Broadside Hoot This Spring) Is Newspaper

Total Page:16

File Type:pdf, Size:1020Kb

Broadside Hoot This Spring) Is Newspaper I THE NATIONAL TOPICAL SONG MAGAZINE JUNE 1966 PRICE 50¢ ARTICLE BY CAHILLA ADAM:> "W'oody Guthrie: l\Ian. or :Jd:yth A CAl'll ID ~vORD PORTRAIT OF THE OKLAHOHA BALLADEER IN ~IS DAYS WITH THE ALHANAC SINGERS '" * '" '" '" * A SONG, 2 POEHS Pete Seeger POEH BY AL LEVINSON SONGS BY KAY COTHRAN DICK KOHLER FRAN TAYLOR & IRHA JURIST Ric ldasten l\fIike Kellin Len. Chandler l\I:ark Spoelstra - 2 - POETRY SECTION SUNDAY :r{E\V-S, MAY I 29, 1966\ SIGNS In CUBA . Puts Nation on Alert He"sain thllt Ameman l:naqres " By Alfred Levinson Although Castro did not refer of Cuban incursions into Guan-. to the note, he launched into a tanamo were "lying' and false" bellicose tirade against the-V.S. ~nd were being used. bl Wash- . 1: on the Havana radio last night, mgton as a pretell:t, .for pre­ In Cuba ending by putting the island Pllring an invasion. of Cuba. - nation on a state of alert and Castro caned Americans' "son, of bitches": and said Cuba would the sign HAVANA HILTON calling up ~i1itary reserves. but Havana isn't Hilton fight any invasion to the !sst man. anymore ~======'==-=-'-="=='='=~ ..... ,,-~-j;.,- 2: 'NO POEMS BY PETER SEEGER In Cuba the sign COCA COLA 1. TO FIGHT, PERCHANCE TO WDl (0 irony in red To fight, perchance to win, aye, there's the rub the simple circle symbolizing soda For victory brings power and prestige Silver dollars glazed in red And the children of the children of the fighters cartwheeling across the globe) Take all for granted, and, in turn, oppress beneath it VENCEREMOS ~ 1966 by Fall River l.fusic Inc. Sweet sweet coke 2. GOliATH torn from the chain a nursery rhyme (What made the link go weak? \'ias it carbonation that caused Goliath, Goliath, bound in steel the chain to break?) Goliath, Goliath, fell in the field A beardless boy not fully grown And Cubanos sip Brought him down with a sling and a stone. the familiar green lip of the handy bottle Goliath's mother wept and mourned and in the fizz you hear sweet sighs: Remembering the day when he was born the pause that refreshes Goliath's children got the blame is nationalized. Goliath, Goliath, got the fame 3: @ 1966 by Fall River lfusic Inc. In Cuba the' sign SHElliJBRICATION BEWARE:HERE COME FRIENDS the letters ~IEL rubbed out Words: RICHARD KOHLER (The Caddies and the Buicks Tune: "When Dolly Hear the Sound of the Drum" (Calypso) strewn in passing still prowl their empty snouts 1. When President Johnson arrive at the door to the elephant trunks To offer you progress, you wind up at war; of gas pwnps (repeat)* The engines must be fed o he gorma dance, he show you his heart no matter who the driver is) He gonna blow your country apart. (repeat)* Tell me, friend, can lubrication be without shel? 2. Secretary McNamara's philanthropic pride Can a siMple change in spell­ Is the napalm bomb and the cyanide; ing change a paradise to hell1 o he gorma kill, murder and bomb Till all the people's protected trom 4: harm. o serpent's apple red 3. When Secretary Rusk get up and say Oil and coke ''We have come to help", the people try a shel to get away; hotel o he gorma send the bulldozers 'round Expel Till allot the people is ploughed the dollars from paradise underground. let the greenbacks 4. Vice-President Humphrey is so very nice born of forbidden fruit He smile to see the GI's burn the go home ,people and they rice; to breed in their two-bit o he gonna kiss the babies,and wave; hell He gonna sing and dance on your grave. 