DOCSLIB.ORG

Impressionist & Modern Art Post-War & Contemporary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Impressionist & Modern Art Post-War & Contemporary IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday,Wednesday, November 7, 2018 NEW YORK IMPRESSIONIST & MODERN ART AUCTION Wednesday, November 7, 2018 at 11am POST-WAR & CONTEMPORARY ART AUCTION Wednesday, November 7, 2018 at 2pm EXHIBITIONS Saturday, November 3, 10am – 5pm Sunday, November 4, Noon – 5pm Monday, November 5, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com IMPRESSIONIST & MODERN ART INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-50 Henrie Jo Barth An East Hampton Collection POST-WAR & CONTEMPORARY ART Alexander C. Ewing Post-War 51-119 Hilda U. and Rudolph Forchheimer Contemporary 120-140 Marcella Katz A Lady Eugene M. Lang Beatrice Meyerson Marion Victor Perini Howard Pitsch Lucille and Charles Plotz J. Robert and Gladys Rosenthal Felix Ross Glossary I Marianne Schaller Conditions of Sale II James H. Wickersham Jr. Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX INCLUDING PROPERTY FROM Company Directory X A Bedminster, New Jersey Collector Absentee Bid Form XII The Collection of Charlotte Bergman A New Jersey Private Collection A Private New Jersey Collection A Philadelphia Private Collection Sheldon and Judith Streisand Lot 21 DUCHOISELLE LE PECHE & LE CHASSE Property from the Estate of Marianne Schaller 1 Eugène Verboeckhoven Belgian, 1798/99-1881 Heading Back to the Fold, 1878 Signed Eugène Verboeckhoven and dated ft 1878 (ll); also inscribed Je soussigné declare que le tableau ci-contre est original Eugène Verboeckhoven/Schaerbeek,... Bruxelles 1878 on the reverse Oil on canvas 27 1/4 x 22 1/16 inches (69.2 x 56 cm) C $7,000-10,000 1 Property of Sheldon and Judith Streisand 2 3 Emile Meyer Duchoiselle French, 1823-1893 French, 19th Century Count Potocki Riding in the Horse Show La Pêche and La Chasse (Allegories at the Hippodrome, Paris of Fishing and Hunting): Two Signed and dedicated au Comte One signed Duchoiselle Potocki/homage amical E. Meyer (lr) Bronze with a green-brown patina Oil on canvas and bronze with a polychrome patina, 18 1/4 x 21 5/8 inches (46.7 x 55 cm) respectively Provenance: 24 x 37 5/8 inches (61 x 95.5 cm); [Sale] Sotheby’s, New York, 24 5/8 x 42 7/8 inches (62.5 x 109 cm), Jun. 6, 1985, lot 200 respectively C C $7,000-10,000 $30,000-40,000 2 6 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 4 Charles Napier Hemy British, 1841-1917 The Shrimper’s Return, 1901 Signed and dated D.N.H. 1901 (ll) Oil on canvas 24 x 36 inches (61 x 91.5 cm) Provenance: [Sale] Sotheby Parke Bernet, New York, Apr. 2, 1976, lot 192 C $8,000-12,000 4 5 Marin-Marie French, 1901-1987 The Good Cutter “Winibelle” as She was Passing the Désirade Lighthouse, 1933 Signed Marin Marie (ll); inscribed indistinctly and dedicated on the verso This is the Good Cutter “Winibelle” as seen by his 6 (good) owner Marin-Marie as she Montague Dawson was passing in 1933 - British, 1890-1973 The Désirade Lighthouse, The Spot The Q. 9. Mary B. Mitchell Where Christopher Columbus hit .../ Signed Montague Dawson (ll); stamped with the artist’s copyright To Mr. Paul Hammond/Heartily/ notification on the reverse Marin Marie Oil on canvas Watercolor and gouache on 16 x 20 inches (40.6 x 50.8 cm) heavy paper 20 1/2 x 29 1/2 inches Provenance: (52 x 75.3 cm) Frost & Reed Gallery, London, Inv. no. 45901 Acquired by the present owner on Jun. 4, 1973 Provenance: Gallery New World, Darien, CT The British