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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
University Microfilms International 300 N
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Boutz Georgetown 0076D 11511
GENERIC CUES AND GENERIC FEATURES IN ARABIC SCIENCE FICTION: THE NOVELS OF KASSEM KASSEM A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Arabic By Gary Monroe Boutz, M.A. Washington, DC December 6, 2011 Copyright 2011 by Gary Monroe Boutz All Rights Reserved ii GENERIC CUES AND GENERIC FEATURES IN ARABIC SCIENCE FICTION: THE NOVELS OF KASSEM KASSEM Gary M. Boutz, M.A. Thesis Advisor: Karin C. Ryding, Ph.D. ABSTRACT Is Arabic science fiction similar to the kind of science fiction with which a reader of English- language science fiction, a watcher of English-language science fiction films, or viewer of English-language science fiction television programs is familiar, or is Arabic science fiction something else entirely? This dissertation constructs a model of the science fiction genre as it has evolved in the English language using prototype theory and the three structural dimensions of genre proposed by John Frow in Genre (2005): formal organization, thematic content, and rhetorical structure. Formal organization includes the use of deixis and pulpstyle features; thematic content addresses the iconography of science fiction, including the icons of the spaceship, the alien, the transformed human, and the robot; and rhetorical structure includes the four features of alternativity, plausibility, extrapolation, and a relationship to science. Five Arabic-language novels that identify themselves as science fiction are chosen for examination based on paratextual criteria: al-riḥla (1991), la‘anat al-ghuyūm (1993), ḥadatha an ra’á (1995), lamasat al-ḍaw’ (2001), and jasad ḥārr (2004). -
SF Tube Talk 24 Frames
Spring 2000 ConNotations Volume 10, Issue 1 The Quarterly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society new existance as a being of light and SF Tube Talk blames Janeway and the Voyager crew for 24 Frames In This Issue pushing her into her current state. Kes Special Features by Lee Whiteside manages to travel back in time three years Movie & Video Reviews and intends to arrange for the Vidians to Beyond 2000 Trekking on to a New Adventure capture Voyager as part of her revenge. Currently in Theatres: by Shane Shellenbarger.....................4 There has been lots of rumors and As with any time travel episode, expect to A.E. Van Vogt Obituary speculation about what the next Star Trek be totally confused and for things to The Road to El Dorado Adam Niswander & Daryl Mallett ....6 series will be and when it will start. Rick pretty much be the same at the end of the From Dreamworks featuring the voices of : News & Reviews Berman and Brannon Braga have been episode. In a likely much more light- Kenneth Brannagh, Kevin Kline, Rosie SF Tube Talk developing the series for Viacom but have hearted episode, currently titled “Live Perez, Edward James Olmos and Armand by Lee Whiteside .................................1 given out little info on what they are Fast and Prosper”, three alien con artists Assante Directed by Eric “Bibo” Peterson ........................................1 working on. Reports early in the year were have assumed the identities of Janeway, and Don Paul. 24 Frames. that Viacom set up some focus groups to Tuvok and Chakotay and have been FYI................................................2 get reaction to several concepts although scamming people all over the place. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
The Arts of Amnesia: the Case for Audio Drama, Part Two by Neil Verma, Northwestern University
RadioDoc Review Volume 3 | Issue 1 Article 6 January 2017 The Arts of Amnesia: The aC se for Audio Drama, Part Two Neil Verma North-Western University, Chicago Follow this and additional works at: http://ro.uow.edu.au/rdr Part of the Audio Arts and Acoustics Commons, Digital Humanities Commons, Radio Commons, and the Theatre and Performance Studies Commons Recommended Citation Verma, Neil, The Arts of Amnesia: The asC e for Audio Drama, Part Two, RadioDoc Review, 3(1), 2017. doi:10.14453/rdr.v3i1.6 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Arts of Amnesia: The aC se for Audio Drama, Part Two Abstract This article examines what the relationship between audio drama and radio drama might illuminate about both forms. Drawing on some 40 podcasts and other audio forms that take a serial structure, I explore the