5. When the U.S. comes into a foreign land leaving the mark of cane behind The prisons and the cemeteries start to By the sweat of whose brow expand; Shall your bread be eaten now! o the U.S. gon' be like tather to son The U.S. will free the world with the guhl Copyright 1966 by Alfred Levinson *( Follow same repeat pattern for each verse) BR{)AJ)SIDE #"71 Copyright 1966 by Richard Kohler -3- Music: IRMA JURIST COMPUTER Love .. song Words: FRANCES TAYLOR @ 1966 First Born Music Co. "'1iiT' 'V"...., i!r "'1Ir "1!:::Y'" ~....- -.r I I m not programmed for you! That I s how the 1 4 0 1 grinds -- I f ;, 11 II II lie II ~ II II 1. B. M. cards, move --- f1f1 But k wi J _ :n 1 J ~~ + I 1 ill ill } :J I j J JJ - 21 You've got background that I ain't got \ I You like sa- lads, I like things'hot, 00 - num- bel' com- bos can't tell my need or Just how neat- ly you match my speed, 00 - ~:=i: 'P..~ !:: ::\ ~111 f'1 .n ~ P- ~ t:::!:::t ~ 3d iiil p' r1jJ J jRJ J-J J Jig, j j J GidJ7i/ 00 - - 00 - 11m not programmed for you - 00 - 00 - 00 - 00, I guess we'll have to 00 - - 00 - Who's II 11 II who - 00 - 00 - 00 - 00, Let's build a new ma- !{~ t~;4t1 J rDC1J ;J r:QiC# -II sa.y a. - dieu-- 00 - 00 - - 00. chine for two -- 00 - 00 - - oot Irma Jurist. who wrote the tune to this song (which Lyric writer, Frances Taylor, has for some time incidentally, was received with wild enthusiasm when worked as music columnist for a Long Island Daily she performed it at a Broadside Hoot this spring) is newspaper. In the process of interviewing young currently appearing Honda.y evenings here in New York songwriter-singers (runong them Bob Dylan) for her at the FIVE SPOT. She will continue to appear thru column, she becar16 interested in !'Iongwriting her­ the month of June and into July. self. We hope to print more of her Bongs ~ the .BRfJADSIDE. #71 near future. -- Ed • -4 By LEN H. CHk~DLER, JR. Feet First baby @1964 Fall River Music Inc. (;..1 ---.. --- &-,1) ~ ~ ---------- '---­ I was a feet first ba-by J been bas-ack-wards all My life; t ~1 ----- J j HIE r E Elr-e fir r F f1riiJ I was a feet first ba-by, been bas-ack-wards all my life; -------- ~ j \iF Fif r ~r Fir ~F'I~J~r= rI U jr r !]l!Jo.lQj# II (They) Could not get in touch with Doc Nel- son, The un-der-taker was ~ mid-wife. ---------- 2. I went to the gypsy woman, boys 6. I had lost ny razor, Baby She washed her hands, burned the deck and threw They took my gun when I'se in jail; the ashes all away. (Repeat) (Repeat) Just had this itty-bitty pen knife 2. I went to the gypsy woman, boys That I usually use to cut my nails. She washed her hands, burned the deck and threw the ashes all away. 7. vlell, boys, I cut him and I cut him (Repeat) From his A down to his Z; She said "You're born for bad luck a'1d trouble (Repeat) child Now he's a walking picture puzzle I wouldn't even touch your pay." Please don't clap your hands on me. 3. Here comes the Hootchy Cootchy man, Baby B. I'm going down to New Orleans, Baby Now he's the only one I trust; Behind the rising sun; (Repeat) (Repeat) He stood there spitting and stammering 'Cause I just found out, Pretty Mama Kicking in the alley dust. My troubles have just begun. 