schooner Q.9. Mary B. Mitchell was a decoy ship who was believed to Private collection, Darien, CT have sunk her first German submarine in 1917. She was built by Paul Rogers in 1892 at Acquired from the above on Carrickfergus and was owned by Lord Penrhyn. She was requisitioned in 1916 by the October 25, 1977 Admiralty to serve as a Q-ship until 1919, out of Falmouth. Thence by descent in the family to C the present owner $8,000-12,000 C 5 $10,000-15,000 8 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 7 7 8 Jack Lorimer Gray Anthony D. Blake American/Canadian, 1927-1981 New Zealander, b. 1951 Nova Scotian Schooner, 1961 Race Day, Newport, 1893, 1991 Signed Jack L Gray and dated 61; initialed JLG, dated 61, Signed A.D. BLAKE (lr); signed A D Blake, dated 1991, and inscribed and inscribed as titled on the reverse as titled and with notations naming the various yachts on the reverse Oil on canvasboard and a legend inscribed along the bottom canvas overlap 24 x 36 inches (61 x 91.4 cm) Oil on canvas 23 7/8 x 40 inches (60.5 x 101.6 cm) Provenance: Mrs. Henry Dickson The scene depicts the yacht Vigilant beating the Colonia, Ariel, and Henry Peterson Dickson Corsair II as they approach the New York Yacht Club during C the selection trials for the America’s Cup defense. $15,000-25,000 C $10,000-15,000 Property from the Estate of Marianne Schaller 9 Percival Leonard Rosseau American, 1859-1937 The Pool in the Woods, 1910 Signed Rosseau and dated 1910 (ll); inscribed as titled on the stretcher Oil on canvas 54 3/8 x 39 1/4 inches (137.7 x 99.7 cm) Provenance: Graham Gallery, New York C $50,000-90,000 8 10 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11 10 11 William Merritt Chase Exhibited: Literature: Lucien Pissarro American, 1849-1916) Philadelphia, McClees Gallery, Exhibition of Ronald G. Pisano, William Merritt Chase French, 1863-1944 Exhibited: London, Goupil Gallery, 1921, no. 177 Head of a Young Girl (The Gray Kimono), the Work of William M. Chase, March 1905 Portraits in Oil, vol. 2, The Complete Blackpool Cottage, June, 1921 1901 Buffalo, Buffalo Fine Arts Academy, A Collection Catalogue of Known and documented Signed with artist’s monogram and Literature: Signed Wm M. Chase. (cl) of Oil Paintings by William Merritt Chase, work by William Merritt Chase (1849-1916), dated 1921 (ll); also inscribed Sketchbook 71, Pissarro Family Archive, Oil on canvas N.A., 1909, a travelling exhibition; to completed by Carolyn K. Lane and Blackpool 1921 on the stretcher Ashmolean Museum, Oxford 20 x 16 inches (50.8 40.7 cm) Albright Art Gallery, Buffalo; John Herron D. Frederick Baker, 2006, no. OP.339, Oil on canvas Daily Telegraph, Nov. 21, 1921 Art Institute, Indianapolis; St. Louis Art Museum; Head of a Young Girl (The Gray Kimono), 25 1/2 x 21 inches (64.8 x 53.4 cm) Provenance: Daily Mail, Nov. 28, 1921 Cincinnati Museum of Art Boston, Vose Gallery, 1901, illus., as Location Unknown, Anne Thorold, A Catalogue of the Oil Paintings of J. J. Haverty, Atlanta, Ga., from a label Exhibition of Paintings by William Merritt Chase, pp. 174-175 Provenance: inscribed with his name on the stretcher Studio of the artist, marked in the studio book at Lucien Pissarro, 1983, no. 325, p. 154, illus. Dec. 1909, no. 17 C [Sale] Parke-Bernet, New York, Apr. 20, 1972, New York, National Arts Club, Exhibition of The painting is identified as a portrait of The Brook, the artist’s home in Chiswick in 1949 lot 162 Chase’s daughter, Alice Dieudonne. [Sale] Sotheby’s, July 12, 1961 $30,000-40,000 Paintings