ANNUAL REPORT RÁITIS AIRGEADAIS

2012 FOILSITHE AG/PUBLISHED BY Bord Scannán na hÉireann/the Irish Film Board Queensgate, 23 Dock Road, Galway, Ireland CONTENTS/ÁBHAIR Tel +353 91 561 398, Fax +353 91 561 405 [email protected] www.irishfilmboard.ie

AN PRÍOMHFHEIDHMEANNACH/ ...... 2 CHIEF EXECUTIVE PREAMBLE JAMES HICKEY RÉAMHRÁ...... 3

AN PRÍOMHFHEIDHMEANNACH/ DEPUTY CHIEF EXECUTIVE ANNUAL REPORT OF BORD SCANNÁN NA hÉIREANN...... 8 TERESA McGRANE

BUSINESS AFFAIRS/CHÚRSAÍ GHNÓ BORD SCANNÁN NA hÉIREANN’S Rialtóir Airgeadais/Financial Controller CELINE FORDE OBJECTIVES AND POLICIES...... 9 Comhordaitheoir Chúrsaí Gnó agus Dlí/ 01 Business and Legal Affairs Co-Ordinator AILEEN McCAULEY FINANCE ...... 10 Feidhmeannach Cúntas/Accounts Executive STATEMENT OF BOARD RESPONSIBILITIES...... 11 SUZANNE KEANE (Part-time) STATEMENT OF INTERNAL FINANCIAL CONTROL...... 12 LÉIRIÚCHÁIN 7 FORBARTHA/ REPORT OF THE COMPTROLLER AND AUDITOR GENERAL...... 13 PRODUCTION & DEVELOPMENT Bainisteoirí Tionscadail/Project Managers ACCOUNTING POLICIES...... 14 MARY CALLERY FINANCIAL STATEMENTS OF BORD SCANNÁN NA hÉIREANN/ RORY GILMARTIN KEITH POTTER THE IRISH FILM BOARD YEAR ENDED 31 DECEMBER 2012...... 15 Bainisteoir Forbartha Dáiliúcháin/ NOTES TO THE FINANCIAL STATEMENTS...... 19 Distribution Development Manager EMMA SCOTT Comhordaitheoir Léiriúcháin agus Forbartha/ APPENDICES Production & Development Co-ordinator SARAH DILLON 1. CAPITAL COMMITMENTS 2012...... 27 Comhordaitheoir Scéimeanna agus Iarratas/ 2. OUTSTANDING COMMITMENTS 2012...... 30 Schemes & Applications Co-ordinator JILL McGREGOR 3. DETAILS OF LOAN CONDITIONS...... 33 4. PRINCIPLES & CRITERIA...... 34 MARGAÍOCHTA/MARKETING Bainisteoir Margaíochta agus Cumarsáide/ 5. LOCATION SERVICES...... 37 Marketing and Communications Manager LOUISE RYAN Feidhmeannach Margaíochta/ BORD SCANNÁN NA hÉIREANN RÁITIS AIRGEADAIS...... 39 Marketing Executive MAGS O’SULLIVAN CUSPÓIRÍ AGUS BEARTAIS BORD SCANNÁN NA hÉIREANN.... 40 COIMISIÚN SCANNÁN NA hÉIREANN/ IRISH FILM COMMISSION Coimisinéir Scannán/Film Commissioner AIRGEADAS...... 41 NAOISE BARRY RÁITEAS AR DHUALGAIS CHOMHALTAÍ AN BHOIRD...... 42 RIARACHÁN/ADMINISTRATION RÁITEAS FAOI CHÓRAS RIALAITHE INMHEÁNAIGH AIRGEADAIS...... 43 Cúntóir Feidhmiúcháin /Executive Assistant NIAMH O’REILLY TUAIRISC AN ARD-REACHTAIRE CUNTAS AGUS CISTE...... 44 Cúntóir Riaracháin/Administrative Assistant BEARTAIS CHUNTASAÍOCHTA...... 45 JADE MURPHY RÁITIS AIRGEADAIS BORD SCANNÁN NA hÉIREANN SCREEN TRAINING IRELAND DON BHLIAIN DAR CHRÍOCH 31 NOLLAIG 2012...... 46 Feidhmeannach Oiliúna: Cruthaitheacht/ Training Executive: Creativity NÓTAÍ AG GABHBÁIL LEIS NA RÁITIS AIRGEADAIS...... 50 GRAINNE BENNETT Feidhmeannach Oiliúna: Léiriúcháin agus Teicniúil/ Training Executive: Production and Technical AGUISÍNÍ SORCHA LOUGHNANE 1. TIOMANTAIS CHAIPITIL 2012...... 58 Feidhmeannach Oiliúna: Gnó agus Fiontraíocht/ Training Executive: Business and Enterprise 2. TIOMANTAIS GAN ÍOC 2012...... 61 HELEN McMAHON 3. SONRAÍ NA GCOINNÍOLLACHA IASACHTA...... 64 Comhordaitheoir Oiliúna/Training Co-Ordinator EMER MacAVIN 4. PRIONSABAIL & CRITÉIR...... 62 Feidhmeannach Cumarsáid/ 5. SEIRBHÍSÍ SUÍMH...... 65 Communications Executive CRÍONA SEXTON Feidhmeannach Airgeadais/Finance Executive FEATURE FILMS/FADSCANNÁIN 1993 - 2012 ...... 69 SUSANNE CASSELLS PILGRIM HILL VIKINGS

02 03 PREAMBLE RÉAMHRÁ

espite a challenging economic climate, production activity Award highlights include Irish psychological horror Citadel picking n ainneoin cúinsí eacnamaíochta a bhí dúshlánach go leor, uair, agus Byzantium le Neil Jordan; ag an BFI London Film Festival for independent feature film, TV drama, animation and up the Audience Award at SXSW, the short film Pentecost tháinig méadú ar ghníomhaíocht léiriúcháin phríomhscannán taispeánadh 10 scannán, buaicphointe, ag an ócáid cháiliúil sin, ina Dfeature documentary increased in 2012 with an estimated becoming the 8th Academy Award® nominated Irish short film Ineamhspleách, drámaíocht teilifíse, beochan agus phríomhscannán measc Good VIibrations, Pilgrim Hill arna léiriú ag Gerard Barrett, total expenditure of €142 million* invested into the Irish economy. since 2002 and Albert Nobbs receiving three nominations in faisnéise le linn 2012 agus caiteachas iomlán measta de €142* Silence agus Kelly & Victor agus The Summit. This represents an increase of approximately 20% on 2011 figures. the Best Actress, Best Supporting Actress and Best Make-Up milliún infheistithe i ngeilleagar na hÉireann. Léiríonn sé sin méadú Overall, the audio-visual industry also delivered a significant return categories. de thuairim is 20% ar fhigiúirí na bliana 2011. San iomlán, d’éirigh I measc buaicphointí na ngradam bhí an scannán uafáis on investment in terms of direct contribution to the economy, leis an tionscal closamhairc toradh suntasach a bhaint amach freisin shiceolaíoch Citadel a bhain amach Gradam Lucht Féachana with employment levels increasing to over 6,000 full time job The Irish animation industry was also in the spotlight in 2012 at the lena chuid infheistíochtaí ó thaobh ranníocaíochta díreach isteach sa ag SXSW, ainmníodh an gearrscannán Pentecost la haghaidh equivalents. world famous Annecy Film Festival in June 2012, where the festival ngeilleagar, agus ó thaobh leibhéil na fostaíochta a mhéadaigh go dtí Duais an Acadaimh®, an t-ochtú gearrscannán Éireannach a paid a well deserved tribute to Ireland with a host of screenings coibhéis de bhreis is 6,000 post lánaimseartha. fuair an t-ainmniúchán sin ó 2002 i leith agus fuair Albert Nobbs Despite a significant cut to its annual budget in 2012, Bord and events. The Cartoon Finance conference took place in trí ainmniúchán sna catagóirí Ban-Aisteoir Is Fearr, Ban-Aisteoir Scannán na hÉireann/the Irish Film Board played an significant Dublin in September, spotlighting the business and co-production In ainneoin is go ndearnadh ciorrú suntasach ar a bhuiséad bliantúil i Tacaíochta Is Fearr agus Smeideadh Is Fearr. role in contributing to this high level of production activity, investing opportunities available in Ireland. 2012, bhí ról suntasach ag Bord Scannán na hÉireann/the Irish Film approximately €11.3 million into a wide range of film television Board sa leibhéal ard gníomhaíochta léiriúcháin sin. Rinne an Bord Bhí tionscal beochana na hÉireann sa spotsholas chomh maith le and animation projects, including 20 theatrical feature films. This 2012 was also a strong year for cinema releases in Ireland with infheistíocht de thuairim is €11.3 milliún i réimse leathan tionscadal linn 2012 ag Féile Scannán Annecy a bhfuil clú domhanda uirthi i Mí investment led to €75.7 million being invested directly into the Irish nineteen IFB supported films released in cinemas across the scannán, teilifíse agus beochana, ina measc 20 phríomhscannán Meitheamh 2012, áit ar thug an fhéile ómós d’Éirinn a bhí tuilte go economy through the purchase of local services and employment country including What Richard Did, Albert Nobbs, Stella Days pictiúrlainne. De thoradh na hinfheistíochta sin rinneadh infheistíocht maith le réimsde leathan taispeántas agus imeachtaí. Tionóladh an on IFB supported projects. and The Silence amongst others. de €75.7 milliún go díreach isteach i ngeilleagar na hÉireann trí comhdháil Cartoon Finance i mBaile Átha Cliath i Mí Meán Fómhair, cheannach sheirbhísí áitiúla agus trí fhostaíocht i dtionscadail a raibh comhdháil ag ar aibhsíodh na deiseanna gnó agus comhléiriúcháin tacaíocht acu ó BSÉ/IFB. atá ar fáil in Éirinn. IRISH FILM & TV AROUND THE GLOBE FUNDING Bliain ráthúil ab ea 2012 le haghaidh eisiúintí pictiúrlainne in Éirinn IFB funded feature films, TV programmes and animation Government support, provided to the sector through funding for SCANNÁN AGUS TEILIFÍS ÉIREANNACH agus eisíodh 19 scannán a raibh tacaíocht faighte acu ó BSÉ/IFB i projects continued to promote Irish talent, boost exports and Bord Scannán na hÉireann/the Irish Film Board (IFB) is a key AR FUD NA CRUINNE bpictiúrlanna lena n-áirítear What Richard Did, Albert Nobbs, Stella tourism, presenting positive images of Ireland to audiences around component of the entire audiovisual content industry. Days agus The Silence i measc scannán eile. the globe. ILean príomhscannáin, cláir theilifíse agus tionscadail beochana In 2012 the IFB received a total of €15.9 million of government a fuair maoiniú ó BSÉ/IFB ar aghaidh ag cur thalann Éireannach International film festival selections and awards continued to funding including capital and current funding, which represented chun cinn, ag cur le heaspórtáil agus le turasóireacht, trí íomhánna MAOINIÚ provide a global platform to showcase the quality and diversity an overall cut of 14.9% from 2011. Despite the reduction in dearfacha d’Éirinn a thaispeáint do lucht féachana ar fud an domhain. of Irish filmmaking. Three IFB feature projects were selected for funding, the IFB worked hard to ensure a strong increase on the Tá tacaíocht ón Rialtas, a chuirtear ar fáil don earnáil trí mhaoiniú Sundance (Grabbers, Shadow Dancer, This Must Be The Place); overall return on IFB investment. Irish creative talent continued to Lean roghnúcháin le haghaidh féiltí agus do ghradaim idirnáisiúnta do Bhord Scannán na hÉireann/the Irish Film Board (IFB) ina four IFB supported films premiered at the Berlinale including receive IFB support with 12 Irish feature films, five television series, scannán ar aghaidh ag cur léibhinn dhomhanda ar fáil chun phríomhghné den dtionscal lánas closamhairc ar fad. Kirsten Sheridan’s Dollhouse which introduced Irish actor Jack eight creative co-production feature films, six animated projects cáilíocht agus éagsúlacht na scannánaíóchta in Éirinn a thaispeáint. Reynor; Toronto showcased seven Irish films including Lenny and 14 feature documentaries with theatrical ambitions going into Roghnaíodh trí thionscadal phríomhscannán de chuid BSÉ/IFB le Sa bhliain 2012 fuair BSÉ/IFB maoiniú iomlán de €15.9 milliún ón Abrahamson’s What Richard Did which showcased Jack Reynor’s production during the year. haghaidh Sundance (Grabbers, Shadow Dancer, This Must Be The Rialtas lena n-áirítear maoiniú caipitil agus maoiniú reatha. In ainneoin breakthrough role internationally, and Neil Jordan’s Byzantium; Place); taispeánadh ceithre scannán a fuair tacaíocht ó BSÉ/IFB don an laghdú maoiniúcháin d’oibrigh BSÉ/IFB go tréan le méadú láidir the BFI London Film Festival featured a record 10 film at their chéad uair ag an Berlinale ina measc an scannán le Kirsten Sheridan, ar an dtoradh foriomlán ar infheistíocht BSÉ/IFB a chinntiú. Lean prestigious event including Good VIibrations, Pilgrim Hill directed Dollhouse, ina raibh an t-aisteoir Éireannach Jack Reynor don chéad talann cruthaitheach Éireannach ar aghaidh ag fáil tacaíochta ó BSÉ/ by Gerard Barrett, Silence and Kelly & Victor and The Summit. uair; taispeánadh seacht scannán Éireannach i Toronto ina measc IFB agus cuireadh tús le léiriúchán ar 12 phríomhscannán, 5 shraith an scannán What Richard Did le Lenny Abrahamson, scannán a teilifíse, 8 bpríomhscannán comhléirithe cruthaitheacha, 6 thionscadal chuir Jack Reynor os comhair an phobail idirnáisiúnta don chéad beochana agus 14 phríomhscannán faisnéise i rith na bliana. THE F WORD SILENCE

04 05 NEW IFB FUNDING ASSESSMENT PROCESS Attracting such international productions provides an economic PRÓISÉAS NUA MEASÚNAITHE Fuair Vikings, comhléiriúchán Éireannach – Ceanadach tacaíocht boost, promotes Ireland as an industrial location for all aspects of DO MHAOINIÚ BSÉ/IFB chomh maith ó Chiste Léiriúcháin Idirnáisiúnta BSÉ/IFB. Chuir an In 2012, the IFB introduced a new structure for the creative creative endeavours while tourism also benefits due to images of chéad shraith de Vikings breis is €20 millíun isteach i ngeilleagar na assessment of projects for funding, replacing the previous Ireland being projected across the globe. Le linn 2012 chuir BSÉ/IFB struchtúr nua ar bun chun measúnú hÉireann agus chruthaigh sí breis is 500 post do bhaill foirne agus structure, which comprised the CEO, a Development Executive cruthaitheach a dhéanamh ar thionscadail a bhfuil maoiniú á éileamh criú atá bunaithe in Éirinn. and two Production Executives. During the 2012 Cannes Film Festival, an Irish/South African dóibh, struchtúr a tháinig in áit a struchtúir a bhí i bhfeidhm roimhe Co-production treaty was signed on behalf of Ireland by Minister sin, lenar cuimsíodh an Príomhfheidhmeannach, Feidhmeannach Nuair a mhealltar léiriúcháin idirnáisiúnta den chineál sin go hÉirinn Three new Project Managers were appointed with a remit to each for Arts, Heritage and the Gaelteacht Jimmy Deenihan. The Treaty Forbartha agus beirt Feidhmeannach Léiriúcháin. tugann sé spreagadh eacnamaíochta don tír, cuireann sé Éire chun work on supporting individual projects through all stage of the aims to facilitate greater co-production opportunities between the cinn mar shuíomh tionsclaíoch le haghaidh gach gné de shaothair filmmaking process, from development and production through two countries enabling both to benefit from joint access to local Ceapadh triúr Bainisteoir Tionscadail nua agus é mar chlár oibre chruthaitheacha agus baintear leas turasóireachta as de bharr to distribution, with a focus ultimately on audiences. The CEO is tax incentives, national film funding and broadcaster and regional ag gach duine acu obair a dhéanamh ar thacaíocht a thabhairt íómhánna d’Éirinn a bheith dá dteilgeadh ar fud an domhain. no longer directly involved in dealing with producers on individual subsidies. It will also open up access to local markets and create do thionscadail aonair trí gach céim den phróiséas a bhaineann projects, as they go through development, production and the opportunity to pool industry resources. le scannán a dhéanamh, ón bhforbairt agus ón léiriú go dtí an Le linn Fhéile Scannán Cannes na bliana 2012 shínigh Jimmy distribution. The CEO continues to chair Project Group Meetings dáileachán, agus aird faoi leith ar lucht féachana. Níl aon phlé Deenihan, an t-Aire Ealaíon, Oidhreachta agus Gaeltachta, Conradh and Development Meetings where projects are assessed and Comhléiriúcháin idir Éire agus an Afraic Theas thar ceann na PROMOTION AND INITIATIVES díreach a thuilleadh ag an bpríomhfheidhmeannach le léiritheoirí funding recommendations are forwarded to the IFB Board for final ar thionscadail aonair agus iad a dul tríd an phróiséas forbartha, hÉireann. Tá sé mar aidhm ag an gConradh níos mó deiseanna decisions. léirithe agus dáileacháin. Bíonn an Príomhfheidhmeannach i gcónaí comhléiriúcháin a éascú idir an dá thír rud a chuirfidh ar chumas 2012 once again saw the agency have a presence at international ina chathaoirleach ar Chruinnithe Ghrúpaí Tionscadail agus ar na dá thíortha tairbhe a fháil as comhrochtain ar dhreasachtaí festivals such as Clermont Ferrand, Tribeca, Berlin, Cannes, The terms of office of all the members of the IFB Board in 2012, Chruinnithe Forbartha, áit a ndéantar measúnú ar thionscadail agus cánach, maoiniú náisiúnta ar scannán agus fóirdheontais craoltóra SXSW, Toronto and Annecy and engaging in a number of including the Chair, James Morris, expired on 15th January, 2013, ag a gcuirtear moltaí i dtaobh maoiniúcháin ar aghaidh go dtí Bord agus réigiúnda. Osclóidh sé rochtain freisin ar mhargaí áitiúla agus partnerships to promote Irish film and foster Irish creative talent at and a new IFB Board was appointed in 2013. BSÉ/IFB dá gcinntí deiridh. cruthóidh sé an deis acmhainní tionscail a chomhroinnt. home and across the globe.

Tháinig deireadh le téarmaí oifige na mball ar fad de bhord BSÉ/IFB INTERNATIONAL PRODUCTION IFB and ENTERPRISE IRELAND, ANIMATION IRELAND AND CUR CHUN CINN AGUS TIONSCNAÍOCHT i 2012, an Cathaoirleach, James Morris, san áireamh, ar an 15 SCREEN DIRECTORS GUILD OF IRELAND Eanáir 2013 agus ceapadh Bord nua do BSÉ/IFB le linn 2013. The Irish Government demonstrated strong support for the Irish PARTNER FOR ANNECY FILM FESTIVAL Arís i 2012 bhí an ghníomhaíocht i láthair ag féilte idirnáisiúnta ar nós audio-visual industry by announcing enhancements to Section Clermond Ferrand, Tribeca, Berlin, Cannes, SXSW, Toronto agus The Annecy Film Festival, the world’s largest event entirely focused 481, the Irish tax incentive for film and television. The Government Annecy agus bhí sí rannpháirtíocht aici i líon áirithe comhpháirtíochtaí on animation, paid a special tribute to Ireland with a host of LÉIRIÚCHÁIN IDIRNÁISIÚNTA also announced it was extending the incentive until 2020, thus le scannáin Éireannacha a chur chun cinn agus le tacaíocht a screenings and events throughout the festival organised by the IFB, increasing Ireland’s competitive position as an international film and thabhairt do thalann cruthaitheach Éireannach in Éirinn agus ar fud EI, Animation Ireland and SDGI. Léirigh Rialtas na hÉireann tacaíoicht láidir do thionscal chlosamhairc television destination. na hÉireann nuair a d’fhógair sé feabhsuithe d’Alt 481, an spreagadh an domhain. IFB and Enterprise Ireland launched an exciting new Irish animation canach Éireannach do scannán agus teilifís. D’fhógair an Rialtas The reopening of the IFB International Production Fund which promo and brochure showcasing work from right across the Irish freisin go raibh an spreagadh sin a shíneadh go dtí 2020, rud BSÉ/IFB agus FIONTRAÍOCHT ÉIREANN(EI), ANIMATION encouraged large scale productions to film in Ireland, resulted in animation sector during the festival. a mhéadaigh suiomh iomaíóch na hÉireann mar cheann scríbe IRELAND AGUS SCREEN DIRECTORS GUILD OF IRELAND MAR three UK dramas Vexed 2, Ripper Street and Loving Miss Hatto idirnáisiúnta don scannaíocht agus don dteilifís. CHOMHPHÁIRTITHE AG FÉILE SCANNÁN ANNECY shooting in Ireland. IFB and ENTERPRISE IRELAND Thug Féile Scannán Annecy, an ócáid is mó ar domhan atá dírithe PARTNER FOR SXSW, MIPCOM AND MIPTV Mar thoradh ar athoscailt Chiste Léiriúcháin Idirnáisiúnta BSÉ/IFB a go hiomlán ar bheochan, ómós speisialta d’Éirinn le réimse mór The new Ashford studios in Wicklow opened its doors in 2012 with The IFB partnered with Enterprise Ireland (EI) and the IDA at spreag léiriúcháin ar mhórscála chun scannánaíochta a dhéanamh in taispeáintí agus ócáidí eagraithe ag BSÉ/IFB, EI, Animation Ireland The History Channel’s first scripted series Vikings, shooting there SXSW, the music, interactive and film festival with the aim of Éirinn, rinne trí dhráma ón Ríocht Aontaithe, Vexed 2, Ripper Street agus SDGI le linn na féile. for 18 weeks. Vikings, which is an Irish-Canadian co-production, encouraging greater interaction between film, emerging technology agus Loving Miss Hatto a gcuid scannánaíochta in Éirinn. also received support from the IFB International Production fund. Sheol BSÉ/IFB agus Fiontraíocht Éireann blaisín agus bróiséir and interactive media. IFB and EI also partnered for the ‘Ireland on The first series of Vikings contributed over €20 million to the Irish nua spreagúil de bheochan Éireannach le linn na féile a thug Screen’ booth at MIPCOM and MIPTV to reinforce Ireland’s strong D’oscail na stiúideonna nua Ashford Studios a chuid doirse i 2012 economy and created over 500 jobs for Irish based cast and crew. sárthaispeántas de shaothar ó gach taobh d’earnáil na beochana profile as a destination for TV. leis an gcéad shraith scriptithe de chuid an History Channel - Vikings – a rinne a chuid scannaíochta ann ar feadh 18 seachtain. in Éirinn. WHAT RICHARD DID PLANET COSMO

06 07 IFB and TOURISM IRELAND CORPORATE GOVERNANCE BSÉ/IFB AGUS FIONTRAÍOCHT ÉIREANN MAR * Léiríonn an figiúr sin de €135milliún caiteachas na hÉireann do na PARTNER FOR MUMBAI TRADE MISSION CHOMHPHÁIRTITHE AG SXSW, MIPCOM AND MIPTV tionscadail ar fad a thosaigh ar obair léiriúcháin i mbliana i catagóirí siamsaíochta, príomhscannán, drámaíocht teilifíse, beochan agus The Irish Film Board fully complies with the Code of Practice for A delegation of Irish producers, the IFB and Tourism Ireland Bhí BSÉ/IFB ina chomhpháirtí le Fiontraíocht Éireann(EI) agus an príomhscannán faisnéise amháin. Ní chuirtear san áireamh caiteachas the Governance of State bodies. In line with section 10.2 of the travelled to Mumbai in India to meet with Bollywood studios to IDA ag SXSW - féile ceoil, féile idirghníomhach agus féile scannán inmheánach craoltóra agus caiteachas léiriúcháin neamhspleáigh promote Ireland as a film location. code, I affirm to the best of my knowledge that: a bhfuil sé mar chuspóir aige breis idirghníomhaíocht a spreagadh sna catagóirí seo a leanas: siamsaíocht, stíl mhaireachtála, scannáin (i) There were no commercially significant developments idir scannán, teicneolaíocht atá ag teacht chun cinn agus na meáin faisnéise agus fíorasacha. IFB and BANFF affecting the body in 2012 other than those mentioned in the idirghníomhacha. Bhí BSÉ/IFB agus EI mar chomhpháirtithe freisin PARTNER FOR ‘SPOTLIGHT ON IRELAND’ operational review of the year given above. ag an mboth ‘Ireland on Screen’ ag MIPCOM agus ag MIPTV le próifíl na hÉireann mar cheann scríbe do dhéanamh clár teilifíse a RIALACHAS CORPORÁIDEACH The IFB partnered with the BANFF World Media Festival in (ii) All appropriate procedures for financial reporting, internal threisiú. Canada to create a territory ‘Spotlight on Ireland’. A delegation of audit, procurement and assets’ disposals are being Comhlíonann Bord Scannán na hÉireann/the Irish Film Board ina six Irish production companies and the IFB travelled to Canada to carried out. BSÉ/IFB agus TURASÓIREACHT ÉIREANN MAR iomlán an Cód Cleachtais maidir le Rialachas ar Chomhlachtaí Stáit. take part in the networking event with the aim to raise awareness of CHOMHPHÁIRTITHE AR MHISIÚN TRÁDÁLA GO MUMBAI De réir Ailt 10.2 den chód sin, dearbhaím de réir mar is fearr is eol the opportunities created by the bi-lateral co-production treaty that (iii) A Statement on the System of Internal Financial Control is dom: exists between Ireland and Canada. given in Page 12 of the Annual Report. Thaistil toscaireacht léiritheoirí Éireannacha, BSÉ/IFB agus (iv) The Codes of Business Conduct for Directors and Employees Turasóireacht Éireann go dtí Mumbai na hInde chun bualadh (i) Nach raibh aon fhorbairtí suntasacha tráchtála a chuirfeadh IFB AND RTÉ are in place. le stiúideonna Bollywood le hÉire a chur chun cinn mar ionad isteach ar an gcomhlacht le linn 2012 seachas na cinn sin PARTNER FOR ‘IRELAND ON SCREEN’ scannánaíochta. a luaitear san athbhreithniú oibriúcháin don bhliain atá (v) The Government policy on the pay of Chief Executives and tugtha thuas. The IFB partnered with RTÉ for ‘Ireland on Screen’ to broadcast a all State body employees is being complied with. BSÉ/IFB agus BANFF MAR CHOMHPHÁIRTITHE selection of some of the best new and acclaimed Irish films on RTÉ (ii) Go bhfuil na nósanna imeachta cuí ar fad maidir le tuairisciú LE HAGHAIDH ‘SPOTLIGHT ON IRELAND’ One during the month of August. The aim was to raise the profile of (vi) The Government guidelines on the payment of Directors’ airgeadais, iniúchadh inmheánach, soláthar agus diúscairt Irish films and engage with new audiences. fees are being complied with. Bhí BSÉ/IFB mar chomhpháirtithe leis an BANFF World Media sócmhainní á ndéanamh. Festival i gCeanada le críoch ‘Spotlight on Ireland’ a chruthú. Thaistil (vii) No significant post balance sheet events occurred. (iii) Go dtugtar Ráiteas maidir leis an gCóras i dtaobh Rialú IFB and JDIFF toscaireacht de shé chomhlacht léiriúcháin Éireannach agus BSÉ/ Inmheánach Airgeadais ar Leathanach 43 den dTuarascáil PARTNER FOR GIVE ME DIRECTION – UNTITLED (viii) The Guidelines for the Appraisal and Management of IFB go Ceanada le páirt a ghlacadh san ócáid líonraithe seo agus Bhliantúil. Capital Expenditure Proposals are being complied with. é mar chuspóir acu feasacht a ardú maidir leis na deiseanna atá The Jameson Dublin International Film Festival (JDIFF) and the cruthaithe mar thoradh ar an gconradh dethaobhach comhléiriúcháin (iv) Go bhfuil na Cóid maidir le hIompar Gnó i dtaobh Stiúrthóirí IFB joined up once again for the hugely successful UNTITLED, (ix) The Code of Practice for the Governance of State bodies atá ann idir Éire agus Ceanada. agus Fostaithe i bhfeidhm. a screenwriting competition giving writers a chance to win €16k has been adopted and is being complied with.

towards development of their film. It was opportunity to engage (v) Go bhfuil treoirlínte an Rialtais maidir le pá na Bill O’Herlihy BSÉ/IFB AGUS RTÉ MAR CHOMHPHÁIRTITHE with writers and highlight their work. bPríomhfheidhmeannach agus gach fostaí i gcomhlacht AG ‘IRELAND ON SCREEN’ Chairman, Bord Scannán na hÉireann/the Irish Film Board Stáit á gcomhlíonadh. * This figure of €135 million represents the Irish expenditure for May 13th 2014 Bhí BSÉ/IFB ina chomhpháirtí le RTÉ ag ‘Ireland on Screen’ le all projects which went into production this year in the categories (vi) Go bhfuil treoirlínte an Rialtais maidir le híocaíocht táillí rogha de na scannáin nua is fearr agus is mó le rá a chraoladh ar of independent feature film, TV drama, animation and feature Stiúrthóirí á gcomhlíonadh. RTÉ a hAon le linn mhí Lúnasa. Bhí sé mar chuspóir próifíl scannán documentary only. It does not include all internal broadcaster Éireannach a ardú agus lucht féachana nua a mhealladh. (vii) Nár tharla aon teagmhais suntasacha i ndiaidh dáta an spending and independent production expenditure in the categories chláir chomhardaithe. of entertainment, lifestyle, documentary and factual. BSÉ/IFB mar CHOMHPHÁIRTITHE AG JDIFF LE HAGHAIDH GIVE (viii) Go bhfuil na Treoirlínte Maidir le Moltaí i dtaca le Caiteachas ME DIRECTION – UNTITLED Caipitiúil a Mheasúnú agus a Bhainistiú á gcomhlíónadh. Chuaigh an Jameson Dublin International Film Festival (JDIFF) agus BSÉ/IFB i gcomhpháirtíocht le chéile arís le haghaidh UNTITLED, (ix) Gur glacadh leis an gCód Cleachtais maidir le Rialachas comórtas scríbhneoireacht fíór-ráthúil scáileáin a chuireann deis ar ar Chomhlachtaí Stáit agus go bhfuil sé sin á chomhlíonadh. fáil do scríbhneoirí €16k de mhaoiniú a bhuachan chun forbartha a scannáin. Deis a bhí ann dul i ngleic le scríbhneoirí agus a gcuid Bill O’Herlihy oibre a aibhsiú. Cathaoirleach, Bord Scannán na hÉireann/the Irish Film Board 13 Bealtaine 2014 IRISH FOLK FURNITURE STAY