4. He said, "You'll never have no money, 9. Get me a "moe joe hand" You'll never have one minute's peace; (Repeat) . And a brand new chicken head; (Repeat) And on the day that you get lucky, One's going to bring you to your senses The sun I s going to set over in the East." The other I s gonna bring you to my bed. 5. If he had a hit me with his fist, Baby I wouldn't a cut the boy so bad; "Feet First Babyll has been recorded by Len (Repeat) on his recently released Columbia LP, TO BE But he slapped me like I'se a woman A MAN. And it's the sound that made me so mad. Words t KAY COTHRAN I AM A TROUBLED SOLDIER Tune: "Merry Month Of May" One morning so early, one morning in }by, ilGo build me a castle on yon mountain high, I heard a young soldier lamenting and say", IVhere the dove she can hear me as she does pass by. I heard a young soldier lamenting and moan~ For it's in no dark jungle I'll rest when I'm gone" "I am a troubled soldier, no friend and no home." I am a troubled soldier, no friend and no home." "For pm-Jer and glory, my country and horne, "Get sixteen great warships to cOTry me home. I left my poor parents behind and alone .. Get sixteen great generals to pray o'er my bones. I left my p00r parents in sorrow to mourn .. Get sixteen br:lVe citizens to cheer me below •. I am a troubled soldier, no friend and no home .111 I am a trOUbled soldier, no friend and no home." III 1m tro~bled in trouble, 11m troUbled and why? "Fo.rewell 0.11 you people I III novermore see. If trouble don't kill me, I never shall die •.
Recommended publications
  • Infinity Challenge Download Eng Sub
    Infinity challenge download eng sub I was looking to start at episode number 1 with Infinity Challenge, or download (preferably download) all the episodes with English Subs? Infinity Challenge - - A "real variety show," hosts Yoo Jae Suk, Park of Infinity Challenge Eng sub (or the most of the Korean popular variety shows). [NEW ENG SUB - Watch/Download] Infinity Challenge Episode Explore Blogger Templates, Infinity Challenge, and more! Watch full episodes free online of the tv series Infinite Challenge - with subtitles. Why are there no eng sub title for any of them:(((eng sub title pls!! Haha recruits #Sungwoon from #WANNAONE as a 'Team Short' member, on last week's #InfiniteChallenge. download infinity challenge eng sub ep Download Link ?keyword=download-infinity-challenge-eng-sub-ep&charset=utf [ENGSUB] EXO on Infinity Challenge Full HD + Download. September 19 to download click the download button below the video. Embed Tweet. [ENG SUB] [FULL] MBC Infinity Challenge Episode with BoA, G-Dragon AM - 5 Oct 77 Retweets; well guess who's nawt sleeping early tuh noit me! Ill watch this first then yixing and wallace huo happy camp thanks NALLY for the HC link in. [Eng Sub] Choi Siwon @ Infinity Challenge ep with Super Junior · [DOWNLOAD] [DRAMA] [ENG / INA SUB] Oh My Venus with Henry. Watch engsub BIGBANG on Infinite Challenge Ep Infinity Challenge streaming episodes (Eng Sub) part 1 work properly anymore on dailymotion, if u guys wanna download the vids in dm please go to keepvid. Infinity news, Visit a family for 24 Hours Special Part 1 [RAW MBC official] . Midnight Survival in Seoul [ALL COMPILATION LINKS: ENGSUB SOFTSUB, RAW.
