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Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015
SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
Embargoed Until Announced at the Ceremony on Sunday 14 February 2016
EMBARGOED UNTIL ANNOUNCED AT THE CEREMONY ON SUNDAY 14 FEBRUARY 2016 JOHN BOYEGA WINS THE EE RISING STAR AWARD AT THE EE BRITISH ACADEMY FILM AWARDS IN 2016 The Star Wars actor tops the public vote The EE Rising Star Award is the only one at the EE British Academy Film Awards to be voted for by the public The other 2016 nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley Last year’s EE Rising Star Award winner, Jack O’Connell presented this year’s award Previous winners include Will Poulter, Tom Hardy, Kristen Stewart, Noel Clarke, Eva Green and James McAvoy London, Sunday 14 February 2016: EE is proud to announce John Boyega as the winner of the EE Rising Star Award in 2016. The EE Rising Star Award is the only publicly-voted award presented at the EE British Academy Film Awards, and a hotly contested accolade for up and coming acting talent. Boyega was one of five international actors nominated for their exceptional talent and recognised as a true star in the making. The other nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley. JOHN BOYEGA was cast as the lead role in Star Wars: Episode VII – The Force Awakens, which premiered at the end of last year. Boyega had his screen debut in the critically acclaimed BBC series, Becoming Human, where he starred as Danny Curtis the school bully in four episodes. His first foray into feature films was playing the lead in cult sci-fi film, Attack the Block, which opened SXSW in 2011, collecting a plethora of international awards. -
Land of Mine
LAND OF MINE Directed and Written by Martin Zandvliet Official Selection 2016 Sundance Film Festival 2015 Toronto International Film Festival 101 Minutes East Coast Publicity West Coast Publicity Distributor Sophie Gluck & Block Korenbrot Sony Pictures Classics Associates 6100 Wilshire Blvd Carmelo Pirrone Sophie Gluck Suite 170 Maya Anand Aimee Morris Los Angeles, CA 90048 550 Madison Ave [email protected] 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Sgt. Rasmussen ROLAND MØLLER Captain Ebbe MIKKEL BOE FØLSGAARD Sebastian Schumann LOUIS HOFMANN Helmut Morbach JOEL BASMAN Ernst Lessner EMIL BELTON Werner Lessner OSKAR BELTON FILMMAKERS Written and directed by Martin Zandvliet Director of Photography Camilla Hjelm Knudsen, DFF Production Designer Gitte Malling Casting Director Simone Bär Editors Per Sandholt Molly Malene Stensgaard Composer Sune Martin Sound Designer Rasmus Winther Jensen Re-recording Mixer Lars Ginzel Production Sound Mixer Johannes Elling Dam Costume Designer Stefanie Bieker Hair and Make-up Designer Barbara Kreuzer Producer Mikael Chr. Rieks Malte Grunert Line Producer Louise Birk Petersen Post Producer Mette Høst Hansen Executive Producers Henrik Zein Torben Majgaard Lena Haugaard Oliver Simon Daniel Baur Stefan Kapelari Silke Wilfinger Associate Producer Klaus Dohle LOGLINE As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
The Curse of 300? Popular Culture and Teaching the Spartans
The Curse of 300 ? Popular Culture and Teaching the Spartans by Emma Stafford Introduction Sparta’s place on the curriculum Receptions of Sparta and why they matter First of all, the teacher certainly does not First, let’s take a very quick look at what it I teach Spartan history at the University have to teach the Spartans. There is a is about ancient Sparta which has of Leeds both as part of an introductory specific Sparta option in the OCR AS Level attracted people’s interest over the years course about the Greek World and also Ancient History, and obviously they have a since the Renaissance. as part of a range of more closely- significant part to play in the ‘Greece and focused Special Subject modules for Persia’ option for one of the A Level units. second and third year undergraduates, In the AQA Classical Civilisation A Level, including Image of Sparta and Classics on the Spartans likewise feature as part of an Major themes in the depiction Screen. I use the film 300, and other option on the Persian Wars. modern popular culture material, in of Sparta different ways in each of these modules: The concept of the ideal state as a subject in its own right for Classics on Screen, focusing on questions around Sparta options at AS and A Level Sparta has often been held up by political what the material says about theorists as a model for its mixed contemporary culture; and, in Image of OCR AS Level Ancient History, Unit constitution in 16th- and 17th-century Sparta, as a coda to the course’s survey AH1 Greek History from Original Europe (see, for example, Rawson (1969, of ancient ‘images’, which allows for Sources, Option 3 (of three): Politics pp. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Sentiment-Based Return: the Impact of Fashion Designers
Theory and Evidence….. Sentiment-Based Return: The Impact of Fashion Designers on Firm Value by ! Kevin Baker ! ! ! An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2014 ! ! ! Professor Marti G. Subrahmanyam Professor David Yermack Faculty Adviser Thesis Adviser ! Abstract ! I test the impact of fashion designers on the firm value of fashion companies by measuring sentiment toward events covered by public media sources and corresponding movements in implied investor confidence via stock prices. Assessing the relationship between three measures of sentiment–quality, popularity, and controversy–I find no relationship between sentiment quality and stock price, contrary to expected market behavior. A positive relationship is found, however, between controversy and abnormal returns on the day of significant events in the public media. This analysis indicates that controversy and buzz in the fashion industry really does pay, !leading to implications for the effective management of these innovative firms. Acknowledgements ! First and foremost, I would like to extend my deep gratitude to Professor David Yermack, my thesis adviser, for his continuous support and insight throughout the process of formulating and conducting this thesis. I thank him for sharing with me his creative approaches to financial questions which inspired me to explore this topic. Perhaps most importantly, I am appreciative of !his patience, flexibility, and time throughout this process. A special thanks goes to Professor Marti Subrahmanyam, faculty adviser, and to Jessie Rosenzweig for their dedication to the continued success of the Stern Honors Program. -
