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L1 ORIGINHALS 392 14 Oktober 2012 Arnold Rypens L1 ORIGINHALS 392 14 oktober 2012 Arnold Rypens - Kirsten 3:00 1 Raindrops keep Falling On My Head (David) Scepter BJ THOMAS III/15 Dit zijn The Originals bij L1 Radio met de muziek bij de begin- en slotscene (de fietsscene) uit de film Butch Cassidy And The Sundance Kid, muziek die bekroond werd met een Oscar en in 1969 n°1 in Amerika werd voor deze BJ Thomas, geschreven door Burt Bacharach op tekst van zijn trouwe lyricist Hal David. Hal is een paar weken geleden overleden, de man is 91 geworden. Een te lang leven om in één aflevering te overlopen, temeer daar al zijn originals de moeite zijn nog eens terug te horen. Dit was in 1957 de allereerste samenwerking Bacharach/David: profetisch The Story Of My Life en opvallend: verrassend lijkend op die Raindrops van daarnet! Marty Robbins. 2:35 2 The Story Of My Life (Bacharach/David) Columbia MARTY ROBBINS L89/23 The Story Of Hal David's Life in The Originals met Marty Robbins in 1957 en de oudste Bacharach/David-compositie ooit, het jaar nadien gelijk de eerste hit voor een nummer van die twee toen ene Michael Holliday hiermee de Engelse charts aanvoerde. Wat daarom niet betekent dat de Bacharach/David-tandem daarmee voorgoed gesmeden was. Het volgende wapenfeit met zowel een Bacharach als een David als auteur was de Shirelles-hit Baby It's You in 1961. Alleen waren die woorden van Mack David, de oudere broer van Hal. 2:42 3 Baby It's You (Bacharach/Williams/David) Scepter SHIRELLES 11 Baby It's You van The Shirelles op het Scepter-label in 1961, twee jaar later succesvol gecoverd door The Beatles op hun debuut-lp. Geen wonder dat Scepter label-bazin Florence Greenberg méér van dat Bacharach-spul wou én kreeg: It's Love That Really Counts, deze keer wel samen met Hal David geschreven. Opnieuw The Shirelles. 2:15 4 It's Love That Really Counts (Bacharach/David) Scepter SHIRELLES 16 It's Love That Really Counts, een B-kantje van The Shirelles op Scepter in 1962. Florence Greenberg vond dit net niet goed genoeg voor de A-kant maar was wel gecharmeerd door de stem die de demo had ingezongen en dat was Dionne Warwick! Op die manier werd Dionne voor Scepter getekend. Haar versie van deze song kwam het jaar nadien terecht op haar Scepter debuut-lp Presenting Dionne Warwick. Nu nog weten hoe Burt Bacharach Dionne heeft leren kennen! Dat was tijdens een sessie met The Drifters waar een vrouwelijk backing koortje bij hoorde waar zij bovenuit stak. Luister maar! 5 Mexican Divorce (Bacharach/Hillard) Atlantic DRIFTERS Mexican Divorce, bekend van Ry Cooder, hier origineel door The Drifters met The Gospelaires in het backing koortje featuring Dionne Warwick. Auteur Burt Bacharach hield van dan af contact. Mexican Divorce schreef hij samen met Bob Hilliard, maar een andere Drifters-original was wel op tekst van Hal David. In The Land Of Make Believe. 2:36 6 In The Land Of Make Believe(Bacharach/David) Atlantic DRIFTERS BTWH4/4 The Originals bij L1 Radio en In The Land Of Make Believe; je kan het kennen van Dusty Springfield (op haar lp Dusty In Memphis) en van Dionne Warwick en geen wonder: dit is zoals de meeste nummers deze en volgende aflevering Burt Bacharach/Hal David stuff. Tijd voor Dionne's eerste echt grote hit met een nummer van die twee, Don't Make Me Over, wat zoveel betekent als Speel Niet Met Mijn Voeten. Dat kwam zo: Don't Make Me Over was letterlijk wat Dionne tegen Bacharach & David zei nadat ze erachter was gekomen dat de vorige demo die ze voor die twee had ingeblikt, Make It Easy On Yourself, naar een ander was gegaan. Daar het origineel van horen we volgende week. 2:53 7 Don't Make Me Over (Bacharach/David) Scepter DIONNE WARWICK II/1 Eindelijk Dionne Warwick in deze eerste van twee opeenvolgende Hal David memorial afleveringen en nu raken we er natuurlijk niet meer vanaf. This Empty Place was haar opvolger van Don't Make Me Over en net zo goed origineel. 