    [Show full text]
  • An Investigation of the Perceived Impact of the Inclusion of Steel Pan Ensembles in Collegiate Curricula in the Midwest
    AN INVESTIGATION OF THE PERCEIVED IMPACT OF THE INCLUSION OF STEEL PAN ENSEMBLES IN COLLEGIATE CURRICULA IN THE MIDWEST by BENJAMIN YANCEY B.M., University of Central Florida, 2009 A THESIS Submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC School of Music, Theatre and Dance College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2014 Approved by: Major Professor Dr. Kurt Gartner Abstract The current study is an in depth look of the impact of steel pan ensemble within the college curriculum of the Midwest. The goal of the study is to further understand what perceived impacts steel pan ensemble might have on student learning through the perceptions of both instructors and students. The ensemble's impact on the students’ senses of rhythm, ability to listen and balance in an ensemble, their understanding of voicing and harmony, and appreciation of world music were all investigated through both the perceptions of the students as well as the instructors. Other areas investigated were the role of the instructor to determine how their teaching methods and topics covered impacted the students' opinion of the ensemble. This includes, but is not limited to, time spent teaching improvisation, rote teaching versus Western notation, and adding historical context by teaching the students the history of the ensemble. The Midwest region was chosen both for its high density of collegiate steel pan ensembles as well as its encompassing of some of the oldest pan ensembles in the U.S. The study used an explanatory mixed methodology employing two surveys, a student version and an instructor version, distributed to the collegiate steel pan ensembles of the Midwest via the internet.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Music for the People: the Folk Music Revival
    MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance.
    [Show full text]
  • Printcatalog Realdeal 3 DO
    DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
    [Show full text]
  • BROADSIDE Hoots Will Be Held Sunday, Jan
    1F53 THE NATIONAL TOPICAL SONG l·1A.GAZINE DECEHBER 20, 1964 PRICE -- 50¢ BY @ 1964 PETER Hopi Busic LA FARGE New York jin - "l<t 'fir 'b in +hl!.. +wo- bit CMait-- in' ~( 1:0. '1.Ic.Jc-er just -to +h, .... 1c. +h~t- SY1akes wen.. 0.1 - w--oyr:;. 'Gut the..y Ai~lr r~rtic:.·Il\'" tbout 'the @] fv' r'l t;fhf- o~ of" thU"rl ~S&'cI nell f"1 :r: Tk 1)~~rJ them too at 0. ..f!o.r)- Coy ~lJ. en- Chorl.lS beArd the. (at- ..... le.. e>olllce loud bfld de..3r c.irdJ Dy dib -.q\al1~S ;he.. rattle. - ~nbtes C"l)il f\ : I j , j ~ 0 I jg~ J~ I Cl I .-I .. fJ r~t- +-Ie....- sl'lak~• R. r6t -t\e. sna.ke. noise he-II ~~e ~---- 2. I'Ve heard it too alley's side Where the pushers deal and the addicts glide Heroin's quiet, it enchants the boys But I've heard its anthem and the rattlesnake's noise ~iJ.Jf II Then there's the uptown doctor with his needle clean ra±- He_ st'\a.ke. He's always nice and never mean He gives them dope by another name But I heard the rattlesnake just the same. (Chorus) 3. There's the city official 'way down low Keepin' his pockets full of dough If you want help don't ask his aid There's a rattlesnake sitting in his shade " There's a politician 'way up h!gh ! Too far to hear the people cry ,I Passin' bills for the wealthy men He won't explain but the rattlesnake can.
    [Show full text]
  • Theo Bikel with Pete Seeger (And More)
    Theo Bikel with Pete Seeger (and more) First, here’s another item for consideration by people who think that Pete Seeger was anti-Israel. (If you haven’t already, read Hillel Schenker’s recent post on this.) We have the permission of Gerry Magnes — active with the Albany, NY regional J Street chapter, who married into an Israeli family — to quote what he emailed the other day: Thought I would share a small anecdote my father in law once told me. He’s 95 and still living on a kibbutz (Kibbutz Evron) in the Western Galilee. Last winter, when my wife and I mentioned to him that we’d just attended a Pete Seeger concert . in Schenectady, . he related how he’d seen him perform (I think in Tel Aviv), probably in ’64. When he [Seeger] began to speak about the Israeli-Palestinian/Arab conflict at that time and his hopes for peace, he began to cry. He had to stop talking or singing for a bit until he could collect himself. The sincerity and depth of feeling left a deep impression on my father in law. http://www.cookephoto.com/dylanovercome.html Partners’ board chair Theodore Bikel goes back a long way with Seeger. They were part of the original board (with Oscar Brand, George Wein and Albert Grossman) that founded the Newport Folk Festival. This image captures a festival high point in 1963, with Theo and Seeger (at right) joining Bob Dylan, Joan Baez, the Freedom Singers and Peter, Paul and Mary to sing “We Shall Overcome.” Here’s Theo singing Hine Ma Tov with Seeger and Rashid Hussain (the latter identified as a Palestinian poet) from episode 29 of the 39-episode run of the “Rainbow Quest” UHF television series (1965-66), dedicated to folk music and hosted by Seeger: Upon hearing of Seeger’s passing, Theo wrote this on his Facebook page: An era has come to an end.
