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July 17, 2017 for IMMEDIATE RELEASE
July 17, 2017 FOR IMMEDIATE RELEASE CONTACTS FOR MEDIA ASSISTANCE: Megan Contreras & Jackie Parker 239-338-3500 THE BEACHES OF FORT MYERS & SANIBEL KICKS OFF POPULAR MUSIC FESTIVAL WITH STAR-STUDDED PERFORMANCES The fourth annual Island Hopper Songwriter Fest returns Sept. 22-Oct. 1, 2017 LEE COUNTY, FLORIDA – The 2017 Island Hopper Songwriter Fest returns to The Beaches of Fort Myers & Sanibel, Sept. 22-Oct. 1. This showcase, now in its fourth year, is a great way to see singer-songwriters perform in intimate settings on Captiva Island, Fort Myers Beach and historic downtown Fort Myers. This year’s headliners include Lindsay Ell and Brooke Eden. The artists will be performing at Pinchers Crab Shack at The Marina at Edison Ford on Sept. 27. Ell has opened for The Band Perry and Luke Bryan, and is currently on tour with Brad Paisley. The Canadian Country Music Association recently nominated Ell for Female Artist of the Year. Her debut single, “Worth the Wait,” was recently released in the U.S. Eden is a Florida native and graduate of the University of Florida. She has opened for Alan Jackson, Brooks & Dunn, Sugarland and Florida Georgia Line. Billboard Music recognized Eden as a “fiery country star-in-the-making.” Some of her accolades include being identified as an Amazon Music Artist to watch. Vogue Magazine called her one of the “10 Country ‘It’ Girls,” and she’s one of “CMT’s Next Women of Country.” “We look forward to surprising fans with some high-profile acts,” said Louis Kaplan, iHeartMedia, senior vice president of programming. -
The Clique Song List 2000
The Clique Song List 2000 Now Ain’t It Fun (Paramore) All About That Bass (Meghan Trainor) American Boy (Estelle & Kanye West) Applause (Lady Gaga) Before He Cheats (Carrie Underwood) Billionaire (Travie McCoy & Bruno Mars) Birthday (Katy Perry) Blurred Lines (Robin Thicke) Can’t Get You Out Of My Head (Kylie Minogue) Can’t Hold Us (Macklemore & Ryan Lewis) Clarity (Zedd) Counting Stars (OneRepublic) Crazy (Gnarls Barkley) Dark Horse (Katy Perry) Dance Again (Jennifer Lopez) Déjà vu (Beyoncé) Diamonds (Rihanna) DJ Got Us Falling In Love (Usher & Pitbull) Don’t Stop The Party (The Black Eyed Peas) Don’t You Worry Child (Swedish House Mafia) Dynamite (Taio Cruz) Fancy (Iggy Azalea) Feel This Moment (Pitbull & Christina Aguilera) Feel So Close (Calvin Harris) Find Your Love (Drake) Fireball (Pitbull) Get Lucky (Daft Punk & Pharrell) Give Me Everything (Tonight) (Pitbull & NeYo) Glad You Came (The Wanted) Happy (Pahrrell) Hey Brother (Avicii) Hideaway (Kiesza) Hips Don’t Lie (Shakira) I Got A Feeling (The Black Eyed Peas) I Know You Want Me (Calle Ocho) (Pitbull) I Like It (Enrique Iglesias & Pitbull) I Love It (Icona Pop) I’m In Miami Trick (LMFAO) I Need Your Love (Calvin Harris & Ellie Goulding) Lady (Hear Me Tonight) (Modjo) Latch (Disclosure & Sam Smith) Let’s Get It Started (The Black Eyed Peas) Live For The Night (Krewella) Loca (Shakira) Locked Out Of Heaven (Bruno Mars) More (Usher) Moves Like Jagger (Maroon 5 & Christina Aguliera) Naughty Girl (Beyoncé) On The Floor (Jennifer -
Unapologetically Purple
University of Bridgeport Issue 2 Bridgeport, October 31, 2016 Knight’s Scribe Connecticut Unapologetically Purple Terrence Givens and Pedro Ramos Chief Editor and Editor The Purple Knights, homecoming festivities, and an outstanding athletics program. What is the commonal- ity among all three? The expectation that a sense of school spirit may be resuscitated from them. Our Purple Knights seem to be paraded in every corner of this college—at our pep rallies, club-sponsored events, and in the corner of the ring, cheering on our athletes. Yet, despite our conspicu- ous attempts, something continues to plague the morale of our student body. Many complain that a lack of school spirit persists, ready to enter the lackluster vacuums left behind by our soccer games and annual Harvest-Fests. What could be the culprit of such a lifeless phenomenon? “No one attends the games,” states Enea Groballi, a Senior. “…not a lot of short term entertainment options,” John Reis, a Junior in Graphic Design. Despite this, our student body is actively desiring such an enthusiastic school atmosphere. Indeed, our lack Photo from 2010 “Spirit Week” spring semester. of school spirit is feeding on itself, sapping our motiva- tion to parade the purple and white while drowning out Even our mascot has a lot edge and wisdom, without What you are read- the ephemeral spirit that once fueled our pep rallies and of meaning behind it if you this we lack technique; this ing now is the brandishing school dances. Such a crisis may seem hopeless—one that put some faith in it. -