08 09 ANNUAL REPORT OF BORD SCANNÁN NA hÉIREANN BORD SCANNÁN NA hÉIREANN’S OBJECTIVES AND POLICIES

Bord Scannán na hÉireann/the Irish Film Board works within the BOARD MEETINGS AND ATTENDANCE BORD SCANNÁN NA hÉIREANN THE BOARD OFFERS FUNDING TO THE framework of The Film Board Act 1980 and the Irish Film Board IS ESTABLISHED: DEVELOPMENT AND PRODUCTION OF The Board held 10 meetings in 2012 and each Board Member (Amendment) Acts 1993, 1997, 2000, 2006. PROJECTS AS FOLLOWS: attended the following number of board meetings in the year. • To promote the creative and commercial elements of Irish film-making and film culture to a home and international i) Development loans (repayable on the first day of principal BOARD MEMBERS James Morris 10 meetings audience. The Board supports film projects through the photography) to a limit of €100,000 per project, as research, Johnny Gogan 9 meetings The members of Bord Scannán na hÉireann/the Irish Film Board provision of development funding and also provides development and feasibility loans. Any funding above Barry Grace 10 meetings € in 2012 were: Johnny Gogan, Barry Grace, Tristan Orpen Lynch, production finance by way of debt/equity investment. 50,000 to any one project must be matched by funding from Tristan Orpen Lynch 10 meetings James Morris (Chair), Lesley McKimm, Kevin Moriarty and other sources Lesley McKimm 10 meetings Kirsten Sheridan. • To encourage the development and training of technical, ii) Production loans for projects with budgets Kevin Moriarty 9 meetings artistic and production personnel as a means of improving • In excess of €100,000 and not more than €1.5M, STAFF Kirsten Sheridan 8 meetings the overall skills proficiency within the industry. BSÉ/IFB can provide up to 65% of the production budget • In excess of €1.5M and not more than €5M, BSÉ/IFB The staff of Bord Scannán na hÉireann/the Irish Film Board OFFICES • To assist the production and marketing of Irish films within can provide up to €1M or 40% of the budget, whichever at 31st December 2012 were: James Hickey, CEO; Teresa Ireland and abroad as a means of stimulating an interest in is greater Bord Scannán na hÉireann/the Irish Film Board’s head office is McGrane, Head of Business Affairs (Deputy CEO); Naoise Ireland, Irish culture and Irish films. • In excess of €5M, BSÉ/IFB can provide up to €2 million based in Galway city: Barry, Film Commissioner; Celine Forde, Financial Controller; or 25% of the budget, whichever is greater Queensgate, 23 Dock Road, Galway, Ireland. Andrew Meehan, Development Executive; Emma Scott, Production • To promote Ireland as a film location internationally. Tel +353 91 561398, Fax +353 91 561405 Executive; Louise Ryan, Marketing and Communications Executive; BOTH DEVELOPMENT AND PRODUCTION LOANS Email [email protected], www.irishfilmboard.ie Aileen McCauley, Business and Legal Affairs Co-ordinator; Jill ARE ASSESSED BY A NUMBER OF CRITERIA: McGregor, Applications and Schemes Co-ordinator; Sarah Dillon, The Board’s office in Dublin is located at: i Making Cinema Production and Development Co-ordinator; Mags O’Sullivan, 14-16 Lord Edward Street, Dublin 2. ii Accessing Audiences Deputy Film Commissioner; Patrick O’Neill, Industry Affairs iii Originality Executive; Niamh O’Reilly, Executive Assistant to CEO and iv Additionality Suzanne Keane, Accounts Co-ordinator (Part-time). v Developing Talent, Cultural & Industrial Priorities vi Further Considerations

(See appendix 4, page 34.) TWO WHEELS, GOOD THE DUEL

10 11 FINANCE

RECOUPMENT EUROPEAN FILM PROMOTION STATEMENT OF BOARD MEMBERS’ RESPONSIBILITIES European Film Promotion (EFP) is the only existing international The Board shares in and recoups profits from revenues generated network of organisations promoting and marketing European Section 20 (1) of the Irish Film Board Act 1980, requires the members of the Board to prepare from sales for cinema, television, video etc. The Board advanced a cinema worldwide. The network comprises professional Financial Statements in such form as may be approved by the Minister for Arts, Heritage and the Gaeltacht with the consent total of €12,698,869 in feature development and production loans organisations from 32 European countries who are experts in of the Minister for Finance. In preparing those Financial Statements, the Board is required to: during 2012. In the same period, the Board recouped €1,531,833. promoting and marketing their own national cinema. Under the This figure brings to 10% the recoupment rate on production EFP umbrella, all of these organisations work together on the • Select suitable policies and then apply them consistently. feature loans advanced since the re-incorporation of BSÉ in 1993. promotion of European cinema and talent around the world. • Make judgements and estimates that are reasonable and prudent. The Board contributed €7,050 to EFP in 2012. • Prepare the financial statements on the going concern basis unless it is inappropriate to presume ECONOMIC DATABASE that Bord Scannán na hÉireann/the Irish Film Board will continue in business. EUROPEAN AUDIOVISUAL OBSERVATORY • State whether applicable accounting standards have been followed subject to any material departures The Audiovisual Federation of IBEC, in conjunction with the Board The Observatory is an information network, which collects and disclosed and explained in the financial statements. and representatives of the Department of Arts, Sport and Tourism, distributes legal, economic and practical information on the Screen Producers Ireland, TG4 and RTÉ publishes annually the audiovisual industry in Europe for the benefit of professionals and Bord Scannán na hÉireann/the Irish Film Board is responsible for keeping proper books of account which disclose with Economic Database. This report covers film and television projects companies within the fields of television, film and video. The Board reasonable accuracy at any time the financial position of Bord Scannán na hÉireann/the Irish Film Board. It is responsible for made in Ireland each year. paid Ireland’s subscription fee of €19,068 in 2012. taking such steps as are necessary to safeguard the assets of Bord Scannán na hÉireann/the Irish Film Board and to prevent and detect fraud and other irregularities. SCREEN TRAINING IRELAND MEDIA DESK IRELAND During 2012, the Board made available €393,000 to Solas Screen MEDIA Desk Ireland provides information and advice on the Training Ireland for the direct provision of Industry Training. MEDIA Programme, Eurimages, Eureka Audiovisual and also on Bill O’Herlihy Dr Annie Doona EU audiovisual policy. In 2012, the Board contributed €47,150 Chair Board Member CONTRIBUTION TO EUROPEAN AGENCIES to the running of the Desk. The office is located in the Irish Film Centre, 6 Eustace Street, Dublin 2, and is open to enquiries and 13 May 2014 Bord Scannán na hÉireann/the Irish Film Board contributes consultancy meetings from Monday to Friday. financial support to the following European organisations: MEDIA ANTENNA EURIMAGES The MEDIA Antenna is located in Galway Film Centre, Cluain Eurimages, founded by the Council of Europe, provides production Mhuire, Monivea Road, Galway and serves as a regional MEDIA finance for European co-productions. Ireland has participated in office. It also has a particular remit to provide information and the scheme since 1992. Brendan McCarthy represented Ireland services to the growing Irish language audiovisual community. on the Eurimages committee in 2012. The Board paid Ireland’s In 2012 the Board contributed €10,250 to the running costs of subscription in 2012, which was €329,193. the Antenna. CALVARY SONG OF THE SEA

STATEMENT ON INTERNAL FINANCIAL CONTROLS • Carrying out regular reviews of the Board’s strategic REPORT OF THE COMPTROLLER AND I also seek to obtain evidence about the regularity of financial plans to ensure that these plans address the current AUDITOR GENERAL FOR PRESENTATION TO transactions in the course of the audit. On behalf of Bord Scannan na hÉireann/the Irish Film Board, THE HOUSES OF THE OIREACHTAS business environment. I acknowledge our responsibility for ensuring that an effective In addition, I read the Board’s annual report to identifiy material • Setting short and long term targets for each Unit system of internal financial control is maintained and operated. BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD inconsistencies with the audited financial statements. If I become within the Board and reviewing progress against same. I have audited the financial statements of the Irish Film Board aware of any apparent material misstatements or inconsistencies I 12 • Establishing and enforcing standard procedures 13 The system can only provide reasonable and not absolute for the year ended 31 December 2012 under the Irish Film consider the implications for my report. under which financial assistance may be made assurance that assets are safeguarded, transactions authorised Board Act 1980. The financial statements, which have been available to projects and reviewing these procedures and properly recorded, and that material errors or irregularities prepared under the accounting policies set out therein, comprise OPINION ON THE FINANCIAL STATEMENTS where necessary. are either prevented or would be detected in a timely period. the accounting policies, the capital income and expenditure In my opinion, the financial statements, which have been properly account, the administration income and expenditure account, prepared in accordance wiith the generally accepted accounting The Board reviewed its business risks in 2012 and is currently KEY CONTROL PROCEDURES: the statement of total recognised gains and losses, the balance practice in Ireland, give a true and fair view of the state of the addressing any identified weaknesses. The Board has put in place the following key internal sheet, the cash flow statement and the related notes. The financial Board’s affairs at 31 December 2012 and of its income and financial control procedures to ensure an appropriate The system of financial controls is based on a framework of regular reporting statements have been prepared under Section 20 of the expenditure for 2012. control environment exists: management information, administrative procedures including Act, and in accordance with generally accepted accounting practice In my opinion, proper books of account have been kept by the segregation of duties, authorisation, and a system of delegation in Ireland. • An organisation plan exists which defines and Board. The financial statements are in agreement with the books and accountability. In particular it includes: allocates responsibilities to staff and identifies lines of RESPONSIBILITIES OF THE MEMBERS OF THE BOARD of account. reporting for all aspects of the Board’s operations. • A comprehensive budgeting system with an annual The Irish Film Board is responsible for the preparation of the • Procedures and security measures exist to ensure the budget which is reviewed and agreed by the Board. financial statements, for ensuring that they give a true and fair view MATTERS ON WHICH I REPORT BY EXCEPTION safe custody of the Board’s assets and assurance • Regular reviews of periodic and annual financial of the state of the Board’s affairs and of its income and expenditure, I report by exception if: against unauthorised use or disposition. reports which indicate expenditure against forecasts. and for ensuring the regularity of transactions. • I have not received all the information and explanations • Setting targets to measure financial and I required for my audit, or • A strong culture of openness and accountability is RESPONSIBILITIES OF THE COMPTROLLER AND encouraged throughout the organisation. other performances. AUDITOR GENERAL • My audit noted any material instance where moneys have My responsibility is to audit the financial statements and report on not been applied for the purposes intended or where the The Board has also established processes to identify and The Board has also established an Audit Committee which them in accordance with applicable law. transations did not conform to the authorities governing evaluate business risks: consists of representatives of the Board and the Executive with a them, or view to furtherance of internal controls. My audit is conducted by reference to the special considerations • Identifying the nature, extent and financial • the information given in the Board’s annual report for the which attach to State Bodies in relation to their management and year for which the financial statements are prepared is not implication of risk facing the body including REVIEW OF INTERNAL FINANCIAL CONTROL: operation. the extent which it regards as acceptable in consistent with the financial statements, or The Board monitors the effectiveness of the system of internal different functions. • the statement of internal fInancial control does not reflect financial controls by regular management review and periodic My audit is carried out in accordance with the International • Assessing the likelihood of identified risks occurring the Board’s compliance with the Code of Practice for the inspection and review studies by external consultants. The Board Standards on Auditing (UK and Ireland) and in compliance with the and assessing the Board’s ability to manage and Governance of State Bodies, or carried out a review of its internal financial controls for 2012. Auditing Practices Board’s Ethical Standards for Auditors. mitigate the risks that do occur. • I find there are other material matters relating to the manner SCOPE OF AUDIT OF THE FINANCIAL STATEMENTS in which public business has been conducted. On behalf of the Board An audit involves obtaining evidence about the amounts and disclosures in the financial statements, sufficient to give reasonable I have nothing to report in regard to those matters upon which ______assurance that the financial statements are free from material reporting is by exception. Bill O’Herlihy misstatement, whether caused by fraud or error. This includes an Chairperson assessment of: ______13 May 2014 • Whether the accounting policies are appropriate to the Patricia Sheehan Board’s circumstances, and have been consistently applied For and on behalf of the Comptroller and Auditor General and adequately disclosed June 2014 • The reasonableness of significant accounting estimates made in preparation for the financial statements • The overall presentation of the financial statements RIPPER STREET YXIMALOO

ACCOUNTING POLICIES Depreciation is provided at rates calculated to write off the original FINANCIAL STATEMENTS OF BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD cost less the estimated residual value of each asset on a straight-line YEAR ENDED 31 DECEMBER 2012 A. BASIS OF ACCOUNTING basis over its expected useful life. The rates of depreciation are as The financial statements consist of two Income and Expenditure follows: Accounts and a Balance Sheet. • Office Furniture and Equipment 20% per annum 14 • The Capital Income and Expenditure Account records the • Computer Equipment 33% per annum CAPITAL INCOME AND EXPENDITURE ACCOUNT 15 disbursement of the Board’s development and production Year ended 31 December 2012 loans and its contribution to Screen Training Ireland, the F. PENSION COSTS Notes 2012 2011 Income I I national training agency for the film industry in Ireland. The Board operates a defined benefit pension scheme which is Oireachtas Grants 1 13,150,000 16,000,000 • The Administration Income and Expenditure Account records funded annually on a pay as you go basis from monies available to it, Contributions from Other Parties 46,704 131,175 the administrative transactions in respect of the Board. including monies provided by the Department of Arts, Heritage and Other Income 144,274 74,054 Repayment of Loans transferred from Capital Reserve 3 1,531,833 1,179,854 The financial statements are prepared under the historical the Gaeltacht. The Scheme is operated on an administrative basis Total 14,872,811 17,385,083 cost convention and in accordance with Generally Accepted pending approval of the Minister of Finance. Accounting Practice (GAAP) on an accruals basis except as Pension Scheme liabilities are measured on an actuarial basis using Expenditure stated below. Financial Reporting Standards recommended the projected unit method. Training 17 (400,500 ) (479,000 ) by the recognised accounting bodies are adopted as they Production Loans 15 (11,033,724 ) (12,433,640 ) Development Loans 15 (1,665,145 ) (1,942,250 ) become applicable. Pension costs reflect pension benefits earned by employees in Other Capital Payments 4 (1,030,139 ) (1,329,200 ) the period and are shown net of staff pension contributions which Total (14,129,508 ) (16,184,090 ) B. INCOME are treated as refundable to the Department in accordance with Surplus/(Deficit) 743,303 1,200,993 Income shown in the financial statements under Oireachtas agency financing arrangements. An amount corresponding to the Balance at beginning of year 6,512,325 5,311,332 Grants represents the actual cash received. Other income is also pension charge is recognised as income to the extent that it is Balance at end of year 7,255,628 6,512,325 taken to account on an accruals basis. recoverable and offset by grants received in the year to discharge The Accounting Policies and Notes 1-20 form part of these Financial Statements pension payments. C. LOANS Actuarial gains or losses arising from changes in Actuarial Production loans are made by the Board to assist in the assumptions and from experience surpluses and deficits are Bill O’Herlihy Dr Annie Doona production of films. Repayments and returns are dependent Chair Board Member recognised in the Statement of Total Recognised Gains and Losses upon the commercial success of the related films. for the year in which they occur and a corresponding adjustment is 13 May 2014 Development loans are made to filmmakers for the purpose of recognised in the amount recoverable from the Department of Arts, developing film projects. Repayments become payable in Heritage and the Gaeltacht. accordance with the terms of the loan agreements. Pension Liabilities represent the present value of future pension These loans are not normally subject to interest charges, but payments earned by staff to date. Deferred pension funding include measures for recoupment and profit participation. represents the corresponding asset to be recovered in future periods from the Department of Arts, Heritage and the Gaeltacht. Loans are reviewed by the Board on a periodic basis and appropriate provision is made against loans outstanding, based G. FOREIGN EXCHANGE POLICY upon the historical performance of the Board’s loanbook. Transactions denominated in foreign currencies are translated to The provision is accounted for through the Capital Reserve. the respective functional currencies at exchange rates at the dates of the transactions. Monetary assets and liabilities denominated D. CAPITAL RESERVE in foreign currencies at the reporting date are translated to the The Capital Reserve represents the funding invested in functional currency at the exchange rate at that date. Any gain or films and Fixed Assets after provisions and amortisation. loss arising from a change in exchange rates subsequent to the date of the transaction is included as an exchange gain or loss in the E. TANGIBLE FIXED ASSETS Income Statement. Tangible Fixed Assets are shown at original historical cost. Assets over €250 are capitalised. UN PEU PLUS THE SEA

Administration Income and Expenditure Account BALANCE SHEET Year ended 31 December 2012 Year ended 31 December 2012

Notes 2012 2011 Notes 2012 2011 Income I I Fixed Assets I I Oireachtas Grant 1 2,499,548 2,390,638 Tangible Assets 11 52,491 55,824 16 Other Income 29 8,536 17 Net Deferred Funding for Pension Costs 10c 410,947 371,941 Transfer (to)/from Capital Reserve 14 3,333 29,504 Investment in Films Total 2,913,857 2,800,619 Production Loans 3 874,923 971,438 Development Loans 3 83,509 111,976 Expenditure 958,432 1,083,414 Administration 5 1,780,793 1,835,022 Current Assets Organisations, Subscriptions and Research 7 198,664 71,731 Cash at Bank 8,139,328 8,287,962 Marketing Costs 8 554,540 552,270 Prepayments/Debtors/ Accrued Income 13 396,576 115,585 Pension Costs 10a 376,490 337,574 8,535,904 8,403,547 Total 2,910,487 2,796,597 Creditors Amounts Falling Due Within One Year 12 (1,266,250 ) (1,880,566 ) SURPLUS/DEFICIT 3,370 4,022 Balance at Beginning of Year 10,655 6,633 NET CURRENT ASSETS 7,269,654 6,522,981 Balance at End of Year 14,025 10,655 Total Assets Less Current Liabilities Before Pensions 8,280,577 7,662,219 The Accounting Policies and Notes 1-20 form part of these Financial Statements Deferred Pension Funding Asset 3,491,960 2,684,217 Pension Liabilities (3,491,960 ) -2,684,217 Net Assets 8,280,577 7,662,219 Bill O’Herlihy Dr Annie Doona Chair Board Member Capital and Reserves 13 May 2014 Capital Income and Expenditure Account 7,255,628 6,512,325 Administration Income and Expenditure Account 14,025 10,655 Capital Reserve 14 1,010,924 1,139,239 Total 8,280,577 7,662,219 The Accounting Policies and Notes 1-20 form part of these Financial Statements

Statement of Total Recognised Gains and Losses Year ended 31 December 2012 Bill O’Herlihy Dr Annie Doona Notes 2012 2011 Chair Board Member Surplus for the Year I I Administration Income and Expenditure Account 3,370 4,022 13 May 2014 Capital Income and Expenditure Account 743,303 1,200,993 Total 746,673 1,205,015

Experience Gains/(Loss) on Pension Scheme Liabilities 10d 158,205 105,083 Changes in Assumptions Underlying the Present Value of the Pension Scheme Liabilities (555,001 ) (229,359 ) Actuarial Gain/(Loss) on Pension Liabilities 10b (396,796 ) 124,276

Adjustment to Deferred Pension Funding 396,796 (124,276 ) Total Recognised Gain for the Year 746,673 1,205,015 The Accounting Policies and Notes 1-20 form part of these Financial Statements

Bill O’Herlihy Dr Annie Doona Chair Board Member

13 May 2014 STANDBY TRÍD AN STOIRM

CASH FLOW STATEMENT NOTES TO THE FINANCIAL STATEMENTS Year ended 31 December 2012

2012 2011 I I Surplus/(Deficit) on Capital Income and Expenditure Account 743,303 1,200,993 1. OIREACHTAS GRANTS 18 Surplus/(Deficit) on Administration Income and Expenditure Account 3,370 4,022 19 746,673 1,205,015 The Board’s current and capital grants were paid under Subhead A12 Irish Film Board (Grant in Aid) from the Department of Arts, Heritage and the Gaeltacht. The Oireachtas grant in respect of the Board’s capital expenditure is funded under the Productive Sector Operational Adjustment for non-operating items Programme and the Employment and Human Resources Development Operational Programme of the National Development Plan 2007-2013 Bank Interest (130,948 ) (74,054 ) Transfer to/(from) Administration Income and Expenditure Account (3,333 ) (29,504 ) Loss on Disposal of Assets 1,456 - 2012 2011 Current Purposes I I (132,825 ) (103,558 ) Irish Film Board 2,540,000 2,431,000 Adjustment for non-cash items Less Net superannuation contributions repayable (40,452 ) (40,362 ) Depreciation 66,243 56,602 Total 2,499,548 2,390,638 (Increase)/Decrease in Debtors (280,991 ) 237,133 Increase/(Decrease) in Creditors (614,316 ) 613,214 Capital purposes Net Cash Inflow from Operating Activities (215,216 ) 2,008,406 Investment in Film 13,150,000 16,000,000

Cash Flow Statement Net cash Inflow from Operating Activities (215,216 ) 2,008,406 Bank Interest 130,948 74,054 Payments to Acquire Assets (64,366 ) (27,098 ) 2. Limitation of Monies Provided by the Board Inflow (148,634 ) 2,055,362 Under Section 10 of the Irish Film Board Act, 1980 as amended, the maximum amount of any investments, loans, grants and guarantees (less recoveries) shall not exceed €300,000,000. At the 31st December 2012, an amount of €218,823,847 had been provided (At 31/12/2011, Reconciliation of Net Cash Flow to Movement in Net Funds €204,604,884 had been provided). Increase in Cash in Period (148,634 ) 2,055,362 Cash at 1 January 2012 8,287,962 6,232,600 Net Funds at 31 December 2012 8,139,328 8,287,962 The Accounting Policies and Notes 1-20 form part of these Financial Statements 3. Investment in Films

Production Development Bill O’Herlihy Dr Annie Doona Loans Loans TOTAL I I I Chair Board Member Advanced During the Year 11,033,724 1,665,145 12,698,869 13 May 2014 Recoupment During the Year (822,100 ) (709,734 ) (1,531,834 ) Provision for Year (10,308,140 ) (983,879 ) (11,292,019 ) Movement in the Year (96,515 ) (28,467 ) (124,982 ) Balance at 1 January 2012 971,438 111,976 1,083,414 Balance as at 31/12/12 874,923 83,509 958,432 AFTER YOU THE SWANSONG OF ELIZA LYNCH

4. OTHER CAPITAL PAYMENTS 5. ADMINISTRATION

2012 2011 In addition to the payments made to Production and Development loans, the Board made the following other capital payments in the year. I I 2012 2011 Administration Salaries 897,060 906,620 European Organisations I I Board Member Fees 44,883 44,888 20 Eurimages 329,193 327,146 Staff Training 8,738 3,706 21 European Film Promotion 7,050 11,050 Rent and Service Charges 280,397 276,015 European Observatory 19,068 19,970 Insurance 6,531 6,470 Media Antenna 10,250 12,200 Light/Heat 12,207 13,908 Media Desk 47,150 57,011 Telephone/Fax 32,405 59,035 Industry Guilds Postage/Couriers 21,797 29,726 Irish Playwrights and Screenwriters Guild 65,600 80,000 Office Stationery/Printing 10,955 22,671 Screen Directors Guild 65,600 80,000 Repairs/Maintenance 48,688 54,547 Screen Producers Ireland 30,000 70,000 Staff Travel/Subsistence* 122,253 124,995

Film Market/Industry Events Bank Interest and Charges 2,035 1,233 Dublin International Film Festival 30,000 35,000 Board Meetings and Expenses 6,355 3,603 Galway Film Fair 45,000 40,000 Legal Fees 2,178 - Guth Gafa Film Festival 3,000 10,000 Audit Fees 14,852 14,852 Cinema Northwest 25,500 25,000 Sundry 12,097 11,183 Darklight Film Festival 10,000 15,000 Depreciation 66,243 56,602 Dingle Film Festival 7,455 7,000 Consultancy 184,763 204,968 European Film Market Support 5,070 26,121 Foreign Exchange Loss 4,900 - Others 2,500 - Loss on Disposal of Assets 1,456 -

Others Total 1,780,793 1,835,022 Cinemobile 49,200 60,000 IFTA 130,000 123,000 *Included in this figure was €75,794 which was spent on official business abroad in 2012 (2011: €80,623). This travel allowed the IFB to assist in the raising of Other Training - 30,000 international finance for the IFB funded feature films, to market Ireland as a film location and to promote awareness of Irish film internationally. Included also is €2,642 Scouting/Travel Grants 53,407 42,767 which was incurred by staff on entertaining key business contacts in 2012 (2011: €4,489). Scriptreaders 62,321 60,257 Irish Film Archive Preservation Fund - 130,000 Inward Trade Mission 32,775 67,678 Total 1,030,139 1,329,200 DARK TOUCH THE TREE

6. BOARD REMUNERATION AND EMPLOYEES 9. LEASE OF PREMISES

The average number of employees including the Chief Executive, during the year was as follows: The Board has commitments until 2016 in respect of its office in Galway at Queensgate, 23 Dock Road. The annual cost of this lease is €76,350 plus VAT. The Board also has commitments until 2017 in respect of its offices at 14-16 Lord Edward St, Dublin 2 at an annual cost of 2012 2011 Number Number €116,000 plus VAT. 22 Chief Executive 1 1 23 Employees 13 14 10. SUPERANNUATION The CEO’s remuneration package for 2012 was made up as follows: Annual basic salary: €101,234 (2011: €95,000). The CEO’s pension entitlements do not extend beyond the standard entitlements in the public sector defined benefit superannuation scheme. 2012 2011 2010 2009 2008 a. Analysis of total pension costs charged to Expenditure I I I I I

Current Service Cost 311,231 284,048 266,270 271,079 188,129 Expenses of €18,275 (2011: €8,177) were incurred in respect of the CEO and include the following categories: accommodation, airfares, Interest on Pension Scheme Liabilities 105,711 93,888 85,191 75,415 62,121 entertaining, mobile phone charges, subsistence, taxis and train fares. Employee Contributions (40,452 ) (40,362 ) (42,047 ) (47,074 ) (44,591 ) Total €376,490 337,574 309,414 299,420 205,659 Pension levy deductions from staff salaries of €54,094 were paid to the Department of Arts Heritage and the Gaeltacht in 2012.

2012 2011 2010 2009 2008 The Chairman’s fee was €8,978 and each of the six board members received €5,978. Expenses paid to board members in the year amounted b. Movement in Net Pension Liability during the financial year I I I I I to €5,676. €3,073 related to foreign travel while €2,603 related to Irish expenses including hotels, travel costs and subsistence. Net Pension Liability at 1 January 2,684,217 2,188,000 2,002,199 1,908,907 1,330,100 Current Service Cost 311,231 284,048 266,270 271,079 188,129 Interest Cost 105,711 93,888 85,191 75,415 62,121 Actuarial Loss/(Gains) 396,796 124,276 (165,660 ) (253,202 ) 328,557 Pensions paid in the year (5,995 ) (5,995 ) (22,472 ) - - Total €€3,491,960 2,684,217 2,188,000 2,002,199 1,908,907 7. ORGANISATIONS, SUBSCRIPTIONS AND RESEARCH

2012 2011 I I c. Deferred Funding for Pensions IBEC 11,330 12,414 The Board recognises these amounts as an asset corresponding to the unfunded deferred liability for pensions on the basis of the set of Subscriptions to Publications 6,229 5,384 assumptions described above and a number of past events. These events include the statutory backing for the establishment of the pension Irish Film Archive 135,000 50,000 scheme, and the policy and practice in relation to funding public service pensions including contributions by employees and the annual Education 33,605 3,933 estimates process. The Board has no evidence that this funding policy will not continue to meet such sums in accordance with current practice. Sponsorship 12,500 - Total 198,664 71,731 The Net Deferred Funding for Pensions recognised in Income and Expenditure Account was as follows: 2012 2011 2010 2009 2008 I I I I I Funding Recoverable in Respect of Current Year Pension Costs 416,942 377,936 351,461 346,494 250,250 State Grant Applied to Pay Pensioners (5,995 ) (5,995 ) (22,472 ) - - Total €€€€410,947 € 371,941 € 328,989 € 346,494 € 250,250 8. MARKETING The deferred funding asset for pensions as at 31 December 2012 amounted to €3,491,960 (€2,684,217 in 2011).

2012 2011 2012 2011 2010 2009 I I d. History of defined benefit obligations I I I I Festival Promotion 139,020 135,585 Defined Benefit Obligations 3,491,960 2,684,217 2,188,000 2,002,199 Advertising 69,975 52,657 Experience (Gains)/Losses on Scheme Liabilities Amount (158,205 ) (105,083 ) (320,044 ) (90,900 ) Events/PR 74,129 97,762 Percentage of Scheme Liabilities -5% -4% -15% -5% Publications 35,265 26,487 Marketing Materials 41,102 18,416 Web Site/Online Promotion 7,207 30,199 e. General Description of the Scheme Locations Services 8,414 8,678 The pension scheme is a defined benefit final salary pension arrangement with benefits and contributions defined by reference to current International Promotion 68,741 22,952 “model” public sector scheme regulations. The scheme provides a pension (eightieths per year of service), a gratuity or lump sum (three LA Office 110,687 159,534 eightieths per year of service) and spouse’s and children’s pensions. Normal retirement age is a member’s 65th birthday, and pre 2004 Total 554,540 552,270 members have an entitlement to retire without actuarial reduction from age 60. Pensions in payment (and deferment) normally increases in line with general public sectorsalary inflation.

The valuation used for FRS 17 (Revised) Disclosures has been based on a full actuarial valuation at each date performed by an independent qualified actuary to take account of the requirements of FRS17 in order to assess the scheme liabilities at 31 December 2012.

