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Tenants United
TENANTS UNITED: NAVIGATING ALLIES AND ADVERSARIES IN HOUSING MOVEMENTS BY Caitlin Waickman B.A. Fordham University, 2012 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS IN THE DEPARTMENT OF URBAN STUDIES AT FORDHAM UNVERSITY NEW YORK May, 2014 UMI Number: 1561147 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 1561147 Published by ProQuest LLC (2014). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Table of Contents Title Page 1 Table of Contents 2 Introduction 3 Renters in the United States 5 The Context of Current Housing Activism 12 Background of Sunset Park 22 Rent Strike in Sunset Park 26 1904 Housing Activism 44 Take Back the Land 50 Allies in the Housing Movement 56 Conclusion 62 Bibliography 65 Appendix 68 Abstract Vita Introduction When a tenant in a rental property notices that their building needs some repair or maintenance, she would first call the super of her building or write a note to her landlord. What happens when, long after the need for repair has been pointed out, the property owner still fails to take action? Buildings throughout New York City are falling into disrepair for a variety of reasons, but in all cases, tenants are left in a precarious situation. -
Studio-Sound-1999-10.Pdf
HE INTE ATIOS;aïL PROFESSICx,à,.L..-- AGAZINE FOR REC( NG, POSTPRODUCTIO sOADCAST AES aid 4110 _11.1g meeent2 41110 )uer eek JM47 I"r(('Jr L 41110 r )fie4w)r 411. 4. 41. WIN FAB GENELEC AND CEDAR GEAR THE REAL STORY OF RECORDERS The BROADWAY IN THE ARCTIC ANDYATM INACTION JOHNS 10 H11 Interview 9 770144 594024 LIBRA POST harnesses the power and functionality of AMS Neve's flagship DIGITAL FILM CONSOLE (DFC) for the wider world of video post production. KEY FEATURES INCLUDE: 12 -48 faders, up to 192 inputs Surround sound mixing to any format Multiple stem outputs up to 8 channels wide Dedicated 8- channel surround monitor panel with matrix/ processing inserts Encore' Total Dynamic Automation - shared with DFC Automated joystick panning 96kHz -ready processing platform Optional multi- machine control Optional 24 -bit hard disk recording/editing,_ Digital First__ HEAD OFFICE - AMS Neve plc Billington Road Burnley Lancs BB11 SUB . England . Tel: +44 (0) 1282'45701 AMS Fax: +44 (0) 1282 41 '282 LONDON - Tel: 0171 916 2828 Fax: 0171 916 2827 GERMANY - Tel: 61 1 9 42 520 Fax: 61 31 9 42 5210 . NEW YORK - Tel: (212) 965 1400 Fax: (212) 965 3739 NEVEHOLLYWOOD - Tel: (818) 753 8789 Fax: (818) 623 4839 TORONTO - Tel: (416) 365 3363 Fax: (416) 365 1044 e -mail: enquiry @am -neve.com - http://www.ams-neve.com Solid State Logic The digital multi -trac The SuperAn New custom mobile ve Digital console proves perfect for post The success of the Axlóm =M` , vvi h over 30 orders since its launch at the May 1998 AES in Amsterdam, is an overwhelming endorsement of SSL's strategy of combining proven, stable digital technology with a familiar control surface. -
CRQ Sao Paulo- LDC Cities (14 Points Possible) Name
CRQ Sao Paulo- LDC Cities (14 points possible) Name:_________________________ Rural-to-urban migration in Latin American cities often results in large squatter settlements called favelas surrounding cities such as Sao Paulo. Use the information provided in the data sheets and your background knowledge from class to answer all of the following questions in an essay response. Be sure to check off each question as you answer it. Use the back of paper if necessary. (A) Discuss where the residents of these slums typically come from (1 pt)? Identify and explain one reason why migrants left (push factor) their previous home? (2 pts) (B) Identify and explain two reasons why these migrants are drawn (pulled) to mega-cities like Sao Paulo? (4 pts) (C) Many of the migrants live in favelas or squatter settlements in the cities. Describe favelas in Sao Paulo. (2 pt) Describe where favelas are typically located in Sao Paulo? (1 pt) (D) Identify and explain two problems that Sao Paulo is experiencing because of its size and rapid growth? (4 pts) Data Sheet Brazil Brazil's booming agribusiness targets record 2004 Reuters, 01.07.04, 5:51 PM ET By Peter Blackburn RIO DE JANEIRO, Brazil (Reuters) - Brazil's booming agribusiness trade surplus soared 27 percent to a record $25.8 billion in 2003 from the previous year's record $20.3 billion, and should rise further this year. Commodity superpower Brazil is the world's top exporter of coffee, sugar and orange juice, a leading meat shipper and aims to overtake the United States as the world's top soybean supplier in 2003/04. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Understanding Formal and Informal Relationships in Settlement
