The Lesbian Perception: Representation in Anonymous Questionnaires
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Fabulous! the Story of Queer Cinema
The Independent Film Channel Presents: An Orchard Films Production Fabulous! The Story of Queer Cinema Directed and Produced by Lisa Ades & Lesli Klainberg PUBLICITY AND ARTWORK, PLEASE CONTACT: Sophie Evans Manager, Consumer PR Kristen Andersen – PR Coordinator T: (917) 542-6336 T: (917) 542-6339 E: [email protected] E: [email protected] Synopsis: Fabulous! The Story of Queer Cinema explores the emergence of gay and lesbian films from the beginning of the gay rights movement in the 1960s to the “New Queer Cinema” of the 90s, the proliferation and influence of gay and lesbian films festivals, the discovery by the film business of the gay market; the explosion of gay images in the mainstream media and the current phenomenon of all things gay. The story of gay and lesbian cinema is closely related to the world surrounding it, and the use of popular culture is a backdrop against which the film examines important cultural, political and social moments- and movements that intersect with gay life. “Sex on the screen means something different for gay and lesbian audiences than for straight audiences because we’ve never been allowed to see it. If bodies that we can’t imagine being together are together, if women are rolling around in bed, if men are doing something more in the locker room than just simply taking a shower…all of these groundbreaking scenes of explicit sexuality have a meaning and a power that go beyond similar scenes for heterosexuals. It has to be there for audiences because for so long we were told ‘Oh no, they aren’t really gay because we have no proof that they ever did that’ there’s a sense that’s like – show me the money!” - B. -
Turns to Affect in Feminist Film Theory 97 Anu Koivunen Sound and Feminist Modernity in Black Women’S Film Narratives 111 Geetha Ramanathan
European Film Studies Mutations and Appropriations in THE KEY DEBATES FEMINISMS Laura Mulvey and 5 Anna Backman Rogers (eds.) Amsterdam University Press Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) -
Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
Queering Laughter in the Stockholm Pride Parade
IRSH 52 (2007), pp. 169–187 DOI: 10.1017/S0020859007003185 # 2007 Internationaal Instituut voor Sociale Geschiedenis Queering Laughter in the Stockholm Pride Parade Anna Lundberg Summary: This article analyses the Stockholm Pride parade as an effective contemporary political stage, built on laughter and festivity. Taking its political point of departure in what is seen as being highly private and intimate, sexuality and the sexed body, the parade turns upside down one of the most central ideas of modernity: the dichotomy of public and private. Combining the theory of carnival laughter with queer theory, the article illustrates the way in which humour and politics work together in this contemporary blend of politics and popular culture. He is young and blonde, with rosy cheeks, bright eyes, and a well-groomed goatee. He appears to be happy, beaming in the sunshine. Slightly chubby, indeed florid, he looks like an old-fashioned Swedish impersonation of the very picture of health. Clothing: Swedish woman’s traditional folk outfit, with blue ankle-length skirt, white blouse, and a colourful apron with traditional embroidery. He has dark blue stockings, and a traditional white bonnet on his head. Shoes: dark blue leather, of a sort you would describe as comfortable, usually worn by women over sixty. Looking at him, I think I too should look just like that in a traditional Swedish woman’s folk outfit, although without the beard of course. He seems confident when he stares straight into my camera, loudly bursting into song: ‘‘Hallelujah, praise the Lord!’’ Placing one foot out in front of the other, grabbing the apron with a coquettish gesture, and at the same time giving the passing girl a flirtatious glance, he has completed the picture of carnival, and its jesting ambivalence. -
Lesbian & Gay Film Festival
University of Rhode Island DigitalCommons@URI GBLA Film Gender and Sexuality Center 1994 Lesbian & Gay Film Festival Follow this and additional works at: https://digitalcommons.uri.edu/gbla-film Recommended Citation "Lesbian & Gay Film Festival" (1994). GBLA Film. Paper 14. https://digitalcommons.uri.edu/gbla-film/14https://digitalcommons.uri.edu/gbla-film/14 This Playbill is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in GBLA Film by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. mediaby JennieLivingston (Pans 1s Burning) and Jim Lyons OnJune 28, 1969, (Poison),a selectionof films fromAndrea Weiss' recently publishet shortlyafter oneam, the NewYork Police City entered the Vampiresand Violets.Lesbians in Film anda videopresentation StonewallInn on a routineraid But on this fatefulmorning just andlecture, Fifty Yearsof Perversity,in whichRosa van Praunheim hoursafter the funeralof the legendaryJudy Garland a few will discusshis illustriouscinematic career. Closing the '94 bravesouls donned shields of rageand pride, igniting the historic Festivalwill be GreggBordowitz's powerful AIDS testimony Fast riot that wouldcome to be knownas the StonewallRebellion Trip,Long Drop GETYOUR Forfive dayslesbians and gays waged battle, ushering in an era As an organizationdependent upon the invaluableresource of of politicalactivism and personal pride, giving birth to a movement humanbeings, this -