VEXED SERIES 2 FOREST

The Principal Actuarial Assumptions were as follows: 13. DEBTORS AND PREPAYMENTS 31/12/2012 31/12/2011 31/12/2010 31/12/2009 Rate of Increase in Salaries 3.5% 3.5% 3.5% 3.5% 2012 2011 Rate of Increase in Pension Payment 3.5% 3.5% 3.5% 3.5% I I Discount Rate 3.2% 3.7% 4.0% 4.3% Loan to Ardmore Studios 254,271 - Inflation 2.0% 2.0% 2.0% 2.0% Prepayments 74,251 65,585 Accrued Income 68,054 50,000 24 The mortality basis adopted allows for improvements in life expectancy over time, so that life expectancy at retirement will depend on the year in 25 which a member attains retirement age (age 65). Total 396,576 115,585

The mortality rates adopted are as follows: Life Expectancy for Male aged 65 22.0 years 14. CAPITAL RESERVE Life Expectancy for Female aged 65 23.6 years Life Expectancy for Male aged 45 now (from 65) 24.3 years 2012 2011 Life Expectancy for Female aged 45 now (from 65) 25.5 years I I Balance at 01/01/12 1,139,239 1,261,017 Investment in Films (124,982 ) (92,274 ) Movement in Fixed Asset Funding (3,333 ) (29,504 ) 11. TANGIBLE FIXED ASSETS Balance at 31/12/12 1,010,924 1,139,239

Furniture Computers Total Cost I I I The Movement in Fixed Asset Funding is Comprised as Follows: At 1 January 2012 386,658 251,237 637,895 Income Allocated for Capital purposes 64,366 27,098 Additions 820 63,546 64,366 Amortisation 66,243 56,602 Disposals (191 ) (43,981 ) (44,172 ) Loss on Disposal of Asset 1,456 - At 31 December 2012 387,287 270,802 658,089 Total (3,333 ) (29,504 )

Depreciation As at 1 January 2012 357,815 224,256 582,071 15. COMMITMENTS Charge for Year 28,529 37,714 66,243 Feature Documentary Animation Distribution Disposals (191 ) (42,525 ) (42,716 ) Production* Production Production Loans Schemes Total At 31 December 2012 386,153 219,445 605,598 Production Loans I I I I I I Commitments @ 01/01/12 1,875,107 529,627 94,500 178,931 347,259 3,025,424 Net Book Value Commitments in 2012 9,463,408 1,201,500 855,500 462,028 668,000 12,650,436 Commitments expired 2012 - - - (21,677 ) (5,602 ) (27,279 ) As at 31 December 2012 1,134 51,357 52,491 Total Commitments 11,338,515 1,731,127 950,000 619,282 1,009,657 15,648,581 As at 31 December 2011 28,843 26,981 55,824 Payments in 2012 (8,286,761 ) (1,135,325 ) (515,000 ) (333,837 ) (762,801 ) (11,033,724 ) Movement (27,709 ) 24,376 (3,333 ) Commitments at 31/12/12 3,051,754 595,802 435,000 285,445 246,856 4,614,857 Included in both the commitment and payment figure for Feature Production is an amount of €173,408 in respect of project related expenses and production 12. CREDITORS legal costs. Animation Feature 2012 2011 Development Development Total I I I I I Development Loans PAYE/PRSI 26,225 34,769 Commitments @ 01/01/12 73,895 652,685 726,580 Other Accruals 311,800 399,530 Commitments in 2012 199,500 1,503,500 1,703,000 Withholding Tax 11,996 15,921 Commitments expired 2012 - (6,000 ) (6,000 ) Pension Contribution 7,597 - Total Commitments 273,395 2,150,185 2,423,580 Trade Creditors 908,632 1,430,346 Payments in 2012 (191,000 ) (1,474,145 ) (1,665,145 ) Total 1,266,250 1,880,566 Commitments at 31/12/12 82,395 676,040 758,435

16. PROVISIONAL OFFERS OF ASSISTANCE TO FILM PROJECTS

In addition to the contracted commitments outstanding at year-end of €5,373,292 disclosed an additional €3,067,500 in respect of provisional offers of assistance was outstanding. The major portion of such commitments, €2,455,000 is in respect of feature productions where offers are subject to certain terms and conditions which include the procurement of finance. They remain valid for a period of up to six months at which stage they are subject to review. These offers are also conditional on the availability of Board’s funds. The Board also had unquantified offers of assistance to a further five feature productions at the year end.

ALIA

17. SCREEN TRAINING IRELAND

In 2012, €393,000 was made available to Solas Screen Training Ireland for the direct provision of industry training. The staff and functions of Screen Training Ireland were transferred to the Irish Film Board on the 1st January 2013.

THE FOOD GUIDE TO LOVE 18. BOARD MEMBERS - DISCLOSURE OF TRANSACTIONS 26 27 In the normal course of business the Irish Film Board may approve assistance to film projects and enter into other contractual arrangements with undertakings in which Board Members are employed or otherwise interested. The Irish Film Board has adopted procedures in relation APPENDIX 1 to the disclosures of interests by Board members and these procedures were adhered to during the year. Appendices 1 to 5 are for information and do not form part of the accounts from pages 13 to 24. In 2012 the following loans were approved in which a Board Member was employed or had an interest: CAPITAL COMMITMENTS 2012 Name Company I PRODUCTION LOAN FEATURES DOCUMENTARY PRODUCTION Lesley McKimm Newgrange Pictures Stella Days 30,000 Committed I Committed I A Thousand Times Goodnight 300,000 An Bronntanas/The Gift ROSG 360,000 Absolute Derby True Films 5,000 Kevin Moriarty Ardmore Studios Black Ice (Completion) Bandit Films 50,000 Absolute Derby True Films 85,000 All Is By My Side 90,000 Calvary Octagon Films 1,000,000 Antikythera Three Legged Dog 8,000 Ardmore Studios 250,000 Dollhouse Warehouse Pictures 20,000 Blood Sisters 2 Solas Productions 5,000 James Morris Treasure Entertainment Frank Element Pictures 1,000,000 Born John Burke, Died Mohammed Omar Fastnet Films 10,000 The Good Man 25,000 Gold Subotica 600,000 Circus on the Road Ikandi Productions 5,000 My Brothers 12,500 Hardy Bucks (Additional) Integral Productions 20,000 Dreaming the Quiet Man Loopline Films 13,000 Wild 15,000 Hardy Bucks: The Movie Integral Productions 175,000 For One Night Only Parallel Film Production 25,000 Wild (Production) 300,000 Last Days on Mars Fantastic Films 550,000 Get the Picture? Ferndale Films 25,000 The Rewrite 20,000 Life’s A Breeze Fastnet Films 80,000 Hill Street Warrior Films 15,000 A Month in the Country 20,000 Anglo Republic 40,000 Moscow Never Sleeps Blinder Films 275,000 Minds Over Matter Crow Hill Films 10,000 Pilgrim Hill (Completion) Nine Entertainment 15,000 Moscow Tabloid Cutstone Productions 10,000 Windmill Lane Pictures Quirke Element Pictures 450,000 Neal MacGregor Soilsiú Films 10,000 The Price of Desire 320,000 Roadside Puddle Films 15,000 Neal MacGregor Soilsiú Films 40,000 The Sea 220,000 All Is By My Side [90,000] Run and Jump Samson Films 600,000 No Limbs No Limit 2000 AD Productions 8,000 Moscow Never Sleeps 275,000 Song of the Sea Cartoon Saloon 750,000 Panti Blinder Films 5,000 James Morris (Windmill Lane Pictures) also had a conflict of interest in relation to Standby Black Sheep Productions 600,000 Pussycat Wars Crossing the Line 10,000 the offer of production funding of €390,000 to Grand Pictures Ltd for the project The Floating World Clare Langan 20,000 Rex Ingram Underground Films 15,000 Creeping Zero. This offer was subsequently expired in March 2013. The Good Man (Completion) Treasure Entertainment 25,000 Sculpting Space NDN Productions 15,000 Tristan Orpen Lynch Subotica Entertainment The Price of Desire EG Film Productions 320,000 See You At the Pictures Planet Korda Productions 5,000 All Is By My Side (Production) [90,000] The Stag Treasure Entertainment 350,000 Showrunners Black Sheep Productions 15,000 Gold (Production) 600,000 Co-Production Fund Showrunners Black Sheep Productions 55,000 Perfect Weather to Fly 16,000 Dark Touch Element Pictures 200,000 Silence in the House of God Jigsaw Productions 50,000 Boy Racer 28,000 Controra Ripple World Films 200,000 Sparlo Crow Hill Films 25,000 Unless 10,000 Stay Samson Films 300,000 Stadium & Street Cutstone Productions 10,000 American Reaper 27,000 Food Guide to Love Parallel Film Productions 275,000 Taking the Boat Soho Moon Pictures 35,000 Kirsten Sheridan Dollhouse (Additional Production Funding) 20,000 The Sea Samson Films 220,000 The Disappearance Fastnet Films 7,000 Dollhouse (Marketing Support) 28,600 Grenade: A Thousand Time Good Newgrange Pictures 300,000 The Last Hijack - 2011 Funding Still Films 130,000 Dollhouse (International Publicity) 3,700 The F Word Fastnet Films 80,000 The Summit Image Now 20,000 Angel Cordero 15,000 International Production Fund The Swan Song of Eliza Lynch Coco Television 35,000 19 Days 17,500 Loving Miss Hatto Octagon Films 100,000 Three Men go to War Crossing the Line 85,000 Prison Movie 12,000 Dubliners 45,000 All is by My Side Subotica 90,000 Too Good to Resist Underground Films 8,000 Vikings World 2000 250,000 Unbreakable True Films 5,000 Johnny Gogan Bandit Films Under the Hood: Voices from Belarus Planet Korda 50,000 Black Ice 25,000 Total 9,290,000 Waking Soho Moon Pictures 5,000 Total 2,765,300 ANIMATION PRODUCTION Yemen’s Reluctant Revolutionary 15,000 Yximaloo Research Bureau 25,000 19. PRIOR YEAR COMPARATIVES Committed I Living in a Coded Land 10,000 The Adventures of the Mothers and Sons Underground Films 10,000 A number of comparatives have been re-grouped or re-presented on the same basis as the current year. Young Marco Polo Magpie 6 Media 200,000 Way Out 90,000 The Last Hijack Still Films 150,000 Men in Uniform Venom 150,000 Wildernuts Kavaleer Productions 250,000 Slow Food Story Element Pictures 15,000 20. BOARD APPROVAL The Duel Animation Hub 30,000 Untitled Angel Codero Doc Samson Films 15,000 Forest Blacknorth Studios 25,500 Rough Rider Wildfire Film & TV 12,500 The financial statements were approved by the Board on 4th February 2014 . Roy 3 & 4 Jam Media 200,000 Total 1,201,500 Total 855,500 THE SHADOWS SYLVIA

DISTRIBUTION LOANS SIGNATURES DEVELOPMENT LOANS FEATURES

I Committed I Committed Committed I Committed I P&A/Markteting Support Alia Zucca Films 65,000 19 Days CDS Limited 17,500 Olagon Magamedia 19,000 Stella Days Newgrange Pictures 30,000 I Can’t See You Anymore Blinder Films 65,000 A Million Miles An Hour Brendan Grant 12,000 Our Few and Evil Days Parallel Film Productions 40,000 This Must be the Place Element Distribution 35,000 Doghouse Tilted Pictures 65,000 A Month in the Country Treasure Entertainment 20,000 Perfect Weather to Fly Subotica 16,000 Dreaming the Quiet Man Element Distribution 17,235 The Girl Green Sky Productions 65,000 Absence Sonata Rainmark Films 10,000 Pikey King Carmel Winters 12,000 28 Silence Element Distribution 18,225 Total 260,000 Airman Fastnet Films 50,000 Pilgrimage SP Films 12,000 29 Charlie Cassanova Element Distribution 12,855 American Reaper Subotica 27,000 Procreate, Generate Blinder Films 23,000 What Richard Did Element Distribution 75,000 Anglo Republic Treasure Entertainment 40,000 Scumbot Black Sheep Productions 15,000 Dollhouse Eclipse Pictures 28,600 SHORT SHORTS Annie Likes This Treasure Entertainment 14,000 Simple Farmers Son Soho Moon Pictures 16,500 Shadow Dancer Paramount Pictures 27,500 Beach Slap Grand Pictures 15,000 Sligo Jihad Florin Films 35,000 Grabbers Element Distribution 75,000 Committed I Big Silver Lining Angelo Films 15,000 Slipping Away Parallel Film Productions 20,000 Stitches Eclipse Pictures 32,000 Barry’s Bespoke Bakery Songway Films 15,000 Black Rainbows Paul Murray & Hugh O’Connor 16,000 Ted & Mabel Janey Pictures 20,000 Death of a Superhero Eclipse Pictures 17,000 Just en Peu Please Blinder Films 15,000 Blood of my Blood, Bone of my Bone SP Films 9,500 Ten Dates with Mad Mary Element Pictures 10,000 Direct Distribution Brown Bread Park Films 15,000 Bloom Barbara Deignan 12,000 The Book of the Wolf Eoin McNamee 12,000 Blue City (aka Margaret) Fastnet Films 25,000 The Boys Virginia Gilbert 12,000 The Other Side of Sleep Fastnet Films 15,000 Total 45,000 A Kiss for Jed Wood Ignition Films 10,000 Boy Racer Subotica 28,000 The Cherry Tree Fantastic Films 10,000 Barbaric Genius Screenworks 7,235 Come Monday We Kill Them All Jamie Hannigan/Michael Kinirons 16,000 The Complication Ian Power/Dylan Cotter 16,000 My Brothers Treasure Entertainment 12,500 Dark Zone Fantastic Films 10,000 The Days I Tried to Live Fastnet Films 40,000 Earthbound Earthbound Productions 15,000 GEARRSCANNÁIN Detox John Butler 12,000 The Fast and the Dead Perfect Weekend 20,000 Bernadette Irish Film Institute 1,000 Dubliners Fastnet Films 45,000 The Internal World David O’Reilly & Vernon Chatman 16,000 I Dreams of a Life Irish Film Institute 1,000 Committed Echo Chamber Parallel Films 17,000 The Legend of Longwood Grand Pictures 10,000 Charlie Cassanova Terry McMahon 2,145 Sylvia Zanzibar Films 10,000 Family Remains Grand Pictures 12,000 The Midnight Choir Fastnet Films 50,000 Beirt Le Chéile Spiral Pictures 10,000 Print Support Four Letters of Love Element Pictures 40,000 The Rewrite Treasure Entertainment 20,000 Rubai Magamedia 10,000 Frost Island Blinder Films 10,000 The Sacred Island Darinin Films 50,000 Dreaming the Quiet Man Loopline Films 3,500 Good as Gold Wall of Sleep Productions 20,000 The Son of God Ivan Kavanagh 12,000 Joy Venom 2,020 Total 30,000 Good Favour Glenn Montogomery/R Daly 16,000 The Song of Granite Pat Collins/Sharon Wholley 16,000 Nouakchott Rocks Moira Tierney 3,297 Harm’s way Blinder Films 10,000 The Zone Wide Eye Films 22,500 Men at Lunch Sonta Productions 3,650 Haughey Igloo Productions 20,000 To Chicago Barry Devlin 12,000 Rhinos Let’s Not Lose It 467 REALITY BITES Honoured Ripple World Pictures 15,000 Tough Love Matthew Roche 12,000 International Publicity Into the West Ignition Films 50,000 Traders Coco Television 13,000 Babygirl Samson Films 3,828 Committed I Island D Kinahan & I fitzgibbon 16,000 Unless Subotica 10,000 Dollhouse Warehouse Pictures 3,700 On Tellies Twopair Films 15,000 It’s About Girls Black Sheep Productions 16,000 Untitled Prison Movie Kirsten Sheridan 12,000 Citadel Blinder Films 5,352 The Last Days of Peter Bergman Fastnet Films 15,000 La Domestique Blinder Films 12,000 Vere Goold Rachel Lysaght & Glenn Montgomery 16,000 Pentecost Emu Productions 1,244 Jesus Lives on the R415 Areaman Productions 15,000 Last Days on Mars Fantastic Films 50,000 Wild Treasure Entertainment 15,000 As If I’m Not There Octagon Films 2,675 Total 45,000 Lex Talionis SP Films 17,000 Wooly Faces Rainmark Films 11,000 Total 462,028 Luka Pooka Dick Hamson 16,000 The Estate Garrett Shanley 16,000 Monto Ciaran Morrison & Mick O’Hara 16,000 The Valentine Gang 15,000 Monto Double Z Enterprises 12,500 Total 1,436,500 FRAMEWORKS

Committed I Ledge End of Phil Cartoon Saloon 50,000 Geist Giant Creative 50,000 No Postage Required Igloo Productions 48,000 INTERNATIONAL DEVELOPMENT FUNDING ANIMATION DEVELOPMENT LOANS The Missing Scarf Belly Creative 47,000 I I Unhinged Studio Okinami 48,000 Committed Committed Pre 2012 Frameworks Galway Bay Hells Kitchen International 25,000 The H Files Paper Dreams 25,000 Taboo Octagon Films 18,500 Mya Go Wiggly Woo 25,000 Total 243,000 A Life of Crime Octagon Films 23,500 Papa’s Boy Ink and Light 26,500 Total 67,000 Tipto Kavaleer Productions 25,000 What Will Katy Be? Treehouse Republic 37,000 OTHER SHORT FILM Rykers World Little Hen TV 6,000 The Wishing Tree Little Hen TV 10,000 Committed I Night Glider Brown Bag Films 15,000 Ghost Train Rank Outsider Productions 45,000 My Father’s Dragon Parallel Film Productions 30,000 Total 45,000 Total 199,500 HILL STREET CONTRORA

30 DISTRIBUTION SHORT FILM SCHEMES 31 I Pending Pending I APPENDIX 2 P&A/Marketing Support Signatures Stella Days Newgrange Pictures 3,000 I Can’t See You Anymore Blinder Films 6,500 OUTSTANDING COMMITMENTS 2012 This Must be the Place Element Distribution 17,500 Doghouse Tilted Pictures 6,500 Dreaming the Quiet Man Element Distribution 8,618 The Girl Green Sky Productions 6,500 Silence Element Distribution 9,113 Pre 2012 Signatures 21,900 PRODUCTION LOAN FEATURES ANIMATION PRODUCTION Charlie Cassanova Element Distribution 6,427 Total 41,400 What Richard Did Element Distribution 37,500 Pending I Pending I Dollhouse Eclipse Pictures 14,300 Contracted The Adventures of the Young Marco Polo Magpie 6 Media 50,000 Short Shorts Shadow Dancer Paramount Pictures 13,750 An Bronntanas/The Gift ROSG 72,000 Forest Blacknorth Studios 13,000 Just en Peu Please Blinder Films 1,000 Grabbers Element Distribution 37,500 Black Ice (Completion) Bandit Films 10,000 Roy 3 & 4 Jam Media 200,000 Pre 2012 Short Shorts 10,486 Stitches Eclipse Pictures 16,000 Calvary Octagon Films 100,000 The Duel Animation Hub 20,000 Death of a Superhero Eclipse Pictures 8,500 Total 11,486 Frank Element Pictures 350,119 The Last Hijack (2011 Funding) Still Films 20,000 Pre 2012 P&A/Marketing Support 64,486 Gold Subotica 300,000 Wildernuts Kavaleer Productions 75,000 Gearrscannáin Direct Distribution Hardy Bucks: The Movie Integral Productions 17,500 Pre 2012 Animation Production 57,000 Sylvia Zanzibar Films 1,000 The Other Side of Sleep Fastnet Films 1,500 Last Days on Mars Fantastic Films 25,000 Total 435,000 Beirt Le Chéile Spiral Pictures 9,000 Barbaric Genius Screenworks 2,974 Life’s A Breeze Fastnet Films 10,000 Rubaí Magamedia 9,000 Moscow Never Sleeps Blinder Films 275,000 My Brothers Treasure Entertainment 6,250 DOCUMENTARY PRODUCTION Total 19,000 Pilgrim Hill (Completion) Nine Entertainment 3,000 Earthbound Earthbound Productions 15,000

Quirke Element Pictures 240,887 Pre 2012 Direct Distribution 4,990 Pending I Reality Bites Roadside Puddle Films 3,000 Print Support Absolute Derby True Films 35,000 On Tellies Twopair Films 6,000 Run and Jump Samson Films 60,000 Dreaming the Quiet Man Loopline Films 1,750 Antikythera Three Legged Dog 1,600 The Last Days of Peter Bergman Fastnet Films 13,500 Song of the Sea Cartoon Saloon 225,000 Nouakchott Rocks Moira Tierney 1,648 Blood Sisters 2 Solas Productions 1,000 Jesus Lives on the R415 Areaman Productions 6,000 Standby Black Sheep Productions 60,000 Pre 2012 Print Support 10,212 Circus on the Road Ikandi Productions 1,000 Pre 2012 Reality Bites 12,000 The Floating World Clare Langan 4,000 International Publicity Hill Street Warrior Films 4,500 Total Reality Bites 37,500 The Good Man (Completion) Treasure Entertainment 5,000 Babygirl Samson Films 1,928 Living in a Coded Land Harvest Films 1,000 The Price of Desire EG Film Productions 160,541 Pre 2012 International Publicity 2,500 Men in Uniform Venom 125,000 The Stag Treasure Entertainment 55,000 Frameworks Minds Over Matter Crow Hill Films 2,000 Total 285,445 Pre 2012 Production Loan Features 253,700 Ledge End of Phil Cartoon Saloon 25,000 Mothers and Sons Underground Films 2,000 Geist Giant Creative 25,000 Co-production Fund Neal MacGregor Soilsiú Films 2,000 No Postage Required Igloo Productions 24,000 Dark Touch Element Pictures 30,000 Neal MacGregor Soilsiú Films 8,000 The Missing Scarf Belly Creative 18,800 Controra Ripple World Films 20,000 Panti Blinder Films 1,000 Unhinged Studio Okinami 19,200 Food Guide to Love Parallel Film Productions 27,500 Pussycat Wars Crossing the Line 2,000 Pre 2012 Frameworks 16,470 Grenade: A Thousand Time Good Newgrange Pictures 60,000 Rex Ingram Underground Films 3,000 Total 128,470 Stay Samson Films 80,000 Rough Rider Wildfire Film & TV 500 The F Word Fastnet Films 24,000 Showrunners Black Sheep Productions 15,000 The Sea Samson Films 44,000 Other Short Film Silence in the House of God Jigsaw Productions 10,000 Pre 2012 Creative Co-Production 353,500 Ghost Train Rank Outsider Productions 9,000 Slow Food Story Element Pictures 3,000 Total 9,000 International Production Fund Sparlo Crow Hill Films 2,500 Loving Miss Hatto Octagon Films 25,000 Stadium & Street Cutstone Productions 2,000 Total 246,856 All Is By My Side Subotica 45,000 Taking the Boat Soho Moon Pictures 5,000 Vikings World 2000 50,000 The Disappearance Fastnet Films 1,400 Regional Support Fund The Summit Image Now 15,000 Pre 2012 Regional Support Fund 63,000 The Swan Song of Eliza Lynch Coco Television 17,500 Total 3,051,747 Three Men Go to War Crossing the Line 15,000 Too Good to Resist Underground Films 1,600 Unbreakable True Films 1,000 Under the Hood: Voices from Belarus Planet Korda 5,000 Untitled Angel Codero Doc Samson Films 3,000 Way Out Farcry Productions 40,000 Yximaloo Research Bureau 12,500 Pre 2012 Documentary Production 256,702 Total 595,802 BARRY’S BESPOKE BAKERY

DEVELOPMENT LOANS FEATURES

Pending I Pending I 19 Days CDS Limited 2,500 Black Rainbows Paul Murray & Hugh O’connor 4,000 Blood of my Blood, Bone of my Bone SP Films 1,500 Good Favour Glenn Montogomery/R Daly 4,000 A Million Miles An Hour Brendan Grant 2,000 Island D Kinahan & I fitzgibbon 4,000 IN THE NAME OF DIGNITY Absence Sonata Rainmark Films 2,000 Olagon Magamedia 4,000 32 Detox John Butler 2,000 The Internal World David O’Reilly & Vernon Chatman 4,000 33 Echo Chamber Parallel Films 2,000 The Song of Granite Pat Collins/Sharon Wholley 4,000 Frost Island Blinder Films 2,000 The Estate Garrett Shanley 4,000 Harm’s Way Blinder Films 2,000 The Zone Wide Eye Films 4,500 APPENDIX 3 La Domestique Blinder Films 2,000 A Month in the Country Treasure Entertainment 5,000 Our Few and Evil Days Parallel Film Productions 2,000 Four Letters of Love Element Pictures 5,000 Pikey King Carmel Winters 2,000 Haughey Igloo Productions 5,000 DETAILS OF LOAN CONDITIONS Pilgrimage SP Films 2,000 Into the West Ignition Films 5,000 Ten Dates with Mad Mary Element Pictures 2,000 Slipping Away Parallel Film Productions 5,000 (A) DEVELOPMENT FUNDS The Book of the Wolf Eoin McNamee 2,000 Ted & Mabel Janey Pictures 5,000 The Boys Virginia Gilbert 2,000 The Days I Tried to Live Fastnet Films 5,000 Development Loans are advanced on a phased payment basis with approximately 50-60% paid on satisfactory execution of The Cherry Tree Fantastic Films 2,000 The Fast and the Dead Perfect Weekend 5,000 Development Loan contracts between the Board and the Producer, the balance being paid upon compliance with specific The Legend of Longwood Grand Pictures 2,000 The Rewrite Treasure Entertainment 5,000 conditions outlined by the Board. To Chicago Barry Devlin 2,000 American Reaper Subotica 7,000 Tough Love Matthew Roche 2,000 Anglo Republic Treasure Entertainment 8,000 Unless Subotica 2,000 Blue City (aka Margaret) Fastnet Films 8,000 Loans for development are up to a maximum of €100,000, €50,000 at any one time. Teams or individuals (producer/ director/ Untitled Prison Movie Kirsten Sheridan 2,000 Dubliners Fastnet Films 9,000 Wooly Faces Rainmark Films 2,000 Good as Gold Wall of Sleep Productions 10,000 script-writer) may apply. The Producer is obliged to repay the Advance to the Board on the first day of principal photography. Monto Double Z Enterprises 2,500 The Midnight Choir Fastnet Films 10,000 Annie Likes This Treasure Entertainment 3,000 The Sacred Island Darinin Films 10,000 These should be seen as development/ feasibility loans; the Board makes every effort to track these monies and provides Big Silver Lining Angelo Films 3,000 Boy Racer Subotica 15,000 It’s About Girls Black Sheep Productions 3,000 Airman Fastnet Films 20,000 information and support for independent producers seeking other potential production partners. Some of the projects Lex Talionis SP Films 3,000 Pre 2012 Development Features 416,040 receiving development loans from the Board will not proceed into production and may eventually have to be written off. Procreate, Generate Blinder Films 3,000 International Development Funding Scumbot Black Sheep Productions 3,000 Galway Bay Hells Kitchen International 5,000 Traders Coco Television 3,000 Taboo Octagon Films 3,500 However, all projects which are successfully brought to fruition, are closely monitored by the Board and collection of monies Wild Treasure Entertainment 3,000 A Life of Crime Octagon Films 3,500 due is actively pursued The Valentine Gang 3,000 Total 676,040 (B) PRODUCTION LOANS The Board’s involvement takes the form of investment in the production and in its sales for cinema, television, video and ancillary markets (cable, satellite, home box-office etc.) both in Ireland and worldwide. The investment is not subject to interest; rigorous measures for recoupment and profit participation are applied. All offers of investment are ‘in principle’ and subject to contract.