Sugarland Sugarland
NOVEMBER 2010 ISSUE MMUSICMAG.COM ’80s pop culture like John Hughes’ fi lms and U2’s cinematic sound during that era. “We were teenagers then, and a lot of the pop culture was about archetypes of what it was like to be that age,” Bush says. “And that’s what really inspired us to become musicians. A lot of the songs came from conversations about that.” While the powerful, anthemic sound of The Incredible Machine won’t surprise anyone who knows its origins, it might shock country fans used to more down-home sounds. But reinvention is almost as much part of Sugarland’s identity as any one genre. The group grew out of the Atlanta singer-songwriter scene but found immediate success in mainstream country music with its 2004 multiplatinum debut, Twice the Speed of Life. “We’ve turned over a whole lot of new leaves since starting this Stewart Volland band,” says Bush. The trio became a duo when founding member Kristen Hall abruptly Jennifer Nettles, Kristian Bush quit while Sugarland was still riding high on the first album’s success, and some wondered if the shift would upset the group’s unique chemistry.chemistry. But SUGARLANDSUGARLAND NeNettlesttles and Bush made the transitiontransition The country duo turns over another new leaf seamlessly,l l andd subsequent b albumslb haveh proved so successful that they’re now with its new album’s arena-rocking sound headlining arena tours—which comes with its own challenges. IF SUGARLAND’S NEW ALBUM, The result, “Wide Open,” appeared “Our touring and writing cycles have to The Incredible Machine, sounds grand on AT&T’s digitally released Team USA happen at the same time, and that changes and full of ambition, that’s because its Soundtrack, and served as the jumping-off the process a little,” Bush says. -
Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Volume 46, Number 28: March 04, 2009 University of North Dakota
University of North Dakota UND Scholarly Commons Elwyn B. Robinson Department of Special University Letter Archive Collections 3-4-2009 Volume 46, Number 28: March 04, 2009 University of North Dakota Follow this and additional works at: https://commons.und.edu/u-letter Recommended Citation University of North Dakota, "Volume 46, Number 28: March 04, 2009" (2009). University Letter Archive. 54. https://commons.und.edu/u-letter/54 This Newsletter is brought to you for free and open access by the Elwyn B. Robinson Department of Special Collections at UND Scholarly Commons. It has been accepted for inclusion in University Letter Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. The University of North Dakota | University Letter Main Navigation SEARCH UND Print this Issue ISSUE: Volume 46, Number 28: March 04, 2009 A to Z Index Map Contents ABOUT U LETTER Top Stories University Letter is published electronically weekly on School of Law Dean Paul LeBel to serve as University Provost Tuesday afternoons. Submissions are due at 10 a.m. Farewell reception set for new HRSA Chief Mary Wakefield Tuesday. Events to Note U LETTER U Letter Home Diane Glancy will give reading Tuesday Submit a Story Women's Center Meet, Eat and Learn is March 4 Student Success Center offers noon study skills sessions Crock Pot Cooking in the Culinary Corner Doug Olsen presents ESSP spring colloquium Designing hybrid courses is Thursday Rural Health Day to focus on electronic medical records, -
2014 Sponsor and Advertising Packet