by William Merritt Chase Jan. 5-13, 1910 Leger Gallery, London Bridgeport, Conn., Bridgeport Public J. J. Haverty (1858-1939) was a Library, Exhibition of fifty-four Paintings by Valerie Nelson, New York preeminent collector of American art in [Sale] Parke-Bernet, New York, May 21, 1969, lot 44, illus. William Merritt Chase, 1910, his day. Upon his death, a number of his Ross Peacock, United States paintings were bequeathed to the High Musuem of Art in Atlanta, his hometown. C $10,000-15,000 12 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 12 12 Louis Valtat French, 1869-1962 14 Paysage (Les Colettes a Cagnes) circa 1907 Signed with initials L. V (lr) [Lugt 1771]; inscribed Paysage on the stretcher Oil on canvas 10 3/4 x 16 1/4 inches (27.3 x 41.3 cm) 14 Maurice de Vlaminck Provenance: French, 1876-1958 [Sale] Sotheby’s, New York, Nov. 6, 2003, lot 181 Rue de Village According to Louis-Andre Valtat, this work will be Signed Vlaminck (lr) included in the forthcoming supplement to the Gouache, watercolor, brush and catalogue raisonné under the sponsorship of the ink on paper 17 5/8 x 21 3/8 inches (44.7 x 54.3 cm) Wildenstein Institute. C This work will be included in the $30,000-50,000 Digital Critical Catalogue of Vlaminck in preparation by the Wildenstein-Plattner Institute, Inc. 13 C After Paul Gauguin $12,000-18,000 Hina, conceived circa 1893 Signed with the initials PGo, numbered 10/20, inscribed HINA and stamped with the foundry mark Property from the Estate of C. VALSUANI/CIRE PERDUE at the bottom left James H. Wickersham Jr. Bronze with brown patina Height 14 inches (35.5 cm) 15 Literature: Eugène Galien-Laloue C. Gray, Sculpture and Ceramics of Paul Gauguin, French, 1854-1941 Baltimore, 1963, p.
Load more

Recommended publications
  • Una Mirada a La Inmigración Española De 1939-40 En Santo Domingo
    Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Santo Domingo, R.D. Octubre 2016 Una mirada a la inmigración española de 1939-40 en Santo Domingo : disertaciones presentadas en la Universidad APEC : Semanas de España en la República Dominicana 2015 / José del Castillo Pichardo ...[et al.] ; Jaime Lacadena, introducción. – Santo Domingo : Universidad APEC, 2016 168 p. : il. ISBN: 978-9945-423-39-6 1. Emigración - Española 2. Inmigración - República Dominicana 2. España - Historia - Guerra civil, 1936-1939 3. Exilio - España 4. República Dominicana - Influencias españolas 3. Arte dominicano - Influencias españolas 5. España - Vida intelectual - República Dominicana. I. Castillo Pichardo, José del. II. González Tejera, Natalia. III. Vega, Bernardo. IV. Gil Fiallo, Laura. V. Mateo, Andrés L. VI. Céspedes, Diógenes. VII. Lacadena, Jaime, introd. 304.8 I57e CE/UNAPEC Título de la obra: Una mirada a la inmigración española de 1939-40 en Santo Domingo Disertaciones presentadas en la Universidad APEC Semanas de España en la República Dominicana 2015 Primera edición: Octubre 2016 Gestión editorial: Oficina de Publicaciones Vicerrectoría de Investigación, Innovación y Relaciones Internacionales Composición, diagramación y diseño de cubierta: Departamento de Comunicación y Mercadeo Institucional Impresión: Editora Búho ISBN: 978-9945-423-39-6 Impreso en República Dominicana Printed in Dominican Republic JUNTA DE DIRECTORES DE LA UNIVERSIDAD APEC Lic. Opinio Álvarez Betancourt Presidente Lic. Fernando Langa Ferreira Vicepresidente Lic. Pilar Haché Tesorera Dra. Cristina Aguiar Secretaria Lic. Álvaro Sousa Sevilla Miembro Lic. Peter A. Croes Miembro Lic. Isabel Morillo Miembro Lic.