ANIMATION DEVELOPMENT LOANS

Pending I Pending I Papa’s Boy Ink and Light 5,500 IThe Wishing Tree Little Hen TV 2,000 Tipto Kavaleer Prodcutions 5,000 Night Glider Brown Bag Films 3,000 What Will Katy Be? Treehouse Republic 7,000 My Father’s Dragon Parallel Film Productions 5,000 Rykers World Little Hen TV 1,000 Animation Development 53,895 Total 82,395 BLACK ICE

3. ORIGINALITY (b) The amount of BSÉ/IFB’s investment corresponds to the BSÉ/IFB funding will be directed to supporting projects that level of involvement of Irish personnel, elements and are original and of high quality, and that bring to cinema, though facilities in the project. the talents of Irish writers, directors, producers and other Irish STATE OF SUSPENSION personnel, a different and distinctly Irish talent-driven cultural Submissions on behalf of works to be made wholly or 34 experience. Funding decisions will favour those Irish writers and predominantly in the Irish language will continue to be 35 directors, producers and other personnel who bring to film a particularly welcomed by BSÉ/IFB. APPENDIX 4 distinctive voice and a strongly individual view of the world, and

who create works that give a new and/or reinvigorated sensation BSÉ/IFB will always be vigilant in ensuring that films and high- PRINCIPLES & CRITERIA to that experience. quality drama and animation television programmes and series BSÉ/IFB’s funding programmes are guided by some fundamental respond to the manifest increase in theatrical audiences’ desire to in which it invests entail a high volume of expenditure on Irish These requirements do not mean that existing forms or genres of principles which form the basis of its decision-making criteria. The see documentaries. personnel and in the Irish industry, and this aspect of a submission principles are: film will be avoided, but instead that the Irish writers, directors and is likely to play a material part in a positive decision. It will not be a 1. Making Cinema Animation feature films and television series will be provided producers supported will bring a fresh approach and new thinking decisive factor in itself, however, where BSÉ/IFB is not convinced 2. Accessing Audiences with funding in recognition of the importance of Irish work in to these forms or genres of films. Given the limited capacity for by the quality of a project or where the project does not comply 3. Originality this field, the narrowness of the theatrical market that exists for market and other funding of film in Ireland, Irish talent will need to with any of the other priorities set out above. This is dealt with in 4. Additionality animated features and the very limited funding from broadcasters be able to work with talent from other countries on projects being more detail under Further Considerations below. 5. Developing Talent, Cultural & Industrial Priorities for animated television series. Preference will be given to original funded by BSÉ/IFB, and originality will continue to be factored in 6. Further Considerations work from Irish talent that appears to be sufficiently inventive as part of the assessment of the combined talents of all parties 5. ADDITIONALITY and striking to measure up to the big-screen format and/or involved. An essential rationale for making public money available to an These are explained in more detail below. Some further international television and other distribution. industry is that it should create activity that would not otherwise considerations that may influence a decision in favour of one 4. DEVELOPING TALENT, occur, i.e. that the market, left to itself, would not engender. It project over another are also set out below. CULTURAL & INDUSTRIAL PRIORITIES Television drama, whether singles or series, will be rigorously follows that audiovisual works backed by BSÉ/IFB should be Consistent with its government remit and responding to the those that would not be made, or would not be made with the 1. MAKING CINEMA assessed and may be funded for its inherent quality, but other present perceived needs of the Irish audiovisual production same level of benefit to Ireland, unless enabled to do so with the Because it is the only source of public funding for feature films factors will also come into play. Strong emphasis will be placed industry, BSÉ/IFB considers that certain projects, in terms of their support of the BSÉ/IFB. Such audiovisual works and the benefits directed towards a cinema release, Bord Scannán na hÉireann/ on backing directors, writers and producers whose careers to content, provenance or benefit to the industry, represent clear that flow from them represent ‘additional’ economic activity. the Irish Film Board’s primary objective is to encourage, sustain date clearly demonstrate an ability to make dramatic works or priorities for its funding. and promote work in Ireland that is made to be shown on the who, in the view of BSÉ/IFB, are headed for a career in feature- This does not mean that BSÉ/IFB is interested only in supporting big screen. In addition, BSÉ/IFB also has as part of its aims and film or high-quality television drama production. Furthermore, Strong preference will be given to submissions on behalf of material with limited commercial prospects. There is a wealth of objectives the support of certain other high-quality audiovisual BSÉ/IFB will need to be convinced that its financial involvement projects which: evidence in our audiovisual history to show that the successes works. is crucial to the realisation of the programme or series and that • Are of Irish initiation in a creative sense; that is, conceived, the contribution from the broadcaster is commensurate with the are frequently ground-breaking films. BSÉ/IFB will give energetic written, produced and/ or to be directed by Irish talents backing to producers who display an ambition to achieve In addition to continuing its commitment to live-action feature films, seat of editorial control. BSÉ/IFB will also expect to contribute • Entail new and emerging Irish talent in key creative roles, market success and to projects that display an awareness of the this means: editorially to the development of this content. i.e. director, writer, producer, composer, principal actor market while at the same time providing a challenge to existing • Tell Irish stories, drawing on and depicting Ireland’s culture, perceptions of what the marketplace expects. Documentaries will be rigorously assessed in terms of their 2. ACCESSING AUDIENCES history, way of life, view of the world and of itself potential to achieve theatrical release, stimulate interest from BSÉ/IFB is increasingly focused on ensuring that funding 6. FURTHER CONSIDERATIONS international film festivals or engage on new and emerging decisions will favour projects that are clearly targeted at the Serious attention will also be paid to submissions which: The guiding principles described above should give applicants platforms. Preference will be given to visual, cinematic ‘feature appropriate audience. This does not mean that BSÉ/IFB is only • Propose a strongly Irish project (in terms of setting, characters, an insight into the way in which BSÉ/IFB’s executives and documentaries’; films aimed at a one-hour TV slot or shorter, interested in supporting material with commercial prospects, but etc.) that is to be directed by a non-Irish talent, where BSÉ/IFB advisors assess a project from the point of view of its content with little or no international appeal, are unlikely to be supported. instead that it is open to considering projects that may appeal to a regards the director’s track record as an assurance of quality and the creative team involved. In assessing production funding Emphasis will be placed on backing directors, writers and wide spectrum of viewers, be they commercial, arthouse, festival- • Involve an Irish producer as minority co-producer of a film, applications, other factors may come into play concerning the producers whose careers to date clearly demonstrate a strong going or on television etc. Particular emphasis will be paid to a documentary or drama television programme or series, where economic effects of the project, the financial arrangements and commitment to making cinematic documentaries. Besides BSÉ/ project’s potential to engage its intended audience as well as the (a) BSÉ/IFB is convinced of the quality of the project and the prospects of reaching audiences. IFB’s commitment to cinema, this approach is also designed to planned approach and scale of the project. BIRD FOOD

Where BSÉ/IFB does not consider that a project adheres to Financial structure any of the guiding principles, these other factors will not, in • Are the proposed co-financiers of the film or television themselves, be sufficient to secure an offer of funding. But in programme reliable? the case of a project where the content and creative team are • Will the proposed financing arrangements allow BSÉ/IFB NOUAKCHOTT ROCKS seen as persuasive, the following considerations may affect the to negotiate a reasonable recoupment position? 36 outcome between BSÉ/IFB and the producers as to the level • Will there be reasonable transparency of accounting with 37 of BSÉ/IFB’s investment and the way in which the work will be regard to sales revenues, e.g. by use of a collection agent? APPENDIX 5 financed, produced and distributed: It should be emphasised that for a project to be offered Track record of the producer production funding, it is not necessary for all of these questions LOCATION SERVICES • Has the producer managed and delivered audiovisual works in to be answered affirmatively. But negative answers to a Location Services serves to facilitate and encourage filming of all kinds. We can help whether you are making feature films, a professional and efficient manner before? high proportion of them could undermine a strongly positive television, documentaries, commercials, corporates, music videos or still photography; anything that ends up on screen. • Has BSÉ/IFB had good previous experience of dealing with disposition on the part of BSÉ/IFB towards the creative aspects Our marketing team is here to answer your questions. Our service is free. the producer and the creative team? of a project. At the very least, a mix of affirmative and negative • In a co-production, do any of the non-Irish producers involved answers will provoke discussion as to the extent and manner of HERE ARE JUST SOME OF THE SERVICES WE OFFER: have good professional track records? BSÉ/IFB’s commitment. • The Location Services Unit handles all enquiries relating to filming in Ireland. F.I.L.M (Film Industry Location Manager) is a searchable digital photo database that streamlines our location finding capabilities. The use of the service is free Irish employment Cinema Distribution to Irish location scouts, as well as film makers contacting us from abroad. • Are the key creative and technical positions to be filled by Some BSÉ/IFB funding programmes have specific criteria Irish personnel? of their own and are not necessarily governed by all of the • As part of our service we also provide visual reference books and other reference information on matters relating • In a co-production, is the proportion of these appropriate? principles set out above. Distribution Support is provided to to filming in Ireland. • Will the production offer employment to Irish personnel across Irish distributors of BSÉ/IFB-backed films who demonstrate that all possible grades? funding from BSÉ/IFB will enhance the promotion of a film in the • We also act as the hub for a growing network of regional film offices. Our co-operation with the Northern Irish Film Irish market. Direct Distribution/Exhibition Support is provided and Television Commission means a combination of coverage of the island as a whole. Spend in the Irish economy to Irish producers to help defray the cost of a limited theatrical • Will the work be made in Ireland? release in Ireland (including Northern Ireland) for feature films • We co-operate with other national bodies to make the working environment as film friendly as possible. • Will the project make extensive use of Irish production and already in receipt of BSÉ/IFB production funding that have been post-production facilities? unable to secure suitable theatrical distribution by a bona fide • Will the project attract inward investment into the Irish Irish distribution company but that still have clear potential to economy? reach and engage an Irish audience.

Sales and Distribution • Is an international sales agent attached to the sale of the film or television programme or series? • Does the film have an Irish distributor? • Are any sales agents, distributors or broadcasters providing production finance? THE LAST DAYS ON MARS

39 BORD SCANNÁN NA hÉIREANN RÁITIS AIRGEADAIS

Oibríonn Bord Scannán na hÉireann faoi chreathlach Acht Um CRUINNITHE BOIRD AGUS TINREAMH Bord Scannán 1980 agus Achtanna Um Bord Scannáin (Leasú) Thionól an Bord 10 gcruinniú le linn 2012 agus d’fhreastail 1993, 1997, 2000, 2006. gach comhalta boird ar an líon seo a leanas de chruinnithe boird i rithna bliana. COMHALTAÍ James Morris 10 gcruinniú B’iad comhaltaí Bord Scannán na hÉireann i 2012 ná: Johnny Johnny Gogan 9 gcruinniú Gogan, Uasal; Barry Grace, Uasal; Tristan Orpen Lynch, Uasal; Barry Grace 10 gcruinniú James Morris, Uasal (Cathaoirleach); Lesley McKimm, Uasal; Tristan Orpen Lynch 10 gcruinniú Kevin Moriarty, Uasal and Kirsten Sheridan, Uasal. Lesley McKimm 10 gcruinniú FOIREANN Kevin Moriarty 9 gcruinniú Kirsten Sheridan 8 gcruinniú B’íad foireann Bord Scannán na hÉireann ar 31ú Mí na Nollag 2012 ná: James Hickey, Príomhoifigeach Feidhmiúcháin; Teresa McGrane, Ceannasaí Chúrsaí Gnó/Leas POF; Naoise Barry, OIFIG Coimisiúnaitheoir Scannán; Celine Forde, Rialtóir Airgeadais; Tá ceannáras Bord Scannán na hÉireann le fáil i gcathair Andrew Meehan, Feidhmeannach Forbartha; Emma Scott, na Gaillimhe: Feidhmeannach Léiriúchán; Louise Ryan, Feidhmeannach Queensgate, 23 Bóthar na nDuganna, Gaillimh, Éire. Margaíochta agus Cumarsáide; Aileen McCauley, Comhordatheoir Chursaí Gnó agus Dlí; Jill McGregor, Comhordaitheoir Iarratas Teil +353 91 561398, Faics +353 91 561405 agus Scéimeanna; Sarah Dillon, Comhordaitheoir Léiriúcháin agus R-phost [email protected], www.irishfilmboard.ie Forbartha; Mags O’Sullivan, Leas-Choimisiúnaitheoir Scannán; Patrick O’Neill, Feidhmeannach Chursaí Tionscail; Niamh O’Reilly, Tá oifig Bord Scannán na hÉireann i mBaile Átha Cliath Cúntóir Feidhmeannach ag an bPríomhoifigeach Feidhmiúcháin le fáil ag: 14-16 Lord Edward Street, Dublin 2 agus Suzanne Keane, Comhordaitheoir Cuntas (Páirt-aimseartha). A THOUSAND TIMES GOOD NIGHT THE STAG 40 CUSPÓIRÍ AGUS BEARTAIS BORD SCANNÁN NA hÉIREANN AIRGEADAS 41

BUNAÍODH BORD SCANNÁN NA ii Iaschtaí léiriúcháin do thionscadail a bhfuil buiséid acu atá AISGHABHÁIL EUROPEAN FILM PROMOTION

hÉIREANN D’FHONN: • De bhreis ar €100,000 agus gan a bheith níos mó na €1.5M, Is é European Film Promotion (EFP) an t-aon líonra idirnáisiúnta Roinneann an Bord an brabús a thagann as ioncam a ghintear is féidir le BSÉ/IFB suas go dtí 65% den bhuiséad léiriúcháin eagraíochtaí atá ann a bhfuil cur chun cinn agus margaíocht á • Na gnéithe cruthaitheacha agus na gnéithe tráchtála a ghabhann le díolachán pictiúrlainne, teilifíse agus físeán agus faigheann a chur ar fáil dhéanamh aige ar cineama Eorpach ar fud an domhain. Is éard le scannánaíocht agus le cultúr scannán na hÉireann a chur sé aisíocaíocht ón mbrábús sin. Chuir an Bord iomlán de • De bhreis arb€1.5M agus gan a bheith níos mó ná €5M, is atá sa líonra ná eagraíochtaí proifisiúnta ó 32 thíortha Eorpacha chun cinn ar mhaithe le lucht féachana na tíre seo agus ar €12,698,869 ar fáil in iasachtaí i dtaca le príomhscannáin a féidir le BSÉ/IFB suas go dtí €1M nó 40% den bhuiséad, gur saineolaithe iad i dtaobh a gcuid cineama náisiúnta féin a chur mhaithe le lucht féachana idirnáisiúnta. Tacaíonn an Bord le fhorbairt agus a léiriú i gcaitheamh na bliana 2012. I gcaitheamh an cibé acu is mó, a chur ar fáil chun cinn agus margaíocht a dhéanamh air. Faoi scáth an EFP, tionscadail scannánaíochta trí mhaoiniú forbartha a sholáthar ama chéanna, fuair an Bord aisíocaíochtaí de €1,531,833. Tugann • De bhreis a €5M, is féidir le BSÉ/IFB suas go dtí €2 milliún feidhmíonn na heagraíochtaí sin ar fad as lámha a chéile chun agus cuirtear airgeadas léiriúcháin ar fáil chomh maith trí an figiúr sin go dtí 10% an ráta aisíoctha ar iasachtaí léiriúchán nó 25% den bhuiséad, cibé acu is mó, a chur ar fáil. cineama Eorpach agus talann Eorpach a chur chun cinn ar fud an infheistíocht fhiachais/ chothromais. príomhscannán a tugadh amach ó rinneadh ath-inchorprú ar BSÉ domhain. Rinne an Bord ranníocaíocht de €7,050 le EFP sa i 1993. DÉANTAR IASACHTAÍ FORBARTHA AGUS bhliain 2012. • Forbairt agus oiliúint phearsanra theicniúil, ealaíne agus IASACHTAÍ LÉIRIÚCHÁIN A MHEASÚNÚ DE léiriúcháin a spreagadh mar shlí le feabhas a chur ar inniúlacht BUNACHAR SONRAÍ EACNAMAÍOCHTA RÉIR ROINNT CRITÉAR: EUROPEAN AUDIOVISUAL OBSERVATORY fhoriomlán scileanna laistigh den tionscal. Foilsíonn an Audiovisual Federation de chuid IBEC, i gcomhar Is líonra faisnéise í an Fhaireachlann, a bhailíonn agus a dháileann i Déanamh Cineama leis an mBord agus le hionadaithe ón Roinn Ealaíon, Spóirt agus faisnéis dlí, eacnamaíochta agus praiticiúil maidir leis an • Cúnamh a thabhairt chun scannáin Éireannacha a dhéanamh ii Rochtain a fháil ar Lucht Féachana Turasóireachta, Screen Producers Ireland, TG4 agus RTÉ an dtionscal closamhairc san Eoraip ar mhaithe le lucht gairme agus agus le margaíocht a dhéanamh orthu laistigh de thír na hÉireann iii Cruthaitheacht Bunachar Sonraí Eacnamaíochta ar bhonn bliantúil. Clúdaíonn an cuideachtaí i réimse na teilifíse, na scannán agus na bhfíseán. agus thar lear mar bhealach le spéis a spreagadh i dtír na iv Breisíocht tuarascáil sin tionscadail scannán agus teilifíse a dhéantar in Éirinn D’íoc an Bord síntiús na hÉireann don bhliain 2012, táille de hÉireann, i gcultúr na hÉireann agus i scannáin Éireannacha. v Forbairt ar Thosaíochtaí Talainn, Cultúir agus Tionscail gach bliain. €19,068. vi Cúrsaí Eile • Éire a chur chun cinn go hidirnáisiúnta mar láthair (Féach Aguisín 4, Leathanach 62) MEDIA DESK IRELAND SCREEN TRAINING IRELAND scannánaíochta. Cuireann MEDIA Desk Ireland eolas agus comhairle ar fáil maidir I gcaitheamh na bliana 2012, chuir an Bord €393,000 ar fáil do leis an gclár MEDIA, Eurimages, Eureka Audiovisual agus maidir TAIRGÍONN AN BORD MAOINIÚCHÁN CHUN Solas Screen Training Ireland d’fhonn Oiliúint Tionscail a sholáthar le beartas closamhairc an AE. Sa bhlian 2012, chuir an Bord TIONSCADAIL A FHORBAIRT AGUS A LÉIRIÚ go díreach. €47,150 ar fáil leis an Desk a reáchtáil. Tá an oifig lonnaithe san MAR SEO A LEANAS: Irish Film Centre, 6 Sráid an Iústásaigh, Baile Átha Cliath 2, agus bíonn sé ar oscailt le haghaidh fiosruithe agus le haghaidh i Iasachtaí forbartha (inaisíoctha ar an gcéad lá RANNÍOCAÍOCHT LE GNÍOMHAIREACHTAÍ EORPACHA cruinnithe comhairliúcháin ó Luan go hAoine. phríomhscannánaíochta) suas go dtí teorainn de €100,000 in aghaidh an tionscadail, mar iasachtaí taighde, forbartha agus Tugann Bord Scannán na hÉireann/the Irish Film Board tacaíocht MEDIA ANTENNA féidearthachta. Ní mór ionannú a dhéanamh ó fhoinsí eile i gcás airgeadais do na heagraíochtaí Eorpacha seo a leanas: Tá MEDIA Antenna lonnaithe sa Galway Film Centre, Cluain aon mhaoiníucháin atá sa bhreis ar €50,000 d’aon tionscadal Mhuire, Bóthar Mhuine Mheá, Gaillimh agus feidhmíonn sé mar EURIMAGES amháin. oifig réigiúnach MEDIA. Tá cúram áirithe air freisin eolas agus Cuireann Eurimages, eagraíocht a bhunaigh Comhairle na hEorpa, seirbhísí a chur ar fáil do phobal closamhairc na Gaeilge, atá ag airgeadas léiriúcháin ar fáil i dtaca le comhléiriúcháin Eorpacha. Tá méadú de réir a chéile. I 2012, chuir an Bord €10,250 ar fáil mar Éire rannpháirteach sa scéim ó 1992 i leith. D’fheidhmigh Brendan chúnamh do chostais reachtála an Antenna. McCarthy mar ionadaí d’Éirinn ar choiste Eurimages i 2012. D’íoc

an Bord suibscríbhinn na hÉireann i 2012, íocaíocht de €329,193. DOG HOUSE LOVING MISS HATTO

RÁITEAS I dTACA LE FREAGRACHTAÍ CHOMHALTAÍ BOIRD RÁITEAS MAIDIR LE RIALÚ • Spriocanna gearrthéarmacha agus fadtéarmacha a leagadh síos INMHEÁNACH AIRGEADAIS do gach Aonad laistigh den Bhord agus athbhreithniú a Éilítear in Alt 20 (1) d’Acht um Bord Scannán na hÉireann 1980 go n-ullmhóidh comhaltaí an Bhoird Ráitis Airgeadais i dhéanamh ar a ndul chun cinn i dtaca leis na spriocanna sin. bhfoirm a d’fhéadfadh an tAire Ealaíon, Oidhreachta agus Gaeltachta a cheadú, le toiliú ón Aire Airgeadais. Nuair a bheidh na Admhaímse leis seo, thar ceann Bhord Scannán na hÉireann/ • Nósanna imeachta caighdeánacha faoinar féidir cúnamh Ráitis Airgeadais sin á n-ullmhú aige, tá ceanglas ar an mBord: the Irish Film Board, go bhfuil freagracht orainn a chinntiú go airgeadais a chur ar fáil do thionscadail a bhunú agus a gcoinnítear agus go bhfeidhmítear córas éifeachtach i dtaca le rialú fhorfheidhmiú agus na nósanna imeachta sin a athbhreithniú de 42 • Beartais oiriúnacha a roghnú agus ansin iad a chur i bhfeidhm go comhsheasmhach. inmheánach airgeadais. 43 réir mar is gá. • Breithiúnais agus meastacháin a dhéanamh atá réasúnach agus stuama. • Na Ráitis Airgeadais a ullmhú ar bhonn gnóthais leantaigh ach amháin i gcás nach bhfuil sé cuí glacadh leis go leanfaidh an Ní féidir leis an gcóras ach deimhniú réasúnta agus ní dearbh- Rinne an Bord athbhreithniú ar a chuid rioscaí gnó i 2012 agus tá Bord ag feidhmiú. dheimhniú iomlán a thabhairt go gcosnaítear sócmhainní, go aghaidh á thabhairt aige faoi láthair ar aon laigeachtaí a aithníodh. • A chur in iúl gur cloíodh le caighdeáin chuntasaíochta infheidhme faoi réir aon difríochtaí ábhartha a nochtadh agus a mbíonn idirbhearta údaraithe agus taifeadta mar is cuí, agus míníodh sna ráitis airgeadais. go gcuirfear cosc le hearráidí nó mírialtachtaí ábhartha nó go Tá an córas rialaithe airgeadais bunaithe ar chreat oibre d’fhaisnéis n-aimseofar iad go tráthúil. rialta bainistíochta, ar nósanna imeachta riaracháin lena n-áirítear Tá an Bord freagrach as leabhair chearta cuntasaíochta a choinneáil a nochtaíonn le cruinneas réasúnta staid airgeadais an deighilt dualgas, údarú agus córas tarmligin agus freagrachta. Bhoird ag am ar bith. Tá sé freagrach as cibé bearta is gá a chur i bhfeidhm chun sócmhainní Bhord Scannán na hÉireann a NA PRÍOMHNÓSANNA IMEACHTA I DTACA LE RIALÚ: Áirítear air sin, go háirithe: chosaint agus le calaois agus mírialtachtaí eile a chosc agus a aimsiú. Tá na príomhnósanna imeachta seo a leanas maidir le rialú • Córas cuimsitheach maidir le buiséadú lena bhfuil buiséad Thar ceann an Bhoird: inmheánach airgeadais curtha i bhfeidhm ag an mBord chun bliantúil i gceist a dhéanann an Bord é a athbhreithniú agus timpeallacht chuí a chinntiú i dtaca le rialú: a chomhaontú. • Tá plean eagraíochta i bhfeidhm a shainmhíníonn agus a • Athbhreithnithe rialta ar thuarascálacha tréimhsiúla agus leithdháileann freagrachtaí ar an bhfoireann agus a aithníonn bliantúla a léiríonn caiteachas i gcomparáid le réamhaisnéis. Bill O’Herlihy Dr Annie Doona línte maidir le tuairisciú i dtaobh gach gné d’oibríochtaí an • Spriocanna a shocrú chun feidhmíocht airgeadais agus Cathaoirleach Comhalta Boird Bhoird. feidhmíochtaí eile a thomhas. • Tá nósanna imeachta agus bearta slándála i bhfeidhm lena 13 Bealtaine 2014 chinntiú go gcosnaítear sócmhainní an Bhoird agus le Tá Coiste Iniúchta bunaithe chomh maith ag an mBord atá dearbh-dheimhniú in aghaidh úsáid nó diúscairt comhdhéanta d’ionadaithe ón mBord agus ón bhFheidhmeannas neamhúdaraithe a chinntiú. agus é mar sprioc ag an gCoiste sin rialúcháin inmheánacha a • Moltar cultúr láidir follasachta agus freagrachta ar fud neartú. na heagraíochta.

ATHBHREITHNIÚ I DTACA LE RIALÚ Tá próisis bunaithe ag an mBord chomh maith chun rioscaí gnó a INMHEÁNACH AIRGEADAIS: aithint agus meastóireacht a dhéanamh orthu trí: Déanann an Bord monatóireacht ar éifeachtúlachtacht an chórais • Nádúr, méid agus impleachtaí airgeadais an riosca atá roimh rialaithe inmheánaigh airgeadais trí athbhreithniú bainistíochta agus an gcomhlacht a aithint, lena n-áirítear an méid a cheaptar a iniúchadh thréimhsiúil a dhéanamh agus trí staidéir a dhéanamh bheith inghlactha maidir le feidhmeanna éagsúla. ar athbhreithnithe le comhairleoirí seachtracha. Tá athbhreithniú • Measúnú a dhéanamh ar an ndóchúlacht go dtarlóidh rioscaí déanta ag an mBord ar a chuid rialuithe inmheánacha airgeadais aitheanta agus measúnú a dhéanamh ar chumas an Bhoird na don bhliain 2012. rioscaí a tharlaíonn a bhainistiú agus a mhaolú. • Athbhreithnithe rialta a dhéanamh ar phleananna straitéiseacha Thar ceann an Bhoird an Bhoird lena chinntiú go dtugann na pleananna sin aghaidh ar an dtimpeallacht reatha gnó. ______Bill O’Herlihy Cathaoirleach 13 Bealtaine 2014 THE LAST HIJACK LEARNING TO FISH

ARD-REACHTAIRE CUNTAS AGUS CISTE • Thíolachadh foriomlán na ráiteas airgeadais. Déanaim iarracht BEARTAIS CHUNTASAÍOCHTA Cuirtear dímheas san áireamh ar rátaí a ríomhtar chun an chéad TUARASCÁIL LE CUR FAOI BHRÁID TITHE freisin fianaise a fháil le linn an iniúchta maidir le rialtacht na chostas a dhíscríobh lúide luach iarmharach measta gach A. BUNÚS NA CUNTASAÍOCHTA AN OIREACHTAIS n-idirbhearta airgeadais. sócmhainne faoin modh dronlíneach thar a saol úsáideach measta. Áirítear leis na ráitis airgeadais dhá Chuntas Ioncaim agus Is mar seo a leanas atá na rátaí dímheasa: BORD SCANNÁN NA HÉIREANN Ina theannta sin, léann mé an dTuarascáil Bhliantúil le Caiteachais agus Clár Comhardaithe. • Troscán agus Trealamh Oifige 20% sa bhliain Tá ráitis airgeadais Bhord Scannán na hÉireann/the Irish Film neamhréireachtaí ábharacha maidir leis na ráitis iniúchta • Tugann an Cuntas Caipitil Ioncaim agus Caiteachais taifead • Trealamh Ríomhaireachta 33% sa bhliain Board don bhliain dar críoch 31 Nollaig 2012 iniúchta agam de réir airgeadais a aithint. Sa chás go dtagaim ar aon eolas i dtaobh aon ar íocaíocht amach iasachtaí forbartha agus léiriúcháin an 44 45 Acht um Bord Scannan na hEireann 1980. Tá na ráitis airgeadais, mhíráiteas ábharach dealraitheach déanaim na himpleachtaí do mo Bhoird agus an ranníocaíocht le haghaidh Screen Training F. COSTAIS PINSEAN a ullmhaíodh faoi na beartais chuntasaíochta arna leagan amach Ireland, an ghníomhaireacht náisiúnta oiliúna do thionscal na thuarascáil a mheas. Tá scéim pinsin le sochair sainithe i bhfeidhm ag an mBord a sna ráitis, comhdhéanta den Ráiteas faoi Beartais Chuntasaíochta, scannán in Éirinn. mhaoinítear go bliantúil ar bhonn íoc mar a thuillear as airgead atá an Cuntas Ioncaim agus Caiteachais, an Clár Comhardaithe agus • Tugann an Cuntas Ioncaim agus Caiteachais Riaracháin taifead TUAIRIM FAOI NA RÁITIS AIRGEADAIS ar fáil dó, lena n-áirítear airgead a sholáthraíonn an Roinn Ealaíon, na nótaí gaolmhara. Tá na ráitis thuairisciú airgeadais seo a ar na hidirbhearta riaracháin i ndáil leis an mBord. Is é mo thuairim, go dtugann na ráitis airgeadais, a ullmhaíodh Oidhreachta agus Gaeltachta. Tá an Scéim á feidhmiú ar bhonn ullmhaíodh faoi Roinn 20 den Acht agus de réir cleachtais go cuí i gcomhréir le Cleachtais Cuntasaíochta a nGlactar Leis Ullmhaítear na ráitis airgeadais de réir choinbhinsiún an chostais riaracháin ar feitheamh faomhadh ón Aire Airgeadais. chuntasaíochta a nglactar Leo go coitianta in Éirinn. go Coitianta in Éirinn, léargas fíor agus cothrom maidir leis an stairiúil agus de réir an Chleachtais Cuntasaíochta a bhfuil Glacadh riocht ghnóthaí Bord Scannán na hÉireann/the Irish Film Board ag Ríomhtar dliteanais na Scéime Pinsean ar bhonn achtúireachta agus FREAGRACHTAÍ CHOMHALTAÍ AN BHOIRD Leis (GAAP) ar bhonn fabhraithe ach amháin mar a luaitear thíos. 31 Nollaig 2012 agus ar a ioncam agus ar a chaiteachas don modh chreidiúint réamh-mheasta an aonaid á úsáid. Tá an Bord freagrach as na ráitis airgeadais a ullmhú, as a Glactar le Caighdeáin i dtaca le Tuairisciú Airgeadais a mholann bhliain dar críoch sin. Léiríonn costais phinsin na sochair a thuilleann fostaithe le linn na chinntiú go dtugann siad léargas fíor agus cothrom maidir leis comhlachtaí cuntasaíochta de réir mar a thagann siad i bhfeidhm. tréimhse agus taispeántar iad glan ar ranníocaíochtaí pinsean foirne an riocht ghnóthaí Bord Scannán na hÉireann/the Irish Film Is é mo thuairim, gur choimeád Bord Scannán na hÉireann/the B. IONCAM a n-áirítear mar íocaíochtaí inaisíoctha leis an Roinn de réir socruithe Board agus ar a ioncam agus a chaiteachas, agus as rialtacht a Irish Film Board leabhair chuntais chuí. Tá na ráitis airgeadais ag Léiríonn an t-ioncam a thaispeántar sna ráitis airgeadais faoi airgeadais gníomhaireachta. Aithnítear suim atá i gcomhréir leis an n-idirbhearta a chinntiú. teacht leis na leabhair chuntais. Dheontais Oireachtais an t-airgead iarbhír a fuarthas. Cuirtear ioncam muirear pinsin mar ioncam sa mhéid is go bhfuil sé in-aisghabhála NITHE A TUAIRISCÍM LE HEISCEACHT eile san áireamh ar bhonn fabhraithe. agus fritháirithe i gcoinne deontas a bhfuarthas iad i rith na bliana le FREAGRACHTAÍ AN ARD-REACHTAIRE Tuairiscím le heisceacht i gcás: híocaíochtaí pinsin a dhéanamh. CUNTAS AGUS CISTE • Nach bhfuair mé an fhaisnéis agus na mínithe go léir a bhí de C. IASACHTAÍ Is é mo fhreagrachtsa na ráitis airgeadais a iniúchadh agus tuairisciú Léirítear gnóthachain nó caillteanais achtúireacha a éiríonn as dhíth orm le haghaidh m’iniúchta, nó Cuireann an Bord iasachtaí léiriúcháin ar fáil chun cabhrú le scannáin a dhéanamh orthu i gcomhréir leis an dlí a bhaineann. athruithe ar thoimhdí Achtúireachta agus as gnóthachain agus • Gur nótáladh san iniúchadh aon chás ábhartha nuair nár a léiriú. Braitheann aisíocaíochtaí agus aischuir ar rath tráchtála na caillteanais ó thaithí sa Ráiteas Ghnóthachan agus Caillteanas Déantar m’iniúchadh faoi réir na gcúrsaí speisialta a bhaineann le úsáideadh suimeanna airgid chun na feidhmeanna a bhí scannán lena mbaineann siad. Aitheanta don bhliain ina dtarlaíonn siad agus aithnítear coigeartú dá comhlachtaí Stáit ó thaobh a mbainistiú agus a bhfeidhmiú de. beartaithe dóibh nó nach ndearnadh na hidirbhearta de réir Tugtar iasachtaí forbartha do dhéantóirí scannán d’fhonn tionscadail réir maidir leis an méid inaisghabháilte i dtréimhsí atá le teacht ón na n-údarás a rialaíonn iad, nó scannán a fhorbairt. Bíonn aisíocaíochtaí iníoctha de réir théarmaí na Déantar m’iniúchadh i gcomhréir le Caighdeáin Chuntasaíochta Roinn Ealaíon, Oidhreachta agus Gaeltachta. • Nach bhfuil an fhaisnéis a tugadh i dTuarascáil Bhliantúil an gcomhaontuithe iasachta. Idirnáisiúnta (Ríocht Aontaithe agus Éire) agus de réir Caighdeán Bhoird don bhliain ar ullmhaíodh na ráitis airgeadais dóibh Léiríonn dliteanais pinsin an luach atá faoi láthair ar íocaíochtaí Eiticiúla d’Iniúchóirí de chuid an Bhoird um Chleachtais Go hiondúil ní bhíonn na hiasachtaí sin faoi réir mhuirir úis, ach bíonn i gcomhréir leis na ráitis airgeadais, nó pinsean amach anseo atá tuillte ag an bhfoireann go dtí seo. Léiríonn Iniúchóireachta. bearta aisghabháilte agus rannpháirtíocht brabúis san áireamh leo. • Nach léiríonn an Ráiteas um Rialú Inmheánach Airgeadais maoiniú pinsin iarchurtha an sócmhainn chomhréireach a bheidh go gcomhlíonann an Bord an Cód Cleachtais maidir le Déanann an Bord athbhreithniú ar iasachtaí ar bhonn tréimhsiúil inaisghabháilte sa todchaí ón Roinn Ealaíon, Oidhreachta agus SCÓIP AN INIÚCHTA AR RÁITIS AIRGEADAIS Rialachas ar Chomhlachtaí Stáit, nó agus déantar soláthar cuí i gcoinne iasachtaí gan aisíoc, bunaithe ar Gaeltachta. Is éard atá i gceist le hiniúchadh ná faisnéis a fháil maidir leis na • Go bhfaighim amach go bhfuil cúrsaí ábhartha eile ann a fheidhmíocht stairiúil leabhar iasachta an Bhoird. Déantar an soláthar G. BEARTAS MAIDIR LE hAIRGEADRA EACHTRACH suimeanna agus na nochtuithe sna ráitis airgeadais, ar leor iad chun bhaineann leis an gcaoi inar cuireadh gnó poiblí i gcrích. a chuntasú tríd an gCúlchiste Caipitil. Aistrítear idirbhearta atá ainmnithe in airgeadra eachtrach go dtí na urrús réasúnta a thabhairt go bhfuil na ráitis airgeadais saor ó mhí- hairgeadraí feidhmiúla faoi seach de réir na rátaí malairte ar dhátaí ráiteas ábhartha cibé calaois nó earráid is cúis leis sin. Clúdaíonn Níl aon ní le tuairisciú agam maidir leis na cúrsaí sin faoina D. CÚLCHISTE CAIPITIL na n-idirbhearta. Aistrítear sócmhainní agus dliteanais airgeadaíochta sé seo measúnú faoi ndéantar tuairisc le heisceacht. Léiríonn an Cúlchiste Caipitil an maoiniú a infheistítear i Scannáin atá ainmnithe in airgeadra eachtrach ar dháta a dtuairiscithe go dtí • Cibé an bhfuil na beartais chuntasaíochta cuí do chúinsí an agus i Sócmhainní Seasta tar éis soláthar agus amúchadh. an airgeadra feidhmiúil ar an ráta malairte ar an dáta sin. Cuirtear san Bhoird agus gur cuireadh i bhfeidhm iad go seasmhach agus áireamh mar ghnóthachan nó mar chaillteanas malairte sa Ráiteas gur nochtaíodh iad go leormhaith ______E. SÓCMHAINNÍ SEASTA INLÁIMHSITHE Ioncaim aon ghnóthachan nó caillteanas a éiríonn de bharr athruithe • Cé chomh réasúnta is a bhí na meastacháin chuntasaíochta Patricia Sheehan Léirítear Sócmhainní Dochta Inláimhsithe ar a gcéad chostas stairiúil. ar na rátaí malairte tar éis dáta an idirbhearta. shuntasacha a rinneadh agus na ráitis airgeadais á n-ullmhú Ar son agus thar ceann an Ard-Reachtaire Cuntas agus Ciste Déantar caipitliú ar shócmhainní atá de bhreis ar €250. 12 Meitheamh 2014 EL TORO THE GOOD MAN

