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Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
RECENTERING TAIWAN: COLONIALISM, the NATION, and IDENTITY in TAIWANESE FICTION and FILM By
RECENTERING TAIWAN: COLONIALISM, THE NATION, AND IDENTITY IN TAIWANESE FICTION AND FILM By © 2017 William Zachary Hill Submitted to the graduate degree program in East Asian Languages and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts. ________________________________ Chairperson Faye Xiao ________________________________ Megan Greene ________________________________ Keith McMahon Date Defended: March 2nd 2017 i The thesis committee for William Zachary Hill Certifies that this is the approved version of the following thesis: RECENTERING TAIWAN: COLONIALISM, THE NATION, AND IDENTITY IN TAIWANESE FICTION AND FILM __________________ Chair: Faye Xiao Date Approved: March 2nd 2017 ii Abstract The purpose of this thesis is to examine the variety of factors that have influenced Taiwanese identity formation since the latter half of the twentieth century. This was done with a particular focus on the influence of Taiwan’s various colonial relationships that have been developing at least since the Japanese occupation. This thesis also points to the power of historical narrative in identity formation and the negotiations that take place between “official” government sponsored attempts at creating historical narrative as opposed to the attempts we see by authors and filmmakers to expose crucial events in their own identity formation that has been previously been neglected or ignored. The results of this thesis illustrate how Taiwan’s colonial relationships with Japan and China continue to impact Taiwanese identity, particularly due to the influence of the Cold War. Taiwanese have responded to the influence of the Chinese by creating and propagating an image of a multi-cultural Taiwan. -
10 FRANCSS 10 Francs, 28 Rue De L'equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265
MIPTV - MIPDOC 2013 PRE-MARKET UNABRIDGED COMPREHENSIVE PRODUCT GUIDE SPONSORED BY: NU IMAGE – MILLENNIUM FILMS SINCE 1998 10 FRANCSS 10 Francs, 28 Rue de l'Equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265. www.10francs.fr, [email protected] Distributor At MIPTV: Christelle Quillévéré (Sales executive) Market Stand: MEDIA Stand N°H4.35, Tel: + 33 6 628 04 377 Fax: + 33 1 487 48 265 COLORS OF MATH Science, Education (60') Language: English Russian, German, Finnish, Swedish Director: Ekaterina Erementp Producer: EE Films Year of Production: 2011 To most people math appears abstract, mysterious, complicated, inaccessible. But math is nothing but another language to express the world. Math can be sensual. Math can be tasted, it smells, it creates sound and color. One can touch it - and be touched by it... Incredible Casting : Cedric Villani (french - he talks about « Taste »). Anatoly Fomenko (russian - he talks about « Sight »), Aaditya V. Rangan (american - he talks about « Smell »), Gunther Ziegler (german - he talks about « To touch » and « Geométry »), Jean- Michel Bismut (french - he talks about « Sound » … the sound of soul …), Maxime Kontsevich (russian - he talks about « Balance »). WILD ONE Sport & Adventure, Human Stories (52') Language: English Director: Jure Breceljnik Producer: Film IT Country of Origin: 2012 "The quest of a young man, athlete and disabled, to find the love of his mother and resolve the past" In 1977, Philippe Ribière is born in Martinique with the Rubinstein-Taybi Syndrome. Abandoned by his parents, he is left to the hospital, where he is bound to spend the first four years of his life and undergo a series of arm and leg operations. -
Taiwan's Postcoloniality and Postwar Memories of Japan*
