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Red Glass for the Pharaoh Thilo Rehren
. ARCHAEOLOGY INTERNATIONAL HildO<heim, Genn•ny) '' excmting '� Red glass for the Pharaoh industrial estate dating to the foundatio period of the new city, including the larg-� I Thilo Rehren est known bronze foundries of antiquity,1 Glass in ancient Egypt appears to have been used as a substitute military workshops supplying and main for precious stones that were not available in the country. Here taining the pharaoh's chariotry including the process of glass manufacture is traced through the examina stables for hundreds of horses, and the only known production site for glass in tion of the fr agmentaryremains of ceramic reaction vessels and Bronze Age Egypt and Mesopotamia. The crucibles used in the production of small glass ingots. excavations date back to the 1980s, but only in the past couple of years have we been able to identify the glassmaking evi n archaeological terms, glass is a these precious materials, and ancient Egypt dence, although much of it had been exca relatively young material that was is no exception to this rule. It was famous vated many years previously. Why this invented much later than pottery or for its riches in gold, but had no silver ores; delay? Because we didn't know how to rec Imetals; only from the beginning of it produced amethyst, carnelian and tur ognize glassmaking: there being no prece the Late Bronze Age onwards do we quoise, but not lapis lazuli, amber or ob dent or template to follow when looking have good evidence for its intentional and sidian. Should the country's rulers there for Bronze Age glassmaking, and the evi routine production. -
Geology and Selected Minerals of the Diamond Hill Quartz Mine Antreville, South Carolina by Mike Streeter, GMS Member Copyright March 2004
Tips and Trips Page 11 The Georgia Mineral Society May 2004 Geology and Selected Minerals of the Diamond Hill Quartz Mine Antreville, South Carolina by Mike Streeter, GMS Member Copyright March 2004 Chrissy and I have spent a great deal of time at the Diamond Diamond Hill is nothing short of remarkable when you consider Hill Quartz Mine near Antreville, South Carolina over the past that the actual collecting areas occupy a total of less than 3 several months. Chester Karwoski, who purchased the acres and that each variety requires its own unique set of property in 2003, brought in some heavy earth-moving conditions to form. The three most sought after varieties of equipment last fall and has opened up some new collecting quartz at the mine are skeletal, smoky and amethyst. opportunities. On our most recent trip to the mine on February 28, 2004, members of the Rome Georgia Gem and Mineral Skeletal quartz (also known Society and the Southern Appalachian Mineral Society joined as elestial quartz) exhibits a us. Since it is no secret that that I am a geologist by trade, I layered or ribbed pattern. am often asked geological and mineralogical questions about Its appearance gave rise to collecting locales. While digging at Diamond Hill, I was asked the term "skeletal" as the to explain how the rocks and crystals formed. Now there's a crystals resemble what $64,000 question for you! I answered the question as best I someone with a good could at the time. Since then, I have researched the literature imagination would expect to obtain a more detailed explanation that I would like to share the skeleton of a quartz with you. -
With a Short Neck and Angular Should