RÁITIS AIRGEADAIS BORD SCANNÁN NA hÉIREANN CUNTAS IONCAIM AGUS CAITEACHAIS RIARACHÁIN DON BHLIAIN DAR CHRÍOCH 31 NOLLAIG 2012 Don bhliain dar chríoch 31 Nollaig 2012

Nótaí 2012 2011 Ioncam I I Deontas Oireachtais 1 2,499,548 2,390,638 46 Ioncam Eile 29 8,536 47 CUNTAS IONCAIM AGUS CAITEACHAIS CHAIPITIL Glanchiste Iarchurtha do Chostais Pinsean 10c 410,947 371,941 Don bhliain dar chríoch 31 Nollaig 2012 Aistriú (chuig)/ ón gCúlchiste Caipitiúil 14 3,333 29,504 Iomlán 2,913,857 2,800,619 Nótaí 2012 2011 Ioncam I I Caiteachas Deontais an Oireachtais 1 13,150,000 16,000,000 Riarachán 5 1,780,793 1,835,022 Ranníocaíochtaí ó pháirtithe eile 46,704 131,175 Eagraíochtaí, Síntiúis agus Taighde 7 198,664 71,731 Ioncam Eile 144,274 74,054 Costais Margaíochta 8 554,540 552,270 Aisíocíocht ar Iasachtaí a aistríodh ón gCúlchiste Caipitil 3 1,531,833 1,179,854 Costais Phinsin 10a 376,490 337,574 Iomlán 14,872,811 17,385,083 Iomlán 2,910,487 2,796,597

Caiteachas BARRACHAS/EASNAMH 3,370 4,022 Oiliúint 17 (400,500 ) (479,000 ) Iarmhéid ag tús na bliana 10,655 6,633 Iasachtaí Léiriúcháin 15 (11,033,724 ) (12,433,640 ) Iarmhéid ag deireadh na bliana 14,025 10,655 Iasachtaí Forbartha 15 (1,665,145 ) (1,942,250 ) Íocaíochtaí Caipitiúla Eile 4 (1,030,139 ) (1,329,200 ) Is cuid de na Ráitis Airgeadais iad na Beartais Chuntasaíochta agus na nótaí 1-20 Iomlán (14,129,508 ) (16,184,090 )

Barrachas/(Easnamh) 743,303 1,200,993 Iarmhéid ag tús na bliana 6,512,325 5,311,332 Bill O’Herlihy Dr Annie Doona Cathaoirleach Comhalta Boird Iarmhéid ag deireadh na bliana 7,255,628 6,512,325 Is cuid de na Ráitis Airgeadais iad na Beartais Chuntasaíochta agus na nótaí 1-20 13 Bealtaine 2014

Bill O’Herlihy Dr Annie Doona RÁITEAS I DTACA LE GNÓTHACHAIN AGUS CAILLTEANAIS IOMLÁNA AITHEANTA Cathaoirleach Comhalta Boird Don bhliain dar chríoch 31 Nollaig 2012

Nótaí 2012 2011 13 Bealtaine 2014 Barrachas don bhliain I I Barrachas don bhliain Cuntas Ioncam agus Caiteachas Riaracháin 3,370 4,022 Cuntas Ioncam agus Caiteachas Caipitiúil 743,303 1,200,993 Iomlán 746,673 1,205,015

Gnóthachain/(caillteanas) ó thaithí ar dhliteanais na scéime pinsin 10d 158,205 105,083 Athruithe ar na bunbhoinn tuisceana maidir le luach dliteanas na scéime pinsin faoi láthair (555,001 ) (229,359 ) Gnóthachan/(caillteanas) achtúireachta ar dhliteanais pinsin 10b (396,796 ) 124,276

Coigeartú ar mhaoiniú pinsin iarchurtha 396,796 (124,276 ) Gnóthachan aitheanta iomlán don bhliain 746,673 1,205,015 Is cuid de na Ráitis Airgeadais iad na Beartais Chuntasaíochta agus na nótaí 1-20

Bill O’Herlihy Dr Annie Doona Cathaoirleach Comhalta Boird

13 Bealtaine 2014 JOY ALL IS BY MY SIDE

CLÁR COMHARDAITHE RÁITEAS MAIDIR LE SREABHADH AIRGID Don bhliain dar chríoch 31 Nollaig 2012 Mar a bhí ar an 31 Nollaig 2012

Nótaí 2012 2011 2012 2011 Sócmhainní Seasta I I I I Barrachas/(Easnamh) ar an gCuntas Ioncaim agus Caiteachais Chaipitiúil 743,303 1,200,993 Socmhainní Inláimhsithe 11 52,491 55,824 48 Barrachas/(Easnamh) ar an gCuntas Ioncaim agus Caiteachais Riaracháin 3,370 4,022 49 746,673 1,205,015 Infheistíocht Scannáin Coigeartú do mhíreanna neamhoibríochta Iasachtaí Léiriúcháin 3 874,923 971,438 Ús Bainc (130,948 ) (74,054 ) Iasachtaí Forbartha 3 83,509 111,976 Aistriú chuig/(ó) Chuntas Ioncaim agus Caiteachais Riaracháin (3,333 ) (29,504 ) 958,432 1,083,414 Caillteanas ar Dhiúscairt Sócmhainní 1,456 - Sócmhainní Reatha (132,825 ) (103,558 ) Airgead sa Bhanc 8,139,328 8,287,962 Coigeartú do mhíreanna nach míreanna airgid iad Réamhíocaíochtaí/Feichiúnaithe/Ioncam Fabhraithe 13 396,576 115,585 Dímheas 66,243 56,602 8,535,904 8,403,547 (Méadú)/Laghdú ar líon na bhFiachóirí (280,991 ) 237,133 Creidiúnaithe (Méadú)/Laghdú ar líón na gCreidiúnaithe (614,316 ) 613,214 Suimeanna dlite laistigh de bhliain amháin 12 (1,266,250 ) (1,880,566 ) Glan-insreabhadh airgid ó ghníomhaíochtaí Oibriucháin (215,216 ) 2,008,406 GLANSÓCMHAINNÍ REATHA 7,269,654 6,522,981 Iomlán Sócmhainní Lúide Dliteanais Reatha roimh Pinsin 8,280,577 7,662,219 Ráiteas sreabhadh airgid Glan-insreabhadh airgid ó ghníomhaíochtaí Oibriúcháin (215,216 ) 2,008,406 Ús Bainc 130,948 74,054 Sócmhainn Maoinithe Pinsin Iarchurtha 3,491,960 2,684,217 Íocaíochtaí chun sócmhainní a cheannach (64,366 ) (27,098 ) Dliteanais Phinsin (3,491,960 ) -2,684,217 Insreabhadh/eis-sreabhadh (148,634 ) 2,055,362 Glansócmhainní 8,280,577 7,662,219

Caipiteal agus Cúlchístí Imréiteach Glan-insreabhadh airgid agus gluaiseachtaí i nGlan-Chistí Cuntas Ioncam agus Caiteachas Caipitil 7,255,628 6,512,325 Méadú ar airgead tirim le linn na tréimhse. (148,634 ) 2,055,362 Cuntas Ioncam agus Caiteachas Riaiacháin 14,025 10,655 Airgead Tirim ar an 1 Eanáir 8,287,962 6,232,600 Cúlchiste Caipitil 14 1,010,924 1,139,239 Glan-chistí ar an 31 Nollaig 8,139,328 8,287,962 Iomlán 8,280,577 7,662,219 Is cuid de na Ráitis Airgeadais iad na Beartais Chuntasaíochta agus na nótaí 1-20 Is cuid de na Ráitis Airgeadais iad na Beartais Chuntasaíochta agus na nótaí 1-20

Bill O’Herlihy Dr Annie Doona Cathaoirleach Comhalta Boird Bill O’Herlihy Dr Annie Doona Cathaoirleach Comhalta Boird 13 Bealtaine 2014 13 Bealtaine 2014 THE HARDY BUCKS MOVIE QUIRKE

NÓTAÍ LEIS NA RÁITIS AIRGEADAIS 4. ÍOCAÍOCHTAÍ CAIPITIL EILE

I dteannta na n-íocaíochtaí a rinneadh le haghaidh iasachtaí Léiriúcháin agus Forbartha, rinne an Bord na híocaíochtaí caipitil eile seo a leanas i rith na bliana. 2012 2011 1. DEONTAIS OIREACHTAIS Eagraíochtaí Eorpacha I I Eurimages 329,193 327,146 50 European Film Promotion 7,050 11,050 51 Íocadh deontais reatha agus chaipitiúla an Bhoird de réir fho-cheannteidil A12 Bord Scannán na hÉireann (Deontas i gCabhair ón Roinn European Observatory 19,068 19,970 Ealaíon, Oidhreachta agus Gaeltachta. Media Antenna 10,250 12,200

Media Desk 47,150 57,011 Maoinítear an deontas Oireachtais i dtaca le caiteachas caipitil an Bhoird faoin gClár Oibríochtúil don Earnáil Tháirgiúil agus faoin gClár Oibríochtúil Oiliúna agus Forbartha Acmhainní Daonna den bPlean Forbartha Náisiúnta 2007-2013. Cuallaíochtaí Tionscail Irish Playwrights and Screenwriters Guild 65,600 80,000 2012 2011 Screen Directors Guild 65,600 80,000 Cuspóirí Reatha I I Screen Producers Ireland 30,000 70,000

Bord Scannán na hÉireann 2,540,000 2,431,000 Margadh na Scánnán/Ócáidí Tionscail Lúide Glan-Ranníocaíochtaí Pinsin In-aisíoctha (40,452 ) (40,362 ) Féile Idirnáisiúnta Scannán Bhaile Átha Cliath 30,000 35,000 Iomlán 2,499,548 2,390,638 Fleadh Scannán na Gaillimhe 45,000 40,000 Féile Scannán Guth Gafa 3,000 10,000 Cuspóirí Caipitil Cinema Northwest 25,500 25,000 Infheistíocht Scannán 13,150,000 16,000,000 Féile Scannán Darklight 10,000 15,000 Féile Scannán an Daingin 7,455 7,000 Tacaíocht do Mhargadh Scannán na hEorpa 5,070 26,121 Eile 2,500 -

Eile Cinemobile 49,200 60,000 IFTA 130,000 123,000 2. TEORANNÚ AR AN MÉID AIRGID A SHOLATHRAÍONN AN BORD Oiliúint Eile - 30,000 Deotais i dtaca le Scabhtáil/Taisteal 53,407 42,767 Léitheoirí Scripte 62,321 60,257 De réir Alt 10 den Acht um Bord Scannán na hÉireann ní bheidh uasmhéid aon infheistíochtaí, iasachtaí, deontais agus barántais Ciste Caomhnaithe Chartlann Scannán na hÉireann - 130,000 (lúide gnóthuithe) de bhreis ar €300,000,000. Ar an 31 Nollaig 2012, bhí suim de €218,823,847curtha ar fáil (Ar an 31/12/2011 bhí Misiúin Trádála Isteach 32,775 67,678 €204,604,884 curtha ar fáil). Iomlán 1,030,139 1,329,200

3. INFHEISTÍOCHT SCANNÁN

Iasachtaí Iasachtaí Léiriúcháin Forbartha Iomlán I I I Tugtha ar airleacan i rith na bliana 11,033,724 1,665,145 12,698,869 Aisghabháil i rith na bliana (822,100 ) (709,734 ) (1,531,834 ) Soláthar don bhliain (10,308,140 ) (983,879 ) (11,292,019 ) Gluaiseacht i rith na bliana (96,515 ) (28,467 ) (124,982 ) Iarmhéid ar an 1 Eanáir 2012 971,438 111,976 1,083,414 Iarmhéid mar a bhí ar an 31/12/12 874,923 83,509 958,432 MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD I CANT SEE YOU ANYMORE

5. RIARACHÁN 7. EAGRAÍOCHTAÍ, SÍNTIÚIS AGUS TAIGHDE

2012 2011 2012 2011 I I I I Tuarastail Riaracháin 897,060 906,620 IBEC 11,330 12,414 Táillí Chomhaltaí Boird 44,883 44,888 Síntiúis le Foilsiucháin 6,229 5,384 Oiliúint Foirne 8,738 3,706 Cartlann Scannán na hÉireann 135,000 50,000 Muirir Cíosa agus Seirbhíse 280,397 276,015 Oideachas 33,605 3,933 52 Árachas 6,531 6,470 Urraíocht 12,500 - 53 Solas/Teas 12,207 13,908 Iomlán 198,664 71,731 Teileafón/Facs 32,405 59,035 Postas/Teachtairí 21,797 29,726 Páipéarachas Oifige/Clódóireacht 10,955 22,671 Deisiúcháin/Cothabháil 48,688 54,547 Taisteal /Cothabháil Foirne * 122,253 124,995 Ús agus Muirir Bainc 2,035 1,233 8. MARGAÍOCHT Cruinnithe agus Costais Boird 6,355 3,603 Táillí Dlí 2,178 - 2012 2011 Táillí Iniúchóirí 14,852 14,852 I I Ilghnéitheach 12,097 11,183 Cur chun cinn Féilte 139,020 135,585 Dímheas 66,243 56,602 Fógraíocht 69,975 52,657 Comhairliúchán 184,763 204,968 Ócáidí/Caidreamh Poiblí 74,129 97,762 Caillteanas ar Mhalairt Eachtrach 4,900 - Foilsiúcháin 35,265 26,487 Caillteanas ar Dhiúscairt Sócmhainní 1,456 - Ábhair Margaíochta 41,102 18,416 Iomlán 1,780,793 1,835,022 Láithreán Gréasáin/Cur Chun Cinn Ar Líne 7,207 30,199 Seirbhísí Suímh 8,414 8,678 *Ináirithe leis an bhfigiúr seo bhí €75,794 a caitheadh ar ghnó oifigiúil thar lear le linn 2012 (2011: €80,623). Chuir an taisteal sin ar chumas BSÉ/IFB cabhrú chun Cur chun cinn Idirnáisiúnta 68,741 22,952 airgeadas idirnáisiúnta a chruinniú do phríomhscannáin a bhí á maoiniú ag BSÉ/IFB, chun margaíocht a dhéanamh ar son na hÉireann mar láthair scannánaíochta Oifig Los Angeles 110,687 159,534 agus le feasacht a chur chun cinn ar Scannáin Éireannacha go hidirnáisiúnta. San áireamh freisin tá €2,642 a a chaith baill foirne le siamsaíocht a chur ar fáil do phríomh-theagmhálaithe gnó le linn 2012 (2011: €4,489). Iomlán 554,540 552,270

6. LUACH SAOTHAIR AN BHOIRD AGUS FOSTAITHE

I rith na bliana is mar seo a leanas a bhí meán-líon na bhfostaithe, an Príomhfheidhmeannach san áireamh: 9. LÉAS AR ÁITRIBH

2012 2011 Tá gealltanais ag an mBord go dtí 2016 i dtaca lena oifig i nGaillimh ag Queensgate, 23 Bóthar na nDuganna. Tá costas bliantúil ar an léas sin Príomhfheidhmeannach 1 1 de €76,350 móide CBL. Tá gealltanais ag an mBord freisin go dtí 2017 i dtaca lena chuid oifigí ag 14 -16 Sráid an Tiarna Éadbhard, Baile Átha Fostaithe 13 14 Cliath 2 ar chostas de €116,000 móide CBL in aghaidh na bliana.

Is mar seo a leanas atá comhdhéanamh thuarastal an Phríomhfheidhmeannaigh: Buntuarastal bunúsach bliantúil: €101,234 (2011: €95,000).

Ní mhairfidh teidlíochtaí an Phríomhfheidhmeannaigh níos faide ná na teidlíochtaí caighdeánacha i scéim aoisliúntais sochair sainithe na hearnála poiblí.

Tabhaíodh costais de €18,275 (2011: €8,177) i dtaca leis an bPríomhfheidhmeannach agus ináirithe leo sin tá na catagóirí seo a leanas: cóiríocht, táillí aeir, muirir theileafón póca, cothabháil, táillí traenach agus tacsaí.

Fostaíodh ball amháin foirne trí ghníomhaireacht fostaíochta le linn 2012 ar chostas de €17,739.

Íocadh asbhaintí tobhaigh pinsin de €54,094 ó thuarastail na foirne leis an Roinn Ealaíon, Oidhreachta agus Gaeltachta sa bhliain 2012.

Fuair an Cathaoirleach táille de €8,978 agus fuair gach duine de na seisear comhaltaí boird €5,978 an duine.

Íocadh iomlán de €5,676 ar chostais le comhaltaí boird.

Bhain €3,073 de sin le taisteal thar lear agus bhain €2,603 le costais a tabhaíodh in Éirinn lena n-áirítear óstáin, costais taistil agus cothabháil. RUN AND JUMP THE STRANGER

10. AOISLIÚNTAS Is mar seo a leanas a bhí na príomh-bhoinn tuisceana achtúireachta 31/12/2012 31/12/2011 31/12/2010 31/12/2009 a. Anailís ar na costais iomlána pinsean 2012 2011 2010 2009 2008 Ráta méadaithe tuarastal 3.5% 3.5% 3.5% 3.5% I I I I I muirearaithe ar Chaiteachas Ráta méadaithe pinsean á n-íoc 3.5% 3.5% 3.5% 3.5% Costas reatha ar sheirbhísiú 311,231 284,048 266,270 271,079 188,129 Ráta Lascaine 3.2% 3.7% 4.0% 4.3% Ús ar Dhliteanais na Scéime Pinsin 105,711 93,888 85,191 75,415 62,121 Boilsciú 2.0% 2.0% 2.0% 2.0% Ranníocaíochtaí Foirne (40,452 ) (40,362 ) (42,047 ) (€47,074 ) (€44,591 ) 54 Iomlán €376,490 € 337,574 € 309,414 € 299,420 € 205,659 Ceadaíonn an bonn básmhaireachta a glacadh do fheabhsuithe maidir le hionchas saoil le linn tréimhse ama, ionas go mbeidh an t-ionchas 55 saoil ag an am scoir ag braith ar an mbliain ina bhainfidh an ball amach an an aois scoir (65 bliana d’aois). Glacadh na rátaí básmhair mar seo a leanas: b. Gluaiseacht i nDliteanais Pinsin 2012 2011 2010 2009 2008 glan i rith na bliana airgeadais I I I I I Ionchas Saoil d’Fhear atá 65 bliana d’aois 22.0 bliain Dliteanas Pinsin Glan ar an 1 Eanáir 2,684,217 2,188,000 2,002,199 1,908,907 1,330,100 Ionchas Saoil do bhean atá 65 bliana d’aois 23.6 bliain Costas Reatha ar Sheirbhísiú 311,231 284,048 266,270 271,079 188,129 Ionchas Saoil d’fhear atá 45 bliana d’aois faoi láthair (ó aois 65) 24.3 bliain Costas Úis 105,711 93,888 85,191 75,415 62,121 Ionchas Saoil do bhean atá 45 bliana d’aois faoi láthair (ó aois 65) 25.5 bliain Caillteanas /(Gnóthachain) Achtúireachta 396,796 124,276 (165,660 ) (253,202 ) 328,557 Pinsin a íocadh i rith na bliana (5,995 ) (€5,995 ) (22,472 ) - - Iomlán €€€3,491,960 € 2,684,217 2,188,000 € 2,002,199 € 1,908,907 11. SÓCMHAINNÍ SEASTA INLÁIMHSITHE c. Sócmhainn Maoiniúcháin Iarchurtha do Phinsin Troscán Ríomhairí Iomlán Aithníonn an Bord na suimeanna seo mar shócmhainn gurb ionann í agus an dliteanas iarchurtha neamh-mhaoinithe i dtaca le pinsin bunaithe ar Costas I I I an réimse bonn tuisceana a bhfuil cur síos déanta orthu thuas agus ar líon áirithe ócáidí a tharla cheana. I measc na n-ócáidí sin tá an tacaíocht Ar an 1 Eanáir 2012 386,658 251,237 637,895 reachtúil do bhunú na scéime pinsin, agus an polasaí agus an cleachtas maidir le pinsin seirbhíse poiblí a mhaoiniú lena n-áirítear ranníocaíochtaí Breiseanna 820 63,546 64,366 na bhfostaithe agus an próiséas bliantúil meastacháin. Níl aon fhianaise ag an mBord nach leanfaidh an polasaí sin ar aghaidh ag comhlíonadh na Diúscairtí (191 ) (43,981 ) (44,172) suimeanna sin de réir an chleachtais reatha. Ar an 31 Nollaig 2011 387,287 270,802 658,089 Is mar seo a leanas a bhí an Maoiniú Iarchurtha le haghaidh Pinsean aitheanta sa Chuntas Ioncaim agus Caiteachais: Dímheas Mar a bhí ar an 1 Eanáir 2012 357,815 224,256 582,071 2012 2011 2010 2009 2008 Muirear don bhliain 28,529 37,714 66,243 I I I I I Diúscairtí (191 ) (42,525 ) (42,716 ) Maoiniú Inghnóthaithe i dtaca le costais pinsean na bliana reatha 416,942 377,936 351,461 346,494 250,250 Deontas Stáit i bhfeidhm chun pinsinéirí a íoc (5,995 ) (5,995 ) (22,472 ) - - Ar an 31 Nollaig 2011 386,153 219,445 605,598 Iomlán 410,947 371,941 328,989 346,494 250,250 Glanluach Leabhar NBV Is é €3,491,960 an méid a bhí sa sócmhainn mhaoinithe iarchurtha do phinsin an 31 Nollaig 2012 (€2,684,217 sa bhliain 2011). AMar a bhí ar an 31 Nollaig 2012 1,134 51,357 52,491 Mar a bhí ar an 31 Nollaig 2011 28,843 26,981 55,824 2012 2011 20010 2009 d. Stair na n-oibligeaidí sochair sainithe I I I I Gluaiseacht (27,709 ) 24,376 (3,333 ) Oibligeáidí sochair sainithe 3,491,960 2,684,217 2,188,000 2,002,199 (Gnóthachain)/caillteanais ó thaithí ar dhliteanais na scéime (158,205 ) (105,083 ) (320,044 ) (90,900 ) Céatadán de Dhliteanais na Scéime -5% -4% -15% -5%

12. CREIDIÚNAITHE e. Cur Síos Ginearálta ar an Scéim Socrú pinsean tuarastail dheiridh sochar sainithe is ea an scéim pinsean le sochair agus ranníocaíochtaí a sainmhínítear iad trí 2012 2011 I I thagairt a dhéanamh do na rialúcháin reatha i dtaca le scéimeanna ‘eiseamláracha’ don earnáil phoiblí. Soláthraíonn an scéim pinsean (ochtóidí do gach bliain seirbhíse), aisce nó cnapshuim (trí ochtóidí do gach bliain seirbhíse) agus pinsin do chéilí agus IMAT/ÁSPC 26,225 34,769 do leanaí. Go hiondúil is é an 65ú breithlá dáta scoir an bhaill agus tá teidlíocht ag baill a bhí sa scéim roimh 2004 scor ó aois 60 Fabhruithe Eile 311,800 399,530 gan aon laghdú achtúireachta. Go hiondúil meadaíonn pinsin atá á n-íoc agus pinsin iarchurtha de réir boilsciú tuarastal ginearálta Cáin Shiarchoinneálach 11,996 15,921 san earnáil phoiblí. Ranníocaíocht Pinsin 7,597 - Creidiúnaithe Trádála 908,632 1,430,346 Bunaíodh an luacháil a úsáideadh le haghaidh faisnéisithe FRS 17 (leasaithe) ar luacháil iomlán achtúireach a chuir achtúire Iomlán 1,266,250 1,880,566 neamhspleách i gcríoch ag cur riachtanas FRS 17 san áireamh chun measúnú a dhéanamh ar dhliteanais na scéime ar an 31 Nollaig 2012. THE GIRL WITH THE MECHANICAL MAIDEN MISTER JOHN

13. FIACHÓIRÍ AGUS RÉAMHÍOCAÍOCHTAÍ 17. SCREEN TRAINING IRELAND

2012 2011 Le linn 2012, cuireadh €393,000 ar fáil do Solas Screen Training Ireland chun oiliúint tionscail a sholáthar go díreach. Aistríodh foireann agus I I feidhmeanna Screen Training Ireland chuig Bord Scannán na hÉireann ar an 1 Eanáir 2013. Iasacht do Stiúideonna Ardmore 254,271 - Réamhíocaíochtaí 74,251 65,585 18. COMHALTAÍ BOIRD - NOCHTADH IDIRBHEARTA Ioncam Fabhraithe 68,054 50,000 56 Iomlán 396,576 115,585 Tá sé ceadmhach do Bhord Scannán na hÉireann le linn a ghnáth-ghnó, cúnamh a cheadú do thionscadail scannán agus socruithe. Conartha 57 eile a dhéanamh le gnóthais a mbíonn Comhaltaí Boird fostaithe iontu nó a mbíonn leas eile acu iontu. Tá nosanna imeachta glactha ag Bord Scannán na hÉireann i ndáil le nochtuithe suime ag comhaltaí Boird agus cloíodh leis na nósanna imeachta sin i rith na bliana. 14. CÚLCHISTE CAIPITIL Le linn 2012 tugadh faomhadh do na hiasachtaí seo a leanas do thionscadail a raibh leas ag Comhalta Boird iontu nó ina raibh Comhalta Boird fostaithe

