Monthly List of Langar Fund Donors Haridwar May Report Updated On:- 14 SEP 2018 Sr.No Reg.No
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Dated : 23/4/2016
Dated : 23/4/2016 Signatory ID Name CIN Company Name Defaulting Year 01750017 DUA INDRAPAL MEHERDEEP U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750020 ARAVIND MYLSWAMY U01120TZ2008PTC014531 M J A AGRO FARMS PRIVATE 2008-09, 2009-10 LIMITED 01750025 GOYAL HEMA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750030 MYLSWAMY VIGNESH U01120TZ2008PTC014532 M J V AGRO FARM PRIVATE 2008-09, 2009-10 LIMITED 01750033 HARAGADDE KUMAR U74910KA2007PTC043849 HAVEY PLACEMENT AND IT 2008-09, 2009-10 SHARATH VENKATESH SOLUTIONS (INDIA) PRIVATE 01750063 BHUPINDER DUA KAUR U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750107 GOYAL VEENA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750125 ANEES SAAD U55101KA2004PTC034189 RAHMANIA HOTELS 2009-10 PRIVATE LIMITED 01750125 ANEES SAAD U15400KA2007PTC044380 FRESCO FOODS PRIVATE 2008-09, 2009-10 LIMITED 01750188 DUA INDRAPAL SINGH U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750202 KUMAR SHILENDRA U45400UP2007PTC034093 ASHOK THEKEDAR PRIVATE 2008-09, 2009-10 LIMITED 01750208 BANKTESHWAR SINGH U14101MP2004PTC016348 PASHUPATI MARBLES 2009-10 PRIVATE LIMITED 01750212 BIAPPU MADHU SREEVANI U74900TG2008PTC060703 SCALAR ENTERPRISES 2009-10 PRIVATE LIMITED 01750259 GANGAVARAM REDDY U45209TG2007PTC055883 S.K.R. INFRASTRUCTURE 2008-09, 2009-10 SUNEETHA AND PROJECTS PRIVATE 01750272 MUTHYALA RAMANA U51900TG2007PTC055758 NAGRAMAK IMPORTS AND 2008-09, 2009-10 EXPORTS PRIVATE LIMITED 01750286 DUA GAGAN NARAYAN U74120DL2007PTC169008 -
10.08.2020 * 1 Regular Matters
10.08.2020 * 1 REGULAR MATTERS NOTE: THE FOLLOWING REGULAR MATTERS SHALL BE TAKEN UP FOR HEARING THROUGH VIDEO CONFERENCING. COUNSELS ARE REQUESTED TO FURNISH THEIR E-MAIL ID AS WELL AS MOBILE NUMBER TO THE COURT MASTERS SO THAT LINKS CAN BE PROVIDED TO THEM. REGULAR MATTERS DIVISION BENCH-I HON'BLE THE CHIEF JUSTICE HON'BLE MR. JUSTICE PRATEEK JALAN [NOTE: IN CASE ANY ASSISTANCE IS REQUIRED, PLEASE CONTACT, MR. VIJAY RATTAN SUNDRIYAL (9811136589) COURT MASTER & MR. VISHAL (PH 9968315312) ASSISTANT COURT MASTER TO HON'BLE THE CHIEF JUSTICE & MR.SANJOY KUMAR OJHA (PH 8076629360) COURT MASTER TO HON’BLE MR. JUSTICE PRATEEK JALAN. REGULAR MATTERS 1. W.P.(C) 1047/2005 PRABHAS NARAIN MISRA MS. BARKHA BABBAR, BARKHA Vs. UOI AND ORS. BABBAR, MS. SANGITA BHAYANA 2. W.P.(C) 1437/2005 M/S C.R. NARAYANA RAO AND ANR. NAVEEN R. NATH, D. VERMA, Vs. COUNCIL OF ARCHITECTURE NEHA SHARMA AND OT 3. W.P.(C) 9431/2005 M/S 1ST ALERT SYSTEMS MR. YOGESH KUMAR, SONIA CM APPL. 6933/2005 Vs. UOI AND ORS. SHARMA, MR. R.O. BHATIA 4. W.P.(C) 19625/2005 M/S POLAR MARMO AGGLOMERATES AVINASH LAKHANPAL, L MR. SHEKHAR VYAS Vs. UOI AND OTHERS 5. W.P.(C) 20532/2005 KUMAR STEEL ROLLING MILLS AMIT BANSAL, P.C.JAIN CM APPL. 13473/2005 Vs. UOI AND ORS. 6. W.P.(C) 11973/2006----| HIRA LAL MAKHIJA ARIJIT GANGULY, AMIT BANSAL, CM APPL. 9119/2006 | Vs. U.O.I AND ANR VERMA KANT WITH W.P.(C) 11975./2006 W.P.(C) 11981./2006 | | 7. -
Main Voter List 08.01.2018.Pdf