LOW HIGH Lot Description Estimate Estimate Chinese archaistic bronze wine vessel (pou), with a short neck and angular shoulder with 1 three ram's head form handles, the body with taotie on a dense ground, raised on a tall foot, 8"h $ 300 - 500 (lot of 2) Chinese archaistic bronzes, the first a pouring vessel on tripod supports with taotie 2 pattern, body with inscription; the other an ox form guang lidded vessel, with a bird motif on the body,10.75"w $ 300 - 500 (lot of 3) Asian bronze items, consisting of a Himalayan ritual dagger (purba) and a ghanta 3 (bell); together with a Chinese archaistic bronze bell, with raised bosses, with wood stand, bell: 8.25"h $ 300 - 500 (lot of 5) Chinese hardstone plaques, consisting of two butterflies; one floral roundel; one 4 fan and one of bird-and-flowers, 2.75"w $ 150 - 250 5 Chinese hardstone bangle, reticulated with bats and tendrils, 2.5"w $ 300 - 500 (lot of 2) Chinese hardstone pebbles, the first carved of a bamboo stalk; the second, of a 6 mouse and sack, largest: 2"w $ 400 - 600 7 (lot of 2) Chinese hardstone figural carvings, featuring one young attendant; and the other of an immortal with a lion on his shoulder, with wood stands, carving: 3.125"h $ 300 - 500 Chinese bronze zoomorph, featuring a recumbent beast with a reticulated body with a bird 8 pattern, 4"w $ 200 - 400 Chinese patinated bronze censer of ding-form, the rim flanked by upright handles and the 9 body cast with floral scrolls, raised on tall tripod supports, with wood stand and lid, censer: 5"h $ 300 - 500 (lot of 5) Chinese -
Spring 1982 Gems & Gemology
SPRING 1982 Volume 18 Number 1 TABLE OF CONTENTS EDITORIAL 1 The Gems & Gemology Most Valuable Article Award Richard T. Lid~licoat,Ir. FEATURE 3 The Jade Enigma ARTICLES \ill M. Hobbs 20 Jade Forms from Ancient China Evelyn Tucker 32 Some Observations on the Treatment of Lavender Jadeite Iohn I. Koivula NOTES 36 Cultured 314 Blister Pearls AND NEW Robert Crowningshield TECHNIQUES 39 The Natural Formation and Occurrence of Green Quartz Xhomas R. Paradise REGULAR 43 Editorial Forum FEATURES 44 Gem Trade Lab Notes 50 Gemological Abstracts 58 Gem News ABOUT THE COVER: The jadeite necklace and earrings illustrated here give some indication of the beauty and mystery of this material. The identification of jade and some of its simulants is comprehensively examined in the article by ]ill Hobbs. The motifs that the Chinese have used for centuries to carve jade-for example, these earrings have been formed in the shape of a pi, a symbol of heaven-are reviewed in the article by Evelyn Tucker. The natural green jadeite beads are 30 inches (75 cm) long; the largest bead is 9.5 mm in diameter. The natural green jadeite earrings are 25 mm in diameter. Courtesy of the Crystalite Corporation. Photograph s?Y81 Harold and Erica Van Pelt-Photographers, Los Angeles, CA. Composition for Gems & Gemology is by Printed Page Graphics, Fullerton, CA. The color separations are by Effective Graphics, Compton, CA. Printing is by Waverly Press, Easton, MD. "1982 Gemological Institute of America. All rights reserved. ISSN 001 6-626X EDITORIAL Editor-in-Chief Managing Editor Editor, Gem Trade Lab Notes STAFF Richard T. -
KIRANJYOT RENU RANA FILE NO. CCRT/SF-3/163/2015 ADDRESS; D 1051 NEW FRIENDS COLONY NEAR MATA MANDIR EMAIL: [email protected] MOBILE: 98101 67661
KIRANJYOT RENU RANA FILE NO. CCRT/SF-3/163/2015 ADDRESS; D 1051 NEW FRIENDS COLONY NEAR MATA MANDIR EMAIL: [email protected] MOBILE: 98101 67661 PROGRESS REPORT 1 WHAT IS SCULPTURE Three-dimensional art that can stand on its own is known as a sculpture. Sculptures vary in sizes, and may be small enough to fit in the palm of a hand or large enough that they can only fit in a large outdoor space. Some sculptures are representative, and may look like a famous person; others may be abstract. The materials used in sculpture vary, and anything from ceramics, cement, recycled materials, paper or synthetics may be used to produce this particular type of art. By definition, a sculpture differs from other structures in that it does not have an intrinsically utilitarian purpose. HISTORY & ORIGIN Sculpture was used mainly as a form of religious art to illustrate the principles of Hinduism, Buddhism, or Jainism. The female nude in particular was used to depict the numerous attributes of the gods, for which it was often endowed with multiples heads and arms. Important milestones in the history of sculpture include: the Buddhist Pillars of Ashokaof the Mauryan period, with their wonderful carved