Ainm Cuideachta I 2012 2011 I I Lesley McKimm Newgrange Pictures Iarmhéid ar an 1,139,239 1,261,017 Stella Days 30,000 Infheistíocht Scannán (124,982 ) (92,274 ) A Thousand Times Goodnight 300,000 Gluaiseacht sa Mhaoiniú ar Shócmhainní Seasta (3,333 ) (29,504 ) Kevin Moriarty Ardmore Studios Iarmhéid ar an 31/12/12 1,010,924 1,139,239 All is by my Side 90,000 Stiúideónna Ardmore Studios 250,000 Tá an ghluaiseacht sa Mhaoiniúchán Sócmhainní Seasta comhdhéanta mar seo a leanas: James Morris Treasure Entertainment Ioncam leithroinnte do chuspóirí Caipitil 64,366 27,098 Amúchadh 66,243 56,602 The Good Man 25,000 Caillteanas ar Dhiúscairt Sócmhainne 1,456 - My Brothers 12,500 Wild 15,000 Iomlán (3,333 ) (29,504 ) Wild (Production) 300,000 The Rewrite 20,000 A Month in the Country 20,000 15. GEALLTANAIS Anglo Republic 40,000 Léiriú Léiriú Léiriú Windmill Lane Pictures Príomhscannán* Scannán Faisnéise Scannán Beochana Dáileacháin Scéimeanna Iomlán The Price of Desire 320,000 I I I I I I Iasachtaí Leiriúcháin The Sea 220,000 Gealltanais @ 01/01/12 1,875,107 529,627 94,500 178,931 347,259 3,025,424 All Is By My Side [90,000 Gealltanais don bhliain 9,463,408 1,201,500 855,500 462,028 668,000 12,650,436 Moscow Never Sleeps 275,000] Gealltanais in éag 2012 - - - (21,677 ) (5,602 ) (27,279 ) Bhí coinbhleacht leasa ag James Morris chomh maith, maidir leis maoiniú léiriúcháin de €390,000 ar fáil do Grand Picturess le haghaidh an tionscadal ‘Creeping Zero’. Iomlán na nGealltanas 11,338,515 1,731,127 950,000 619,282 1,009,657 15,648,581 Chuaigh an tairiscint sin in éag ina dhiaidh sin i Mí an Mhárta 2013. Íocaíochtaí le linn 2012 (8,286,761 ) (1,135,325 ) (515,000 ) (333,837 ) (762,801 ) (11,033,724 ) Tristan Orpen Lynch Subotica Entertainment Gealltanais ar an 31/12/2012 3,051,754 595,802 435,000 285,445 246,856 4,614,857 All is by my Side (Production) [90,000 ] Gold (Production) 600,000 *Ináirithe sa bhfigiúr i dtaca le gealltanas agus le híocaíocht i dtaobh léiriú príomhscannán tá suim de €173,408 i dtaobh costas a bhaineann le costais an tionscnaimh agus costais dlí na léiriúchán. Perfect Weather to Fly 16,000 Boy Racer 28,000 Beochana Príomhscannán Unless 10,000 Forbartha Forbartha Iomlán American Reaper 27,000 Iasachtaí Forbartha I I I Gealltanais @ 01/01/12 73,895 652,685 726,580 Kirsten Sheridan Dollhouse (Maoiniú Léiriúcháin Breise) ) 20,000 Gealltanais sa bhliain 2012 199,500 1,503,500 1,703,000 Dollhouse (Tacaíocht Margaíochta) 28,600 Gealltanais in éag 2012 - (6,000 ) (6,000 ) Dollhouse (Poiblíocht Idirnáisiúnta) 3,700 Angel Cordero 15,000 Iomlán na nGealltanas 273,395 2,150,185 2,423,580 Dubliners 45,000 Íócaíochtaí le linn 2012 (191,000 ) (1,474,145 ) (1,665,145 ) 19 Days 17,500 Gealltanais ar an 31/12/12 82,395 676,040 758,435 Prison Movie 12,000 Johnny Gogan Bandit Films Black Ice 25,000 Iomlán 2,765,300 16. TAIRISCINTÍ SEALADACHA AR CHÚNAMH DO THIONSCADAIL SCANNÁN 19. TIONSCADAIL CHOMPARÁIDEACHA LEIS AN BHLIAIN ROIMHE De bhreis ar na gealltanais conartha atá gan íoc ag deireadh na bliana de €5,373,292 a nochtadh bhí €3,067,500 sa bhreis gan íoc i dtaca le tairiscintí sealadacha ar chúnamh. Tá an chuid is mó de na gealltanais sin, €2,455,000, i dtaca le léiriúcháin príomhscannán ina bhfuil Rinneadh ath-ghrúpáil nó ath-chur i láthair ar roinnt tionscadal comparáideach ar an mbonn céanna leis an mbliain reatha. tairiscintí faoi réir théarmaí agus coinníollacha áirithe lena n-áirítear airgeadas a aimsiú. Fanann siad bailí ar feadh tréimhse de suas go dtí sé mhí agus ag an bpointe sin tá siad faoi réir athbhreithnithe. Tá na tairiscintí sin coinníollach ar chistí an bhoird a bheith ar fáil. Bhí cúig tairiscint 29. FAOMHADH AN BHOIRD neamhcainníochtaithe ar chúnamh ag an mBord do chúig léiriúchán príomhscannán eile ag deireadh na bliana. Fuair na Ráitis Airgeadais faomhadh an Bhoird ar an 4 Feabhra 2014. UNDER THE HOOD: VOICES FROM BELARUS

IASACHTAÍ DÁILEACHÁIN SIGNATURES

I Geallta I Geallta Cur chun cinn agus Fógraíocht/Tacaíocht do Mhargaíocht Alia Zucca Films 65,000 Stella Days Newgrange Pictures 30,000 I Can’t See You Anymore Blinder Films 65,000 WILDERNUTS This Must be the Place Element Distribution 35,000 Doghouse Tilted Pictures 65,000 Dreaming the Quiet Man Element Distribution 17,235 The Girl Green Sky Productions 65,000 58 Silence Element Distribution 18,225 Iomlán 260,000 59 Charlie Cassanova Element Distribution 12,855 AGUISÍN 1 What Richard Did Element Distribution 75,000 Tá aguisíní 1 go 5 ann mar thagairt eolais agus ní mar chuid de na cuntais ar leathanaigh 37 go 55. Dollhouse Eclipse Pictures 28,600 SHORT SHORTS Shadow Dancer Paramount Pictures 27,500 Grabbers Element Distribution 75,000 Geallta I GEALLTANAIS CHAIPITIÚLA 2012 Stitches Eclipse Pictures 32,000 Barry’s Bespoke Bakery Songway Films 15,000 IASACHTAÍ LÉIRIÚCHÁN DO PHRÍOMHSCANNÁIN LÉIRIÚ SCANNÁN FAISNÉISE Death of a Superhero Eclipse Pictures 17,000 Just en Peu Please Blinder Films 15,000 Dáileachán Díreach Brown Bread Park Films 15,000 Geallta I Geallta I The Other Side of Sleep Fastnet Films 15,000 Iomlán 45,000 An Bronntanas/The Gift ROSG 360,000 Absolute Derby True Films 5,000 A Kiss for Jed Wood Ignition Films 10,000 Black Ice (Completion) Bandit Films 50,000 Absolute Derby True Films 85,000 Barbaric Genius Screenworks 7,235 Calvary Octagon Films 1,000,000 Antikythera Three Legged Dog 8,000 My Brothers Treasure Entertainment 12,500 Dollhouse Warehouse Pictures 20,000 Blood Sisters 2 Solas Productions 5,000 Earthbound Earthbound Productions 15,000 GEARRSCANNÁIN Frank Element Pictures 1,000,000 Born John Burke, Died Mohammed Omar Fastnet Films 10,000 Bernadette Irish Film Institute 1,000 I Gold Subotica 600,000 Circus on the Road Ikandi Productions 5,000 Dreams of a Life Irish Film Institute 1,000 Committed Hardy Bucks (Additional) Integral Productions 20,000 Dreaming the Quiet Man Loopline Films 13,000 Charlie Cassanova Terry McMahon 2,145 Sylvia Zanzibar Films 10,000 Hardy Bucks: The Movie Integral Productions 175,000 For One Night Only Parallel Film Production 25,000 Beirt Le Chéile Spiral Pictures 10,000 Tacaíocht do Phriontáil Last Days on Mars Fantastic Films 550,000 Get the Picture? Ferndale Films 25,000 Rubai Magamedia 10,000 Dreaming the Quiet Man Loopline Films 3,500 Life’s A Breeze Fastnet Films 80,000 Hill Street Warrior Films 15,000 Joy Venom 2,020 Iomlán 30,000 Moscow Never Sleeps Blinder Films 275,000 Minds Over Matter Crow Hill Films 10,000 Nouakchott Rocks Moira Tierney 3,297 Pilgrim Hill (Completion) Nine Entertainment 15,000 Moscow Tabloid Cutstone Productions 10,000 Men at Lunch Sonta Productions 3,650 Quirke Element Pictures 450,000 Neal MacGregor Soilsiú Films 10,000 Rhinos Let’s Not Lose It 467 Roadside Puddle Films 15,000 Neal MacGregor Soilsiú Films 40,000 REALITY BITES Run and Jump Samson Films 600,000 No Limbs No Limit 2000 AD Productions 8,000 Poiblíocht Idirnáisiúnta Geallta I Song of the Sea Cartoon Saloon 750,000 Panti Blinder Films 5,000 Babygirl Samson Films 3,828 On Tellies Twopair Films 15,000 Standby Black Sheep Productions 600,000 Pussycat Wars Crossing the Line 10,000 Dollhouse Warehouse Pictures 3,700 The Last Days of Peter Bergman Fastnet Films 15,000 The Floating World Clare Langan 20,000 Rex Ingram Underground Films 15,000 Citadel Blinder Films 5,352 Jesus Lives on the R415 Areaman Productions 15,000 The Good Man (Completion) Treasure Entertainment 25,000 Sculpting Space NDN Productions 15,000 Pentecost Emu Productions 1,244 The Price of Desire EG Film Productions 320,000 See You At the Pictures Planet Korda Productions 5,000 As If I’m Not There Octagon Films 2,675 Iomlán 45,000 The Stag Treasure Entertainment 350,000 Showrunners Black Sheep Productions 15,000 Iomlán 462,028 Ciste do Chomhléiriúcháin Showrunners Black Sheep Productions 55,000 Dark Touch Element Pictures 200,000 Silence in the House of God Jigsaw Productions 50,000 Controra Ripple World Films 200,000 Sparlo Crow Hill Films 25,000 FRAMEWORKS Stay Samson Films 300,000 Stadium & Street Cutstone Productions 10,000 Food Guide to Love Parallel Film Productions 275,000 Taking the Boat Soho Moon Pictures 35,000 Geallta I The Sea Samson Films 220,000 The Disappearance Fastnet Films 7,000 Ledge End of Phil Cartoon Saloon 50,000 Grenade: A Thousand Time Good Newgrange Pictures 300,000 The Last Hijack - 2011 Funding Still Films 130,000 Geist Giant Creative 50,000 The F Word Fastnet Films 80,000 The Summit Image Now 20,000 No Postage Required Igloo Productions 48,000 Ciste le haghaidh Léiriúchán Idirnáisiúnta The Swan Song of Eliza Lynch Coco Television 35,000 The Missing Scarf Belly Creative 47,000 Loving Miss Hatto Octagon Films 100,000 Three Men go to War Crossing the Line 85,000 Unhinged Studio Okinami 48,000 All is by My Side Subotica 90,000 Too Good to Resist Underground Films 8,000 Pre 2012 Frameworks Vikings World 2000 250,000 Unbreakable True Films 5,000 Iomlán 243,000 Iomlán 9,290,000 Under the Hood: Voices from Belarus Planet Korda 50,000 Waking Soho Moon Pictures 5,000 LÉIRIÚ SCANNÁN BEOCHANA Yemen’s Reluctant Revolutionary 15,000 GEARRSCÁNNÁN EILE Yximaloo Research Bureau 25,000 Geallta I Living in a Coded Land 10,000 Geallta I The Adventures of the Mothers and Sons Underground Films 10,000 Ghost Train Rank Outsider Productions 45,000 Way Out 90,000 Young Marco Polo Magpie 6 Media 200,000 Iomlán 45,000 The Last Hijack Still Films 150,000 Men in Uniform Venom 150,000 Wildernuts Kavaleer Productions 250,000 Slow Food Story Element Pictures 15,000 The Duel Animation Hub 30,000 Untitled Angel Codero Doc Samson Films 15,000 Forest Blacknorth Studios 25,500 Rough Rider Wildfire Film & TV 12,500 Roy 3 & 4 Jam Media 200,000 Iomlán 1,201,500 Iomlán 855,500 THE ROAD

IASACHTAÍ FORBARTHA DO PHRÍOMHSCANNÁIN

Geallta I Geallta I 19 Days CDS Limited 17,500 Olagon Magamedia 19,000 A Million Miles An Hour Brendan Grant 12,000 Our Few and Evil Days Parallel Film Productions 40,000 A Month in the Country Treasure Entertainment 20,000 Perfect Weather to Fly Subotica 16,000 THREE MEN GO TO WAR Absence Sonata Rainmark Films 10,000 Pikey King Carmel Winters 12,000 60 Airman Fastnet Films 50,000 Pilgrimage SP Films 12,000 61 American Reaper Subotica 27,000 Procreate, Generate Blinder Films 23,000 Anglo Republic Treasure Entertainment 40,000 Scumbot Black Sheep Productions 15,000 AGUISÍN 2 Annie Likes This Treasure Entertainment 14,000 Simple Farmers Son Soho Moon Pictures 16,500 Beach Slap Grand Pictures 15,000 Sligo Jihad Florin Films 35,000 Big Silver Lining Angelo Films 15,000 Slipping Away Parallel Film Productions 20,000 GEALLTANNAIS GAN ÍOC 2012 Black Rainbows Paul Murray & Hugh O’Connor 16,000 Ted & Mabel Janey Pictures 20,000 Blood of my Blood, Bone of my Bone SP Films 9,500 Ten Dates with Mad Mary Element Pictures 10,000 IASACHTAÍ LÉIRIÚCHÁIN DO PHRÍOMHSCANNÁIN LÉIRIÚ SCANNÁN BEOCHANA Bloom Barbara Deignan 12,000 The Book of the Wolf Eoin McNamee 12,000 Ar feitheamh I Ar feitheamh I Blue City (aka Margaret) Fastnet Films 25,000 The Boys Virginia Gilbert 12,000 Ar Chonradh The Adventures of the Young Marco Polo Magpie 6 Media 50,000 Boy Racer Subotica 28,000 The Cherry Tree Fantastic Films 10,000 An Bronntanas/The Gift ROSG 72,000 Forest Blacknorth Studios 13,000 Come Monday We Kill Them All Jamie Hannigan/Michael Kinirons 16,000 The Complication Ian Power/Dylan Cotter 16,000 Black Ice (Completion) Bandit Films 10,000 Roy 3 & 4 Jam Media 200,000 Dark Zone Fantastic Films 10,000 The Days I Tried to Live Fastnet Films 40,000 Calvary Octagon Films 100,000 The Duel Animation Hub 20,000 Detox John Butler 12,000 The Fast and the Dead Perfect Weekend 20,000 Frank Element Pictures 350,119 The Last Hijack (2011 Funding) Still Films 20,000 Dubliners Fastnet Films 45,000 The Internal World David O’Reilly & Vernon Chatman 16,000 Gold Subotica 300,000 Wildernuts Kavaleer Productions 75,000 Echo Chamber Parallel Films 17,000 The Legend of Longwood Grand Pictures 10,000 Hardy Bucks: The Movie Integral Productions 17,500 Léiriú Scannán Beochana roimh 2012 57,000 Family Remains Grand Pictures 12,000 The Midnight Choir Fastnet Films 50,000 Last Days on Mars Fantastic Films 25,000 Four Letters of Love Element Pictures 40,000 The Rewrite Treasure Entertainment 20,000 Iomlán 435,000 Life’s A Breeze Fastnet Films 10,000 Frost Island Blinder Films 10,000 The Sacred Island Darinin Films 50,000 Moscow Never Sleeps Blinder Films 275,000 Good as Gold Wall of Sleep Productions 20,000 The Son of God Ivan Kavanagh 12,000 LÉIRIU SCANNÁN FAISNÉISE Pilgrim Hill (Completion) Nine Entertainment 3,000 Good Favour Glenn Montogomery/R Daly 16,000 The Song of Granite Pat Collins/Sharon Wholley 16,000 Quirke Element Pictures 240,887 Harm’s way Blinder Films 10,000 The Zone Wide Eye Films 22,500 Ar feitheamh I Roadside Puddle Films 3,000 Haughey Igloo Productions 20,000 To Chicago Barry Devlin 12,000 Absolute Derby True Films 35,000 Run and Jump Samson Films 60,000 Honoured Ripple World Pictures 15,000 Tough Love Matthew Roche 12,000 Antikythera Three Legged Dog 1,600 Song of the Sea Cartoon Saloon 225,000 Into the West Ignition Films 50,000 Traders Coco Television 13,000 Blood Sisters 2 Solas Productions 1,000 Standby Black Sheep Productions 60,000 Island D Kinahan & I fitzgibbon 16,000 Unless Subotica 10,000 Circus on the Road Ikandi Productions 1,000 The Floating World Clare Langan 4,000 It’s About Girls Black Sheep Productions 16,000 Untitled Prison Movie Kirsten Sheridan 12,000 Hill Street Warrior Films 4,500 The Good Man (Completion) Treasure Entertainment 5,000 La Domestique Blinder Films 12,000 Vere Goold Rachel Lysaght & Glenn Montgomery 16,000 Living in a Coded Land Harvest Films 1,000 The Price of Desire EG Film Productions 160,541 Last Days on Mars Fantastic Films 50,000 Wild Treasure Entertainment 15,000 Men in Uniform Venom 125,000 The Stag Treasure Entertainment 55,000 Lex Talionis SP Films 17,000 Wooly Faces Rainmark Films 11,000 Minds Over Matter Crow Hill Films 2,000 Iasachtaí Léiriúcháin do Phríomhscannáin roimh 2012 253,700 Luka Pooka Dick Hamson 16,000 The Estate Garrett Shanley 16,000 Mothers and Sons Underground Films 2,000 Ciste Comhléiriucháin Monto Ciaran Morrison & Mick O’Hara 16,000 The Valentine Gang 15,000 Neal MacGregor Soilsiú Films 2,000 Dark Touch Element Pictures 30,000 Monto Double Z Enterprises 12,500 Neal MacGregor Soilsiú Films 8,000 Iomlán 1,436,500 Controra Ripple World Films 20,000 Panti Blinder Films 1,000 Food Guide to Love Parallel Film Productions 27,500 Pussycat Wars Crossing the Line 2,000 Grenade: A Thousand Time Good Newgrange Pictures 60,000 Rex Ingram Underground Films 3,000 Stay Samson Films 80,000 Rough Rider Wildfire Film & TV 500 The F Word Fastnet Films 24,000 Showrunners Black Sheep Productions 15,000 The Sea Samson Films 44,000 MAOINIÚ AR FHORBAIRT IDIRNÁISIÚNTA IASACHTAÍ FORBARTHA DO Silence in the House of God Jigsaw Productions 10,000 Comhléiriú Cruthaitheach roimh 2012 353,500 Slow Food Story Element Pictures 3,000 Geallta I SCANNÁIN BHEOCHANA Ciste Léiriúcháin Idirnáisiúnta Sparlo Crow Hill Films 2,500 Galway Bay Hells Kitchen International 25,000 Geallta I Loving Miss Hatto Octagon Films 25,000 Stadium & Street Cutstone Productions 2,000 Taboo Octagon Films 18,500 The H Files Paper Dreams 25,000 All Is By My Side Subotica 45,000 Taking the Boat Soho Moon Pictures 5,000 A Life of Crime Octagon Films 23,500 Mya Go Wiggly Woo 25,000 Vikings World 2000 50,000 The Disappearance Fastnet Films 1,400 Iomlán 67,000 Papa’s Boy Ink and Light 26,500 Ciste Tacaíochta Réigiúnda The Summit Image Now 15,000 Tipto Kavaleer Productions 25,000 Ciste Tacaíochta Réigiúnda Roimh 2012 63,000 The Swan Song of Eliza Lynch Coco Television 17,500 What Will Katy Be? Treehouse Republic 37,000 Iomlán 3,051,747 Three Men Go to War Crossing the Line 15,000 Rykers World Little Hen TV 6,000 Too Good to Resist Underground Films 1,600 The Wishing Tree Little Hen TV 10,000 Unbreakable True Films 1,000 Night Glider Brown Bag Films 15,000 Under the Hood: Voices from Belarus Planet Korda 5,000 My Father’s Dragon Parallel Film Productions 30,000 Untitled Angel Codero Doc Samson Films 3,000 Iomlán 199,500 Way Out Farcry Productions 40,000 Yximaloo Research Bureau 12,500 Léiriú Scannán Faisnéise roimh 2012 256,702 Iomlán 595,802 PET HATE HOMEMADE

DÁILEACHÁN SCÉIMEANNA GEARRSCANNÁN IASACHTAÍ FORBARTHA PRÍOMHSCANNÁN

I Ar feitheamh Ar feitheamh I Ar feitheamh I Ar feitheamh I Cur chun cinn agus Fógraíocht/Tacaíocht do Mhargaíocht Signatures 19 Days CDS Limited 2,500 Black Rainbows Paul Murray & Hugh O’connor 4,000 Stella Days Newgrange Pictures 3,000 I Can’t See You Anymore Blinder Films 6,500 Blood of my Blood, Bone of my Bone SP Films 1,500 Good Favour Glenn Montogomery/R Daly 4,000 This Must be the Place Element Distribution 17,500 Doghouse Tilted Pictures 6,500 A Million Miles An Hour Brendan Grant 2,000 Island D Kinahan & I fitzgibbon 4,000 Dreaming the Quiet Man Element Distribution 8,618 The Girl Green Sky Productions 6,500 Absence Sonata Rainmark Films 2,000 Olagon Magamedia 4,000 Silence Element Distribution 9,113 Signatures roimh 2012 21,900 Detox John Butler 2,000 The Internal World David O’Reilly & Vernon Chatman 4,000 62 Charlie Cassanova Element Distribution 6,427 63 Iomlán 41,400 Echo Chamber Parallel Films 2,000 The Song of Granite Pat Collins/Sharon Wholley 4,000 What Richard Did Element Distribution 37,500 Frost Island Blinder Films 2,000 The Estate Garrett Shanley 4,000 Dollhouse Eclipse Pictures 14,300 Short Shorts Harm’s Way Blinder Films 2,000 The Zone Wide Eye Films 4,500 Shadow Dancer Paramount Pictures 13,750 Just en Peu Please Blinder Films 1,000 La Domestique Blinder Films 2,000 A Month in the Country Treasure Entertainment 5,000 Grabbers Element Distribution 37,500 Short Shorts roimh 2012 10,486 Our Few and Evil Days Parallel Film Productions 2,000 Four Letters of Love Element Pictures 5,000 Stitches Eclipse Pictures 16,000 Pikey King Carmel Winters 2,000 Haughey Igloo Productions 5,000 Iomlán 11,486 Death of a Superhero Eclipse Pictures 8,500 Pilgrimage SP Films 2,000 Into the West Ignition Films 5,000 Cur chun cinn agus Fógraíocht/Tacaíocht do Mhargaíocht Roimh 2012 64,486 Gearrscannáin Ten Dates with Mad Mary Element Pictures 2,000 Slipping Away Parallel Film Productions 5,000 Dáileachán Díreach The Book of the Wolf Eoin McNamee 2,000 Ted & Mabel Janey Pictures 5,000 Sylvia Zanzibar Films 1,000 The Other Side of Sleep Fastnet Films 1,500 The Boys Virginia Gilbert 2,000 The Days I Tried to Live Fastnet Films 5,000 Beirt Le Chéile Spiral Pictures 9,000 Barbaric Genius Screenworks 2,974 The Cherry Tree Fantastic Films 2,000 The Fast and the Dead Perfect Weekend 5,000 Rubaí Magamedia 9,000 My Brothers Treasure Entertainment 6,250 The Legend of Longwood Grand Pictures 2,000 The Rewrite Treasure Entertainment 5,000 Iomlán 19,000 Earthbound Earthbound Productions 15,000 To Chicago Barry Devlin 2,000 American Reaper Subotica 7,000

Dáileachán Díreach roimh 2012 4,990 Tough Love Matthew Roche 2,000 Anglo Republic Treasure Entertainment 8,000 Reality Bites Tacaíocht do Phriontáil Unless Subotica 2,000 Blue City (aka Margaret) Fastnet Films 8,000 On Tellies Twopair Films 6,000 Dreaming the Quiet Man Loopline Films 1,750 Untitled Prison Movie Kirsten Sheridan 2,000 Dubliners Fastnet Films 9,000 The Last Days of Peter Bergman Fastnet Films 13,500 Nouakchott Rocks Moira Tierney 1,648 Wooly Faces Rainmark Films 2,000 Good as Gold Wall of Sleep Productions 10,000 Jesus Lives on the R415 Areaman Productions 6,000 Tacaíocht do Phriontáil roimh 2012 10,212 Monto Double Z Enterprises 2,500 The Midnight Choir Fastnet Films 10,000 Iomlán Reality Bites roimh 2012 12,000 Poiblíocht Idirnáisiúnta Annie Likes This Treasure Entertainment 3,000 The Sacred Island Darinin Films 10,000 Iomlán 37,500 Babygirl Samson Films 1,928 Big Silver Lining Angelo Films 3,000 Boy Racer Subotica 15,000

Poiblíocht Idirnáisiúnta roimh 2012 2,500 It’s About Girls Black Sheep Productions 3,000 Airman Fastnet Films 20,000 Frameworks Lex Talionis SP Films 3,000 Forbairt Príomhscannán roimh 2012 416,040 Iomlán 285,445 Ledge End of Phil Cartoon Saloon 25,000 Procreate, Generate Blinder Films 3,000 Maoiniú Forbartha Idirnáisiúnta Geist Giant Creative 25,000 Scumbot Black Sheep Productions 3,000 Galway Bay Hells Kitchen International 5,000 No Postage Required Igloo Productions 24,000 Traders Coco Television 3,000 Taboo Octagon Films 3,500 The Missing Scarf Belly Creative 18,800 Wild Treasure Entertainment 3,000 A Life of Crime Octagon Films 3,500 Unhinged Studio Okinami 19,200 The Valentine Gang 3,000 Frameworks roimh 2012 16,470 Iomlán 676,040 Iomlán 128,470

Other Short Film Ghost Train Rank Outsider Productions 9,000 Iomlán 9,000 Iomlán 246,856

IASACHTAÍ FORBARTHA DO SCANNÁIN BHEOCHANA

Ar feitheamh I Ar feitheamh I Papa’s Boy Ink and Light 5,500 The Wishing Tree Little Hen TV 2,000 Tipto Kavaleer Prodcutions 5,000 Night Glider Brown Bag Films 3,000 What Will Katy Be? Treehouse Republic 7,000 My Father’s Dragon Parallel Film Productions 5,000 Rykers World Little Hen TV 1,000 Animation Development 53,895 Iomlán 82,395 SCULPTING SPACE HOME 64 AGUISÍN 3 AGUISÍN 4 65 SONRAÍ MAIDIR LE COINNÍOLLACHA IASACHTAÍ PRIONSABAIL AGUS CRITÉIR