    [Show full text]
  • A Ceremonial Presentation in Honor of Veterans Day Will Be Held at 7:15P.M
    NOTE: A ceremonial presentation in honor of Veterans Day will be held at 7:15p.m. TOWN OF MANSFIELD TOWN COUNCIL MEETING Monday, November 10, 2014 COUNCIL CHAMBERS AUDREY P. BECK MUNICIPAL BUILDING 7:30p.m. AGENDA CALL TO ORDER Page ROLL CALL APPROVAL OF MINUTES .......................................................................................................... 1 OPPORTUNITY FOR PUBLIC TO ADDRESS THE COUNCIL REPORT OF THE TOWN MANAGER REPORTS AND COMMENTS OF COUNCIL MEMBERS OLD BUSINESS NEW BUSINESS 1. Mansfield Advocates for Children, Playground Committee Update .............................. 13 2. Application to lntertown Capital Equipment Purchase Incentive (ICE) Program, Catch Basin Cleaner .......................................................................................................... 23 3. Financial Statements dated September 30, 2014 ............................................................ 37 4. Town Council Meeting Schedule for 2015 ........................................................................ 99 5. Ethics Code Gift Provision Applicability to Mansfield Board of Education Employees .......................................................................................................................... 101 REPORTS OF COUNCIL COMMITTEES DEPARTMENTAL AND ADVISORY COMMITTEE REPORTS (www.MansfieldCT.gov) PETITIONS, REQUESTS AND COMMUNICATIONS 6. B. Coleman (10/27/14) ........................................................................................................ 123 7. R. Moynihan (11/3/14) .......................................................................................................
    [Show full text]
  • Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94
    Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 By Jon Pareles, The New York Times, 1/28 Pete Seeger, the singer, folk-song collector and songwriter who spearheaded an American folk revival and spent a long career championing folk music as both a vital heritage and a catalyst for social change, died Monday. He was 94 and lived in Beacon, N.Y. His death was confirmed by his grandson, Kitama Cahill Jackson, who said he died of natural causes at NewYork-Presbyterian Hospital. Mr. Seeger’s career carried him from singing at labor rallies to the Top 10 to college auditoriums to folk festivals, and from a conviction for contempt of Congress (after defying the House Un-American Activities Committee in the 1950s) to performing on the steps of the Lincoln Memorial at an inaugural concert for Barack Obama. 1 / 13 Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94 For Mr. Seeger, folk music and a sense of community were inseparable, and where he saw a community, he saw the possibility of political action. In his hearty tenor, Mr. Seeger, a beanpole of a man who most often played 12-string guitar or five-string banjo, sang topical songs and children’s songs, humorous tunes and earnest anthems, always encouraging listeners to join in. His agenda paralleled the concerns of the American left: He sang for the labor movement in the 1940s and 1950s, for civil rights marches and anti-Vietnam War rallies in the 1960s, and for environmental and antiwar causes in the 1970s and beyond.