Sl.NO ADM.NO NAME SO_DO_WO ADD1_R ADD2_R CITY_R STATE TEL_R MOBILE 61-B, Abul Fazal Apartments 22, Vasundhara 1 1150 ACHARJEE,AMITAVA S/o Shri Sudhamay Acharjee Enclave Delhi-110 096 Delhi 22620723 9312282751 22752142,22794 2 0181 ADHYARU,YASHANK S/o Shri Pravin K. Adhyaru 295, Supreme Enclave, Tower No.3, Mayur Vihar Phase-I Delhi-110 091 Delhi 745 9810813583 3 0155 AELTEMESH REIN S/o Late Shri M. Rein 107, Natraj Apartments 67, I.P. Extension Delhi-110 092 Delhi 9810214464 4 1298 AGARWAL,ALOK KRISHNA S/o Late Shri K.C. Agarwal A-56, Gulmohar Park New Delhi-110 049 Delhi 26851313 AGARWAL,DARSHANA 5 1337 (MRS.) (Faizi) W/o Shri O.P. Faizi Flat No. 258, Kailash Hills New Delhi-110 065 Delhi 51621300 6 0317 AGARWAL,MAM CHANDRA S/o Shri Ram Sharan Das Flat No.1133, Sector-29, Noida-201 301 Uttar Pradesh 0120-2453952 7 1427 AGARWAL,MOHAN BABU S/o Dr. C.B. Agarwal H.No. 78, Sukhdev Vihar New Delhi-110 025 Delhi 26919586 8 1021 AGARWAL,NEETA (MRS.) W/o Shri K.C. Agarwal B-608, Anand Lok Society Mayur Vihar Phase-I Delhi-110 091 Delhi 9312059240 9810139122 9 0687 AGARWAL,RAJEEV S/o Shri R.C. Agarwal 244, Bharat Apartment Sector-13, Rohini Delhi-110 085 Delhi 27554674 9810028877 11 1400 AGARWAL,S.K. S/o Shri Kishan Lal 78, Kirpal Apartments 44, I.P. Extension, Patparganj Delhi-110 092 Delhi 22721132 12 0933 AGARWAL,SUNIL KUMAR S/o Murlidhar Agarwal WB-106, Shakarpur, Delhi 9868036752 13 1199 AGARWAL,SURESH KUMAR S/o Shri Narain Dass B-28, Sector-53 Noida, (UP) Uttar Pradesh0120-2583477 9818791243 15 0242 AGGARWAL,ARUN S/o Shri Uma Shankar Agarwal Flat No.26, Trilok Apartments Plot No.85, Patparganj Delhi-110 092 Delhi 22433988 16 0194 AGGARWAL,MRIDUL (MRS.) W/o Shri Rajesh Aggarwal Flat No.214, Supreme Enclave Mayur Vihar Phase-I, Delhi-110 091 Delhi 22795565 17 0484 AGGARWAL,PRADEEP S/o Late R.P. -
Contemporary Evidence on Sikh Rites and Rituals in the Eighteenth Century
179 Karamjit K. Malhotra: Sikh Rites and Rituals Contemporary Evidence on Sikh Rites and Rituals in the Eighteenth Century Karamjit K Malhotra Panjab University, Chandigarh ________________________________________________________________ This paper on Sikh rites and rituals analyses the whole range of contemporary evidence on the eighteenth century in three phases for observing continuity and change in the rites of initiation, birth, marriage and death. The Sikh sources are relevant for all the three phases, the Persian sources associated with the Mughal empire are relevant for the first, and the European accounts for the third. Two major findings emerge from this study: the continuity of normative statements on Sikh rites and rituals in which the Brahman priest and Brahmanical scriptures had no role, and there was a large degree of correspondence between the normative statements and empirical evidence on Sikh rites and rituals. _______________________________________________________________ Introduction No historian of the Sikhs has brought rites and rituals of the Sikhs during the eighteenth century directly into focus. Harjot Oberoi, for example, looks upon rituals as ‘a key element in the construction of religious identity’, and underlines the importance of the ‘rites of passage’ for Sikh identity. He maintains that prior to the Khalsa transformation, the Sikhs possessed only a fluid identity, and did not think of ‘a distinct set of life-cycle rituals’. The Khalsa introduced new rites related to birth, initiation and death which ‘endowed an individual with a new and bounded identity’ to demarcate the Khalsa from the rest of the ‘civil society’. Oberoi presents these rituals in a few paragraphs on the Chaupa Singh Rahitnama which he places between 1750 and 1765. -
