Liste Des CD
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KAY WONG Website Huangjiaying.Com KAY WONG [email protected] 1(778) 316-6012 I N T E R a C T I O N D E S I G N E R
KAY WONG website huangjiaying.com KAY WONG [email protected] 1(778) 316-6012 I N T E R A C T I O N D E S I G N E R a designer who passionately looks for ways to communicate through great stories and wonders. education experience Emily Carr University of Art + Design Vancouver, BC POPARD Provincial Outreach Program forAutism and Related Disorders Bachelor of Design, Interaction Design 2008-2013 as Interaction Designer, co-directed and designed an educational mobile app for children with autism skills (2012~) Calligraphy Exhibition of Chen Fenwu Photoshop Wireframes + Flowcharts National Art Museum of China: Beijing, China Illustrator Web / App Interface Design InDesign Print Layout Design Assisted the curatorial team for setup, reception, and book signing. (Fall 2012) Lightroom 3D Prototyping After Effects some experience with HTML Rhinoceros Maraya Project public artwork designed to engage pedestrians along the seawall walkways in Vancouver, and Dubai. Microsoft Office assist production team directed by project lead artists. Participated in digital information update and media examine. language interest (Fall 2011- Spring 2012) English (fluent) Music Center A Vancouver International Contemporary Asian Center Mandarin (Native) Ceramic Cantonese (Native) Photography Maintained the gallery library, and data input for an online Hiking library. Participated in gallery set up for upcoming events. (Fall 2011- Spring 2012) School Projects UNWIND- Tablet application UNWIND an educational tablet application that encourage proactive emotion controling skills and self-regulation skill through taking different type of breaks. Ebook Design sel et poivre let it rain Data Visualization Kiosk Design Web & Product Design Boardgame Design Modula Type Design Ceramic Projects Face Sakura ARC Dragon Projects with illustrator & with photoshop Queen Untitled Cubes Mirror Mirror Bee HI! Teresa! Untitled miyavi Do Not Resuscitate Twins 1 Twins 2 Untitled Doll website huangjiaying.com [email protected] 1(778) 316-6012. -
Stardigio Program
STARdigio チャンネル:409 J-POPアーティスト特集 放送日:2018/09/03~2018/09/09 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■安室奈美恵 ベスト(1) 恋のキュート・ビート SUPER MONKEY'S レインボー・ムーン 安室奈美恵 わがままを許して SUPER MONKEY'S 4 悲しきブロークン・ボーイ 安室奈美恵 with SUPER MONKEY'S MEMORIES ~明日のために~ 安室奈美恵 with SUPER MONKEY'S ハートに火をつけて 安室奈美恵 with SUPER MONKEY'S GOOD-NIGHT 安室奈美恵 Body Feels EXIT (X-TENDED MIX) 安室奈美恵 Chase the Chance (TRIP CLUB MIX) 安室奈美恵 Present 安室奈美恵 You're my sunshine (EDDIE DELENA DANCE MIX) 安室奈美恵 SWEET 19 BLUES (KC DUB MIX) 安室奈美恵 ■安室奈美恵 ベスト(2) Joy (STRAIGHT RUN) 安室奈美恵、m.c.A・T a walk in the park (FABULOUS FREAK BROTHERS MIX) 安室奈美恵 How to be a Girl (ADULT EDUCATION MIX) 安室奈美恵 Dreaming I was dreaming(congratilations) 安室奈美恵 I HAVE NEVER SEEN (WITH HER SOUL MIX) 安室奈美恵 RESPECT the POWER OF LOVE (NYC Uptown remix) 安室奈美恵 toi et moi (A&S NY Bounce Remix) 安室奈美恵 YOU ARE THE ONE 安室奈美恵 FEATURING IMAJIN SOMETHING 'BOUT THE KISS(THE ALL OUT MIX) 安室奈美恵 NEVER END -Original Mix- 安室奈美恵 CROSS OVER -TK original mix 安室奈美恵 ■安室奈美恵 ベスト(3) LOVE 2000 (SYSTEM BREAKDOWN REMIX) 安室奈美恵 ASKING WHY 安室奈美恵 PLEASE SMILE AGAIN -tv mix 安室奈美恵 I TO YOU 安室奈美恵 no more tears (club dub) 安室奈美恵 Let's not fight 安室奈美恵 Say the word (Breeze House Mix) 安室奈美恵 I WILL with piano 安室奈美恵 Drive 安室奈美恵 exist for you 安室奈美恵 STROBE 安室奈美恵 ■安室奈美恵 ベスト(4) Did U 安室奈美恵 butterfly 安室奈美恵 Violet Sauce (Anotha Recipe) 安室奈美恵 CAN'T SLEEP, CAN'T EAT, I'M SICK (REMIX) 安室奈美恵 Nobody 安室奈美恵 Baby Don't Cry (TV-MIX) 安室奈美恵 DARLING 安室奈美恵 Higher 安室奈美恵 arigatou 安室奈美恵 Neonlight Lipstick 安室奈美恵 Ballerina 安室奈美恵 SWEET KISSES 安室奈美恵 Still Lovin' You 安室奈美恵 Black Make Up ~アニメ「ワンピース~アドベンチャー 安室奈美恵 オブ ネブランディア~」メインテーマ~ Chit Chat 安室奈美恵 ■安室奈美恵 ベスト(5) Show Me What You've Got 安室奈美恵 Strike A Pose 安室奈美恵 GO! GO! ~夢の速さで~ 安室奈美恵 GET MY SHININ' 安室奈美恵 Super Luck! 