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • Winter 2017 4 Features Ellen Cassedy MAGAZINE of NA’AMAT USA My Month in Yiddish
    Winter 2017 4 features Ellen Cassedy MAGAZINE OF NA’AMAT USA My Month in Yiddish ...................................................................................... 4 WINTER 2017 Vol. 32 No. 1 Why does one go to Vilna to learn Yiddish? To touch the lives of one’s ancestors, to honor the lives of the ordinary people who spoke it, to learn the language of passionate debates in the Editor Judith A. Sokoloff struggle for a better world. By Ellen Cassedy Art Director Wise Aging ..................................................................................................... 8 Marilyn Rose Wisdom circles are growing in Jewish venues across the United States, exploring post-midlifers’ Editorial Committee concerns about the meaning of their lives, what to do with their remaining years and how to live Susan Isaacs Sylvia Lewis a life in balance. By Rahel Musleah Elizabeth Raider Marcia J. Weiss Escaping the Nightmare of Domestic Violence ............................................... 12 Chellie Goldwater Wilensky NA’AMAT’s Glickman Center for the Prevention and Treatment of Domestic Violence helps to save NA’AMAT USA and rebuild lives. By Judy Telman Officers PRESIDENT Golda: Through the Gender Lens .................................................................... 16 Chellie Goldwater Wilensky Looking at the influences in Golda’s life during her rise to power, a scholar focuses on her VICE PRESIDENTS relationship to Pioneer Women (now NA’AMAT USA), on the growth of the organization in its early Hilary Botchin years and the forces of
    [Show full text]
  • Center Bridge Burning
    Burning of Center Bridge, 1923 Edward W. Redfield (1869-1965 oil on canvas H. 50.25 x W 56.25 inches James A. Michener Art Museum, acquired with funds secured by State Senator Joe Conti, and gifts from Joseph and Anne Gardocki, and the Laurent Redfield Family Biography The Pennsylvania school born in the Academy at Philadelphia or in the person of Edward W. Redfield is a very concise expression of the simplicity of our language and of the prosaic nature of our sight. It is democratic painting—broad, without subtlety, vigorous in language if not absolutely in heart, blatantly obvious or honest in feeling. It is an unbiased, which means, inartistic, record of nature. —Guy Pene du Bois Among the New Hope impressionists, Edward Willis Redfield was the most decorated, winning more awards than any other American artist except John Singer Sargent. Primarily a landscape painter, Redfield was acclaimed as the most “American” artist of the New Hope school because of his vigor and individualism. Redfield favored the technique of painting en plein air, that is, outdoors amid nature. Tying his canvas to a tree, Redfield worked in even the most brutal weather. Painting rapidly, in thick, broad brushstrokes, and without attempting preliminary sketches, Redfield typically completed his paintings in one sitting. Although Redfield is best known for his snow scenes, he painted several spring and summer landscapes, often set in Maine, where he spent his summers. He also painted cityscapes, including, most notably, Between Daylight and Darkness (1909), an almost surreal, tonalist painting of the New York skyline in twilight.
    [Show full text]
  • Impressionist & Modern
    Impressionist & Modern Art New York | November 17, 2020 Impressionist & Modern Art New York | Tuesday November 17, 2020 at 5pm EST BONHAMS INQUIRIES BIDS COVID-19 SAFETY STANDARDS 580 Madison Avenue New York Register to bid online by visiting Bonhams’ galleries are currently New York, New York 10022 Molly Ott Ambler www.bonhams.com/26154 subject to government restrictions bonhams.com +1 (917) 206 1636 and arrangements may be subject Bonded pursuant to California [email protected] Alternatively, contact our Client to change. Civil Code Sec. 1812.600; Services department at: Bond No. 57BSBGL0808 Preeya Franklin [email protected] Preview: Lots will be made +1 (917) 206 1617 +1 (212) 644 9001 available for in-person viewing by appointment only. Please [email protected] SALE NUMBER: contact the specialist department IMPORTANT NOTICES 26154 Emily Wilson on impressionist.us@bonhams. Please note that all customers, Lots 1 - 48 +1 (917) 683 9699 com +1 917-206-1696 to arrange irrespective of any previous activity an appointment before visiting [email protected] with Bonhams, are required to have AUCTIONEER our galleries. proof of identity when submitting Ralph Taylor - 2063659-DCA Olivia Grabowsky In accordance with Covid-19 bids. Failure to do this may result in +1 (917) 717 2752 guidelines, it is mandatory that Bonhams & Butterfields your bid not being processed. you wear a face mask and Auctioneers Corp. [email protected] For absentee and telephone bids observe social distancing at all 2077070-DCA times. Additional lot information Los Angeles we require a completed Bidder Registration Form in advance of the and photographs are available Kathy Wong CATALOG: $35 sale.