Taiwan’s Postcoloniality and Postwar Memories of Japan* Liang-ya Liou ABSTRACT This article deals with the relationship between Taiwan’s postcoloniality and post- war memories of the Japanese colonial rule (1895-1945) in Taiwanese fiction, with a special focus on the politics of re-memory in Shih Shu-ching’s Taiwan Trilogy (2003-2010). I argue that Taiwan’s postcoloniality and postwar memories of the Japanese rule are linked partly because of the Kuomintang’s refusal until the lifting of martial law (1987) to see a decolonized Taiwan, and that the bur- geoning of postcolonial Taiwanese fiction in recent decades, with more positive or complex reimagining of the Japanese period, deepens our rethinking of what constitutes Taiwan’s postcoloniality. Using Shih Shu-ching’s Taiwan Trilog y as my case study, I examine how the rewriting of Taiwan’s national history provides a particularly interesting reengagement with Japanese colonialism in Taiwan. In light of Pheng Cheah’s rethinking on world literature, I explore further how the trilogy’s re-memory renegotiates with Japanese colonial legacy and presents the case of Taiwan’s postcoloniality, which in turn may incite new thoughts on postcoloniality around the world and particularly in East and Southeast Asia. The conclusion draws on Ping-hui Liao’s notion of alternative modernity to illuminate Taiwan’s postcoloniality. KEYWORDS Taiwan’s postcoloniality, memories of Japan, re-memory Ex-position, Issue No. 42, December 2019 | National Taiwan University DOI: 10.6153/EXP.201912_(42).0011 Liang-ya -
Unabridged Cannes Product Guide + Stills
CANNES PRODUCTPRODUCT GUIDEGUIDE Sarah Wharton comments from them about the Tennis 10 REGOLE PER FARE 7 & 7 PRODUCERS’ Delivery Status: Screening world of today. Featured in this INNAMORARE Over the course of one night, an programme are such stars as : FRED AKA: 10 RULES FOR FALLING IN SALES SERVICE underachieving twenty-something must PERRY, ROD LAVER, PANCHO 7 & 7 Producers’ Sales Service, 122 LOVE re-examine his listless life and battle his GONZALES, KEN ROSEWELL, ILIE Teen Romantic Comedy (93 min.) Walton Street, London, SW3 2JJ UK, pot-dealing roommate to win over the NASTASE, ROY EMERSON, FRED Language: Italian Tel: +44(0)7814.681335 girl of his dreams. STOLLY, JOHN MACENROE, IVAN Director: Cristiano Bortone www.producerssalesservice.com, TORTOISE IN LOVE LENDL, ANDRE AGASSI. Writer: Cristiano Bortone, Fausto Brizzi [email protected] Romantic Comedy (81 min) Producer: Orisa Produzioni - Orkestra At Cannes: Maura Ford (Managing AFRICAN ODYSSEY Language: English 2012Wildlife Documentary (13x30 min OR Entertainment Director - Sales), Antony Ford (Company Director: Guy Browning 1x52 min) Key Cast: Guglielmo Scilla, Vincenzo Director - Acquisitions) Writer: Guy Browning Language: English Salemme, Enrica Pintore Office: Lerins R1, Tel: Co-Production Partners: Immense Director: Joanne Goldring Cohen Delivery Status: Completed +33(0)6.11.78.28.59 CARELESS LOVE Productions LLP. Writer: Joanne Goldring Cohen Year of Production: 2012 Country of Drama (105 min) Producer: Steffan Aquarone Executive Producer: Eliot Cohen Origin: Italy Language: -
Busan International Film Festival Official Selections
BUSAN INTERNATIONAL FILM FESTIVAL 6 - 14 October, 2011 OFFICIAL SELECTIONS A WINDOW ON ASIAN CINEMA WARRIORS OF THE RAINBOW: SEEDIQ BALE by WEI TE-SHENG Produced by JOHN WOO, TERENCE CHANG and JIMMY HUANG Taiwan, 2011, 150', Seediq language & Japanese, Action Epic Cast: LIN Ching-Tai, Umin Boya, ANDO Masanobu, Vivian HSU Screening: Oct 12 (Wed) 04.00pm Lotte Cinema Centum City 4 Oct 13 (Thu) 05.00pm Lotte Cinema Centum City 7 Oct 13 (Thu) 05.00pm Lotte Cinema Centum City 6 LOST IN PARADISE by VU NGOC DANG Vietnam, 2011, Vietnamese, Drama, Gay Cast: Luong Manh Hai, Ho Vinh Khoa, Hieu Hien, Phuong Thanh Screening: Oct 11 (Tue) 04.00pm Lotte Cinema Centum City 4 Oct 12 (Wed) 08.00pm MegaBox Haeundae Oct 13 (Thu) 08.00pm MegaBox Haeundae A WINDOW ON ASIAN CINEMA GOODBYE by MOHAMMAD RASOULOF Iran, 2011, 104’, Farsi, Drama Cast: Leyla Zare, Hassan Pourshirazi, Behname Tashakor, Sima Tirandaz, Roya Teymorian Screening: Oct 07 (Fri) 08.00pm Lotte Cinema Centum City 2 Oct 09 (Sun) 02.00pm Lotte Cinema Centum City 2 Oct 11 (Tue) 02.00pm Lotte Cinema Centum City 2 WORLD CINEMA WETLANDS [MARÉCAGES] by GUY ÉDOIN Canada, 2011, 111’, French, Drama Cast: Pascale Bussières, Gabriel Maillé, Luc Picard, François Papineau, Angèle Coutu, Denise Dubois Screening: Oct 07 (Fri) 10.00am CGV Centum City 4 Oct 08 (Sat) 11.00am Lotte Cinema Centum City 3 Oct 13 (Thu) 08.00pm MegaBox Haeundae DOCUMENTARY SHOWCASE CORMAN'S WORLD: EXPLOITS OF A HOLLYWOOD REBEL by ALEX STAPLETON USA, 2011, 95’, English, Documentary Featuring: Roger Corman, Robert De Niro, Jack Nicholson, Martin Scorsese, Ron Howard, Jonathan Demme, Bruce Dern, Quentin Tarantino, Paul W. -