安室奈美恵 LET'S DO THE MOTION 安室奈美恵 PRIVATE 安室奈美恵 I'll JUMP 安室奈美恵 Concentration 20 (make you alright) 安室奈美恵 Close your eyes, Close to you 安室奈美恵 Storm 安室奈美恵 Whisper 安室奈美恵 I know.. -
Commemorative Concert the Suntory Music Award
Commemorative Concert of the Suntory Music Award Suntory Foundation for Arts ●Abbreviations picc Piccolo p-p Prepared piano S Soprano fl Flute org Organ Ms Mezzo-soprano A-fl Alto flute cemb Cembalo, Harpsichord A Alto fl.trv Flauto traverso, Baroque flute cimb Cimbalom T Tenor ob Oboe cel Celesta Br Baritone obd’a Oboe d’amore harm Harmonium Bs Bass e.hrn English horn, cor anglais ond.m Ondes Martenot b-sop Boy soprano cl Clarinet acc Accordion F-chor Female chorus B-cl Bass Clarinet E-k Electric Keyboard M-chor Male chorus fg Bassoon, Fagot synth Synthesizer Mix-chor Mixed chorus c.fg Contrabassoon, Contrafagot electro Electro acoustic music C-chor Children chorus rec Recorder mar Marimba n Narrator hrn Horn xylo Xylophone vo Vocal or Voice tp Trumpet vib Vibraphone cond Conductor tb Trombone h-b Handbell orch Orchestra sax Saxophone timp Timpani brass Brass ensemble euph Euphonium perc Percussion wind Wind ensemble tub Tuba hichi Hichiriki b. … Baroque … vn Violin ryu Ryuteki Elec… Electric… va Viola shaku Shakuhachi str. … String … vc Violoncello shino Shinobue ch. … Chamber… cb Contrabass shami Shamisen, Sangen ch-orch Chamber Orchestra viol Violone 17-gen Jushichi-gen-so …ens … Ensemble g Guitar 20-gen Niju-gen-so …tri … Trio hp Harp 25-gen Nijugo-gen-so …qu … Quartet banj Banjo …qt … Quintet mand Mandolin …ins … Instruments p Piano J-ins Japanese instruments ● Titles in italics : Works commissioned by the Suntory Foudation for Arts Commemorative Concert of the Suntory Music Award Awardees and concert details, commissioned works 1974 In Celebration of the 5thAnniversary of Torii Music Award Ⅰ Organ Committee of International Christian University 6 Aug. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
10501 逢坂川 13708 あぁ 12102 愛さずにいられない 12278 ああ
CODE TITLE ARTIST CODE TITLE ARTIST おおさか 13872 AHHHHH! 久保田利伸 10501 逢坂川 渡 哲也 13708 あぁ 大黒摩季 12102 愛さずにいられない 堀内孝雄 12278 ああ、いい女 細川たかし 15097 愛さずにはいられない 宇徳敬子 11757 あぁ、グッと 近藤真彦 11728 愛さずにはいられない 加藤登紀子 11144 ああ紅の血は燃ゆる 軍 歌 12112 愛されてセレナーデ ヤン・スギョン 10835 ああ上野駅 井沢八郎 11280 愛燦燦(あいさんさん) 美空ひばり 11003 あゝ単身赴任 安井昌二 13197 愛し愛されて生きるのさ 小沢健二 14874 Urban Dance 氷室京介 12620 愛しをください 日野美歌 11886 あゝ万次郎 村田英雄 11879 愛しすぎて 田原俊彦 12622 愛、とどきますか 和田アキ子 15087 愛し過ぎてこわい KIX・S 15474 愛☆アリガトウ キム・ヨンジャ 14468 愛したら異邦人 鈴木聖美 あいあいばし 12738 相愛橋 島津悦子 10049 愛しつづけるボレロ 五木ひろし 田代美代子/マヒ 13568 TAKAMI HIROYUKI 10813 愛して愛して愛しちゃったのよ I & I なスターズ 12425 I WILL 上田知華 13665 愛していると言えない 西脇 唯 13996 I Wish 広瀬香美 13644 愛してます 大黒摩季 15233 I WILL GET THERE J-FRIENDS 10494 愛してます(サランへ) 李 成愛 I'll Be Back Again 11296 TAKESHI & HIROKI 10016 愛しても今は他人 八代亜紀 …いつかは 12761 愛があれば大丈夫 14913 愛してる 高橋克典/仲間由 14729 愛がいそいでる BAKUFU-SLUMP 15327 愛してる 紀恵 藤谷美和子/大内 13065 愛が生まれた日 15059 愛してる 愛してる Dreams Come True 義昭 上岡龍太郎/有賀 12605 愛がきらめく時 14936 愛してる がわからない KIX・S さつき “ ” アトカシフ 12501 愛 冠 岬 松原のぶえ 12256 愛してるっていわない! 