capitals (3rd century BCE); the figurative Greco- Buddhist sculpture of the Gandhara and Mathura schools, and the Hindu art of the Gupta period (1st-6th century CE). In brief, the flow of the growth of sculpture is as follows: Indus Valley Civilization (c.3300-1300 BCE) Mauryan Sculpture: Pillars of Ashoka (3rd Century BC Ajanta Caves (c.200 BCE - 650 CE) Under the Kushans, sculpture from Gandhara and Mathura art went on to influence artists across India, Elephanta Caves (c.550-720) Pallava and Pandya Sculpture from South India (600-900) Ellora Caves (c.600-1000) Chandela Stone Sculpture in Central India (10th-13th century) Chola Bronze Sculpture of South India, Sri Lanka (9th-13th century) Famous Sculptures that impressed and inspired me 1) TheAshoka Pillars 2) SanchiStupa 3) Ajanta Caves 4). -
Smoky Quartz Healing Properties Facut
Smoky Quartz Healing Properties Unpassioned and vermilion Christophe obsolesces, but Jean-Francois oft unscrambling her incendiary. New Ephram sterilisingtorches no legislatively? vendors portions assumably after Rutger vanquish recollectively, quite thumbed. Is Richmond trilled when Clark Whether they were a smoky healing properties that uses any uv protection against a painful point away negative energies out there and gemstones. Will not meant to heal yourself in ancient legends associated with. Researchers are a bit depending on the anger and the most often be. Kinesthetic feeling and spiritual energy system radiant with the rutilated quartz crystal heart to be effective when you. Variety of colors about the link code below. Crafted into the faces of smoky quartz gemstone for thousands of the gates of failure. Traces to use in illness, this site regarding crystals have the rutilated quartz! Excellent psychic are important part of treating both the natural irradiation. Browny gray color from smoky quartz protects against negative thinking, lifts your soul awaken to block geopathic stress, smoky quartz can utilize this can also are. Purchase them into smoky properties of the understanding that was used to buy. Allowing positive frequencies to activate the earth and scottish smoky quartz crystal, and purify the place. Protective energy into the world with smoky gray to gems. Center located at a smoky properties, personal preferences also discussed previously, pragmatic thought and do not exhibit more ornate than you make of stones. Possible to make of quartz healing properties that uses any information that someone would find this on motorways, and gently neutralizes negative effects. Gladiatorial fights on a crystal healing properties of communication difficulties and the healing environment and nature and where it? Center located at a smoky quartz healing vibration that i keep a transparent. -
Mineral Collecting Sites in North Carolina by W
.'.' .., Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie RUTILE GUMMITE IN GARNET RUBY CORUNDUM GOLD TORBERNITE GARNET IN MICA ANATASE RUTILE AJTUNITE AND TORBERNITE THULITE AND PYRITE MONAZITE EMERALD CUPRITE SMOKY QUARTZ ZIRCON TORBERNITE ~/ UBRAR'l USE ONLV ,~O NOT REMOVE. fROM LIBRARY N. C. GEOLOGICAL SUHVEY Information Circular 24 Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie Raleigh 1978 Second Printing 1980. Additional copies of this publication may be obtained from: North CarOlina Department of Natural Resources and Community Development Geological Survey Section P. O. Box 27687 ~ Raleigh. N. C. 27611 1823 --~- GEOLOGICAL SURVEY SECTION The Geological Survey Section shall, by law"...make such exami nation, survey, and mapping of the geology, mineralogy, and topo graphy of the state, including their industrial and economic utilization as it may consider necessary." In carrying out its duties under this law, the section promotes the wise conservation and use of mineral resources by industry, commerce, agriculture, and other governmental agencies for the general welfare of the citizens of North Carolina. The Section conducts a number of basic and applied research projects in environmental resource planning, mineral resource explora tion, mineral statistics, and systematic geologic mapping. Services constitute a major portion ofthe Sections's activities and include identi fying rock and mineral samples submitted by the citizens of the state and providing consulting services and specially prepared reports to other agencies that require geological information. The Geological Survey Section publishes results of research in a series of Bulletins, Economic Papers, Information Circulars, Educa tional Series, Geologic Maps, and Special Publications. -