Spahr Opponents Reveal Homophobia Ching Band, Please Call Wild Seeds, at 244-9310
HECSVEft LOCAL NEWSBRIEFS Time for pride By Ann BurUngham Break out your birkcnstocks, high heeis, hightops, and comfortable shoes — whatever you consider stylish walking gear. The Fourth Annual Lesbian, Gay, and Bisexual Pride Parade is set for June 27. Thc route is down Park Ave. to Cobbs Hill Park. Line-up is at 2 p.m. on Berkeley St., between Park and East Ave., and step-off will be at 3 p.m. Thc Maypole will be making a colorful return this year, other participants expected include Dykes on Bikes, Women's Percus sion, People with AIDS and their friends, Rev. Janie Spalrr iretps to carry a cross during a demortstration at the Presbyterian Church's people with disabilities, rcligious groups, General Assembly in Baltimore last June, In front of ber is Virginia Uavidson of DUPC. elected officials, political groups, social photo by Ron Rice organizations, and (whew) solidarity groups. Any group that can't find a category is in vited to crcate one. Anyone wishing to be involved in a mar Spahr opponents reveal homophobia ching band, please call Wild Seeds, at 244-9310. Those planning floats should call Leigh at 271-1467. Prizes will again be award By Susan Jordan predates most deeply about her church is served as advocate for thc Presbytery of the ed for best floats. Thc Permanent Judicial Commission of that it is continuously fomiing, and asked Gcncscc V^dlcy, by contrast witii Poppinga Blue Moon Screen Printing will sell t-shirts thc Synod of thc Northeast, Prcsbyterian whether Poppinga was implying that thc did not dwell on thc issue of homosexuali for the event. -
Emerging Narrative
Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle. -
And the Puzzle? It Was Right Here, in These Pages
Jim Toy Center President Talks 2021 Goals Hotter Than July Retrospective: The Next 25 Years Sundance’s Queer History, Plus 14 Films to Watch For A Puzzle-Lover’s Proposal And the Puzzle? It Was Right Here, in These Pages PRIDESOURCE.COM FEBRUARY 4, 2021 | VOL. 2906 | FREE 2 BTL | February 4, 2021 www.PrideSource.com NEWS 4 A Puzzle-Lover’s Proposal VOL. 2906 • FEBRUARY 4, 2021 5 At Royal Oak’s Cafe Muse, Fine Dining Dates are Back on the Menu this ISSUE 1167 Valentine’s Day PRIDE SOURCE MEDIA GROUP 8 ‘We’re Here, We’re Accessible and We’re Dedicated’: Jim Toy Center President Phone 734-293-7200 Talks 2021 Goals PUBLISHERS Benjamin Jenkins 12 Hotter Than July: The Next 25 Years [email protected] Publishers Emeritus: Jan Stevenson & Susan Horowitz 14 A Legacy to Carry On DIRECTOR OF OPERATIONS Tom Wesley, 734-263-1476 22 15 Obituary: Evelyn Josephine Fisher, M.D. [email protected] 15 ACLU Executive Director Dave Noble Accepts New Role as Peace Corps Chief EDITORIAL Entertainment Editor of Staff Chris Azzopardi, 734-293-7200 [email protected] 16 Pelosi ‘Optimistic’ About LGBTQ Equality Act, Calls Passage a ‘Priority’ News & Feature Editor Eve Kucharski, 734-293-7200 OPINION [email protected] 10 Parting Glances News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, 10 Viewpoint: Dana Rudolph Drew Howard, Jonathan Thurston 11 Creep of the Week: Donald Trump CREATIVE 16 Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, ENTERTAINMENT Gwendolyn Ann Smith, Dana Rudolph 18 How -
Names Are Important
Georgia State University College of Law Reading Room Faculty Publications By Year Faculty Publications 2018 Names are Important Margaret Butler Georgia State University College of Law, [email protected] Follow this and additional works at: https://readingroom.law.gsu.edu/faculty_pub Part of the Law and Gender Commons Recommended Citation Margaret Butler, Names are Important, in Sexual Orientation, Gender Identities, and the Law: A Research Bibliography xxxix (Dana Neacsu & David Holt eds., William S. Hein & Co., Inc., 2018). This Contribution to Book is brought to you for free and open access by the Faculty Publications at Reading Room. It has been accepted for inclusion in Faculty Publications By Year by an authorized administrator of Reading Room. For more information, please contact [email protected]. Names Are Important Margaret (Meg) Butler*1 As individuals, we are generally named first by our parents, within the confines of what is either culturally normative, legally allowed, or both.2 Various religions have prescribed baby-naming ceremonies.3 In Hispanic culture, babies are named with the first last name of both the mother and the father.4 As we age, we encounter opportunities to change our names. Some of us need or want to change our names to reflect our gender identi- ties. Depending on one’s beliefs and cultural background, it is possible to accept a new name on marriage or revert to a ‘maiden name’ on divorce. People consider carefully—some might say agonize—over the question whether to change a name and the ramifications of such a change on one’s identity.5 Lesbian, gay, bisexual, transgender, asexual, intersex, queer, ques- tioning, and others (LGBTAIQQO) have often been, and sometimes still are, subjected to derogatory name-calling. -