I Introduction to Bhairava-Kali- Abhichara
I Introduction to Bhairava-Kali- Abhichara ABHICHARA India is like a treasury full of precious stones shining with all the colours of the rain - bow. Hundreds of peoples, each of them rich in their unique ethnic culture, art, tra - ditions and customs, have been living in that country for ages. Such a number and diversity of religions as can be found in India is impossible to meet in any other country. India is the birthplace of Buddhism, Jainism and Sikhism. Islam, Christian - ity and Shamanism can also be found there; Judaism and Zoroastrianism are related to India as well. However, most of India’s population practices Hinduism, which is a colourful multitude of various spiritual movements united by certain principles. India gave us sophisticated medicine, the first grammar treatises in history, the dec - imal numeration system, a number of algebraic, geometric and trigonometric con - cepts, chess, highly developed religious and philosophical systems, masterpieces of world art, and much more. Within the colourful diversity of cultural, geographic, religious, caste and social formations of India, there evolved and flowered unique mystical-magical traditions: namely, the tantric ones. The main definAinbgh fiechataurrae’ of all tantric schools is their practical mysticism based on a detailed and multileveled study of doctrinal concepts of sacred texts and on religious-magical practices in - cluding theurgy and mantic arts. The applied mystical-magical aspect of Tantrism is called ‘ in Sanskrit. The root ‘abhi’ can be translated into English as ‘action’, and ‘char’ - as ‘movement’, ‘following’ or ‘way’. Thus, it can be said that Abhichara is ‘the way of performing actions’. -
THE SIKH GURUS Lives, Works and Teachings
THE SIKH GURUS Lives, Works and Teachings THE SIKH GURUS Lives, Works and Teachings A BRIEF DESCRIPTION Mukhtar Singh Goraya Publisher: Dr. Inderjit Kaur, President All India Pingalwara Charitable Society (Regd.), Amritsar THE SIKH GURUS LIVES, WORKS AND TEACHINGS A BRIEF DESCRIPTION Written by : Mukhtar Singh Goraya D-577, Ranjit Avenue, Amritsar - 143 001 Ph: +91-183-2501399 M: 98551-22568 © - Author First Edition : November, 2015 ISBN: 978-81-923150-5-8 Publisher : Dr. Inderjit Kaur, President All India Pingalwara Charitable Society (Regd.), Amritsar. Ph. no. 91-183-2584586, 2584713 E-mail: [email protected] FREE OF COST Printed at: Printwell, 146, Industrial Focal Point, Amritsar. Dedicated to The sacred memory of Bhagat Puran Singh, founder of *Pingalwara, working wherein, this author got the inspiration to write this book. *Pingalwara — a model of selfless service — is a home for the homeless, support for the supportless, a hospital for the sick, a cradle for the children, and a safe haven for young women — victims of domestic violence, social exploitation, etc. CONTENTS DESCRIPTION PAGE 1. Foreword 7 2. Introduction 11 3. Chapter: 1 Sri Guru Nanak Dev 13 4. Chapter: 2 Sri Guru Angad Dev 59 5. Chapter: 3 Sri Guru Amar Das 71 6. Chapter: 4 Sri Guru Ram Das 81 7. Chapter: 5 Sri Guru Arjan Dev 88 8. Chapter: 6 Sri Guru Hargobind 106 9. Chapter: 7 Sri Guru Har Rai 132 10. Chapter: 8 Sri Guru Har Krishan 138 11. Chapter: 9 Sri Guru Tegh Bahadur 142 12. Chapter:10 Sri Guru Gobind Singh 160 13. Chapter:11 Sri Guru Granth Sahib 210 14. -