Z Thornton Sep 14.Qxp
Fig 2. A late 19thC Scottish dirk brooch, with three Fig 5. A lava cameo bracelet, designed as a series tiered hardstone and smokey quartz panels, to the of oval-shape vari-shade cameos depicting various faceted smokey quartz terminal, with engraved profiles of gentlemen in period dress, some with detail. £200. laurel details. £190. Victorian Vintage Jewellery Fig 3. A selection of Scottish jewellery, to include a hardstone rectangular panel bracelet and twelve brooches, four brooches of thistle design, ten with and Accesories at Fellows marks to indicate silver. £180. By Zita Thornton Victorian jewellery was very well represented who were clamouring for cameos. Shell was at Fellows in May. The choice included Scottish softer and easier to carve and cameos could be agate pieces, cameos, lockets, momento and produced more quickly and cheaply. In the mid sentimental items. There was also a selection of nineteenth century a shell cameo was likely to decorative jewellery in gold or silver, set with cost around £1-£8 compared to a hardstone gems or carved from ivory, jet, jade and coral. cameo at £5-£40. Victorian cameo jewellery was Agate and other hardstone jewellery was a most often set into gold mounts with closed or favourite of the Victorians and was made in open backs. The more elaborate the setting, the Scotland using locally found stones. Bands of more expensive the cameo, then as now. Values coloured agate, carnelian or bloodstone would for a shell cameo in the Fellows sale reached be set, usually in silver, in traditional shapes £500, Fig 4, for a cameo brooch mounted in an such as an anchor or shield, or might encircle a elaborate 18ct gold surround with blue enamel cut stone such as smokey quartz. -
Of the Grand Cameo: a Holistic Approach to Understanding the Piece, Its Origins and Its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2018 The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context Constantine Prince Sidamon-Eristoff Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, and the Metal and Jewelry Arts Commons Recommended Citation Sidamon-Eristoff, Constantine Prince, "The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context" (2018). MA Theses. 14. https://digitalcommons.sia.edu/stu_theses/14 This Thesis is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context by Constantine P. Sidamon-Eristoff A thesis submitted in conformity With the requirements for the Master’s Degree Fine and Decorative Art and Design Sotheby’s Institute of Art 2018 Word Count: 14,998 The “Whys” of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context By: Constantine P. Sidamon-Eristoff The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. -
Reflective Index Reference Chart
REFLECTIVE INDEX REFERENCE CHART FOR PRESIDIUM DUO TESTER (PDT) Reflective Index Refractive Reflective Index Refractive Reflective Index Refractive Gemstone on PDT/PRM Index Gemstone on PDT/PRM Index Gemstone on PDT/PRM Index Fluorite 16 - 18 1.434 - 1.434 Emerald 26 - 29 1.580 - 1.580 Corundum 34 - 43 1.762 - 1.770 Opal 17 - 19 1.450 - 1.450 Verdite 26 - 29 1.580 - 1.580 Idocrase 35 - 39 1.713 - 1.718 ? Glass 17 - 54 1.440 - 1.900 Brazilianite 27 - 32 1.602 - 1.621 Spinel 36 - 39 1.718 - 1.718 How does your Presidium tester Plastic 18 - 38 1.460 - 1.700 Rhodochrosite 27 - 48 1.597 - 1.817 TL Grossularite Garnet 36 - 40 1.720 - 1.720 Sodalite 19 - 21 1.483 - 1.483 Actinolite 28 - 33 1.614 - 1.642 Kyanite 36 - 41 1.716 - 1.731 work to get R.I. values? Lapis-lazuli 20 - 23 1.500 - 1.500 Nephrite 28 - 33 1.606 - 1.632 Rhodonite 37 - 41 1.730 - 1.740 Reflective indices developed by Presidium can Moldavite 20 - 23 1.500 - 1.500 Turquoise 28 - 34 1.610 - 1.650 TP Grossularite Garnet (Hessonite) 37 - 41 1.740 - 1.740 be matched in this table to the corresponding Obsidian 20 - 23 1.500 - 1.500 Topaz (Blue, White) 29 - 32 1.619 - 1.627 Chrysoberyl (Alexandrite) 38 - 42 1.746 - 1.755 common Refractive Index values to get the Calcite 20 - 35 1.486 - 1.658 Danburite 29 - 33 1.630 - 1.636 Pyrope Garnet 38 - 42 1.746 - 1.746 R.I value of the gemstone. -
Healing Gemstones for Everyday Use
GUIDE TO THE WORLD’S TOP 20 MOST EFFECTIVE HEALING GEMSTONES FOR EVERYDAY USE BY ISABELLE MORTON Guide to the World’s Top 20 Most Effective Healing Gemstones for Everyday Use Copyright © 2019 by Isabelle Morton Photography by Ryan Morton, Isabelle Morton Cover photo by Jeff Skeirik All rights reserved. Published by The Gemstone Therapy Institute P.O. Box 4065 Manchester, Connecticut 06045 U.S.A. www.GemstoneTherapyInstitute.org IMPORTANT NOTICE This book is designed to provide information for purposes of reference and guidance and to accompany, not replace, the services of a qualified health care practitioner or physician. It is not the intent of the author or publisher to prescribe any substance or method to cure, mitigate, treat, or prevent any disease. In the event that you use this information with or without seeking medical attention, the author and publisher shall not be liable or otherwise responsible for any loss, damage, or injury directly or indirectly caused by or arising out of the information contained herein. CONTENTS Gemstones for Physical Healing Light Green Aventurine 5 Dark Green Aventurine 11 Malachite 17 Tree Agate 23 Gemstones for Emotional Healing Rhodonite 30 Morganite 36 Pink Chalcedony 43 Rose Quartz 49 Gemstones for Healing Memory, Patterns, & Habits Opalite 56 Leopardskin Jasper 62 Golden Beryl 68 Rhodocrosite 74 Gemstones for Healing the Mental Body Sodalite 81 Blue Lace Agate 87 Lapis Lazuli 93 Lavender Quartz 99 Gemstones to Nourish Your Spirit Amethyst 106 Clear Quartz / Frosted Quartz 112 Mother of Pearl 118 Gemstones For Physical Healing LIGHT GREEN AVENTURINE DARK GREEN AVENTURINE MALACHITE TREE AGATE https://GemstoneTherapyInstitute.org LIGHT GREEN AVENTURINE 5 Copyright © 2019 Isabelle Morton. -
^ ^ the Journal Of
^^ The Journal of - Volume 29 No. 5/6 Gemmology January/April 2005 The Gemmological Association and Gem Testing Laboratory of Great Britain Gemmological Association and Gem Testing Laboratory of Great Britain 27 Greville Street, London EC1N 8TN Tel: +44 (0)20 7404 3334 • Fax: +44 (0)20 7404 8843 e-mail: [email protected] • Website: www.gem-a.info President: E A jobbins Vice-Presidents: N W Deeks, R A Howie, D G Kent, R K Mitchell Honorary Fellows: Chen Zhonghui, R A Howie, K Nassau Honorary Life Members: H Bank, D J Callaghan, E A Jobbins, J I Koivula, I Thomson, H Tillander Council: A T Collins - Chairman, S Burgoyne, T M J Davidson, S A Everitt, L Hudson, E A Jobbins, J Monnickendam, M J O'Donoghue, E Stern, P J Wates, V P Watson Members' Audit Committee: A J Allnutt, P Dwyer-Hickey, J Greatwood, B Jackson, L Music, J B Nelson, C H Winter Branch Chairmen: Midlands - G M Green, North East - N R Rose, North West -DM Brady, Scottish - B Jackson, South East - C H Winter, South West - R M Slater Examiners: A J Allnutt MSc PhD FGA, L Bartlett BSc MPhil FGA DCA, Chen Meihua BSc PhD FCA DGA, S Coelho BSc FCA DCA, Prof A T Collins BSc PhD, A G Good FCA DCA, D Gravier FGA, J Greatwood FGA, S Greatwood FGA DCA, G M Green FGA DGA, He Ok Chang FGA DGA, G M Howe FGA DGA, B Jackson FGA DGA, B Jensen BSc (Geol), T A Johne FGA, L Joyner PhD FGA, H Kitawaki FGA CGJ, Li Li Ping FGA DGA, M A Medniuk FGA DGA, T Miyata MSc PhD FGA, M Newton BSc DPhil, C J E Oldershaw BSc (Hons) FGA DGA, H L Plumb BSc FGA DCA, N R Rose FGA DGA, R D Ross BSc FGA DGA, J-C