rise of audio drama podcasts since 2015 and situate them in both a more recent historical context since the late 1990s and in a broader history stretching back to the first Golden Age of radio. By listening closely to key works on Serendipity, Homecoming and other podcasts, I argue that contemporary audio has profound potential to change both how we listen and how we relate to the sound media of the past. Keywords Radio Drama, Audio Drama, Homecoming, Serendipity, Radio History, Podcasting This article is available in RadioDoc Review: http://ro.uow.edu.au/rdr/vol3/iss1/6 The Arts of Amnesia: The Case for Audio Drama, Part Two By Neil Verma, Northwestern University Listening Backward Over the century or so of its history, radio drama has earned much love but little respect. -
Audies 2013 Press Release FINAL
FOR IMMEDIATE RELEASE February 20, 2013 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] Daniel Handler to Emcee the Audie Awards Gala on May 30, 2013 at the New-York Historical Society in New York City Princeton Junction, NJ – The Audio Publishers Association (APA) has announced finalists for its 2013 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 30, 2013, at the New-York Historical Society in New York. Writer Daniel Handler, longtime friend and supporter of the audiobook industry will emcee the event. “It is always an exciting revelation to see which titles have been nominated, especially as the number of titles produced in audio each year is growing so rapidly,” said Michele Cobb, President of the APA. “Yet again, this year’s finalists do not disappoint. With an outstanding host, an amazing list of potential winners and a gorgeous venue, we look forward to once again celebrating excellence in audio publishing.” Host Daniel Handler is no stranger to audiobooks. At last year’s 12th Annual Audiobook and Author Tea held during Book Expo America, Handler kept the audience laughing for the bulk of the event as he described his ill- fated decision to replace Tim Curry as the narrator of his popular Lemony Snicket series. “It was a terrible idea,” he said, describing in vivid detail his “stuttering, stammering, lip-smacking” attempt at audio narration. -
DOUBLE:BILL Symposium
BRIAN W. ALDISS ALLEN KIM LANG POUL ANDERSON KEITH LAUMER PIERS ANTHONY FRITZ LEIBER ISAAC ASIMOV ROBERT A. W. LOWNDES CHARLES BEAUMONT RICHARD LUPOFF GREG BENFORD KATHERINE MacLEAN ALFRED BESTER anne McCaffrey JAMES BLISH J. FRANCIS McCOMAS ROBERT BLOCH DEAN MCLAUGHLIN ANTHONY BOUCHER P. SCHUYLER MILLER LEIGH BRACKETT MICHAEL MOORCOCK RAY BRADBURY LARRY NIVEN MARION ZIMMER BRADLEY ANDRE NORTON REGINALD BRETNOR ALAN E. NOURSE JOHN BRUNNER ANDREW J. OFFUTT KENNETH BULMER ALEXEI PANSHIN ---------------------------------------------- JOHN W. CAMPBELL EMIL PETAJA s JOHN CARNELL H. BEAM PIPER ’ TERRY CARR FREDERIK POHL SYMPOSIUM JOHN CHRISTOPHER ARTHUR PORGES 3r ARTHUR C. CLARKE DANNIE PLACHTA tr HAL CLEMENT MACK REYNOLDS I MARK CLIFTON JOANNA RUSS GROFF CONKLIN ERIC FRANK RUSSELL BASIL DAVENPORT FRED SABERHAGEN AVRAM DAVIDSON JAMES H. SCHMITZ B io HANK DAVIS T. L. SHERRED CHARLES DE VET ROBERT SILVERBERG LESTER DEL REY CLIFFORD D. SIMAK AUGUST DERLETH E. E. 'DOC SMITH PHILIP K. DICK GEORGE 0. SMITH GORDON R. DICKSON JERRY SOHL jllopii HARLAN ELLISON NORMAN SPINRAD PHILIP JOSE FARMER THEODORE STURGEON DANIEL F. GALOUYE JEFF SUTTON DAVID GERROLD WILLIAM F. TEMPLE H. L. GOLD THEODORE L. THOMAS MARTIN GREENBERG WILSON TUCKER JAMES E. GUNN PIERRE VERSINS EDMOND HAMILTON KURT VONNEGUT, JR. double-.bill HARRY HARRISON TED WHITE ZENNA HENDERSON KATE WILHELM JOE HENSLEY ROBERT MOORE WILLIAMS JOHN JAKES JACK WILLIAMSON LEO P. KELLEY RICHARD WILSON DAMON KNIGHT ROBERT F. YOUNG DEAN R. KOONTZ ROGER ZELAZNY $3. the DOUBLE BILL Symposium ...being 94 replies to 'A Questionnaire for Professional Science Fiction Writers and Editors' as Created by: LLOYD BIGGLE, JR. Edited, and Published by: BILL MALLARDI & BILL BOWERS Bill BowersaBill Mallardi press 1969 Portions of this volume appeared in the amateur magazine Double:Bill. -
THE WELL-TEMPERED AUDIO DRAMATIST a Guide to the Production of Audio Plays in Twenty-First Century America Yuri Rasovsky