Winter 2006 Newsletter
NEWSLETTER National Center for Lesbian Rights WINTER 2006 INSIDE: NCLR’s Inaugural Sports Think Tank Page 6 What’s in a Name? On November 13th, the Women’s Motorcycle Contingent Names can be tricky. The name “National Center for formally won the legal right to trademark “DYKES ON Lesbian Rights,” for example, just hints at part of our BIKES.” Over the past year, the United States Trademark organization’s overall work. NCLR is the national LGBT Office twice rejected the group’s application on the civil rights legal organization that is lesbian-led and grounds that the name “DYKES ON BIKES” is offensive committed to justice, equality, and legal protections for to lesbians. In reality, Dykes on Bikes is perhaps the all LGBT individuals and their families. Our lesbian most boisterous collection of women kicking off LGBT leadership informs every aspect of our work on behalf of pride parades across the country, raucously revving the entire community. Through a lesbian feminist lens, their bikes and cheering the crowd. Within our we select cases which will have the most impact, we community, it seems impossible to imagine them as analyze the intersection of oppressions, and we anything but loud and proud. represent clients holistically—always putting them first. NCLR worked closely with the brilliant and dedicated Thirty years ago, NCLR was started by a few just-out-of- Post-election Brooke Oliver Law Group and Townsend and Townsend law-school attorneys who dared to believe that the Marriage Equality and Crew to submit more than two dozen expert promise of opportunity should extend to lesbian moms. -
AMERICAN PSYCHO by Mary Harron and Guinevere Turner
AMERICAN PSYCHO by Mary Harron and Guinevere Turner Based on the novel by Bret Easton Ellis Fourth Draft November 1998 INT. PASTELS RESTAURANT- NIGHT An insanely expensive restaurant on the Upper East Side. The decor is a mixture of chi-chi and rustic, with swagged silk curtains, handwritten menus and pale pink tablecloths decorated with arrangements of moss, twigs and hideous exotic flowers. The clientele is young, wealthy and confident, dressed in the height of late-eighties style: pouffy Lacroix dresses, slinky Alaïa, Armani power suits. CLOSE-UP on a WAITER reading out the specials. WAITER With goat cheese profiteroles and I also have an arugula Caesar salad. For entrées tonight I have a swordfish meatloaf with onion marmalade, a rare-roasted partridge breast in raspberry coulis with a sorrel timbale... Huge white porcelain plates descend on very pale pink linen table cloths. Each of the entrees is a rectangle about four inches square and look exactly alike. CLOSE-UP on various diners as we hear fragments of conversation. "Is that Charlie Sheen over there?" "Excuse me? I ordered cactus pear sorbet." WAITER And grilled free-range rabbit with herbed French fries. Our pasta tonight is a squid ravioli in a lemon grass broth... CLOSE-UP on porcelain plates containing elaborate perpendicular desserts descending on another table. PATRICK BATEMAN, TIMOTHY PRICE, CRAIG MCDERMOTT and DAVID VAN PATTEN are at a table set for four. They are all wearing expensively cut suits and suspenders and have slicked-back Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library hair. -
Latino/Hispanic Heroes of the LGBT Community Included in This Document Are Several Biographies of LGBT Heroes of Latino/Hispanic Heritage
LATINO/HISPANIC HERITAGE MONTH Latino/Hispanic Heroes of the LGBT Community Included in this document are several biographies of LGBT heroes of Latino/Hispanic heritage. There is also a timeline of LGBT Latino/Hispanic history in the United States. PURPOSE ACTIVITY to learn from the diverse stories of extraordinary Latino/ Read the 9 portraits and examine the details of the story. Hispanic people who have made significant contributions to Then generate discussion about the heroes. American life and culture. Some potential themes to explore, with discussion questions: DIVERSITY INSPIRATION • Why does GLSEN celebrate Latino/Hispanic history month? • There are three quotations included with the heroes, what do you think each of these quotations is saying? • Does the list of heroes reflect the diversity of the community/ population being celebrated during the month? • Are there any common themes in the quotations? • Are there similarities between the heroes? What themes, • How do the quotations relate to the hero’s story? Their LGBT, qualities or traits do you notice? Latino/Hispanic or professional identity? HEROIC QUALITIES INTERSECTIONALITY • Why do you think each individual is selected as a hero? • Can you think of places where you feel you’re only able to bring • What makes a person a hero? one of your identities? (example: your Latino/Hispanic identity but not your LGBT identity or your LGBT identity but not your • Do any of the heroes surprise you? Why or why not? Latino/Hispanic identity) • Where are these spaces? Are any of these