中山美穂 愛が止まらない 11900 WINK 14645 愛してるなんてとても言えない 杏 里 ~Turn it into love~ 12957 愛が泣いてる 唐木 淳 12024 愛始発 桂 銀淑/浜 圭介 13363 愛哀しくて 宇多川 都 13845 愛始発 西方裕之 11766 愛がほしい 前川 清 13915 愛 Just on my Love シャ乱Q あい しゅう 13486 愛が見えない ZARD 11515 佳山明生 愛 終 14688 I・CAN・BE 米米CLUB 13299 愛 愁 大月みやこ 12062 愛・ケセラセラ 島津ゆたか 15252 愛愁挽歌 服部浩子 11152 愛国の花 渡辺はま子 15359 哀愁エリア 門倉有希 13816 合コン哀歌 東京プリン 13005 愛愁歌(あいしゅうか) 島津悦子 11297 愛彩川 森 昌子 11823 哀愁行路 森 進一 10681 哀愁でいと 田原俊彦 12693 愛という名の勇気 益田宏美 JP-1 CODE TITLE ARTIST CODE TITLE ARTIST 10635 哀愁トゥナイト 桑名正博 13883 愛と沈黙 少年隊 10387 哀愁のカサブランカ 郷ひろみ 14030 -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Da Japão-Mania À Onda Coreana No Brasil1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 Entre japonesidades e coreanidades pop: da Japão-Mania à Onda Coreana no Brasil1 Krystal Urbano2 Universidade Federal Fluminense, Niterói, RJ Resumo Este artigo tem como objetivo fazer um resgate da memória recente da presença pop midiática dos países do Extremo Oriente no Brasil, a partir do transito dos produtos da Japão - Mania e da Onda Coreana em nosso país. Para isso apresentamos um breve histórico da presença pop midiática japonesa e sul-coreana em nosso país, relacionando- as primeiramente ao contexto das antigas e novas mídias à sua ambiência e consolidação posterior nos espaços urbanos e virtuais. Mais do que discorrer sobre a presença pop midiática do Japão e da Coréia do Sul na paisagem das mídias e nos espaços urbanos em nosso país, ensejamos atualizar o olhar em torno das práticas e negociações que estão em constante mutação e deram forma a um circuito fortemente produtivo que veio se formando nos três últimos decênios em torno das imagens, sonoridades e musicalidades do pop oriental no Brasil. Palavras-chave: Pop; Cultura midiática; Japão; Coréia do Sul; Brasil. Introdução Nunca se sabe ao certo quando e como se começa uma viagem. Algumas vezes, as mudanças são visíveis, mas também existem as viagens íntimas, que acontecem sem que ninguém saia do lugar. A presença da cultura japonesa e sul-coreana no Brasil passou por essas duas fases. Pode ser descrita a partir -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Words+Images
MUSE IS THE QUARTERLY JOURNAL PUBLISHED BY THE LIT WORDS+IMAGES { FIRST ANNUAL MUSE L I T E R A R Y CO MPETITION } ISSUE02.09 VOLUME 2, ISSUE 1 0 2 0 9 2contents UNREQUITED RELIGION GRANT BAILIE 6 GRANDPA RUDY ON A SUNDAY AFTERNOON MARK KUHAR 7 PODIS JOHN PANZA 11 INFINITE LOSS ROB JACKSON 15 EIGHT TO FIVE, AGAINST (EXCERPT) MARY DORIA RUSSELL 18 BOXERS DON’T FLOSS AFTER EVERY BOUT JOHN DONOGHUE 20 BLUE GIRL MARK KUHAR 21 DANCING WITH SOMETHING SHIVA SAID 33rd cleveland international film festival CLAIRE MCMAHON BACKGROUND it’s starting march 19-29, 2009 tower city cinemas clevelandfilm.org LITTLE GIRL BLUE BILLY DELPS PLAYGROUND, NYC, 2003 JASON OASIS 26 A SENTIMENTAL JOURNEY AMY BRACKEN SPARKS VOLUME 2, ISSUE 1 0 2 0 9 2contents UNREQUITED RELIGION GRANT BAILIE 6 GRANDPA RUDY ON A SUNDAY AFTERNOON MARK KUHAR 7 PODIS JOHN PANZA 11 INFINITE LOSS ROB JACKSON 15 EIGHT TO FIVE, AGAINST (EXCERPT) MARY DORIA RUSSELL 18 BOXERS DON’T FLOSS AFTER EVERY BOUT JOHN DONOGHUE 20 BLUE GIRL MARK KUHAR 21 DANCING WITH SOMETHING SHIVA SAID 33rd cleveland international film festival CLAIRE MCMAHON BACKGROUND it’s starting march 19-29, 2009 tower city cinemas clevelandfilm.org LITTLE GIRL BLUE BILLY DELPS PLAYGROUND, NYC, 2003 JASON OASIS 26 A SENTIMENTAL JOURNEY AMY BRACKEN SPARKS Words + Images is our tag line, and for this issue, we focus on MUSE IS THE QUARTERLY JOURNAL PUBLISHED BY THE LIT Words as we publish the winners of the first annual MUSE VOLUME 2, ISSUE 1 Literary Competition. -
