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IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday,Wednesday, November 7, 2018 NEW YORK IMPRESSIONIST & MODERN ART AUCTION Wednesday, November 7, 2018 at 11am POST-WAR & CONTEMPORARY ART AUCTION Wednesday, November 7, 2018 at 2pm EXHIBITIONS Saturday, November 3, 10am – 5pm Sunday, November 4, Noon – 5pm Monday, November 5, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com IMPRESSIONIST & MODERN ART INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-50 Henrie Jo Barth An East Hampton Collection POST-WAR & CONTEMPORARY ART Alexander C. Ewing Post-War 51-119 Hilda U. and Rudolph Forchheimer Contemporary 120-140 Marcella Katz A Lady Eugene M. Lang Beatrice Meyerson Marion Victor Perini Howard Pitsch Lucille and Charles Plotz J. Robert and Gladys Rosenthal Felix Ross Glossary I Marianne Schaller Conditions of Sale II James H. Wickersham Jr. Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX INCLUDING PROPERTY FROM Company Directory X A Bedminster, New Jersey Collector Absentee Bid Form XII The Collection of Charlotte Bergman A New Jersey Private Collection A Private New Jersey Collection A Philadelphia Private Collection Sheldon and Judith Streisand Lot 21 DUCHOISELLE LE PECHE & LE CHASSE Property from the Estate of Marianne Schaller 1 Eugène Verboeckhoven Belgian, 1798/99-1881 Heading Back to the Fold, 1878 Signed Eugène Verboeckhoven and dated ft 1878 (ll); also inscribed Je soussigné declare que le tableau ci-contre est original Eugène Verboeckhoven/Schaerbeek,... Bruxelles 1878 on the reverse Oil on canvas 27 1/4 x 22 1/16 inches (69.2 x 56 cm) C $7,000-10,000 1 Property of Sheldon and Judith Streisand 2 3 Emile Meyer Duchoiselle French, 1823-1893 French, 19th Century Count Potocki Riding in the Horse Show La Pêche and La Chasse (Allegories at the Hippodrome, Paris of Fishing and Hunting): Two Signed and dedicated au Comte One signed Duchoiselle Potocki/homage amical E. Meyer (lr) Bronze with a green-brown patina Oil on canvas and bronze with a polychrome patina, 18 1/4 x 21 5/8 inches (46.7 x 55 cm) respectively Provenance: 24 x 37 5/8 inches (61 x 95.5 cm); [Sale] Sotheby’s, New York, 24 5/8 x 42 7/8 inches (62.5 x 109 cm), Jun. 6, 1985, lot 200 respectively C C $7,000-10,000 $30,000-40,000 2 6 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 4 Charles Napier Hemy British, 1841-1917 The Shrimper’s Return, 1901 Signed and dated D.N.H. 1901 (ll) Oil on canvas 24 x 36 inches (61 x 91.5 cm) Provenance: [Sale] Sotheby Parke Bernet, New York, Apr. 2, 1976, lot 192 C $8,000-12,000 4 5 Marin-Marie French, 1901-1987 The Good Cutter “Winibelle” as She was Passing the Désirade Lighthouse, 1933 Signed Marin Marie (ll); inscribed indistinctly and dedicated on the verso This is the Good Cutter “Winibelle” as seen by his 6 (good) owner Marin-Marie as she Montague Dawson was passing in 1933 - British, 1890-1973 The Désirade Lighthouse, The Spot The Q. 9. Mary B. Mitchell Where Christopher Columbus hit .../ Signed Montague Dawson (ll); stamped with the artist’s copyright To Mr. Paul Hammond/Heartily/ notification on the reverse Marin Marie Oil on canvas Watercolor and gouache on 16 x 20 inches (40.6 x 50.8 cm) heavy paper 20 1/2 x 29 1/2 inches Provenance: (52 x 75.3 cm) Frost & Reed Gallery, London, Inv. no. 45901 Acquired by the present owner on Jun. 4, 1973 Provenance: Gallery New World, Darien, CT The British schooner Q.9. Mary B. Mitchell was a decoy ship who was believed to Private collection, Darien, CT have sunk her first German submarine