AJEET SINGH Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt
SUMMER PLACEMENT w w w . m a n g a l m a y . o r g 20 Students' Profiles MANGALMAY GROUP OF INSTITUTIONS 17 Professional Transformation B.TECH AASHU Mechanical ABHISHEK GURG Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. ABHISHEK NAGAR Mechanical Online Course on 'Begins Robotics' from University of Reading •Name •Branch •Training www.mangalmay.org SUMMER PLACEMENT w w w . m a n g a l m a y . o r g 20 Students' Profiles MANGALMAY GROUP OF INSTITUTIONS 17 Professional Transformation B.TECH AJEET SINGH Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. AMAN KUMAR Mechanical Bihar State Power Generation Co. Ltd BHARAT BHUSHAN Mechanical Param Dairy Ltd •Name •Branch •Training www.mangalmay.org SUMMER PLACEMENT w w w . m a n g a l m a y . o r g 20 Students' Profiles MANGALMAY GROUP OF INSTITUTIONS 17 Professional Transformation B.TECH DEEPAK KUMAR Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. DEEPAK KR. KUSHWAHA Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. GAURAV KUMAR Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. •Name •Branch •Training www.mangalmay.org SUMMER PLACEMENT w w w . m a n g a l m a y . o r g 20 Students' Profiles MANGALMAY GROUP OF INSTITUTIONS 17 Professional Transformation B.TECH KUNDAN KUMAR Mechanical Koncept Mahindra Automobiles & Apex T G India Pvt. Ltd. LAVKESH AGARWAL Mechanical Param Dairy Ltd MD FAISAL KHAN Mechanical In Plant training on Production shop, CNC milling , CNC Turning From INDO DANISH TOOL ROOM •Name •Branch •Training www.mangalmay.org SUMMER PLACEMENT w w w . -
1 Sample Question Paper on Cinema Prepared by : Naresh Sharma: Director
1 Sample question paper on cinema prepared by : Naresh Sharma: Director. CRAFT Film School.Delhi.www.craftfilmschool.com: [email protected] Disclaimer about this sample paper ( 50+28 Objective questions ) by Naresh Sharma: 1. This is to clarify that I, Naresh Sharma, neither was nor is a part of any advisory body to FTII or SRFTI , the authoritative agencies to set up such question paper for JET-2018 entrance exam or any similar entrance exam. 2. As being a graduate of FTII, Pune, 1993, and having 12 years of Industry experience in my quiver as well the 12 years of personal experience of film academics, as being the founder of CRAFT FILM SCHOOL, this sample question-answers format has been prepared to give the aspiring students an idea of variety of questions which can be asked in the entrance test. 3. The sample question paper is mainly focused on cinema, not in exhaustive list but just a suggestive list. 4. As JET - 2018 doesn't have any specific syllabus, so any question related to General Knowledge/Current Affair can be asked. 5. Since Cinema has been an amalgamation of varied art forms, Entrance Test intends to check as follows; a) Information; and b) Analysis level of students. 6. This sample is targeted towards objective question-answers, which can form part of 20 marks. One need to jot down similar questions connected with Literature/ Panting Music/ Dance / Photography/ Fine arts etc. For any Query, one can write: [email protected] 2 Sample question paper on cinema prepared by : Naresh Sharma: Director. -
The Sikhs of the Punjab Revised Edition