    [Show full text]
  • Documentary Introduction to the Ángel Ramos and Tina Hills Donation for a Young Institution Like the Museo De Arte De Puerto Ri
    Documentary Introduction to the Ángel Ramos and Tina Hills Donation For a young institution like the Museo de Arte de Puerto Rico (MAPR), the bequest of thirty artworks donated by Ángel Ramos and Tina Hills represents both a responsibility and a commitment, a commitment that binds the Museum to continue the visionary, nation-building work done by these two exemplary philanthropists for so many years. Ángel Ramos was a pioneer of modern media communications in Puerto Rico. From a family of few resources and little formal education, he began as a proofreader and layout man at El Mundo newspaper and went on to hold several management positions until, in 1946, he became its editor and owner. His professional career almost literally skyrocketed. Along the way he created publications such as Puerto Rico Ilustrado and Puerto Rico World Journal, owned radio stations, and pioneered television in Puerto Rico. To these accomplishments he added the creation of the Ángel Ramos Foundation in 1958, a philanthropic organization unparalleled in the history of Puerto Rico. Ángel Ramos was also a person of great aesthetic sensitivity, which led him to become a patron of outstanding artists and an exemplary collector. Tina (Argentina S.) Hills took on the responsibilities of the El Mundo family of businesses on the death of her husband, Ángel Ramos, and in 1966 she achieved his dream of completing the establishment of the Foundation that bears his name. Today, after a long career in newspapers, radio, television, and philanthropy, she is the president of the Ángel Ramos Foundation and has also continued, with untiring enthusiasm, to collect works of art from Puerto Rico and abroad.
    [Show full text]
  • 2011 Newsletter
    Connecting Cultures Around The World CHAIRMAN IN MEMORIAM Isaac Stern Israeli Artists Around the World CHAIRMAN EMERITA Vera Stern - The Cultural Connection - OFFICERS William A. Schwartz, PRESIDENT Barbara Samuelson, VICE PRESIDENT The impact of Israeli culture keeps expanding. Every Linda Schonfeld, SECRETARY Joseph E. Hollander, TREASURER year, our scholarship recipients are winning seats in Jonathan E. Goldberg, ASSISTANT SECRETARY Stephanie Feldman, ASSISTANT TREASURER the most prestigious orchestras, earning top prizes at international film festivals, showing in respected BOARD OF DIRECTORS Sanford L. Batkin galleries, and performing on Broadway. All over the Diane Belfer Ann Bialkin world, AICF artists are sharing their passion with the Renée Cherniak* world. For this reason, we are creating an international Lonny Darwin Debby B. Edelsohn* cultural calendar and database to connect artists, Stephanie Feldman Avri Fuchs donors, and audiences. Jonathan E. Goldberg Charlotte S. Hattenbach* Ora Holin Joseph E. Hollander Stephanie Katzovicz Jane Stern Lebell Bradley Lubin Wendy Marks Marguerite Perkins-Mautner* Helen Sax Potaznik The Artist Network Sandra Rothman Tamar Rudich Barbara Samuelson Linda Schonfeld Renée Schreiber William A. Schwartz Romie Shapiro Carol Starley* *Chapter President EXECUTIVE DIRECTORS David Homan, USA Orit Naor, Israel ARTS ADVISORY COMMITTEE Jacques d’Amboise Milton Babbitt Menashe Kadishman Joseph Kalichstein Tel Aviv Zubin Mehta Itzhak Perlman Dina Recanati For many of our artists, their first steps are in Tel Aviv. John Rubinstein There’s a reason for this—Richard Florida’s The Rise of the Robert Sherman Creative Class ranks Tel Aviv among the top twenty cities in Joan Miklin Silver Neil Simon the world for global creativity.
    [Show full text]
  • Artist's Proposal
    Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe.
    [Show full text]
  • ART of LEADERSHIP Series T H E I M a G a Z I N E Created and Producedaby Lawrence M
    Sponsored by ART OF LEADERSHIP series t h e i m a g a z i n e created and producedaby lawrence m. klepner, esq. Monday, November 22nd, 2010 A Conversation with Boaz Vaadia Guest Producer Eckert Fine Art www.artleadership.com volume I, issue 3 published by art of leadership enterprises inc. ART OF LEADERSHIP lawrenceam.aklepner,aEsq . Monday, November 22nd, 2010 A Conversation with Boaz Vaadia Sculptor Lawrence M. Klepner, Esq., Managing Partner 1325 Avenue of the Americas, 27th Flr New York, NY 10019 212.370.1111 Lawrence Klepner is a Financial Advisor offering securities and ad- visory services through First Allied Securities, Inc., member FINRA/ SIPC. Manhattan Ridge Advisors and First Allied Securities, Inc. are not affiliated with Art of Leadership. volume I, issue 3.. published by art of leadership enterprises inc. Boaz Vaadia Sculptor Boaz Vaadia is the internationally known sculptor whose timeless, evocative stone figures now in- habit museums cultural sites, art galleries and private collections. As major installations at prime buildings, parks and homes around the world, they set a tone of peace and serenity. Born and raised in Israel, Vaadia moved to New York City in 1975 thanks to a grant he received from the American-Israel Cultural Foundation. Vaadia established his studio in SoHo just before its streets labored to give birth to a new community of working artists. Roads were torn up and buildings were torn down. In the chaos of New York City, he discovered supplies from the earth. Slate and blue- stone, ubiquitous materials of the city are sedimentary rocks from glacial periods, millions of years old.