2014 Community Concert Series Dear Community Member: Now is your chance to be a part of one of the most exciting program of 2014. Join us in celebrating our 10th year of hosting our Community Concert Series. As you read this, we are working to bring some of the hottest names in music to our stage. Don’t pass on your chance to be part of this excitement! We’re excited to have Sheryl Crow kick off our 2014 Concert Series on Friday, June 20 th . Past concerts included performances by Luke Bryan, Jason Alden, Florida Georgia Line, Eric Church, Sugarland, Reba McEntire, and Alan Jackson . Our sponsors and advertisers reach a diverse population. Concert attendees are from all over Maryland, and represent a variety of age groups. Series sponsors enjoy special perks, including concert tickets, parking passes, and entrance to the VIP Reception area. A sponsorship guarantees premium seats to all of our concerts. The tickets also make great rewards for workers and customers! We are seeking sponsors and advertisers for our 2014 Community Concert Series. We offer great sponsorship and advertising packages. Please take a few minutes to review the enclosed information. If you see a package that will fit your organization, please complete the enclosed form and return it as soon as possible. We are requesting potential sponsors and advertisers contact us as soon as possible. If you desire additional information, please do not hesitate to contact us. We would be happy to discuss a package that is right for you. Contact information is listed at the bottom of this letter. -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60Th Anniversary
ORAL HISTORY PROJECT in Celebration of the City of Sugar Land 60th Anniversary GOODSILL: What brought your family to Sugar Land, Billy? GOODSILL: What is William Alfred Streich’s story? STRITCH: My grandmother, Mary Alice Blair, was born in STRITCH: I never knew my grandfather. He died before I was Blessing, Texas, but her family moved to Sugar Land early in her born, in 1957 or so. My older sister is the only one who vaguely life. My grandmother and Buddy Blair were cousins. Mary Alice remembers him. He worked for a philanthropist in Houston whose was one of the founding families of First Presbyterian Church in name was Alonzo Welch. He had a foundation, the Welch Foundation, Sugar Land, founded in 1920 or so. There is definitely a Sugar which started in 1954, two years after Welch’s death in 1952. My Land connection that goes way back for us. grandfather was Mr. Welch’s right hand man. I know this through stories my grandmother told me over the years. At the time she married my dad, William Alfred Striech, they lived in Houston, where I was born in 1962. When I was about My dad who was an only child, who was raised in Houston. He went one, they decided to move out to Sugar Land and build a house. to Texas A & M for college and directly into the service afterward. He [Editor’s note: Striech was the original spelling of the name. Billy served two years in the Air Force. He met and married my mother, Jane goes by Stritch.] Toffelmire, during the course of the war. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
What Does It Mean to Look Forward and Back Together As Critical Educators
Published on Penn GSE Perspectives on Urban Education (https://urbanedjournal.gse.upenn.edu) Home > Reckoning: What does it Mean to Look Forward and Back Together as Critical Educators RECKONING: WHAT DOES IT MEAN TO LOOK FORWARD AND BACK TOGETHER AS CRITICAL EDUCATORS Chloe Kannan (Penn GSE) and Andy Malone (UVA) Abstract: This feature piece explores what can happen when educators allow for collective reflection to transpire. Written as a dialogue, this piece presents two doctoral candidates working through what it means to identify as critical educators in this moment. These two educators met during the height of the education reform movement as a part of Teach For America. This reflective piece weaves theory, practice, and experience to help make sense of their time in education and how to navigate complexity within the larger education narrative. Keywords: Education Reform, Teach for America, critical educator, critical pedagogy, teaching, theory, practice *** “things are not getting worse, they are getting uncovered. we must hold each other tight and continue to pull back the veil.” -Adrienne Maree Brown This dialogue happened over the course of three weeks between two people who are currently working through what it means to identify as a critical educator. We first met in 2010 in Teach For America (TFA) where Chloe began her teaching career as a Mississippi Delta Corps member. Andy, who had just finished his two years with TFA, was her program director - her first direct supervisor in teaching. Chloe and Andy were heavily steeped in the education reform ideologies of that era: a time whenW aiting for Superman, Big Goals, and high-stakes testing dominated the discourse around “transformational change” in education. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.