Japan in the Meiji
en Japan in the Meiji Era The collection of Heinrich von Siebold Galleries of Marvel Japan in the Meiji Era Japan in the Meiji Era The collection of The collection of Heinrich von Siebold Heinrich von Siebold This exhibition grew out of a research Meiji period (1868–1912) as a youth. Through project of the Weltmuseum Wien in the mediation of his elder brother Alexan- co-operation with the research team of der (1846–1911), he obtained a position as the National Museum of Japanese History, interpreter to the Austro-Hungarian Diplo- Sakura, Japan. It is an attempt at a reap- matic Mission in Tokyo and lived in Japan praisal of nineteenth-century collections for most of his life, where he amassed a of Japanese artefacts situated outside of collection of more than 20,000 artefacts. He Japan. The focus of this research lies on donated about 5,000 cultural objects and Heinrich von Siebold (1852–1908), son of art works to Kaiser Franz Joseph in 1889. the physician and author of numeral books About 90 per cent of the items pictured in Hochparterre on Japan Philipp Franz von Siebold (1796– the photographs in the exhibition belong to 1866). Heinrich went to Japan during the the Weltmuseum Wien. Room 1 Ceramics and agricultural implements Room 2 Weapons and ornate lacquer boxes Room 3 Musical instruments and bronze vessels Ceramics and Room 1 agricultural implements 1 The photographs show a presentation of artefacts of the Ainu from Hokkaido, togeth- This large jar with a lid is Kutani ware from dynasty (1638–1644) Jingdezhen kilns, part of Heinrich von Siebold’s collection from er with agricultural and fishing implements Ishikawa prefecture. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
Context and Change in Japanese Music Alison Mcqueen Tokita and David Hughes
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SOAS Research Online ASHGATE RESEARCH 1 COMPANION Context and change in Japanese music Alison McQueen Tokita and David Hughes 1. What is ‘Japanese music’? Increasingly, the common view of Japan as a mono-cultural, mono-ethnic society, whether in modern or ancient times, is being challenged (Denoon et al. 1996). The category ‘Japan’ itself has been questioned by many (for example Amino 1992; Morris-Suzuki 1998). Amino insists that when discussing the past we should talk not about Japan or the Japanese people, but about people who lived in the Japanese archipelago. If Japan itself is not a solid entity, neither can its musical culture be reduced to a monolithic entity. If the apparently simple label ‘music of Japan’ might refer to any music to be found in Japan, then the phrase ‘music of the Japanese’ would cover any music played or enjoyed by the Japanese, assuming we can talk with confidence about ‘the Japanese’. The phrase ‘Japanese music’ might include any music that originated in Japan. This book would ideally cover all such possibilities, but must be ruthlessly selective. It takes as its main focus the musical culture of the past, and the current practices of those traditions as transmitted to the present day. A subsidiary aim is to assess the state of research in Japanese music and of research directions. The two closing chapters cover Western-influenced popular and classical musics respectively. At least, rather than ‘Japanese music’, we might do better to talk about ‘Japanese musics’, which becomes one justification for the multi-author approach of this volume.