wales word marks and logos are trade marks of the British Broadcasting Corporation and used under licence. BBC logo © BBC 2017. ‘ like this type of Nordic Italianate
    [Show full text]
  • Ugo Guagliardo
    Ugo Guagliardo Bass A native of Palermo, Ugo Guagliardo is one of Europe’s most sought- after basses. In addition to his philosophy degree at the University of Pa- lermo, he graduated in piano and voice from the Conservatorio Vincenzo Bellini. Famed for the rich, full timbre of his voice and his acting abilities, he has won international recognition for his interpretations of Mozart, Bel Can- to and the Romantic repertoire. His debut as Alidoro in La Cenerentola at the Salzburg Festival in 2014, where he shared the stage with Cecilia Bartoli, was highly acclaimed by both the audience and the critics. Ugo has sung at many of the most renowned opera houses and festivals worldwide: Théâtre des Champs-Elysées, Opéra Royal du Château de Versailles, La Monnaie in Brussels, Opéra Royal de Wallonie-Liège, Teatro dell’Opera in Rome, Teatro Massimo in Palermo, Grand Théâtre de Ge- nève, Opernhaus Zürich, Salzburg Festival, National Centre for the Performing Arts in Beijing, Bunkamura Theatre in Tokyo, Rossini Opera Festival in Pesaro. Equally at home in both opera seria and buffa, Ugo Guagliardo has performed numerous Rossini opera roles including Alidoro (La Cenerentola) in Florence, Rome, Bruxelles, Strasbourg, Dresden, Tel Aviv; Lord Sidney (Il Viaggio a Reims) at Pesaro Rossini Opera Festival; Basilio (Il Barbiere di Sivi- glia) in Florence, Naples and Lugano; Le Gouverneur (Le Comte Ory) in Zurich; Assur (Semiramide) in Rome; Blansac (La Scala di seta) in Palermo and Paris; Orbazzano (Tancredi) in Bruxelles La Monnaie and Rossini in Wildbad Festival; Fernando (La Gazza ladra) in Bologna and Dresden.
    [Show full text]