(A) CISTÍ FORBARTHA Chomh maith le díriú ar bhuanna eagarthóireachta agus cinn. Tabharfar tús áite do ‘phríomhscannáin faisnéise’; ní cruthaitheacha tionscadail, tá roinnt bunphrionsabal atá dócha go dtabharfar tacaíocht do scannáin cineamatacha, Airleactar Iasachtaí Forbartha ar bhonn íocaíocht chéimithe agus íoctar tuairim is 50-60% nuair a chuirtear conarthaí Iasachta mar bhonn ag a chritéir cinnteoireachta a threoraíonn cláir físeacha, atá dírithe ar shliotáin d’uair an chloig amháin nó Forbartha idir an Bord agus an Léiritheoir i gcríoch go sásúil, agus íoctar an iarmhéid nuair a chomhlíontar coinníollacha chistíochta BSÉ/IFB. Is iad na prionsabail sin: níos giorra agus nach bhfuil acu ach beagán ábhar spéise sonracha a mbeidh socraithe ag an mBord. idirnáisiúnta nó nach ábhar spéise idirnáisiúnta iad in aon 1. Cineama a Dhéanamh chor. Leagfar an bhéim ar thacaíocht a thabhairt do stiúrthóirí, Is fiú suas go dtí uasmhéid de €100,000 iad iasachtaí forbartha, ar féidir suas go dtí €50,000 a íoc ag aon am áirithe faoi 2. Rochtain a fháil ar Lucht Féachana scríbhneoirí agus léiritheoirí a léiríonn a gcuid saothair go dtí leith. Is féidir le foirne nó le daoine aonair (léiritheoir/stiúrthóir/scríbhneoir scripte) iarratas a dhéanamh. Tá ceanglas ar an 3. Úrmhaireacht seo go bhfuil tiomantas láidir acu i dtaobh scannáin faisnéise léiritheoir an t-airgead a airleacadh a aisíoc ar an gcéad lá príomhscannánaíochta. 4. Breisíocht a dhéanamh don cineama. I dteannta thiomantas BSÉ/IFB 5. Tosaíochtaí Talainn, Cultúir agus Tionscail a Fhorbairt maidir le cineama, tá an cur chuige sin ceaptha freagairt Ba chóir go bhfeicfí iad seo mar iasachtaí forbartha/indéantachta; Déanann an Bord gach iarracht rianadh a dhéanamh 6. Cúrsaí Eile a thabhairt don méadú follasach i mian an lucht féachana ar an t-airgead agus soláthraíonn sé faisnéis agus tacaíocht do léiritheoirí neamhspleácha a bhfuil comhpháirtithe ionchais Mínítear iad sin thíos ar bhealach níos mionsonraithe. Leagtar cineama scannáin faisnéise a fheiceáil. léiriúcháin á lorg acu . Ní éireoidh le cuid de na tionscadail a gheobhaidh tacaíocht ón mBord leanúint ar aghaidh go dtí céim amach thíos freisin roinnt comaoineacha eile a d’fhéadfadh an léiriúcháin agus d’fhéadfadh sé tarlú i ndeireadh na dála go gcaithfear iad a dhíscríobh. Tabharfar maoiniú do phríomhscannáin agus sraitheanna tionchar a bheith acu ar chinneadh i bhfábhar tionscadail teilifíse beochana mar aitheantas do thábhacht an saothair amháin seachas ceann eile. Déanann an bord monatóireacht, áfach, ar na tionscadail a dtugtar chun críche go rathúil iad agus éilítear go gníomhach aon Éireannaigh sa réimse sin, do chaoile an mhargadh airgead atá dlite. pictiúrlainne atá ann do phríomhscannáin bheochana 1. CINEAMA A DHÉANAMH agus don maoiniú thar a bheith teoranta ó chraoltóirí do Toisc gurb é an t-aon fhoinse amháin a chuireann maoiniú (B) IASACHTAÍ LÉIRIÚCHÁIN shraitheanna teilifíse beochana. Tabharfar tús áite do shaothar poiblí ar fáil do phríomhscannáin atá dírithe ar eisiúint úrnua ó thalann Éireannach a bhfuil an Cuma air go bhfuil sé Tagann rannpháirtíocht an Bhoird i bhfoirm infheistíochta sa léiriúchán agus ina chuid díolacháin do mhargaidh cineama, cineama, is é an príomh-chuspóir atá ag Bord Scannán na cruthaitheach agus sonrach a dhóthain le go gcuirfí in oiriúint teilifíse, físeáin agus margaidh coimhdeacha (cábla, saitilít, scannán baile etc.) in Éirinn agus ar fud an domhain. Níl an hÉireann/the Irish Film Board saothar a spreagadh, a chothú é d’fhormáid an mhórscáileáin agus/nó do theilifís idirnáisiúnta infheistíocht faoi réir úis; cuirtear dian-bhearta i dtaca le haisghabháil agus rannpháirtíocht i mbrabús i bhfeidhm. Tá gach agus a chur chun cinn in Éirinn a dhéantar é lena thaispeáint nó do dháileachán eile. tairiscint ar infheistíocht ‘i bprionsabal‘ agus faoi réir conartha. ar an scáileán mór. Ina theannta sin, tá sé mar ghné dá chuid spriocanna agus cuspóirí ag Bord Scannán na hÉireann/the Déanfar dianmheasúnú ar dhrámaíocht teilifíse, bíodh siad Irish Film Board tacaíocht a thabhairt do roinnt áirithe saothar ina gcláir aonair nó ina sraitheanna agus d’fheadfaí go eile closamhairc atá ar ard-chaighdeán. dtabharfaí maoiniú dóibh de bharr a gcáilíochtaí bunúsacha, ach tiocfaidh tosca eile isteach san áireamh freisin. Cuirfear I dteannta leanúint ar aghaidh lena thiomantas i dtaca le béim láidir ar thacaíocht a thacaíócht a thabhairt do stiúrthóirí, príomhscannáin bheoghníomhaíochta, ciallaíonn sé sin: scríbhneoirí agus léiritheoirí a bhfuil sé cruthaithe acu roimhe Go ndéanfar dianmheasúnú ar scannáin faisnéise ó thaobh seo go bhfuil an cumas acu saothair drámaíochta drámaíochta na hacmhainne atá acu éisiúint cineama a bhaint amach, a dhéanamh nó a bhfuil, i dtuairim an BSÉ/IFB, chun gairm ó thaobh na hacmhainne atá acu spéis a spreagadh ó bheatha a dhéanamh dóibh féin i léiriúchán príomhscannán fhéiltescannán idirnáisiúnta nó ó thaobh na hacmhainne atá nó drámaíocht teilifíse ar ard-chaighdeán. Ina theannta sin, acu go dtaispeánfaí iad ar léibhinn nua atá ag teacht chun beidh sé riachtanach go mbeadh BSÉ/IFB sásta go bhfuil a rannpháirtíocht ríthábhachtach leis an gclár nó an sraith a Tabharfar tús áite d’iarratais ar son tionscadal: Ní chiallaíonn sé sin nach bhfuil spéis ag BSÉ/IFB ach i • An meallfaidh an tionscadal infheistiócht isteach i chur i gcríoch agus go bhfuil rannpháirtíocht an chraoltóra • A ‘tionscnaíodh in Éirinn’ ó thaobh na cruthaitheachta de; dtacaíocht a thabhairt d’ábhair nach bhfuil aige ach ionchas ngeilleagar na hÉireann? ar comhéid le suíomh an rialaithe eagarthóireachta. Beidh is é sin le rá gur cheap agus gur scríobh tallanna teoranta tráchtála. Tá flúirse fianaise inár stair chlosamhairc Díolachán agus Dáileachán BSÉ/IFB ag súil freisin rannpháirtíocht eagarthóireachta a Éireannacha iad agus/nó go stiúróidh tallanna a thaispeánann gur minic a tharlaíonn sé gur scannáin atá • An bhfuil baint ag gníomhaire díolacháin idirnáisiúnta leis bheith aige maidir le forbairt an ábhair sin. Éireannacha iad ceannródaíoch is mó a mbíonn rath orthu. Tabharfaidh an scannán nó leis an gclár nó leis an tsraith teilifíse? • A mbeidh talann nua agus talann Éireannach atá ag teacht BSÉ/IFB tacaíocht fhuinniúil do léiritheoirí a thaispeánann • An bhfuil dáileoir Éireannach ag an scannán? 2. ROCHTAIN AR LUCHT FÉACHANA chun cinn i gceist acu i bpríomhróil chruthaitheacha, uaillmhian rath a bhaint amach sa mharghadh agus do • An bhfuil airgeadas léiriúcháin á sholáthar ag aon Níós mó agus níos mó tá BSÉ/IFB dírithe ar a chinntiú go i.e.stiúrthóir, scríbhneoir, léiritheoir, cumadóir, thionscadail a léiríonn go bhfuil feasacht acu iu dtaobh an ghníomhairí díolachain, dáileoirí nó craoltóirí? mbeidh cinntí maoiniúcháin i bhfábhar tionscadal a bhfuil príomhaisteoir mhargaidh agus a thugann dúshlán ag an am gcéanna do na lucht féachana cuí mar sprioc acu. Ní chiallaíonn sé sin • A insíonn scéalta Éireannacha, a tharraingíonn as agus a braistintí i dtaca leis an méid a bhfuil an margadh ag súil leis. Struchtúr Airgeadais nach bhfuil spéis ag BSÉ/IFB ach i dtacaíocht a thabhairt léiríonn cultúr, stair agus modh maireachtála na hÉireann • An bhfuil na comh-airgeadaithe atá á moladh don d’ábhar a bhfuil ionchais tráchtála ag baint leo ach ina ionad agus an chaoi a fhéachann muintir na hÉireann ar an saol 6. CÚINSÍ EILE scannánnó don chlár teilifíse iontaofa? sin go bhfuil sé sásta tionscadail a mheas a d’fhéadfadh agus orthu féin Ba chóir go dtabharfadh na treoirphrionsabail atá leagtha • An gcuirfidh na socruithe airgeadais atá a moladh ar speictream leathan den lucht faire spéis a bheith acu iontu, Tabharfar aird dáiríre ar iarratais: amach thuas léargas d’iarratasóirí ar an gcaoi a dhéanfaidh chumas BSÉ/IFB idirbheartaíocht a dhéanamh i dtaca le 66 bídís ina dtionscadail tráchtála, ealaíne, dírithe ar fhéilte nó • A mholann tionscadal atá go soiléir Éireannach (ó thaobh feidhmeannaigh agus comhairleoirí BSÉ/IFB measúnú ar seasamh réasúnach aisghabhála? 67 ar an dteilifís atc. Tabharfar aird faoi leith ar acmhainneacht suímh, carachtar, etc. de) ach a bheidh á stiúradh ag thionscadal ó thaobh ábhair de agus ó thaobh na foirne • An mbeidh follasacht reasúnach cuntasaíochta i gceist tionscadail dul i ngleic leis an lucht féachana ar a bhfuil sé talann nach as Éireann é, i gcás go bhfuil BSÉ/IFB den cruthaithigh a bhaineann leis. Agus measúnú á dhéanamh ar maidir le hioncam díolacháin, e.g. trí ghníomhaire dírithe chomh maith leis an gcur chuige agus an scála atá i tuairim go gcinntíonn teist an stiúrthóra go dtí seo go iarratais ar mhaoiniú léiriucháin, d’fhéadfaí tosca eile a chur bailiúcháin a úsáid?

gceist leis an dtionscadal. mbeidh ardchaighdeán ann san áireamh, a bhaineann le héifeachtaí eacnamaíochta an Ba chóir a chur in iúl go soiléir nach bhfuil sé riachtanach • A mbíonn léiritheoir Éireannach i gceist mar tionscadail, na socruithe airgeadais, agus an t-ionchas go freagraí dearfacha a thabhairt ar na ceisteanna sin ar fad 3. ÚRNUACHT chomhléiritheoir mionlaigh i gcás (a) go bhfuil BSÉ/IFB n-aimseofar lucht féachana. le go dtairgeofaí maoiniú léiriúcháin do thionscadal. Ach Díreofar maoiniú BSÉ/IFB ar thacaíocht a thabhairt do iomlán sásta maidir le caighdeán an tionscadail, (b) go I gcás nach mbíonn BSÉ/IFB den tuairim go gcloíonn d’fhéadfadh sé tarlú go bhféadfadh coibheas ard freagraí thionscadail atá úrnua agus ar ardchaighdeán, agus a bhfuil an méid infheistíochta ar chomhchéim leis an tionscadal le haon cheann de na treoirphrionsabail, ní bheidh diúltacha an bonn a bhaint de dhearcadh a bheadh go láidir thugann go dtí na pictiúrlanna, trí thalainn scríbhneoirí, leibhéal rannpháirtíochta a bheidh ag pearsanra, gnéithe a ndóthain sna tosca eile sin le tairiscint maoiniúcháin a dearfach ó thaobh BSÉ/IFB maidir le gnéithe cruthaitheacha stiúrthóirí, léiritheoirí agus foirne oibre Éireannacha eile, agus saoráidí Éireannacha sa dtionscadal. bhaint amach. Ach i gcás tionscadail ina meastar go bhfuil den tionscadal, seachas sin. Ar a laghad ar fad, taithí cultúrtha atá difriúil agus tiomáinte ag talann atá go Cuirfidh BSÉ/IFB fáilte faoi leith i gcónaí roimh iarratais ar an t-ábhar agus an fhoireann chruthaitheach áititheach, is spreagfaidh meascán de fhreagraí dearfacha agus diúltacha sonrach Éireannach. Beidh cinntí maoiniúcháin ar son son saothar a bhfuil sé i gceist iad a dhéanamh go hiomlán féidir leis na cúinsí sin tionchar a bheith acu ar thoradh na díospóireacht maidir le méid agus modh ghealltanas na scríbhneoirí agus na stiúrthóirí, na léiritheoirí agus an nó den chuid is mó trí mheán na Gaeilge. hidirbheartaíochta idir BSÉ/IFB agus na léiritheopirí maidir le BSÉ/IFB. pearsanra eile a thugann chuig an scannánaíocht guth atá leibhéal infheistíochta BSÉ/IFB agus ar an gcaoi a dhéanfar sainiúil agus dearcadh láidir faoi leith i dtaobh an tsaoil, Beidh BSÉ/IFB airdeallach i gcónaí lena chinntiú i gcás Dáileadh Pictiúrlainne an scannán a mhaoiniú, a léiriú agus a dháileadh. agus a chruthaíonn saothair a chuireann mothúchán nua scannán a dhéanann sé infheistíocht iontu go ndéantar cuid Tá critéir sainiúla dá gcuid féin ag cuid de chláir agus/nó athspreagtha sa dtaithí sin. mhór dá gcaiteachas ar phearsanra Éireannach agus sa Teist gairme an léiritheora go dtí seo mhaoiniúcháin BSÉ/IFB agus ní gá go rialódh na prionsabail dtionscal in Éirinn, agus tá sé dóchúil go mbeidh an gné sin • An ndearna an léiritheoir bainistiú agus seachadadh ar fad atá leagtha amach thuas na cláir sin. Cuirfear Ní chiallaíonn na riachtanais sin go seachnófar cineálacha nó den iarratas an-thábhachtach maidir le cinneadh dearfach proifisiúnta agus éifeachtúil ar shaothair chlosamhairc Tacaíocht Dáileacháin ar fáil do dháileoirí Éireannacha a séanraí atá ann cheana féin ach seachas sin go dtabharfaidh a dhéanamh. Ann féin, áfach, ní bheidh sé ina thoisc roimhe seo? dháileann scannáin a bhfuil tacaíocht acu ó BSÉ/IFB agus na scríbhneoirí, stiúrthóirí agus na léiritheoirí a thugtar chinntitheach, i gcás nach bhfuil BSÉ/IFB cinnte dearfach • An bhfuil dea-thaithí ag BSÉ/IFB roimhe seo maidir le a léiríonn go bhfeabhsóidh maoiniú ó BSÉ/IFB cur chun tacaíocht dóibh cur chuige nua agus smaointeoireacht nua maidir le caighdeán tionscadail, nó i gcás nach comhlíonann plé a dhéanamh leis an léiritheoir agus leis an bhfoireann cinn scannáin i margadh na hÉireann. CuirtearTacaíocht go dtí na cineálacha nó na séanraí scannán sin. Nuair a an tionscadal aon cheann de na tosaíochtaí leagtha amach chruthaitheach? Dáileacháin Dírigh/Tacaíocht Taispeántais ar fáil do chuirtear an acmhainn teoranta atá in Éirinn le maoiniú a thuas ar bhealaí eile. Tugtar níos mó sonraí i dtaca leis an • I gcás comhléiriúcháin, an bhfuil dea-theist eanna gairme léiritheoirí Éireannacha chun cabhrú le costas eisiúna tabhairt do mhargaíocht scannán agus do mhaoiniú eile, gceist sin faoi na Cúinsí Eile thíos. proifisiúnta go dtí seo ag léiritheoiri nach léiritheoirí theoranta príomhscannán a bhfuil maoiniú cheana féin acu beidh sé riachtanach go mbeidh sé ar chumas thalainn Éireannacha iad a bhfuil baint acu leis an dtionscadal? ó BSÉ/IFB i margadh na hÉireann (Tuaisceart Éireann san Éireannaigh obair a dhéanamh le talann ó thíortha eile 5. BREISÍOCHT áireamh) agus nach bhfuil ag éirí leo dáileachán sásúil ó ar thionscadail a mbeidh maoiniú á fháil acu ó BSÉ/IFB, Fostaíocht Éireannach Réasúnaíocht riachtanach í nuair a chuirtear airgead chuideachta dáileacháin bona fide Éireannach a chinntiú ach agus cuirfear úrnuacht i gcónaí san áireamh mar chuid den • An mbeidh na príomh-phostanna cruthaitheacha agus poiblí ar fáil do thionscal is ea gur chóir go gcruthódh sé a bhfuil sé soiléir ina gcás go bhfuil an acmhainn acu lucht mheasúnú ar chumas cónasctha na bpáirtithe uilig a bhfuil teicniúla lena líonadh ag pearsanra Éireannach? gníomhaíocht nach dtarlódh seachas sin i.e. nach nginfeadh féachana Éireannach a aimsiú agus a ghabháil, a íoc. baint acu le tionscadal. • I gcás comhléiriúcháin, an bhfuil an coimheas cuí maidir an margadh as a stuaim féin é. Dá réir sin ciallaíonn sé leo sin? gur chóir gur scannáin iad nach ndéanfaí iad nó scannáin 4. TOSAÍOCHTAÍ TALAINN, CULTÚIR • An dtairgeoidh an léiriúchán fostaíocht do phearsanra nach mbeadh an sochar céanna ag baint leo ó thaobh na AGUS TIONSCAIL A FHORBAIRT Éireannach i ngach grád is féidir? hÉireann de, ach amháin i gcás go gcuirfí ar a gcumas é Comhsheasmhach lena théarmaí tagartha ón Rialtas sin a dhéanamh le tacaíocht ó BSÉ/IFB. Léireoidh scannáin Caiteachas i ngeilleagar na hÉireann agus ag freagairt do riachtanais thionscal léiriúcháin den tsaghas sin, agus na sochair a eascróidh uathu, • An ndéanfar an scannán in Éirinn? chlosamhairc mar a fheictear iad in Éirinn faoi láthair, tá gníomhaíocht eacnamaíochta ‘breise’. • An mbainfidh an tionscadal feidhm fhairsing as saoráidí BSÉ/.IFB den tuairim go léiríonn tionscadail áirithe, ó thaobh léiriúcháin agus iar-léiriúcháin in Éirinn? a n-inneachair, foinsí nó tairbhe don tionscal, tosaíochtaí soiléire dá chuid maoiniúcháin. FEATURE FILMS/FADSCANNÁIN 1993-2012