Understanding formal and informal relationships in settlement upgrading for planning just and inclusive cities: the case of Phnom Penh, Cambodia Johanna Brugman Alvarez Master of Science in Urban Development Planning Bachelor of Urban and Regional Planning with Honours A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2019 School of Earth and Environmental Sciences Abstract Since colonial times a formal/informal divide entrenched in systems of urban planning in Phnom Penh, Cambodia has been used as a governmental tool by the state to marginalize and exclude informal settlements. This tool has also been used to impose a market-oriented model of urban development that is insufficient in progressing the aspirations, needs, and claims to justice of people living in these settlements. In fact, this model has led to the development of a highly unequal and unjust city. This problematic touches on a key aspect of planning knowledge which affects many other cities of the global south. Binaries are a characteristic of western thought and capitalism. This way of thinking reproduces a hierarchical worldview with a privileging pole and unequal power relationships by making divisions between formal/informal sectors, public/private property, ordinary/global cities, and individual/collective ways of life. Binaries turn the merely different into an absolute other and exclude and marginalize the reality of difference in cities. Despite growing evidence of formal and informal relationships in cities, most research has tended to concentrate on understanding these systems separately. My research addresses this knowledge gap. In this thesis I explain how formal and informal relationships are composed in the context of informal settlement upgrading practices in Phnom Penh with emphasis in three dimensions: a) land access, b) finance for housing, infrastructure and livelihoods, and c) political recognition. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
The Bullwhip Squadron News ______
3rd/17th --- 1st/9th Air Cavalry Squadron THE BULLWHIP SQUADRON NEWS _______________________________________________________________________ The official News Magazine of the Bullwhip Squadron Association September 2003 THE CAVALRYMAN You may ask, "Whence came this man?" Broad shouldered, with a weathered face. Mounted and weaponed, looking not just ahead, But with perception into even the next decade of man. He has come from the heartland of a nation To accept the burden of war. From the rich and poor, The arrogant rabble and idealist alike, Have come the cross section of his breed. For him, the torturous trail and endless thirst, Fear of death and bitter loneliness. The broken bodies of comrades lost to soon are assuaged Only by the fleeting emotion of brilliant victory! He has carved his hallmark on liberty and in so doing, Cast a long shadow over tyranny. Freedom shall have its way whenever he stands. By the sinew of his body And the spirit of his being, He has forged the assurance of a tomorrow. You and all mankind already know him. His deeds far excel the best efforts of man Forever accepting his nations challenge, This proud warrior moves, always to the vanguard. He is...The Cavalryman. By Lt. Col. Robert Drudik from "FIRST TEAM" FALL 1970 2 INDEX Item Page Poem 2 Adjutants Call 4 Taps 5 Eulogy, Richard Marshall 6 From the Commander 7 From the Command Sergeant Major 7 From the Chaplain 8 From the Sergeant Major 9 From the Vice President 10 2004 Reunion 11 From the Public Affairs Officer 11 Keeper of the Rock 12 The 9th Cav’s SABER Column 13 Julie 15 From The Swamp 18 Smoky 20 Legally Speaking 20 Military News 26 Health 29 Sick Call 33 Articles 33 Veterans Sound Off 38 Letters to the Editor 48 Lost and Found 50 Updates 50 Quartermaster Corner (Items For Sale) 51 Association Members 52 Advertisements 55 3 Adjutants Call ATTENTION TO ORDERS: "THANKS FOR THE MEMORIES". -
January 26, 2020 — 11 Am Sanctuary Worship Third Sunday After Epiphany
EAST LIBERTY PRESBYTERIAN CHURCH 116 South Highland Ave., Pittsburgh, PA 15206 412.441.3800 www.ELPC.church As a diverse community of believers, we strive to follow God – the Creator who calls us, Jesus who teaches us, and the Spirit who empowers us. We show God’s unconditional love by providing a refuge for spiritual growth, ardently pursuing justice, and extending Christ’s radical hospitality to all. (Strategic Vision mission statement, 2011) JANUARY 26, 2020 — 11 AM SANCTUARY WORSHIP THIRD SUNDAY AFTER EPIPHANY TIME OF PREPARATION “The trivial, the mundane, the distractions, the shiny object, the squirrel flitting from branch to branch. These are almost like a drug, reaching out to you, interrupting, For over 30 years engrossing, diverting, interfering, confusing and preoccupying your thinking and Dr. Gerre Edward focus. Distractions keep you from your real mission. Prevent you from concentrating Hancock (1934-2012) on and accomplishing the truly important things in your life.” was Organist and — Enrique Fiallo (Life coach, speaker, writer) Choirmaster at St. Thomas Episcopal Church, New York City. MINISTRY OF MUSIC Dr. Edward Alan Moore, organ Dr. Ed Moore studied “Schönster Herr Jesu (Beautiful Savior)” Gerre Hancock with him at the Eastman Our worship begins with the Ministry of Music/Prelude. School of Music. The Please use this time to fill out the red Friendship pads and for quiet worship preparation. tune Schönster Herr Jesu (Beautiful Savior) WELCOME & CHURCH NEWS The Rev. Patrice Fowler-Searcy is based on a Silesian folk song from the early * SHARING GOD’S PEACE The Rev. Fowler-Searcy 19th Century. Leader: La paz de Cristo esté con ustedes. -