STARRED up Directed by David Mackenzie Written by Jonathan Asser
Tribeca Film presents a Film4 presentation in association with CREATIVE SCOTLAND QUICKFIRE FILMS NORTHERN IRELAND SCREEN AND LIPSYNC PRODUCTIONS a SIGMA FILMS Production a DAVID MACKENZIE film STARRED UP Directed by David Mackenzie Written by Jonathan Asser Theatrical release beginning August 29, VOD beginning August 26 Run Time: 106 minutes Rating: Not Rated Press Materials: http://tribecafilm.com/press-center/tribeca-film/films/5318ed3fa32a618693000001 Nominated for 6 British Independent Film Awards Winner: British Independent Film Award for Best Supporting Actor for Ben Mendelsohn TRIBECA FILM: ID PR Brandon Rohwer [email protected] [email protected] [email protected] Introduction Starred Up is the story of a young man prematurely transferred from a young offenders’ institution to adult jail for being too violent. The film is directed by award-winning UK filmmaker David Mackenzie (Young Adam, Hallam Foe, Perfect Sense) from a screenplay written by first-time scriptwriter Jonathan Asser, who has a background in the prison system working as an innovative therapist. The title comes from the process of prematurely upgrading a teenager from a Young Offenders’ Institution to Adult Prison. Starred Up stars Jack O’Connell (Unbroken, “Skins”, Eden Lake), Ben Mendelsohn (The Dark Knight Rises, Animal Kingdom, Killing Them Softly) and Rupert Friend (Pride and Prejudice, The Boy in The Striped Pajamas, “Homeland”). The crew includes director of photography Michael McDonough, ASC (Winter’s Bone, New York – I Love You, Albert Nobbs, 13), and production designer Tom McCullagh (Hunger, Wilderness, Killing Bono) and Producer Gillian Berrie (Red Road, Hallam Foe, Perfect Sense). Film4 financed the project in association with Creative Scotland, Quickfire Films, Lipsync productions and Northern Ireland Screen. -
Nick Emerson Editor
NICK EMERSON EDITOR FILM & TELEVISION LIFE AFTER LIFE Director: John Crowley Production Company: BBC & House Productions IDIOT PRAYER Director: Nick Cave Production Company: Piece of Magic Ent. EMMA Director: Autumn De Wilde Production Company: Working Title Films ORDINARY LOVE Director: Lisa Barros D’Sa & Glenn Leyburn Production Company: Focus Fetures, Out of Orbit & Canderblinks Films Official Selection, Toronto Film Festival (2019) Official Selection, London Film Festival (2019) GRETA Director: Neil Jordan Production Company: Dignity Film Finance Official Selection, Toronto Film Festival (2018) AN EVENING WITH BEVERLY LUFF LINN Director: Jim Hosking Production Company: Park Pictures Official Selection, Sundance Film Festival (2018) FILM STARS DON’T DIE IN LIVERPOOL Director: Paul McGuigan Production Company: Eon Productions Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) LUX ARTISTS | 1 PIN CUSHION Director: Deborah Haywood Production Company: Dignity Film Finance Official Selection, Venice Film Festival (2017) LADY MACBETH Director: William Oldroyd Production Company: Sixty Six Pictures & BFI Nominated, Outstanding British Film and Outstanding Debut, BAFTA Awards (2018) Official Selection, Sundance Film Festival (2017) Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) DAPHNE Director: Peter Mackie Burns Production Company: The Bureau I AM NOT A SERIAL KILLER Director: Billy O’Brien Production Company: Tea Shop & Fantastic Films Winner, -
Week Three Semester Two 2013
l week three semester two 2013 Look below the surface honi soit honi UniGate is back pg 4 What’s getting a Brazilian like? pg 7 Daily Telegraph, calm your farm pg10 It’s a nice day for a Chinese wedding pg 11 R Kelly is a Goddamn genius pg 14 DISCONTENTS Glasnost and Sydney University When you reflect on the University of industry and you find the thousands of badly needs. When you consider the UNIGATE Sydney, on what it is as a place and an international students being abused by falling ratio of education funding to 4 Seriously. So much institution, it feels almost too appropri- landlords, employees, and their class- student numbers, it’s not hard to see UniGate. ate that a sandstone Quadrangle comes mates. Take away the rhetoric about the how this mentality has come about. But to mind. It’s an icon and an image the ‘student experience’ and you will hear it doesn’t have to be this was. It’s time GOING BRAZILIAN University consciously promotes. Pri- the stories of students forced to do lit- for glasnost. It’s time for the University 7 Anonymous mary school students dressed in pri- tle more than work, study, and sleep, to to dump ‘public relations’ and have real mary school colours are taken on tours help them afford living in the city where conversations, arguments, and fights through its well kept facade. Glossy their chosen university was built. with its students and its student media. 9 HIGH IN PERU brochures adorned with the building’s This is essentially what the job of a It’s time to talk about the faults and the Andre Fenby image and words like ‘opportunity’, student newspaper should be.