Only the Best in Asian Cinema November 6–16, 2014 Reelasian.Com
Only the best in Asian cinema November 6–16, 2014 reelasian.com I IS A PROUD SPONSOR OF THE 2014 Contents 2 Credits 3 Welcome 4 Festival Map 5 Toronto Box Office 6 Schedule at a Glance 8 Sponsors 10 Community Partners Index and Thank you 11 Letters 24 13 Jury Opening Night 14 Special Projects Gala Presentation 16 Canadian Spotlight: Jacqueline Hoang Nguyen 41 Centrepiece 23 Toronto Programme Presentation 61 Reel Asian Industry Series 65 Richmond Hill Programme 72 Print Source 16 Canadian Spotlight 61 Industry Series 42 Youth Shorts Toronto Reel Asian International Film Festival 401 Richmond Street West, Suite 309 Toronto, Ontario, M5V 3A8 58 T: 416 703 9333 | F: 416 703 9986 Closing Night [email protected] Gala Presentation Charitable registration #8700 21 38 3RR 0001 1 Credits Back: (Left to Right) Yang Zeng, Betty Xie, Philbert Lui, Aram Siu Wai Collier, Chris Chin, Stephanie Law, Jihee Min Front: (Left to Right) Myung-Sun Kim, Kristine Estorninos, Eva Ho, Jennie Ho, Louanne Chan, Hema Ramsingh, Jessie Lau Chair Emeritus & Legacy Circle Festival & Operations Office Volunteers Special Exhibitions Unsung Voices Founder Manager Stephanie Cheung Partners Facilitators Anita Lee CO-FOUNDER Chris Chin Flora Chick Sharlene Bamboat Tony Lau Andrew Sun Monica Contreras Aram Siu Wai Collier Chair, Industry and Events So-Jeong Choi Marco La Rocca Richard Fung Board of Directors FORMER BOARD MEMBERS Coordinator Unsung Voices Mentors Stephen Gong Jennifer Chen Pablo de Ocampo Stephanie Law Ramlah Marvi Sacha Nastili John G. Hampton Richard Kim Alan Peng Albert Shin Vice-Chair, Programming Wrik Mead Cheuk Kwan Christina Takahashi Nathalie Younglai Board of Directors Coordinator Casey Mecija Joanna Miles Kwoi Gin Myung-Sun Kim Development Helmut Reichenbächer Design Volunteers Du-Yi Leu Committee Maiko Tanaka Mary Ip Directors Simon Racioppa Volunteer Coordinator Jennifer Chen Indu Vashist Carina Niro Immanuel Lanzaderas Phil Tsui Gina Rim (on leave) Bobby Sahni Geoff Peers B. -
2011 Product Guide
Digital Platform AFM 2011 THEEstablished in 1980 tm SCREENING M TODAY L I F WEDNESDAY F O NOV 2 Contact Us Media Kit Submission Form Magazine Editions Editorial Comments Link to AFM Website THR.com Variety.com Screendaily.com Le Film Francais.com Trailers BUSINESS READ The Synopsis SYNOPSISandTRAILERS.com WATCH The Trailer The One-Stop Viewing Platform CONNECT To Seller click to view INNOVATION FIRST The Business of Film (TBOF) revolutionizes Film Trade Publishing again! DOWNLOAD THE QR READER APP to your Smartphone or iPad TODAY & START NOW at AFM a NEW way of VIEWING AVAILABLE CONTENT www.SynopsisAndTrailers.com for DISTRIBUTION PLATFORMS in your Territory Scan the QR code above using Barcode TBOF enables YOU as A BUYER Scanner on your ipad or smartphone and the TO TAKE MORE CONTROL link will be instantly Maximize YOUR Time Efficiently at AFM. accessible on your phone. The Business of Film — Thinking Forward www.synopsisandtrailers.com /AFM2011ProductGuide /AFMProductGuide.pdf Scan any of these Source - Select - Download QR codes using Barcode Powered by Scanner on your ipad Nu Image Millenium Films or smartphone and the link will be instantly accessible AFM 2011 TheWIFTS on your phone. Trailer Trailer Bumper Edition Foundation First Hand Films NonStop Films AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE JOSE AND PILAR THE HAPPETS home. AKA: JOSE Y PILAR AKA: LA TROPA DE TRAPO YOUNG ONES Documentary (125 min) Animation (85 min) Thriller A Language: Portuguese, spanish Language: Spanish Language: English 6 SALES Director: Miguel Goncalves Mendes Director: Alex Colls Director: Jake Paltrow 6 Sales, Alto de las cabanas 5, Las Writer: Miguel Goncalves Mendes Writer: Lola Beccaria Writer: Jake Paltrow Rozas, Madrid 28231 Spain, Tel: Co-Production Partners: Jumpcut2011Co-Production Partners: Abano Producer: ARCADIA, 982 +34.91.636.10.54 Fax: Producer: Miguel Goncalves Mendes Producions, Anera Films, Continental Delivery Status: Pre-Production +34.91.710.35.93. -