Transcript And
TEXAS DEPARTMENT OF MOTOR VEHICLES BOARD MEETING Thursday, February 6, 2020 Lone Star Room Building 1 4000 Jackson Avenue Austin, Texas BOARD MEMBERS: Guillermo "Memo" Treviño, Chair Charles Bacarisse, Vice Chair Stacey Gillman Brett Graham Tammy McRae John Prewitt Joel Richardson Paul Scott Shelley Washburn ON THE RECORD REPORTING (512) 450-0342 2 I N D E X AGENDA ITEM PAGE 1. Roll Call and Establishment of Quorum 5 2. Pledges of Allegiance - U.S. and Texas 7 3. Chair's Reports A. Introduction of New Board Member - 8 Joel Richardson B. Chair's Annual Report to Governor on 9 State of Affairs 2019 4. Executive Director's Reports 10 Awards, Recognition of Years of Service, and Announcements 5. Memorandum of Understanding between Motor 12 Vehicle Crime Prevention Authority (MVCPA) and Texas Department of Motor Vehicles CONTESTED CASE 6. Reversed and Remanded from the Third Court of 16 Appeals to the Board for proceedings consistent with the appellate opinion (i.e. Reconsideration of the Board's August 17, 2017, Final Order) under Occupations Code, §§2301.467(a)(1), 2301.468, and 2301.478(b). Third Court of Appeals No. 03-17-00761-CV, Removed from the 201st District Court of Travis County, Cause No. D-1-GN-17-005912, SOAH Docket No. 608-14-1208.LIC, MVD Docket No. 14-0006 LIC; New World Car Nissan, Inc. d/b/a World Car Hyundai, World Car Nissan, and New World Car Imports, San Antonio, Inc., d/b/a World Car Hyundai, Complainants v. Hyundai Motor America, Respondent RULES - ADOPTIONS 7. Chapter 215, Motor Vehicle Distribution 106 Amendments, -
Chasing the Light the CLOUD CULT STORY Mark Allister
Chasing the Light Chasing the Light THE CLOUD CULT STORY Mark Allister Foreword by Mark Wheat University of Minnesota Press Minneapolis • London Interview excerpts from the film No One Said It Would Be Easy are repro- duced by permission of John Paul Burgess. Cloud Cult lyrics are reproduced by permission of Cloud Cult/Craig Minowa. Photographs reproduced by permission of Cloud Cult/Craig Minowa unless otherwise credited. Thanks to Jeff DuVernay, Cody York (http://www.cody yorkphotography.com), and Stacy Schwartz (http://www.stacyannschwartz. com) for contributing photographs to the book. Copyright 2014 by Mark Allister Foreword copyright 2014 by Mark Wheat All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu {~?~IQ: CIP goes here.} Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 20 19 18 17 16 15 14 10 9 8 7 6 5 4 3 2 1 For Meredith Coole Allister, partner extraordinaire When your life is finished burning down, You’ll be all that’s left standing there. You’ll become a baby cumulus, And fly up to the firmament. No one gets to know the purpose, We need to learn to live without knowing. But all we are saying is Step forward, step forward. -
Chasing Peacocks
Georgia College Knowledge Box Creative Nonfiction MFA Theses Masters of Fine Arts Theses Spring 5-1-2020 Chasing Peacocks Jennifer Watkins [email protected] Follow this and additional works at: https://kb.gcsu.edu/nonfiction Part of the Nonfiction Commons Recommended Citation Watkins, Jennifer, "Chasing Peacocks" (2020). Creative Nonfiction MFA Theses. 5. https://kb.gcsu.edu/nonfiction/5 This Thesis is brought to you for free and open access by the Masters of Fine Arts Theses at Knowledge Box. It has been accepted for inclusion in Creative Nonfiction MFA Theses by an authorized administrator of Knowledge Box. Chasing Peacocks A thesis presented to The Graduate Faculty of The College of Arts and Sciences Department of English Georgia College & State University In partial fulfillment of the requirement for the degree Master of Fine Arts in Creative Writing Jennifer Watkins April 2020 Acknowledgements Thank you to all of those who read many of the early pages and drafts of this collection. I am grateful for the help from these honest and patient people. Thank you first of all to Peter Selgin who promised to continue pushing me so that I could be a better writer. I truly appreciate the faith and respect as well as the time it took to give thorough, much needed comments. Thanks also to Kerry Neville who not only sat in as my thesis advisor for a semester, but always took time to give clear feedback. She continues to encourage me to do more. A final thanks to Ruby Holsenbeck, Charlotte Lauer, and Dalton Monk who have read so many versions of essays outside of class time. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.