    [Show full text]
  • “Talking Union”--The Almanac Singers (1941) Added to the National Registry: 2010 Essay by Cesare Civetta (Guest Post)*
    “Talking Union”--The Almanac Singers (1941) Added to the National Registry: 2010 Essay by Cesare Civetta (guest post)* 78rpm album package Pete Seeger, known as the “Father of American Folk music,” had a difficult time of it as a young, budding singer. While serving in the US Army during World War II, he wrote to his wife, Toshi, “Every song I started to write and gave up was a failure. I started to paint because I failed to get a job as a journalist. I started singing and playing more because I was a failure as a painter. I went into the army because I was having more and more failure musically.” But he practiced his banjo for hours and hours each day, usually starting as soon as he woke in the morning, and became a virtuoso on the instrument, and even went on to invent the “long-neck banjo.” The origin of the Almanacs Singers’ name, according to Lee Hays, is that every farmer's home contains at least two books: the Bible, and the Almanac! The Almanacs Singers’ first job was a lunch performance at the Jade Mountain Restaurant in New York in December of 1940 where they were paid $2.50! The original members of the group were Pete Seeger, Lee Hays, Millard Campbell, John Peter Hawes, and later Woody Guthrie. Initially, Seeger used the name Pete Bowers because his dad was then working for the US government and he could have lost his job due to his son’s left-leaning politically charged music. The Singers sang anti-war songs, songs about the draft, and songs about President Roosevelt, frequently attacking him.
    [Show full text]
  • Pete Seeger and Intellectual Property Law
    Teaching The Hudson River Valley Review Teaching About “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” –Steve Garabedian Lesson Plan Introduction: Students will use the Hudson River Valley Review (HRVR) Article: “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” as a model for an exemplary research paper (PDF of the full article is included in this PDF). Lesson activities will scaffold student’s understanding of the article’s theme as well as the article’s construction. This lesson concludes with an individual research paper constructed by the students using the information and resources understood in this lesson sequence. Each activity below can be adapted according to the student’s needs and abilities. Suggested Grade Level: 11th grade US History: Regents level and AP level, 12th grade Participation in Government: Regents level and AP level. Objective: Students will be able to: Read and comprehend the provided text. Analyze primary documents, literary style. Explain and describe the theme of the article: “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” in a comprehensive summary. After completing these activities students will be able to recognize effective writing styles. Standards Addressed: Students will: Use important ideas, social and cultural values, beliefs, and traditions from New York State and United States history illustrate the connections and interactions of people and events across time and from a variety of perspectives. Develop and test hypotheses about important events, eras, or issues in United States history, setting clear and valid criteria for judging the importance and significance of these events, eras, or issues.
    [Show full text]
  • Translating Pete Seeger: the Challenge of Recreating an American Legend in All Its Popular Glory and Complexity
    Actas del II Congreso Internacional de la Asociación Ibérica de Estudios de Traducción e Interpretación Translating Pete Seeger: The challenge of recreating an American legend in all its popular glory and complexity Dr. David SHEA Facultad de traducción e Interpretación Universidad de Las Palmas de Gran Canaria Como citar este artículo: SHEA, David (2005) «Translating Pete Seeger: the challenge of recreating an American legend in al its popular glory and complexity», en ROMANA GARCÍA, María Luisa [ed.] II AIETI. Actas del II Congreso Internacional de la Asociación Ibérica de Estudios de Traducción e Interpretación. Madrid, 9-11 de febrero de 2005. Madrid: AIETI, pp. 852-861. ISBN 84-8468-151-3. Versión electrónica disponible en la web de la AIETI: <http://www.aieti.eu/pubs/actas/II/AIETI_2_DS_Translating.pdf>. TRANSLATING PETE SEEGER: THE CHALLENGE OF RECREATING AN AMERICAN LEGEND IN ALL ITS POPULAR GLORY AND COMPLEXITY Dr. David Shea AIETI member Facultad de Traducción e Interpretación Universidad de Las Palmas de Gran Canaria Abstract The oral historian Studs Terkel has called Pete Seeger “America’s tuning fork” and many US historians have referred to Seeger as America’s conscience. In this paper we consider the challenges of translating from English to Spanish Seeger’s unique musical autobiography Where Have All the Flowers Gone? (SingOut! Publications 1994) which has involved collaborating with Seeger (our suggested title of the as yet unpublished book, ¿Qué habrá sido de las flores?). The book is written in a folksy, easy to read style as Seeger discusses complex issues which concern US culture and politics, though not necessarily in that order.
    [Show full text]