Screening Taiwan Soft Power: Film Festivals in and About Taiwan
Screening Taiwan Soft Power: Film Festivals in and about Taiwan Ming-yeh T. Rawnsley Centre of Taiwan Studies, SOAS, University of London • Draft only. Please do not cite without the author’s expressed permission. Abstract: As Dina Iordanova (2010: 18–19) has noted, ‘There is disparity in the behaviour of countries when it comes to festivals organised with the mandate to promote national cinemas. This disparity is often linked to the availability of resources directed to culture. […] A country like Taiwan which seeks state recognition, uses film festivals as an important tool in international relations.’ This paper surveys film festivals in and about Taiwan to provide the above statement with a clearer context and investigate how Taiwan uses film festivals as a tool of cultural diplomacy to screen the island’s soft power. Keywords: film festival, Taiwan, cultural diplomacy, soft power Introduction Since the first film festival—the Venice Film Festival—was organised in Italy in 1932, the number of international film festivals has proliferated while their importance and visibility has become particularly heightened over the past three or four decades. There were an estimated 170 film festivals worldwide in the 1980s, and that the figure rose to 700 by 2003 (Iordanova and Rhyne, 2009: 1). The film festival phenomenon is both global and local because ‘festivals have been the place where the interests of nationalism and internationalism converge. Film festivals bring the world to town, and they also bring your town to the world’ 1 (Rich, 2013: 158). For this reason, film festivals play an increasingly crucial role in our multicultural experiences across the globe in the twenty-first century. -
The 14Th Annual Conference of European Association of Taiwan
The 14th Annual Conference of European Association of Taiwan Studies at the Department of Asian and North African Studies of Ca' Foscari University of Venice 2-4 March 2017 Conference Organising Committee (EATS Board, 2016–2018) Niki Alsford, Isabelle Cheng, Simona Grano, Ann Heylen, Astrid Lipinsky, Lara Momesso, Ming-yeh T. Rawnsley, Adina Zemanek Local Organiser: Federica Passi Important Notice: (1) No discussants are allocated in order to maximise floor discussion. Hence we would like to remind speakers that: ● 45-50 min speech + 10-15 min discussion for the keynote session ● 15 min for each paper presentation + 30 min for panel Q&A ● MA panels have 10 min for each presenter + 30 min for panel Q&A (2) All the A panels will take place in Aula Baratto, Ca’ Foscari Palace, 2nd floor (3) All the B panels will take place in Sala Berengo, Ca’ Foscari Palace, 1st floor Thursday (March 2, 2017) Location: Ca’ Dolfin and Ca’ Foscari 9:00 Registration (Ca’ Dolfin) 10:00 Welcome Remarks (Ca’ Dolfin) ● Paolo Calvetti, Head of the Department of Asian and North African Studies, Universita Ca’ Foscari Venezia ● Szu-chien Hsu, President of the Taiwan Foundation for Democracy ● Ming-yeh T. Rawnsley, Secretary-General of the European Association of Taiwan Studies 10:30 Keynote speech (Ca’ Dolfin), introduced by the local organiser, Federica Passi David Der-wei Wang, Edward C. Henderson Professor of Chinese Literature, Harvard University Topic: “Worlding Taiwan: Translation, Transgression, Transmigration” 11:30 Walking to Ca’ Foscari for lunch 12:00 Lunch 13:15 Panel 1a: Politics and Governance 13:15 Panel 1b: Indigenous People Chair: Szu-chien Hsu, Taiwan Foundation for Chair: Chien-huei Wu, Academia Sinica Democracy Simone Dossi, University of Milan Shu-yuan Yang, Academia Sinica From Party Leadership to Democratic Control.