in 1917. She was built by Paul Rogers in 1892 at Acquired from the above on Carrickfergus and was owned by Lord Penrhyn. She was requisitioned in 1916 by the October 25, 1977 Admiralty to serve as a Q-ship until 1919, out of Falmouth. Thence by descent in the family to C the present owner $8,000-12,000 C 5 $10,000-15,000 8 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 7 7 8 Jack Lorimer Gray Anthony D. Blake American/Canadian, 1927-1981 New Zealander, b. 1951 Nova Scotian Schooner, 1961 Race Day, Newport, 1893, 1991 Signed Jack L Gray and dated 61; initialed JLG, dated 61, Signed A.D. BLAKE (lr); signed A D Blake, dated 1991, and inscribed and inscribed as titled on the reverse as titled and with notations naming the various yachts on the reverse Oil on canvasboard and a legend inscribed along the bottom canvas overlap 24 x 36 inches (61 x 91.4 cm) Oil on canvas 23 7/8 x 40 inches (60.5 x 101.6 cm) Provenance: Mrs. Henry Dickson The scene depicts the yacht Vigilant beating the Colonia, Ariel, and Henry Peterson Dickson Corsair II as they approach the New York Yacht Club during C the selection trials for the America’s Cup defense. $15,000-25,000 C $10,000-15,000 Property from the Estate of Marianne Schaller 9 Percival Leonard Rosseau American, 1859-1937 The Pool in the Woods, 1910 Signed Rosseau and dated 1910 (ll); inscribed as titled on the stretcher Oil on canvas 54 3/8 x 39 1/4 inches (137.7 x 99.7 cm) Provenance: Graham Gallery, New York C $50,000-90,000 8 10 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11 10 11 William Merritt Chase Exhibited: Literature: Lucien Pissarro American, 1849-1916) Philadelphia, McClees Gallery, Exhibition of Ronald G. Pisano, William Merritt Chase French, 1863-1944 Exhibited: London, Goupil Gallery, 1921, no. 177 Head of a Young Girl (The Gray Kimono), the Work of William M. Chase, March 1905 Portraits in Oil, vol. 2, The Complete Blackpool Cottage, June, 1921 1901 Buffalo, Buffalo Fine Arts Academy, A Collection Catalogue of Known and documented Signed with artist’s monogram and Literature: Signed Wm M. Chase. (cl) of Oil Paintings by William Merritt Chase, work by William Merritt Chase (1849-1916), dated 1921 (ll); also inscribed Sketchbook 71, Pissarro Family Archive, Oil on canvas N.A., 1909, a travelling exhibition; to completed by Carolyn K. Lane and Blackpool 1921 on the stretcher Ashmolean Museum, Oxford 20 x 16 inches (50.8 40.7 cm) Albright Art Gallery, Buffalo; John Herron D. Frederick Baker, 2006, no. OP.339, Oil on canvas Daily Telegraph, Nov. 21, 1921 Art Institute, Indianapolis; St. Louis Art Museum; Head of a Young Girl (The Gray Kimono), 25 1/2 x 21 inches (64.8 x 53.4 cm) Provenance: Daily Mail, Nov. 28, 1921 Cincinnati Museum of Art Boston, Vose Gallery, 1901, illus., as Location Unknown, Anne Thorold, A Catalogue of the Oil Paintings of J. J. Haverty, Atlanta, Ga., from a label Exhibition of Paintings by William Merritt Chase, pp. 174-175 Provenance: inscribed with his name on the stretcher Studio of the artist, marked in the studio book at Lucien Pissarro, 1983, no. 325, p. 154, illus. Dec. 1909, no. 17 C [Sale] Parke-Bernet, New York, Apr. 20, 1972, New York, National Arts Club, Exhibition of The painting is identified as a portrait of The Brook, the artist’s home in Chiswick in 1949 lot 162 Chase’s daughter, Alice Dieudonne. [Sale] Sotheby’s, July 12, 1961 $30,000-40,000 Paintings by William Merritt Chase Jan. 5-13, 1910 Leger Gallery, London Bridgeport, Conn., Bridgeport Public J. J. Haverty (1858-1939) was a Library, Exhibition