3:00 8 This Empty Place (Bacharach/David) Scepter DIONNE WARWICK L125b 10 This Empty Place werd La Place Vide bij Nana Mouskouri zoals Don't Make Me Over een Franse hit werd voor Les Surfs en een Nederlandse voor Andre Hazes. De toevloed aan prachtnummers van Bacharach & David kon op de duur bij Scepter Records niet langer uitsluitend gekanaliseerd worden richting Dionne Warwick, soms vertrouwden ze daar het origineel al eens aan een ander toe. Tommy Hunt kreeg daar als eerste I Just Don't Know What To Do With Myself. 2:49 9 I Just Don't Know What To Do With Myself Scepter TOMMY HUNT I/23 2:59 10 Anyone Who Had A Heart (Bacharach/David) Scepter DIONNE WARWICK II/8 Scepterzwaaiers Tommy Hunt & Dionne Warwick, met twee Bacharach/David-nummers die we net zo goed van Dusty Springfield kennen of van Cilla Black: I Just Don't Know What To Do With Myself en Anyone Who Had A Heart. Even tussendoor een original die is afgekeken van Anyone Who Had A Heart en ook van de hand is van een songschrijver die nog maar net overleden is: I Knew You When van Joe South, origineel van deze Wade Flemons. 11 I Knew You When (South) Vee-Jay WADE FLEMONS cass1160B Wade Flemons op het Vee-Jay label in 1964, even vooruit lopend op een aflevering originals van binnen een week of twee, wanneer het hier over songschrijver Joe South zal gaan. I Knew You When werd in de auteursversie de opvolger van Games People Play, bij Billy Joe Royal de opvolger van Down In The Boondocks en voor Linda Ronstadt een top-40 hit in de States. Voorlopig houden we 't hier op de songschat van Joe's collega Hal David, net als hij helaas mee opgenomen in de échte Tower of Song. Waar waren we gebleven? Bij de oudste Anyone Who Had A Heart(!), achteraf een n°1 in Engeland voor Cilla Black en hier is Cilla zelf met een original. 2:45 12 Alfie (Bacharach/David) Parlophone CILLA BLACK L130b 6 Alfie, geïnspireerd door de gelijknamige film (met Michael Caine) maar speciaal geschreven (door Bacharach & David) voor Cilla Black. In de film hoor je de versie van Cher, ten minste: in de oorspronkelijke film uit 1966. In de remake uit 2004 zingt Joss Stone het en je kan het ondertussen ook kennen van Rumer. We hebben hier nog twee titelnummers van films waarvoor Burt & Hal de muziek schreven. Wives And Lovers kan je kennen van Frank Sinatra tot Toots Thielemans en van Ella Fitzgerald tot Julie London; Jack Jones had daarvan het origineel (en de hit). 2:32 13 Wives And Lovers (Bacharach/David) Kapp JACK JONES L130b 4 2:17 14 What's New Pussycat (Bacharach/David) UA BURT BACHARACH BTWH1/7 Het is al Burt Bacharach/Hal David-stuff wat de klok slaat deze en ook volgende aflevering: eerst Theme From Wives And Lovers van Jack Jones, daarna de aan Burt Bacharach zelf toegeschreven originele What's New Pussycat met de stem van Joel Grey. Dient het gezegd: de hit was voor Tom Jones. En dit komt ook uit die film. 2:24 15 My Little Red Book (Bacharach/David) UA MANFRED MANN L130b 5 My Little Red Book van Manfred Mann uit de soundtrack van sixties-film What's New Pussycat en achteraf zowaar een rock klassieker via versies van The Standells, The Seeds, Love, The Fuzztones, The Rumour, ja zelfs The White Stripes en Golden Earring. Overigens is ook de melodie van Dans Je De Hele Nacht Met Mij van Karin Kent uit de What's New Pussycat soundtrack gelicht, alleen was dat oorspronkelijk een instrumental en dus uitsluitend aan Burt Bacharach toe te schrijven, terwijl wij het hier horen te hebben over de bijdragen van wijlen zijn vaste schrijfpartner Hal David. Geen nood. Stuff genoeg. 2:31 16 Too Late To Worry (Bacharach/David) Kapp BABS TINO L130b 2 Too Late To Worry van Babs Tino voor Kapp in 1962; werd Donne moi ma chance bij Richard Anthony in Frankrijk en Geef Mij Nog Eén Kans bij Marva in Vlaanderen. Eentje om het af te leren (om er dan volgende week opnieuw een heel uur tegenaan te gaan): The Man Who Shot Liberty Valence, met een neuslengte origineel van The Fairmount Singers (en niet van Gene Pitney!) en zo eindigt deze eerste originHal David-aflevering... EINDAFK. 2:44 17 Man Who Shot Liberty Valence (Bacharach/David) Dot FAIRMOUNT SINGERS L88 19 18 Body And Soul (Green) CARROLL GIBBONS .
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