The Sikhs of the Punjab Revised Edition In a revised edition of his original book, J. S. Grewal brings the history of the Sikhs, from its beginnings in the time of Guru Nanak, the founder of Sikhism, right up to the present day. Against the background of the history of the Punjab, the volume surveys the changing pattern of human settlements in the region until the fifteenth century and the emergence of the Punjabi language as the basis of regional articulation. Subsequent chapters explore the life and beliefs of Guru Nanak, the development of his ideas by his successors and the growth of his following. The book offers a comprehensive statement on one of the largest and most important communities in India today j. s. GREWAL is Director of the Institute of Punjab Studies in Chandigarh. He has written extensively on India, the Punjab, and the Sikhs. His books on Sikh history include Guru Nanak in History (1969), Sikh Ideology, Polity and Social Order (1996), Historical Perspectives on Sikh Identity (1997) and Contesting Interpretations of the Sikh Tradition (1998). Cambridge Histories Online © Cambridge University Press, 2008 Cambridge Histories Online © Cambridge University Press, 2008 THE NEW CAMBRIDGE HISTORY OF INDIA General editor GORDONJOHNSON President of Wolfson College, and Director, Centre of South Asian Studies, University of Cambridge Associate editors C. A. BAYLY Vere Harmsworth Professor of Imperial and Naval History, University of Cambridge, and Fellow of St Catharine's College J F. RICHARDS Professor of History, Duke University Although the original Cambridge History of India, published between 1922 and 1937, did much to formulate a chronology for Indian history and describe the administrative structures of government in India, it has inevitably been overtaken by the mass of new research published over the past fifty years. -
Bollywood Cinema Show Cards: Indian Film Art from the 1950S to the 1980S
Bollywood Cinema Show Cards: Indian Film Art from the 1950s to the 1980s This exhibition follows the historic and stylistic development of Hindi film advertising during Indian’s independence from Britain in 1947 to the 1980s—just before India entered into the global economy. Most people have heard of Bollywood cinema: the commercial film industry based in the port city of Bombay-- now called Mumbai-- on the western coast of India. The term “Bollywood” is derived from combining “Bombay” with “Hollywood” and reflects an early awareness of international cinema in India. Today Bollywood, alongside other Indian film industries, produces over 800 films a year, making India’s film industry one of the largest in the world. Most Bollywood films today follow the masala or “mixed” format, a style developed in the 1960s. 1 These fantastical films tend to be around three hours long and rely on viewers detaching themselves from an everyday reality. Plots tend to have many characters and follow non- linear narratives. Films are shot in multiple locations and the song and dance scenes, a key component of Bollywood cinema, contribute to the spectacular nature of these larger- than-life films. While Bollywood films have been studied by scholars and received much media attention, the culture of advertising has not. This exhibition seeks to change that by focusing on one specific form of advertising—the Show Card. Though sizes vary, most Show Cards are roughly ¾ of a meter long by ½ a meter wide: some horizontally or landscape oriented, others vertically or portrait. All feature colourful collages of photographic stills that have been mounted on cardboard then hand-tinted. -