32A 2007 / Director/Script Marian Quinn All Good Children 2010 / Director Alicia Duffy Endgame, Director Conor McPherson Producers Tommy Weir, Roshanak Producers Ed Guiney, Andrew Lowe, Jonathan Footfalls, Director Walter Aasmus Happy Behesht Nedjad Production Company Cavendish, Tom Dercourt, Patrick Quinet Days, Director Patricia Rozema Krapp’s Last Janey Pictures Production Company Element Pictures Tape, Director Atom Egoyan Not I, Director THE OVERCOAT Neil Jordan Ohio Impromptu, Director 48 Angels 2006 / Director Marion Comer Charles Surridge Play, Director Anthony All Is By My Side 2013 / Director/Script John Writers Marion Comer, Craig Holland Minghella Rockaby, Director Richard Eyre Ridley Producers Tristan Orpen Lynch, Nigel Producers John McDonnell, Robert Medema, Rough for Theatre I, Director Kieron J. Walsh Thomas, Charlotte Walls, Sean McKittrick, Jeff Marion Comer Production Company Rough for Theatre II, Director Katie Mitchell Cullota Production Companies Subotica, Reflected Light Pictures That Time, Director Hales Garrad Waiting AGUISÍN 5 Watchtower Film Productions, Darko for Godot, Director Michael Lindsay-Hogg Entertainment, Matador Pictures What Where, Director Damien O’Donnell, Producers Alan Moloney, Michael Colgan All Soul’s Day 1997 / Writer/Director A Production Company Blue Angel Films. SEIRBHÍSÍ SUÍMH Alan Gilsenan Producer David McLoughlin About Adam 1999 / Director Gerard 68 Production Company Yellow Asylum Films 69 Stembridge Producers Anna Devlin, Becoming Jane 2007 / Director Julian Jarrold Marina Hughes Script Gerard Stembridge Producers Robert Bernstein, Douglas Rae, All Things Bright and Beautiful 1993 Production Company Venus Film & Television Graham Broadbent, James Flynn, Morgan Tá sé mar chuspóir ag seirbhísí suímh scannánaíocht de gach cineál a éascú agus a spreagadh. Is féidir linn cabhrú leat / Director Barry Devlin Producer Katy O’Sullivan Script Kevin Hood, Sarah Williams cibé an bhfuil príomhscannáin, scannáin teilifíse, scannáin faisnéise nó scannáin tráchtála, corparáideacha, físeáin cheoil nó McGuinness Script Barry Devlin The Actors 2003 / Director/Script Conor Production Companies Ecosse Films, Production Company The Good Film Co. grianghrafadóireacht á ndéanamh agat; rud ar bith a theann ar scáileán. Tá ár bhfoireann margaíochta ar fáil chun do chuid McPherson Story by Neil Jordan Producers Blueprint Films, Octagon Films Neil Jordan, Redmond Morris, Stephen Between The Canals 2010 / Director/Script ceisteanna afhreagairt. Tá ár seirbhís saor in aisce. A Love Divided 1998 / Director Syd Woolley Production Company Company Mark O’Connor Producer Deirdre Barry Macartney Producers Tim Palmer of Wolves Production Company Avalon Films Alan Moloney, Gerry Gregg Script Níl anseo ach cuid de na seirbhísí atá á dtairiscint againn: Stuart Hepburn Production Company Accelerator 1999 / Director Vinny Murphy Black Day at Black Rock 2000 / Director/ Parallel Films Producer Michael Garland Script Mark Script Gerard Stembridge Producers Anna • Láimhseálann an tAonad Seirbhísí Suíomh gach fiosrúchán a bhaineann le scannánaíócht in Éirinn. Bunachar sonraí Stewart, Vinny Murphy Production Company Devlin, Marina Hughes Production Company A Kiss For Jed Wood 2010 / Director Maurice Two For the Show Venus Films inchuardaithe grianghraf is ea F.I.L.M. (Bainisteoir Suíomh do Thionscal na Scannán in Éirinn) a chuireann barr Linnane Producer Tim Palmer Script Barry Devlin, Maurice Linnane Production Company feabhais ar ár gcumas suímh a aimsiú. Tá úsáid na seirbhíse saor in aisce do lorgairí suíomh in Éirinn agus do lucht Adam & Paul 2004 / Director Lenny Black Ice 2013 / Director Johnny Gogan Ignition Film Productions déanta scannán a dhéanann teagmháil linn ó thíortha thar lear. Abrahamson Producer Jonny Speers Producers Johnny Gogan, Nicky Gogan, Executive Producers Andrew Lowe, Ed Trevor Curran Script Brian Leyden, Johnny A Man of No Importance 1993 / Director Guiney Script Mark O’Halloran Production Gogan Production Company Bandit Films Suri Krishnama Producer Jonathan Cavendish • Mar chuid dár seirbhís soláthraíonn muid freisin leabhair tagartha amhairc agus faisnéis tagartha eile maidir le cúrsaí Company Porridge Pictures Script Barry Devlin Production Company Little Blind Flight 2004 / Director John Furse a bhaineann le scannánaíocht in Éirinn. Bird A Film With Me In It 2008 / Director Ian Producers Sally Hibbin, David Collins, Fitzgibbon Producers Alan Molony, Susan Eddie Dick Script Brian Keenan, John Furse A Shine of Rainbows 2009 / Director Vic Mullen Script Mark Doherty Production Production Company Samson Films • Feidhmíonn muid chomh maith mar mhol do líonra oifigí réigiúnda scannán atá ag fás i gcónaí. Ciallaíonn an Sarin Producers Tina Phelme, Kim Roberts, Company Parallel Film Productions comhoibriú atá eadrainn féin agus an Northern Irish Film and Television Commission go bhfuil teaglaim ann a James Flynn Script Danis Foon, Catherine Bloody Sunday 2001 / Director/Script Paul Spear, Vic Sarin Production Companies chlúdaíonn an t-oileán ar fad. A Further Gesture 1996 / Director Robert Greengrass Producers Mark Redhead, Jim Octagon Films, Sepia Films Dornhelm Producers David Collins, Chris Sheridan, Arthur Lappin Production Company Curling Script Ronan Bennett Production Hell’s Kitchen A Thousand Times Goodnight 2013 / • Déanann muid comhoibriú le comhlachtaí eile leis an dtimpeallacht oibre a dhéanamh chomh cairdiúil agus is Company Samson Films Director Erik Poppe Script Harald Rosenløw Bloom 2004 / Director/Script Sean Walsh féidir do lucht na scannán. Eeg, Erik Poppe, with additional material by A Kiss for Jed 2010 / Director Maurice Producers Sean Walsh, Gerry Murphy, Kirsten Sheridan Producers Finn Gjerdrum, Linnane Producer Tim Palmer Script Barry Mark Byrne Production Company Stein B. Kvae Production Companies Devlin, Maurice Linnane Production Company Odyssey Pictures Newgrange Pictures, Paradox Rettigheter AS, Ignition Film Productions Zentropa International Sweden Bogwoman 1997 / Writer/Director Tom Agnes Browne Director Collins Producers Martha O’Neill, Tom Collins 1999 / Anjelica As If I Am Not Here 2010 / Director/ Producers Production Company De Facto Film & Video Huston Jim Sheridan, Arthur Script Juanita Wilson Producers Natalie Lappin, Greg Smith, Anjelica Huston Lichtenthaler, James Flynn Production Script Borstal Boy 2000 / Director Peter Sheridan Brendan O’Carroll, John Goldsmith Company Octogon Films Production Company Hell’s Kitchen Producers Pat Moylan, Arthur Lappin, Jim Sheridan Script Peter Sheridan, Nye Heron Ailsa 1993 / Director Paddy Breathnach Production Company Hell’s Kitchen Producer Ed Guiney Script Joe O’Connor B Production Company Temple Films Boxed 2003 / Director/Script Marion Comer Babygirl 2011 / Director/Script Macdara Producers Laurence Penn, Lene Bausager, Vallely Producers David Collins, Paul Miller, Alarm 2008 / Director/Script Gerard Douglas Graham Production Companies Gigi Dement Production Companies Samson Stembridge Producers Anna Devlin, Fireproof Films, Ugly Duckling Films Films, Escape Pictures Marina Hughes Production Company Venus Productions The Boxer 1998 / Producer/Director Beckett on Film 2000 / Act Without Words Jim Sheridan Producer Arthur Lappin I, Director Karel Reisz Act Without Words II, Albert Nobbs 2011 / Director Rodrigo Garcia Script Terry George Production Company Director Enda Hughes A Piece of Monologue, Producers Alan Moloney, Glenn Close, Bonnie Hell’s Kitchen Director Robin Lefevre Breath, Director Curtis, Julie Lynn Script John Banville, Glenn Damien Hirst Catastrophe, Director David Close, Gabriella Prekop Production Company Mamet Come and Go, Director John Crowley Parallel Film Productions Boy Eats Girl 2005 / Director Stephen Citadel 2011 / Director/Script: Dead Bodies 2003 / Director Robert Quinn Eden 2008 / Director Declan Recks Freeze Frame 2004 / Director/Script John Bradley Producers Ed Guiney, Andrew Lowe Ciaran Foy Producers: Katie Holly, Brian Producers David McLoughlin, Clare Scully Producer David Collins Script Eugene O’Brien Simpson Producers Michael Casey, Martha H Script Derek Landy Production Company Coffey, Production Companies: Blinder Script Derek Landy Production Company Production Company Samson Films O’Neill Production Companies Parallel World Element Films Films, Sigma Films Distinguished Features Productions, Wildfire Films H3 2001 / Director Les Blair Producers The Englishman 2008 / Director Ian Sellers James Flynn, Juanita Wilson Script Laurence The Boy from Mercury 1996 / Director/ Come On Eileen 2001 / Director/Script: Dead Long Enough 2006 / Director Tom Producers Teresa Mulqueen, David Collins The Front Line 2006 / Director/Writer McKeown, Brian Campbell Production Writer Martin Duffy Producer Marina Hughes Finola Geraghty, Producers: Finola Collins Script James Hawes, Tom Collins Script Ian Sellers, Brendan Grant Production David Gleeson Producers Nathalie Company Metropolitan Films Production Company Mercurian Films Geraghty, Katie Holly Kieran J Walsh, Producer Paul Donovan Production Company Company Samson Films Lichtenhaeler, James Flynn Production Production Companies: Blinder FIlms, Grand Pictures Company Wide Eye Films The Halo Effect 2004 / Director/Script Lance Breakfast on Pluto 2006 / Director Neil Foal Film Productions The Escapist 2007 / Director Rupert Daly Producers Macdara Kelleher, Hughie Kelly Jordan Writer Neil Jordan (based on the book Dead Meat 2004 / Director/Script Wyatt Producers Adrian Sturges, Alan Molony The F Word 2013 / Director Michael Dowse Executive Producers John Kelleher, Les Kelly by Patrick McCabe) Producers Alan Moloney, Conamara 2000 / Director Eoin Moore Conor McMahon Producers Ed King, Script Rupery Wyatt, Daniel Hardy Production Script Elan Mastai Producers David Gross, Production Company Fastnet Films Neil Jordan, Stephen Woolley Production Producer Ingrid Holzapfel Script Greg Michael Griffin Production Company Company Parallel Film Productions Jesse Shapira, Jeff Arkuss, Andre Rouleau, Production Companies Companies Parallel Films, Number 9 Films Brennan Production Company Boje 3 Way Productions Macdara Kelleher The Hanged Man (El Juego del Adhorcado) Buck Produktion Essential Killing 2011 / Director Jerzy Fastnet Films, No Trace Camping, Caramel 2009 / Director Manuel Gómez Pereira 70 Death of a Superhero Director 71 Broken Harvest 1993 / Director Maurice 2011 / Ian Skolimowski Producers Andrew Lowe, Ewa Films Producers Ana Amigo, Tristan Orpen Lynch, Producers O’Callaghan Producer Jerry O’Callaghan Controra 2013 / Director/Script Rossella de Fitzgibbon Michael Garland, Astrid Piaskowska, Jerzy Skolimoski Script Ewa Dominic Wright Production Companies Script Script Kate O’Callaghan, Maurice O’Callaghan Venuto Producers Dominic Wright, Jacqueline Kahmke, Philipp Kreuzer Anthony Piaskowska, Jerzy Skolimoski Production Subotica Entertainment Amigo Produtions, Production Companies Production Company Kerrin, Maurizio Antonini, Valentina Gardani McCarten Grand Company Element Pictures, Skopia Film, G Cinematograficas, Lennon Proucciones Destiny Films Production Companies Ripple World Pictures, Pictures, Bavaria Pictures Cylinder Productions, Mythberg Films Interlinea Garage 2007 / Director Lenny Abrahamson Happy Ever Afters 2009 / Director/Script The Disappearance of Finbar Byzantium 2012 / Director Niall Jordan 1994/95 Producers Ed Guiney, Andrew Lowe Script Stephen Burke Producer Lesley McKimm Director Producers Script Moira Buffini Producers Alan Moloney, Country 2000 / Director/Script Kevin / Sue Clayton David Mark O’Halloran Production Company Production Company Newgrange Pictures Stephen Woolley, Elizabeth Karlsen, William Liddy Producer Jack Armstrong Collins/Bertil Ohlsson, Martin Bruce Clayton F Element Pictures Script Production Company D. Johnson, Sam Englebardt Production Production Company Indi Films Dermot Bolger The Fading Light 2010 / Director/Script Ivan The Hardy Bucks Movie 2013 / Director/ Companies Parallet Films, Number 9 Films Samson Films Kavanagh Producer Anne Marie Naughton The General 1998 / Writer/Producer/ Producer/Script Mike Cockayne Script Gerry Cowboys & Angels 2004 / Director/ Production Company Park Films Director John Boorman Production Company Greaney Production Company Hardy Films Script David Gleeson Producer Nathalie Disco Pigs 2000 / Director Kirsten Sheridan Merlin Films Producer Script Lichtenthaeler Production Company Ed Guiney Enda Walsh The Fifth Province 1997 / Director Frank Haywire 2012 / Director Steven Soderbergh C Production Company Wide Eye Films Temple Films Stapleton Producer Catherine Tiernan, Nina Goldfish Memory 2003 / Director/Script Script Lem Dobbs Producers Gregory Jacobs, Call Girl 2012 / Director Mikael Marciman Fitzpatrick, Frank Stapleton Production Liz Gill Producer Breda Walsh Production Alan Moloney Production Companies Parallel Dollhouse Director/Script Script Marietta non Hausswolff von Cracks 2009 / Director Jordan Scott 2011 / Company Ocean Films Company Goldfish Films FIlm Productions, Relativity Media Baumgarten Producers Mimi Spang, Lesley Producers Julie Payne, Kwesi Dickson, Kirsten Sheridan Producer John Wallace Production Company McKimm Production Companies Newgrange Rosalie Swedlin, Andrew Lowe, Christine The Factory Finding Joy 2012 / Director/Script Neil Gold in the Streets 1996 / Director Headrush 2003 / Director/Script Shimmy Pictures, Friland Porduksjon, Yellow Film Vachon Script Caroline Ip, Ben Court, Jordan Dowling Producers Neil Dowling, Ross Elizabeth Gill Producer Noel Pearson Script Marcus Producer Edwina Forkin Production Dorothy Mills Director Scott Production Companies Element 2008 / Agnes Merlet Whitaker Production Company True Films Janet Noble, Noel Pearson Production Company Zanzibar Films Calvary 2013 / Director/Script John Michael Pictures, Future Films, Antenna Producers Marc Missonier, Eric Jehelman, Company Ferndale Films Script McDonagh Producers James Flynn, Chris 3 Films, Scott Free James Flynn Agnes Merlet, Juliette Five Day Shelter 2010 / Director/Script Helen 2009 / Directors/Script Christine Production Companies Clark, Flora Fernandez Marengo Production Sales Fidélité Films, Ger Leonard Producers Liam O’Neill, Villi The Good Man 2012 / Director/Script Phil Molloy, Joe Lawlor Producer Joe Lawlor Companies Octagon Films, Reprisal Films The Crooked Mile 2001 / Director/Script Octagon Films Ragnarsson Production Company Paradox Harrison Producers Susan Picken, Roy Zetisky, Production Company Desperate Optimists Stephen Kane Producers Triona Campbell, Pictures Rebecca O’Flanagan Production Company DOT.COM Director Capital Letters 2005 / Director/Script Ciaran Avril Ryan Production Company Campbell 2007 / Luís Galvão Teles Manifesto Films, Jet Black Entertainment, The Hideaways 2011 / Director Agnés Merlet Producers O’Connor Producers Nuala Cunningham, Ryan Productions Luís Galvão Teles, Francois Gonot, Five Minutes of Heaven 2009 / Director Oliver Treasure Entertainment Script Nick Murphy, Agnés Merlet Producers Production Companies Ciaran O’Connor, Linda Cardiff Production Edwina Forkin Fado Hirschbiegel Producers Eoin O’Callaghan, James Flynn, Jean Luc Ormieres Production Company New Decade Films Crushproof 1997 / Director Paul Tickell Filmes, Ipso Facto, Alta Producción, Zanzibar Ed Guiney, Andrew Lowe Script Guy Hibbert Good Vibrations 2012 / Directors Lisa Barros Company Desperate Optimists Producers Nicholas O’Neill, Kees Kassander Films, VideoFilmes Production Companies Element Pictures, Big D’Sa, Glen Leyburn Script Colin Carberry, Chaos 2001 / Director/Script Script James Mathers Production Company Fish Films, Ruby Films Glenn Patterson Producers Chris Martin, High Boot Benny 1993 / Director Joe Drinking Crude Writer/Director Geraldine Creed Producer Brendan McCarthy Liquid Films 1997 / Andrew Eaton, David Holmes, Rebecca Comerford Producer David Kelly Script Joe Producers Production Company Blue Light Productions Owen McPolin Kim Tapsell, Gerry Flick 1999 / Director Fintan Connolly O’Flanagan, Rob Walpole Script Janet Noble, Comerford Production Company Sandy Films Johnston Production Company Sweetskin Producer Fiona Bergin Script Fintan Connolly Noel Pearson Production Companies Treasure Charlie Casanova 2012 / Director/Script/ D Production Company Fubar Entertainment, Canderblinks His & Hers 2009 / Director/Script Ken Producer Terry McMahon Production Wardrop Producer Andrew Freedman Company Source Productions The Daisy Chain 2008 / Director E The Food Guide to Love 2013 / Directors Grabbers 2011 / Director Jon Wright Production Company Venom Films Aisling Walsh Producers Tristan Orpen Lynch, Dominic Harari, Teresa de Pelegri Script Producers Martina Niland, Tracy Brimm, Kate Cherrybomb 2009 / Directors Lisa Barros Dominic Wright Script Lauren Mackenzie Eamon 2009 / Director/Script Margaret Dominic Harari, Teresa de Pelegri, Eugene Myers Piers Tempest, Eduardo Levy, James The Honeymooners 2004 / Director/Script Script Production D’Sa, Glenn Leyburn Producers Michael Production Company Subotica Entertainment Corkery Producer Seamus Byrne Production O’Brien Producers Mary Callery, Ruth Coady, Martin Kevin Lehane Karl Golden Producers Martina Niland, Martin Companies Casey, Mark Huffam, Brian Kirk Script Company Zanita Films Mariela Besuievsky Production Companies Samson Films, Forward Films Brinkler Production Company Samson Films Daragh Carville Production Companies Dancing at Lughnasa 1998 / Director Pat Parallel Film Productions, Tornasol Films The Guard Director/Script Octagon Films, Green Park Films O’Connor Producer Noel Pearson Script Earthbound 2011 / Director/Script Alan 2010 / John How About You 2007 / Director Anthony Producers Generator Entertainment Frank McGuinness Production Company Brennan Producers Heidi Madsen, Foxes (Lísˆticˆky) 2009 / Director/Script Michael McDonagh Ed Guiney, Byrne Producer Noel Pearson Script Ferndale Films Jacqueline Kerrin, Dominic Wright Mira Fornayovà Producers Davis Collins, Andrew Lowe, Chris Clark, Flora Jean Pasley, based on a short story by Maeve Production Companies Circle of Friends 1993 / Director Pat Production Companies Ripple World Pictures, Brian Willis, Viktor Schwarcz, Juraj Buzalka Fernandez Marengo Binchy Production Company Ferndale Films O’Connor Producers Frank Price, Arlene Dark Touch 2013 / Director/Script Marina Paper Dreams Production Companies Samson Films, Cineart Element Pictures, Reprisal Films Sellers, Alex Winitsky Script Andrew Davies de Van Producers Ed Guiney, Martina Niland, TV Prague, Miras SRO How Harry Became a Tree 2001 / Director Guiltrip Director Production Company Good Girls Patrick Sobelman, Jean-Luc Ormieres, The Eclipse 2009 / Director Conor 1994/95 / Gerry Stembridge Goran Paskaljevic Producer Liam O’Neill Producer Script Marc Bordure Production Companies McPherson Producer Rob Walpole Script Frankie Starlight 1994/95 / Director Michael Ed Guiney Gerry Stembridge Script Goran Paskaljevic, Stephen Walsh Production Company Circus Fantasticus 2010 / Director/Script Element Pictures, Ex Nihlo/Agat Films, Conor McPherson, Billy Roche Production Lindsay-Hogg Producer Noel Pearson Script Temple Films Production Company Paradox Films Janez Burger Producers Morgan Bushe, Jozko Filmgate Films Company Treasure Entertainment Chet Raymo, Ronan O’Leary Production Rutar Petri Rossi Production Companies Company Ferndale Films Fastnet Films, Staragara Productions How to Cheat in the Leaving Certificate Kill Daddy, Goodnight (Das Vaterspiel) Love and Rage 1998 / Producer/Director Moondance 1993 / Director Dagmar Perfect Sense 2011 / Director David 1997 / Director Graham Jones Producers 2008 / Director/Script Michael Glawogger Cathal Black Producer Rudolf Wichmann, Hirtz Producers James Mitchell, Jonathan O Mackensie Producers Gillian Berrie, Tristan Graham Jones, Ciara Flanagan Script Graham Producers Christine Ruppert, Lesley McKimm Script Brian Lynch, Production Company Cavendish Script Burt Weinshanker Orpen Lynch, Malte Grunert Sisse, Graum Jones, Tadhg O’Higgins, Aislinn O’Loughlin Production Companies Tatfilm, Newgrange Cathal Black Production Company Little Bird Omagh 2004 / Director Pete Travis Jorgensen Script Kim Fupz Aakeson Production Company Graham Jones Films Producers Ed Guiney, Paul Greengrass Script Production Companies Sobotica, Sigma Films Love and Savagery 2009 / Director John The Most Fertile Man in Ireland 2000 / Guy Hibbert, Paul Greengrass Production King of the Travellers 2012 / Director/ Smith Producers Barbara Doran, Lynne Director Dudi Appleton Producer David Company Hells Kitchen International Perrier’s Bounty 2009 / Director Ian I Script Mark O’Connor Producers Cormac Wilson, Kevin Tierney, Tristan Orpen Lynch Collins Script Jim Keeble Production Fitzgibbon Producers Alan Molony, Stephen Fox, John Wallace Production Company Script Des Walsh Production Companies Company Samson Films On the Nose 2000 / Director David Caffrey Woolley, Elizabeth Karlsen Script Mark I Could Read the Sky 1999 / Director Nichola Vico Picture and Sound Subotica Entertainment, Morag Loves Producers Tristan Orpen Lynch, Scott O’Rowe Production Company Parallel Bruce Producers Janine Marmot, Nicholas Company, Park Ex Pictures The Moth Diaries 2011 / Director/Script Kennedy Script Tony Philpott Production Film Productions O’Neill Script Nichola Bruce, based on the Kings 2007 / Director/Script Tom Collins Mary Harron Producers MDavid Collins, Company Subotica Entertainment book by Timothy O’Grady & Steve Pyke Producer Jackie Larkin Production Company Love Eternal 2012 / Director/Script Brendan Sandra Cunningham, Karina Martine Pete’s Meteor 1998 / Writer/Director Production Company Liquid Films Newgrange Pictures Muldowney Producers Conor Barry, Morgan Production Companies Samson Films, Once 2007 / Director/Script John Carney Joe O’Byrne Producers Liam O’Neill, Production Production Company 72 Bushe, Macdara Kelleher Strada Films, Mediamax Producers Martina Niland, David Collins John Lyons 73 Inside I’m Dancing 2004 / Director Damien Kisses 2008 / Director/ Script Lance Daly Companies Fastnet Films, Red Lion S.a.r.l, Production Company Samson Films Paradox Pictures O’Donnell Producers James Flynn, Juanita Producer Macdara Kelleher Production Rinkel Film BV, T.O Entertainment My Brothers 2010 / Director Paul Fraser Wilson, Catherine Tiernan Script Jeffrey Company Fastnet Films Producers Rebecca O’Flanagan, Rob Ondine 2009 / Director/Script Neil The Pier 2012 / Director/Script/ Caine, based on a story by Christian O’Reilly Walpole Script William Collins Jordan Producers Neil Jordan, James Producer Gerard Hurley Production Production Company Octagon Films Korea 1993 / Director Cathal Black Producer M Production Company Rubicon Films Flynn, Ben Browning Production Company Company: Black Equus Production Darryl Collins Script Joe O’Byrne Production Octagon Films Intermission 2003 / Director John Crowley Company Black Star Films/Cathal Black Films The Magdalene Sisters 2003 / Director/ My Friend Joe 1994/95 / Director Chris Pilgrim Hill 2013 / Director/Script/Producer Producers Neil Jordan, Alan Moloney, Stephen Script Peter Mullan Producers Ed Guiney, Bould Producers Michael O’Connell, Gerhard One Hundred Mornings 2009 / Director/ Gerard Barrett Production Company Nine Woolley Writer Mark O’Rowe Production Frances Higson Production Company Schmidt Script David Howard, Declan Hughes Script Conor Horgan Producers Katie Holly Entertainment Studios Companies Parallel Films, Company of Element Films Production Company ProMedia Production Company Blinder Films Wolves L Princess (Prinsessa) 2009 / Director/Script Lapland Odyssey (Napapiirin, Sankarit) Man About Dog 2004 / Director Paddy Mystics 2003 / Director David Blair Producers Ordinary Decent Criminal 1999 / Director Teresa Fabik Producers Sandra Harms The Investigator (A Nyomazó) 2009 / 2011 / Director Dome Karukoski Producers Breathnach Producers Robert Walpole, Mark O’Sullivan, Michael Ryan, Nigel Warren Thaddeus O’Sullivan Producer Jonathan Morgan Bushe Production Companies Director/Script Attila Galambos Producers Jacqueline Kerrin, Dominic Wright, Aleski Simon Channing Williams Script Pearse Green Script Wesley Burrows Production Cavendish Script Gerry Stembridge Fastnet Films, Breidablick Film Production Ferenc Pustai, Macdara Kelleher, Martin Bardy, Martin Persson Script Pekko Pesonen Elliott Production Companies Treasure Company MR Films Production Company Little Bird Persson Production Companies Fastnet Production Companies Ripple World Pictures, Entertainment, Potboiler Productions Puckoon 2001 / Director/Script Films, KMH Film, Anagram Production Helsinki Filmi, Anagram Produktion The Other Side of Sleep 2011 / Director Terence Ryan Producers Ken Tuohy, Terence Mapmaker 2001 / Director/Script Johnny Rebecca Daly Producer Morgan Bushe Script Ryan Production Company Distinguished Isolation 2006 / Director/Writer Billy O’Brien Gogan Producer Paul Donovan Production N Features The Last Bus Home 1997 / Writer/Director Glenn Montgomery. Rebecca Daly Production Producers Ruth Kenley-Letts, Bertrand Faivre, Company Grand Pictures Johnny Gogan Producer Paul Donovan Night Train 1998 / Director John Lynch Companies Fastnet Films, Rinkel Film & TV Ed Guiney Production Companies Element Puffball 2007 / Director Nicolas Roeg Production Company Grand Pictures Producer Tristan Orpen Lynch Script Aodhan Productions, KMH Film Productions Films, The Bureau Mickybo & Me 2005 / Director/Script Madden Production Company Subotica Producers Michael Garland, Julie Baines, Ben Terry Loane Producers Mark Huffam Woolford, Martin Paulhus Executive Producer The Last of the High Kings 1994/95 / Entertainment Our Wonderful Home 2008 / Director/Script Istanbul (Isztambul) 2011 / Director/ Mike McGeagh Production Companies Paul Donovan Script Dan Weldon Production Director David Keating Producer Tim Ivan Kavanagh Producers Dominic Wright, Script Ferenc Török Producers Dominic Octagon Films Company Grand Pictures Palmer Script David Keating, Gabriel Byrne Niko and the Way to the Stars 2008 / Jacqueline Kerrin Production Company Ripple Wright, Jacqueline Kerrin, Lászlo Kántor, Production Company Parallel Films Directors Michael Hegner, Kari Juusonen World Pictures Petra Goedings, Serkan Acar Production Middletown 2006 / Director Brian Kirk Writer Script Hannu Tuomainen, Marteinn Thorisson, Companies Ripple WorlsPictures, Új Daragh Carville Producers Michael Casey, The Last September 1999 / Director Mark Hodkinson Production Companies Outcast 2010 / Director/Script Colm Budapest Filmstudió Phanta Vision, Kuzey Mark Byrne, Martha O’Neill Production R Deborah Warner Producer Yvonne Thunder Magma Films, Animaker, Ulysses Films, Afilm McCarthy Producers John McDonnell, Company Green Park Films The Race 2009 / Director André Nebe Script John Banville Production Company Brendan McCarthy Production Companies I Went Down 1997 / Director Paddy Producers Michael Garland, Martin Thunder Pictures Nora 1999 / Director Pat Murphy Producers Fantastic Films, Makar Films Breathnach Producer Rob Walpole Script The Mighty Celt 2005 / Director/Script James Flynn, Tracey Seaward Script Pat Hagermann Script Rowan O’Neill Conor McPherson Production Company Pearse Elliott Producers Robert Walpole, Production Companies Grand Pictures, Le Dernier Mot 1999 / Director Sebastien Murphy, Gerard Stembridge Production Treasure Films Paddy McDonald, Paddy Breathnach, Michael Zero West Film Produktion Grall Producers John Kelleher, Fabienne Company Volta/Metropolitan Films Casey Production Companies Treasure Servan-Schreiber Script Anne Valton, P Entertainment, Green Park Films The Rafters 2011 / Director/Script John Marina Ní Dhubhain Production Company Not Afraid, Not Afraid 2001 / Director Annette Park 1999 / Directors John Carney, Tom Carney Producers Martina Niland, Macdara J Fastnet Films Carducci Producers Morgan O’Sullivan, Hall Producers John Carney, Tom Hall Script Milo 2012 / Director/Script Berend James Flynn, Howard Gibbins Script Annette John Carney Production Company High Hat Kelleher Production Company Warehouse Johnny Was 2006 / Director Mark Hammond, Boorsman, Roel Boorsman Producers Martina Pictures Life’s a Breeze 2012 / Director/Script Lance Carducci, Barry Devlin Production Company Productions Writer Brendan Foley Producers Patrick Niland, San Fu Maltha Production Companies Daly Producer Macdara Kelleher Production World 2000 Fitzsymons, Tom Maguire, Paul Largan, Lars Samson Films, Fu Works Rewind 2010 / Director PJ Dillon Companies Fastnet Films, Anagram Parked 2011 / Director Daragh Byrne Hermann, Ira Besserman, Brendan Foley Nothing Personal 1994/95 / Director Producers Jacqueline Kerrin, Dominic Producers Alex Jones, John Wallace Production Company Borderline Productions The Miracle 2012 / Director Simon Staho Script PJ Dillon, Ronan Carr Production The Looking Glass 2010 / Director/Script Thaddeus O’Sullivan Producers Tracey Wright, Aleski Bardy Script Ciaran Creagh Script Simon Staho, Peter Birro Producers Company Carbon Films Colin Downey, Producer Eimear O’Kane, Seaward, Jonathan Cavendish Script Danny Production Companies Ripple World Pictures, Jump 2012 / Director Kieron J Walsh Script Jonas Frederiksen, Peter Garde, Tristan Orpen Production Company EMU Productions Mornin Production Company Little Bird Helsinki Filmi Kieron J Walsh, Steve Woods Producer Lynch Production Companies Subotica Run and Jump 2013 / Director/Script Steph Brendan J Byrne Production Company Blinder Entertainment, Zentropa Entertainment, XX Green Producers Tamara Anghie, Martina Losing It 2011 / Director/Script Macdara Nothing Personal 2009 / Director/Script Pavee Lackeen 2005 / Director Perry Ogden Films, Hotshot Films Film Niland, Astrid Kahmke, Philipp Kreuzer Script Callely Producers David Collins, Paul Miller Urszula Antoniak Producers Reiner Selen, Producers Perry Ogden, Martina Niland, John Ailbhe Keogan Production Companies Gigi Dement Production Companies Samson Edwin van Meurs, Morgan Bushe Production Rocha Script Perry Ogden, Mark Venner Mister John 2013 / Directors/Script Samson Films, Bavaria Pictures Films, Escape Pictures Companies Fastnet Films, Rinkel Film, Family Production Company An Lár Films Christine Molloy, Joe Lawlor Producers David Affair Films K Collins, Fran Borgia, Joe Lawlor Production The Runaway 2010 / Director/Script Ian Lotus Eaters 2011 / Director Alexandra Peaches 2000 / Director/Script Nick Grosso Kelly + Victor 2012 / Director/Script Kieran Companies Samson Films, Akanga Film Asia, Power Producers Macdara Kelleher, Brendan McGuinness Producers Morgan Bushe, Mark November Afternoon 1996 / Directors John Producer Ronan Glennane Production Evans Producers Janine Marmot, Andrew Desperate Optimists McDonald, Bernard Michaux Production Lee Script Alexandra McGuinness, Brendan Carney, Tom Hall Producer Pat O’Donoghue Company Stone Ridge Film Freedman Production Companies Venom, Hot Companies Fastnet Films, Lucil Films Grant Production Companies Fastnet Films, Script John Carney, Tom Hall Production Property McGuinesslee Company High Hat Productions Small Engine Repair 2007 / Director/ Stella Days 2011 / Director Thaddeus The Tiger’s Tail 2006 / Director/Writer John What Richard Did 2012 / Director Lenny S Script Niall Heery Producers Tristan Orpen O’Sullivan Producer Jackie Larkin Script Boorman Producers John Boorman, Kieran Abrahamson Script Malcolm Campbell Lynch, Dominic Wright Production Company Antoine O’Flaharta Production Companies Corrigan, John McDonnell, John Buchanan Producers JEdGuiney, Andrew Lowe Saltwater 1999 / Director Conor Subotica Entertainment Newgrange Pictures, Paradox Produksjon Production Company Merlin Films Production Company Element Films McPherson Producer Robert Walpole Script Conor McPherson Production Snakes and Ladders 1994/95 / Director Stitches 2012 / Director Conor McMahon Timbuktu 2003 / Director Alan Gilsenan When Brendan Met Trudy 2000 / Director Company Treasure Films Trish McAdam Producers Lilyan Sievernich, Script Conor McMahon, David O’Brien Producers Martin Mahon, John McDonnell, Kieron J. Walsh Producer Lynda Myles Chris Sievernich Script Trish McAdam Producers John McDonnell, Brendan Emma Scott Script Paul Freaney Production Script Roddy Doyle Production Company Sanctuary 2012 / Director Norah McGettigan Production Company Livia Film McCarthy Production Company Fantastic Companies Yellow Asylum Films, Fantastic Deadly Films 2 Producers Andrew Freedman, Katarzyna Films, Tailored Films Films, MR Films Slesicka Script Norah McGettigan, Gabriel Snap 2010 / Director/Script Carmel When The Sky Falls 1999 / Director John Enrigue Vargus Vasqyez Production Winters Producer Martina Niland Production Studs 2006 / Director/Writer Paul Tonight is Cancelled 2007 / Director/Script Mackenzie Producers Nigel Warren-Green, Companies Venom, Wajda Studios Company Samson Films Mercier Producers Fiach Mac Conghail, Brendan Grant Producer Macdara Kelleher Michael Wearing Script Colum McCann, Cuán Mac Conghail Production Company Production Company Fastnet Films Michael Sheridan, Ronan Gallagher Savage 2009 / Director/Script Brendan Some Mother’s Son Director/ 74 1996 / Brother Films Production Company Irish Screen Muldowney Producer Conor Barry Writer Terry George Producers Jim Sheridan, Triage 2009 / Director/Script Danis Tanovic Production Company SP Films Arthur Lappin, Ed Burke Production Sugar 2005 / Directors Patrick Jolley, Producers Alan Molony, Cedomir Kolar, Mark Wide Open Spaces 2009 / Director Tom Hall Company Hell’s Kitchen Reynold Reynolds Producers Samara Golden, Baschet Production Companies Parallel Film Producers Paul Donovan, Clare Kerr Script Seaside Stories 2010 / Director/Producer/ Patrick Jolley, Reynold Reynolds, Edwina Productions, ASAP Films, Tornasol Films, Arthur Matthews Production Company Script Fergus Tighe Production Company Some Other Stories 2010 / Directors Ivona Forkin Script Reynold Reynolds, Samara Freedom Spain Grand Pictures, Mead Kerr Gallivanting Media Juka, Ana Maria Rossi, Marija Dzidzeva, Ines Golden, Patrick Jolley Production Companies Tanovic, Hannah Slak Producers Ian W Davis, Zanzibar Films, Make Films Trojan Eddie 1996 / Director Gillies The Wind That Shakes The Barley 2006 The Sea 2013 / Director Stephen Brown James Flynn, Anita Juka, Nenad, Dukic, Alem MacKinnon Producers Seamus Byrne, / Director Ken Loach Writer Paul Laverty Script John Banville Producers David Collins, Babic, Tomi Salkovski, Dunja, Kemenc Script Summer of the Flying Saucer 2008 / Emma Burge Script Billy Roche Production Producers Rebecca O’Brien, Andrew Lowe Michael Robinson, Luc Roeg Production Ivona Juka, Ana Maria Rossi, Ines Tanovic, Director Martin Duffy Producers Ralph Company Irish Screen Production Companies Sixteen Films, Companies Samson Films, Independent Film Gjorche Stavreski, Hanna Slak Production Christians, Clodagh Freeman Script Marleinn Element Films, BIM Distrubuzione, EMC Company Companies DIG Productions, Octagon Films, Thorisson Production Company Magma Films Trouble with Sex 2005 / Director Fintan Produktion, Tornasol Films See Films Pro, Studio Maj Production, 4 Film, Connolly Producer Fiona Bergin Script Fintan The Secret of Kells 2008 / Directors Tomm Dokument, Skopje Film Studio. Sunset Heights 1998 / Director Colm Villa Connolly, Catriona McGowan Production Winter’s End 2005 / Director/Script Patrick Moore, Nora Twomey Producers Paul Young, Producers Denis Bradley, James Flynn Company Fubar Kenny Producer Damien Donnelly Production Didier Brunner, Vivian Van Fleteran Script Song for a Raggy Boy 2003 / Director Script Colm Villa Production Company Company Winter’s End Fabirce Ziolkowski, Tomm Moore Production Aisling Walsh Producers Tristan Orpen Lynch, Northland Films True North 2009 / Director/Script Steve Company Cartoon Saloon Dominic Wright, John McDonnell, Kevin Byron Hudson Producers Sonja Ewers, Benjamina Words Upon the Window Pane 1993 / Murphy Script Aisling Walsh, Kevin Byron The Sun, the Moon and the Stars 1996 / Mirnik, David Collins Production Companies Director Mary McGuckian Producers Mary Sensation 2010 / Director/Script Tom Murphy, based on book by Patrick Galvin Director/Writer Geraldine Creed Producer Makar Productions, Samson Films McGuckian, Anna J. Devlin Script Mary Hall Producers Katie Holly, Kieron J Walsh Production Company Subotica Entertainment Brendan McCarthy Production Company McGuckian Production Company Production Company Blinder Films Blue Light Pembridge Productions Spaghetti Slow 1996 / Director Valerio Separation Anxiety 1997 / Director Mark Jalongo Producers Katy McGuinness, Swansong - The Story of Occi Byrne 2009 U Staunton Producer Liam O’Neill Script Carlos Pasini Hansen Script Barry Devlin, / Director/Script Conor McDermottroe Ugly Duckling and Me! 2007 / Directors Shelagh Harcourt Production Company Valerio Jalongo, Lucinda Coxon Production Producers Hermann Florin, Edwina Forkin, Michael Hegner, Karsten Kiilerich Producers Y Paradox Pictures/Dogtown Films Company The Good Film Company Tom Maguire Production Companies Ralph Christians, Anders Maastrup, Moe You Looking at Me? 2003 / Director/ Zanzibar Films, Florin Film Honan, Daina Sacco Script Mark Hodkinson Producer Margo Harkin Script Shadow Dancer 2012 / Director James Speed Dating 2007 / Director/Script Tony Production Companies Magma Films, A Film Teresa Godfrey Production Company Marsh Producers Andrew Lowe, Ed Herbert Producers John Conroy, Tony Herbert Sweety Barrett 1998 / Writer/Director Futurikon, Ulysses Besom Productions Guiney, Chris Coen Script Tom Bradby Production Company System 48 Stephen Bradley Producer Ed Guiney Production Companies Element Pictures, Production Company Temple Films Unanimous Entertainment Spin the Bottle 2003 / Director Ian FitzGibbon Producer Michael Garland V Z The Shadows 2013 / Director/Script Colin Script Ian FitzGibbon, Michael McElhatton Vasha 2009 / Director/ Script Hannu Zonad 2008 / Director John Carney Downey Producer Eimear O’Kane Production Production Company Grand Pictures T Salonen Producers Piret Tibbo-Hudgins, Producers Ed Guiney, Andrew Lowe, Company EMU Productions Tara Road 2005 / Director Gillies MacKinnon Philipp Homberg, Jarkko Hentula, Nathalie John McDonnell Script John Carney, The Stag 2013 / Director John Butler Script Producers Noel Pearson, Miron Blumental, Lichtenthaeler Production Companies Kieran Carney Production Company Short Order 2005 / Director/Script John Butler, Peter McDonald Producers Sarah Radclyffe Script Cynthia Cidre, Shane Wide Eye Films, Homberg Film Produktion, Element Pictures Anthony Byrne Producers Brian Willis, Peter Rebecca O’Flanagan, Robert Walpole Connaughton Production Company Ferndale All Film, Juoni Filmi Stockhaus, Christine Alderson, David Collins Films Production Company Igloo Productions Standby 2013 / Directors Ronan Burke, Rob Burke Script Pierce Ryan Producer John This is the Sea 1996 / Director/Writer Shrooms 2007 / Director Paddy Breathnach Wallace Production Companies Black Sheep Mary McGuckian Producer Michael Garland W Producers Robert Walpole, Paddy McDonald Productions, Paul Thiltges Distributions Production Company Pembridge Productions Wake Wood 2009 / Director David Keating Script Pearse Elliot Production Company Treasure Entertainment Producers John McDonnell, Brendan Treasure Entertainment This Must Be The Place 2012 / Director McCarthy Script Brendan McCarthy Starfish 2004 / Director/Script Stephen Paolo Sorrentino Producers Andrew Lowe, Production Companies Fantastic Films, Solid Silence 2012 / Director Pat Collins Script Kane Producer Victoria Parks Production Andrea Occhipinti, Francesca Cima, Carlotta Entertainment Pat Collins, Eoghan MacGiolla Bhríde, Sharon Company New Starfish Enterprise Calori, Stefano Massenzi Script Poalo Whooley Producer Tina Moran Production Sorrentino, Umberto Contarello Production Watermelon 2002 / Director Kieron J Walsh Company South Wind Blows Stay 2013 / Director/Script Wiebke von Companies Elements Pictures, Indigo Films, Producers David Collins, Saurabh Kakkar, Carolsfeld Producers David Collins, Martina Lucky Red, ARP Christine Langan Script Colin Bateman Silent Grace 2001 / Director/Producer/ Niland, Andrew Boutilier, Martin Paul-Hus Production Company Samson Films Script Maeve Murphy Production Company Production Companies Samson Films, Follower Productions Amérique Film, Submission Films Queensgate Geata na Banríona T: +353 91 561398 www.irishfilmboard.ie 23 Dock Road 23 Bóthar na Duganna F: +353 91 561405 Galway Gaillimh E: [email protected] Ireland Éire