of fifty-four Paintings by Valerie Nelson, New York preeminent collector of American art in [Sale] Parke-Bernet, New York, May 21, 1969, lot 44, illus. William Merritt Chase, 1910, his day. Upon his death, a number of his Ross Peacock, United States paintings were bequeathed to the High Musuem of Art in Atlanta, his hometown. C $10,000-15,000 12 DOYLE • NOVEMBER 7, 2018 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 12 12 Louis Valtat French, 1869-1962 14 Paysage (Les Colettes a Cagnes) circa 1907 Signed with initials L. V (lr) [Lugt 1771]; inscribed Paysage on the stretcher Oil on canvas 10 3/4 x 16 1/4 inches (27.3 x 41.3 cm) 14 Maurice de Vlaminck Provenance: French, 1876-1958 [Sale] Sotheby’s, New York, Nov. 6, 2003, lot 181 Rue de Village According to Louis-Andre Valtat, this work will be Signed Vlaminck (lr) included in the forthcoming supplement to the Gouache, watercolor, brush and catalogue raisonné under the sponsorship of the ink on paper 17 5/8 x 21 3/8 inches (44.7 x 54.3 cm) Wildenstein Institute. C This work will be included in the $30,000-50,000 Digital Critical Catalogue of Vlaminck in preparation by the Wildenstein-Plattner Institute, Inc. 13 C After Paul Gauguin $12,000-18,000 Hina, conceived circa 1893 Signed with the initials PGo, numbered 10/20, inscribed HINA and stamped with the foundry mark Property from the Estate of C. VALSUANI/CIRE PERDUE at the bottom left James H. Wickersham Jr. Bronze with brown patina Height 14 inches (35.5 cm) 15 Literature: Eugène Galien-Laloue C. Gray, Sculpture and Ceramics of Paul Gauguin, French, 1854-1941 Baltimore, 1963, p.
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  • A Medici to Spray Paint and Graffiti Artists by FELICIA R

    A Medici to Spray Paint and Graffiti Artists by FELICIA R

    ART & DESIGN A Medici to Spray Paint and Graffiti Artists By FELICIA R. LEE JAN. 28, 2014 From left, the filmmaker Charlie Ahearn and the artist Lee Quiñones at ABC No Rio.CreditDamon Winter/The New York Times “Times have changed,” Aaron Goodstone said stoically, eyeing the spruced-up brick tenement at Ridge and Stanton Streets on the Lower East Side, now hip, where his friend Martin Wong once lived. Thirty years ago, when Mr. Goodstone was a teenage graffiti artist, he vied with drug dealers for the corner pay phone to reach Wong in his buzzerless sixth-floor walk-up: a salon, a studio, an archive and a refuge among the crumbling buildings and gated storefronts. Wong, a major painter in the East Village art scene, who died in 1999, was also a major collector. A mentor to young artists, he amassed about 300 works of graffiti in that small railroad apartment. Nearly 20 years after he donated his collection to the Museum of the City of New York, nearly 150 of those works are in “City as Canvas: Graffiti Art From the Martin Wong Collection.” The first exhibition of Wong’s collection, opening on Tuesday and running through Aug. 24, it is one of several graffiti and street art shows in the United States and abroad at museums and galleries in the past several years. Lee Quiñones’s “Howard the Duck” (1988). CreditMuseum of the City of New York. The exhibition prompted Mr. Goodstone’s recent trek to Wong’s old neighborhood. He was accompanied by the filmmaker Charlie Ahearn (director of the seminal 1983 film “Wild Style,” about New York’s hip-hop and graffiti scene), who shot a 13-minute documentary for “City as Canvas.” The film shows how several artists helped the museum’s curators choose and identify the artworks, some unsigned or misidentified: Mr.