Contemporary Cinema & Indian Nationalism
Contemporary Cinema & Indian Nationalism History 175C: Special Topics in Indian History UCLA: Spring 2018 Tuesdays & Thursdays 2-3:15 PM, in Public Affairs 1222 Vinay Lal Department of History, UCLA Office: Bunche Hall 5240 Office Hours: Tuesdays & Thursdays, 3:30-4:30 PM, and by appointment Tel: 310.825.8276; Department Office (Bunche 6265): 310.825.4601 email: [email protected] Instructor’s website: southasia.ucla.edu Instructor’s webpages on cinema: http://southasia.ucla.edu/culture/cinema/ Course website: https://moodle2.sscnet.ucla.edu/course/view/18S-HIST175C-1 YouTube page: youtube.com/user/dillichalo Blog: https://vinaylal.wordpress.com This upper-division lecture course, offered for the first time, takes up the twin stories of Indian cinema and nationalism in the colonial and postcolonial period, and suggests that the intersection of history and cinema might have some unusual insights to offer about the nature of nationalist narratives. In broader terms, this lecture course also furnishes an introduction to the culture and history of modern Hindi-language cinema, the study of modern Indian history, some of the broader theoretical literature on nationalism and patriotism, and the study of popular culture. The use of films and visual material in the study of history has become increasingly popular over the course of the last three decades; however, this course does not view cinema merely an as instrument for the study of Indian history. Popular cinema, this lecture presumes, is an intrinsically interesting subject of inquiry, even if Indian scholars have come to this realization long after the Indian public had already declared its unmitigated affection for the movies. -
Dated : 23/4/2016
Dated : 23/4/2016 Signatory ID Name CIN Company Name Defaulting Year 02700070 PARATE VIJAYKUMAR U45200MH1993PTC072352 PARATE DEVELOPERS P LTD 2008-09, 2009-10 02700109 NATESAN RAMACHANDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 2009-10 LIMITED 02700110 JEGADEESAN MAHENDRAN U51505TN2002PTC049271 RESHMA ELECTRIC PRIVATE 2009-10 LIMITED 02700187 KUMARASWAMY KUNIGAL U93090KA2006PLC039899 EMERALD AIRLINES 2009-10 RAMACHANDRA LIMITED 02700226 HENDIN URI ZIPORI U55101HP2008PTC030910 INNER WELLSPRING 2009-10 HOSPITALITY SERVICES 02700285 DEVADASON NALLATHAMPI U72200TN2006PTC059044 ZENTERE SOLUTIONS 2007-08, 2008-09, 2009-10 PRIVATE LIMITED 02700394 MENON PADMINI U72200KL2000PTC013771 E BIZ SOFTWARE PRIVATE 2006-07, 2007-08 LIMITED 02700444 GEETHA PITCHAIMANI U45201TN2005PTC057648 RAJTILAK BUILDERS 2009-10 PRIVATE LIMITED 02700472 AVDHESH R VERMA U51909MH2008PTC177604 NIDDHISH IMPEX PRIVATE 2008-09, 2009-10 LIMITED 02700521 JOSE THOMAS U70101KL2007PTC020141 SEVEN SEAS PROPERTIES 2008-09 PRIVATE LIMITED 02700550 PARGAT SINGH U64202KA2003PTC031601 BYOND GLOBAL 2009-10 OUTSOURCING PRIVATE 02700951 AGRAWAL ANJITA U20103MP1998PTC012579 VAIBHAV INDUSTRIES 2009-10 PRIVATE LIMITED 02701013 JAIN KUMAR MAHENDRA U74140MH2008PTC184622 WARBURG TEMPLIN 2009-10 ADVISORS PRIVATE LIMITED 02701127 PRASAD SEEMA U02212MP1974PTC001273 BOMBAY DRUGS BIOCARE 2009-10 PRIVATE LIMITED 02701131 AMIT KAUNDAL U52599HP2002PTC025402 SUNNET NETWORK 2006-07, 2007-08, 2009-10 SERVICES PRIVATE LIMITED 02701152 KUMAR MANOJ U52599HP2002PTC025402 SUNNET NETWORK 2006-07, 2007-08,