K THE WELL-TEMPERED AUDIO DRAMATIST A Guide to the Production of Audio Plays in Twenty-First Century America Yuri Rasovsky The National Audio Theater Festivals, Inc. Hamstead, NY This book was made possible in part by grants from The National Endowment for the Arts © 2006 Yuri Rasovsky. All rights reserved. to Michelle M. Faith without whom I’d have had no career and far less aggravation CONTENTS Introduction by Norman Corwin One Give Me a Break! Two Overview Three Project Management Four The Production Assistant Five The Script Six Manuscript Formats Seven Microphone Acting Eight Casting Nine Blocking in Stereo Ten Directing Actors Eleven Foley Sound Effects Twelve Production Appendices i Audio Dramatist’s Lexicon xxx Professionalism and Studio Etiquette xxxii Handy Forms xliii Credits and Announcements l Further Study lii Acknowledgments The Well-Tempered Audio Dramatist Introduction Early in June, 2006, I received the following letter: Dear Norman: The enclosed tome is being published by the National Audio Theater Festivals for those misguided beginners who want to pursue an iffy career in audio drama. I wrote it hoping to provide a service to the profession that you and I have toiled at longer than any other living souls in the U.S. of A. People can download it free from the Internet or buy this print version. All proceeds go to the NATF. Can you be persuaded to write an introduction? It can be as long or as short as you wish. Say whatever you think you should about this book, me and/or radio plays. It is signed, El Fiendo. -
SHUTTLE May 2001
The SHUTTLE May 2001 The Next NASFA Meeting is 19 May 2001 at the Regular Time and Location Con Stellation ConCom 17 May 2001 at Mike KennedyÕs House Oyez, Oyez Con Stellation ConCom The next NASFA meeting will be 19 May 2001 at the The next Con Stellation XX con committee meeting will regular time (6P) and the regular location Ñ BookMark on be on Thursday 17 May 2001 at Mike KennedyÕs house Ñ South Memorial Parkway. Call the store at 256-881-3910 if 7907 Charlotte Drive SW, Huntsville. Call him at 256-883- you need directions. 5922 or 256-726-1540 (work) if you need directions. The program at the May meeting will be a trip to the ball This is an eating meeting, with the food theme being game! WeÕll be going to see the Huntsville Stars versus the Òspotted food.Ó Eating starts at 6:30P with the meeting proper Birmingham Barons. The game starts at 7:05, afterwards. so we can carpool from the meeting (leaving a little early) up the Parkway to Joe Davis Stadium. Contact Program Director Randy Cleary about your ticket needs. We can also Cinco (+13) de Mayo look forward (?) to an appearance by The Famous Chicken. NASFAns and others are invited to a party in honor of Due to the length of the Òprogram,Ó there Cinco de Mayo on Friday 18 May 2001 at Nancy Cucci & Ray will not be a formal After-The-Meeting PietruszkaÕs house. The party will begin at 8P. Standard rules Meeting, though all will be welcome to come apply Ñ bring your favorite drink and a food item to share. -
1954 Retro Hugo Nominating and Voting Statistics
1954 Retro Hugo Nominating and Voting Statistics Noreascon Four – The 62nd Worldcon Boston, Massachusetts USA The nominees that follow were chosen by popular vote by 131 members of Noreascon 4 and Torcon 3 who submitted valid nomination forms for work done in 1953. A total of 131 nomination forms (35 paper and 96 on-line forms) were received. As required by the WSFS Constitution, we report the top 15 vote-getters in each category. (In no category did anyone else get as many as 5% of the nominations cast in that category.) Except for a few items which are marked as ineligible, no attempt was made to validate the name title or eligibility of any item which would not affect the final nomination listing. When a nominee received nominations in more than one category, we combined nominations to the correct category where appropriate. To determine the viability of categories, potential nominees with four or fewer nominations were dropped from consideration; where this dropped a given category below three nominees, the category was dropped as non-viable. Nominating Finalist Voting Category ballots Range ballots Comments TOTAL 131 841 Novel 113 41-74 633 Novella 67 8-40 479 Novelette 66 14-36 464 Short Story 96 17-71 562 Related Book 21 10-13 393 3 nominees only Dramatic Presentation - Long Form 35 Dropped for Lack of Viable Category Dramatic Presentation - Short Form 96 26-75 577 Professional Editor 49 8-44 493 Professional Artist 68 24-36 484 Best Semi-Prozine 1 Dropped for Lack of Viable Category Fanzine 36 12-28 269 Fan Writer 38 10-29 310 Fan Artist 28 Dropped for Lack of Viable Category Novel (113 people nominated) 74 Mission of Gravity by Hal Clement 68 Fahrenheit 451 by Ray Bradbury 63 Childhood's End by Arthur C. -
Xerox University Microfilms
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