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L1 the ORIGINALS 564 18 September 2016 Arnold Rypens

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L1 the ORIGINALS 564 18 September 2016 Arnold Rypens L1 THE ORIGINALS 564 18 september 2016 Arnold Rypens - Kirsten 3:26 1 Saturday Blues (Bracey) Victor ISHMAN BRACEY 2 Dit zijn The Originals bij L1 Radio, met pre-war bluesman Ishman Bracey en zijn Saturday Blues die je misschien ook van Guy Davis kan kennen. Zijn complete oeuvre is zoals voor alle pre-war blues die ertoe doet sedert jaar en dag voor een prikje beschikbaar op het Britse Document label, en nu ze daar besloten hebben te stoppen met heel die catalogus op cd's te blijven aanbieden maar enkel nog als downloads is de prijs per stuk nog eens flink naar beneden gegaan en dàt wilden we jullie toch even laten weten, sterker: we vullen een hele Originals aflevering uitsluitend met Document stuff. 3:08 2 Drop Down Mama (Estes) Champion SLEEPY JOHN ESTES 20 Drop Down Mama van Sleepy John Estes, bluesklassieker dankzij covers van Mississippi Fred McDowell, The North Mississippi Allstars, The Blues Band, John Hammond Jr., Big Joe Williams, diezelfde Guy Davis, Tony McPhee, Geoff Muldaur, Lucinda Williams en George Thorogood en bovendien tekstueel van invloed op Custard Pie van Led Zeppelin. Pre-war origineel en dus heruit op Document, net als de hele Sleepy John Estes catalogus waar we al eens eerder de krenten uit vistten. Eentje van de Memphis Jug Band uit 1929, opgevist door Harry Smith voor zijn fameuze Anthology of American Folk Music en alleen dààrdoor al ruim gecoverd, The K.C. Moan. 2:30 3 K.C. Moan (Blackman) Victor MEMPHIS JUG BAND 19 K.C. Moan van de Memphis Jug Band, achteraf ook van Cyril Davies, John Sebastian, Jim Kweskin, Geoff Muldaur en Bob Weir van Grateful Dead. Die band nam ook Stealin' Stealin' op van diezelfde Memphis Jug Band, net als The Yardbirds, Arlo Guthrie, Taj Mahal, Janis Joplin, Dave Van Ronk, Ralph McTell, Arno, Roland en Bob Dylan. 2:55 4 Stealin' Stealin' (Shade) Victor MEMPHIS JUG BAND 7 2:52 5 Crosscut Saw Blues (Harney) Document TONY HOLLINS L149 De enige echte originele Crosscut Saw Blues van Tony Hollins, het is te zeggen: dit is de oudste ooit opgenomen, maar kwam pas in 1992 aan het licht op een Document cd. De oudste ooit uitgebracht (voor Bluebird in 1941) is die van Tommy McClennan. 2:42 6 Crosscut Saw Blues (Harney) Bluebird TOMMY McCLENNAN 5 Crosscut Saw Blues, bekend vooral van Albert King en Eric Clapton, hier door Tommy McClennan, een meer dan onderschat figuur op de grens van country blues naar city blues. Mannen als Muddy Waters wisten zijn akoestische prototypen beter naar de elektrische markt om te zetten. Roll Me Baby. 3:02 7 Roll Me Baby (McClennan) Bluebird TOMMY McCLENNAN 16 2:54 8 Roll Me Over Baby (McClennan) Chess MUDDY WATERS B6 Roll Me Over Baby, Muddy Waters op Chess in Chicago in de sixties, Tommy McClennan's origineel is van 1942 en in de Delta nog steeds een wijdverspreide worksong zoals deze veldopname van Jim Dickinson bewijst: boomkapper Alec Teal in de nineties. 2:43 9 Roll Me Over Slow (McClennan) FanClub ALEC TEAL 2 2:32 10 The Banker's Blues (Broonzy) Gennett BIG BILL BROONZY 18 Big Bill Broonzy in 1930, één jaar na de beurscrash en het toepasselijke Banker's Blues. Rory Gallagher coverde dat op zijn Blueprint lp en het origineel staat mee op Big Bill's eerste Volume van zijn chronologische reeks bij Document Records die - ik herhaal - niet langer hun catalogus op fysieke cd's blijven aanbieden, enkel nog als downloads, tenzij je snel bent, want ze zijn hun magazijnen daar aan het leegmaken aan dumpingprijzen! Don't Tear My Clothes nam Big Bill Broonzy op als lid van The State Street Boys en ook dié opname is origineel: bij Professor Longhair achteraf werd dat Baby Let Me Hold Your Hand, bij The Animals Baby Let Me Take You Home en bij Bob Dylan Baby Let Me Follow You Down. 3:08 11 Don't Tear My Clothes (trad.) Vocalion STATE STREET BOYS 16 "You can pull me, you can push me, all night long, but pretty mama, don't you tear my clothes". Met andere woorden: Big Bill Broonzy zingt hier zowaar ook een embryonale versie van "don't step on my blue suede shoes"! En in Black, Brown & White ging hij als zwarte in Amerika zowaar de protest- toer op! Wat ginder zodanig controversieel was dat hij hiervoor naar Parijs moest uitwijken om het te kunnen uitbrengen: de eerste plaatopname van Black, Brown & White was op het Franse Vogue in 1951, maar omdat hij zijn song vier jaar eerder in New York introduceerde voor de radiomicrofoon van Alan Lomax geldt dàt als ons origineel. 2:19 12 Black, Brown & White (Broonzy) Rounder BIG BILL BROONZY 26 2:29 13 All By Myself (Broonzy) OKeh BIG BILL BROONZY L75 6 Big Bill Broonzy time in The Originals, wat hem trouwens nog nooit overkomen is; màg het daarom? All By Myself met Memphis Slim op piano werd later een hit voor Fats Domino (toegeschreven aan zichzelf & Dave Bartholomew). Net zoals Broonzy's You Better Cut That Out eerst door Sonny Boy Williamson, later door Junior Wells werd ingepikt, later ook gecoverd door The Red Devils. 14 You Better Cut That Out (Broonzy) OKeh BIG BILL BROONZY YT 3:04 15 Mean Old World (Broonzy) ARC BIG BILL BROONZY L80 4 Big Bill Broonzy's Mean Old World, wat via T-Bone Walker en Chuck Berry bij BB King terecht kwam, vandaar ook naar Canned Heat, Chicken Shack en Eric Clapton (op Layla, met Duane Allman). EINDAFK. Eentje om het af te leren: Big Bill Broonzy's Tell Me Baby werd eerst door Muddy Waters, later zelfs door The Rolling Stones opgenomen. Hun versie kwam per ongeluk uit op een Duitse compilatie (The Rest Of The Best) waar ze toen dachten met Tell Me te maken te hebben! 3:01 16 Tell Me Baby (Broonzy) OKeh BIG BILL BROONZY L130a 9 .
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