    [Show full text]
  • CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
    Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr.
    [Show full text]
  • A Lasting Impression
    1 A Lasting Impression An Introduction to Pennsylvania Impressionism James A. Michener Art Museum’s Traveling Trunk James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 2 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Table of Contents Lessons Lesson 1: First Impressions pages 3-4 Lesson 2: Improvisational Theater pages 5-6 Lesson 3: Journals and Boxes page 7 Lesson 4: Contemporary Connections pages 8-9 Lesson 5: The Arts and Media pages 10 Lesson 6: Painting Impressions page 11 Lesson 7: Michener Museum Impressions pages 12-13 Lesson 8: Women in the Arts pages 14-15 Lesson 9: Impressionism and the Environment page 16 Lesson 10: Your Last Impression page 17 Appendix 1: Vocabulary pages 18-24 Appendix 2: Standards pages 25-40 Appendix 3: Biographies and Visuals pages 41-102 Appendix 4: Bibliography pages 103-104 James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 3 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Lesson 1: First Impressions Social Studies, Studio Art, Language Arts, Art History Connections Objectives: Students will be introduced to the themes and materials in the James A. Michener Art Museum Culture Kit, A Lasting Impression. Students will demonstrate an understanding of the vocabulary presented in the Lasting Impressions Culture Kit Students will become familiar with the distinctive style in Pennsylvania Impressionist paintings, through the works of Lathrop, Redfield, and Sotter Students will use original documentation to learn about the history of Pennsylvania Impressionism Students will understand the importance of Bucks County heritage as it relates to Pennsylvania, American, and French Impressionism Lesson Ideas Explore the Culture Kit Display the contents of the Culture Kit in your classroom or school library.
    [Show full text]
  • A Medici to Spray Paint and Graffiti Artists by FELICIA R
    ART & DESIGN A Medici to Spray Paint and Graffiti Artists By FELICIA R. LEE JAN. 28, 2014 From left, the filmmaker Charlie Ahearn and the artist Lee Quiñones at ABC No Rio.CreditDamon Winter/The New York Times “Times have changed,” Aaron Goodstone said stoically, eyeing the spruced-up brick tenement at Ridge and Stanton Streets on the Lower East Side, now hip, where his friend Martin Wong once lived. Thirty years ago, when Mr. Goodstone was a teenage graffiti artist, he vied with drug dealers for the corner pay phone to reach Wong in his buzzerless sixth-floor walk-up: a salon, a studio, an archive and a refuge among the crumbling buildings and gated storefronts. Wong, a major painter in the East Village art scene, who died in 1999, was also a major collector. A mentor to young artists, he amassed about 300 works of graffiti in that small railroad apartment. Nearly 20 years after he donated his collection to the Museum of the City of New York, nearly 150 of those works are in “City as Canvas: Graffiti Art From the Martin Wong Collection.” The first exhibition of Wong’s collection, opening on Tuesday and running through Aug. 24, it is one of several graffiti and street art shows in the United States and abroad at museums and galleries in the past several years. Lee Quiñones’s “Howard the Duck” (1988). CreditMuseum of the City of New York. The exhibition prompted Mr. Goodstone’s recent trek to Wong’s old neighborhood. He was accompanied by the filmmaker Charlie Ahearn (director of the seminal 1983 film “Wild Style,” about New York’s hip-hop and graffiti scene), who shot a 13-minute documentary for “City as Canvas.” The film shows how several artists helped the museum’s curators choose and identify the artworks, some unsigned or misidentified: Mr.
    [Show full text]