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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
The Playhouse a Special Virtual Series July 16-August 15, 2020
the playhouse a t W h i t e La k e A Special Virtual Series July 16-August 15, 2020 Live, Outdoor Performances at The Playhouse at White Lake The Playhouse Presents From Our House to Yours Free A Special, Virtual Series Admission to Both Shows! July 16-18 A Betrothal by Lanford Wilson Chicks by Grace McKeaney White Lake Youth Theatre Presents: LOVE by Finegan Kruckmeyer Happy by Alan Zweibel July 30, 31 and August 1 at 7:00pm Sponsored by Carmichael Heating & Air Conditioning July 23-25 Mind the Gap by Kimberly, Sky and Jacy Harsch Donations Welcome! August 6-8 Violet by Bebe Sanders Clear Glass Marbles by Jane Martin August 13-15 An Evening of Live Music Co-hosted by Muskegon Civic Theatre 2 Across by Jerry Mayer Max & Ruth Bloomquist, Karen & Eric Smith, Dale Clock, Diane VanWesep, Regina Schlaff, Kyle Schlaff, David Riegler, Heather MacCallum, Claire Root Benson, and many more! showtix4u.com August 22 at 7:00pm Visit, Click, Buy, Settle in and Enjoy! Rain Date: August 23 at 7:00pm Sponsored by White Lake Area Chamber of Commerce Proud to Sponsor the White Lake Youth Theatre! 231.766.9133 www.carmichaelheating.com Cast Natalie Carmolli as Ms. Joslyn Joe Carmolli as Mr. Wasserman Production Team Director Beth Pierson Managing Director Beth Beaman Assistant Managing Director A Betrothal Cindy Beth Davis Dykema by Lanford Wilson Technical Director, Scenic and Lighting Designer Streaming July 16-18 at 7:30pm Claire Beaman Production Manager and Costumer Lanford Wilson received the 1980 Pulitzer Prize for Caroline Arana Drama and the New York Drama Critics Circle Award Production Assistant and Stage Manager for TALLEY’S FOLLY. -
Dancing at Lughnasa
1 Dancing at Lughnasa ACT ONE When the play opens MICHAEL is standing downstage left in a pool of light. The rest of the stage is in darkness. Immediately MICHAEL begins speaking slowly bring up the lights on the rest of the stage. Around the stage and at a distance from MICHAEL the other characters stand motionless in formal tableau. MAGGIE is at the kitchen window (right). CHRIS is at the front door. KATE at extreme stage right. ROSE and GERRY sit on the garden seat. JACK stands beside ROSE. AGNES is upstage left. They hold these positions while MICHAEL talks to the audience. MICHAEL. When I cast my mind back to that summer of 1936 different kinds of memories offer themselves to me. We got our first wireless set that summer – well, a sort of set; and it obsessed us. And because it arrived as August was about too begin, my Aunt Maggie – She was the joker of the family – she suggested we give it a name. She wanted to call it Lugh* after the old Celtic God of the Harvest. Because in the old days August the First was La Lughnasa, the feast day of the pagan god, Lugh; and the days and weeks of harvesting that followed were called the Festival of Lughnasa. But Aunt Kate – she was a national schoolteacher and a very proper woman --she said it would be sinful to christen an inanimate object with any kind of name, not to talk of a pagan god. So we just called it Marconi because that was the name emblazoned on the set. -
Dancing at Lughnasa School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData School of Theatre and Dance Programs Theatre and Dance Fall 2013 Dancing At Lughnasa School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/sotdp Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "Dancing At Lughnasa" (2013). School of Theatre and Dance Programs. 46. https://ir.library.illinoisstate.edu/sotdp/46 This Book is brought to you for free and open access by the Theatre and Dance at ISU ReD: Research and eData. It has been accepted for inclusion in School of Theatre and Dance Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. steve-o from MTV's Jackass October 5th Donnie Baker & Chick McGee from The Bob & Tom Show October 11th - 12th ,-----._-=,--::::a----, Ryan Stout from Chelsea Lately October 18th - 19th AI Jackson from Comedy Central October 24th - 26th Adam Ray from the hit movie "The Heat" November 14th - 16th • • f - I Drew lastings \ ~ ,, from The Bob and Tom Show ':. i ' November 22nd - 23rd • - ~ Jamie Kennedy from Malibu's Most Wanted December 5th - 7th 108 E Market Street Bloomington, IL I Phone: 309-287-7698 www.laughbloomington.com ONE E SCHOOL OF illlfi~~ ~ . Jllu,ouSrnrc u,,n••rnty AN if?\\Q\111~~ Center for the Performing Arts - Illinois State University November 1-2 & 5-9, 7:30 p.m. Matinee: November 3, 2:00 p.m. Dancing At Lughnasa by Brian Friel Director .............................................................................................................. -
MARTIN PAKLEDINAZ, Costume Designer
THE ELIXIR OF LOVE FOR FAMILIES PRODUCTION TEAM BIOGRAPHY MARTIN PAKLEDINAZ, Costume Designer Martin Pakledinaz is an American Tony Award-winning costume designer for stage and film. His work on Broadway includes The Pajama Game, The Trip to Bountiful, Wonderful Town, Thoroughly Modern Millie, Kiss Me, Kate, The Boys From Syracuse, The Diary Of Anne Frank, A Year With Frog And Toad, The Life, Anna Christie, The Father, and Golden Child. Off-Broadway work includes Two Gentlemen of Verona, Andrew Lippa's The Wild Party, Kimberly Akimbo, Give Me Your Answer, Do, Juvenalia, The Misanthrope, Kevin Kline's Hamlet, Twelve Dreams, Waste, and Troilus and Cressida. He won two Tony Awards for designing the costumes of Thoroughly Modern Millie and the 2000 revival of Kiss Me Kate, which also earned him the Drama Desk Award for Outstanding Costume Design. He has designed plays for the leading regional theatres of the United States, and the Royal Dramatic Theatre of Sweden. Opera credits include works at the New York Metropolitan Opera and the New York City Opera, as well as opera houses in Seattle, Los Angeles, St. Louis, Sante Fe, Houston, and Toronto. European houses include Salzburg, Paris, Amsterdam, Brussels, Helsinki, Gothenburg, and others. His dance credits include a long collaboration with Mark Morris, and dances for such diverse choreographers as George Balanchine, Eliot Feld, Deborah Hay, Daniel Pelzig, Kent Stowell, Helgi Tomasson, and Lila York. His collaborators in theatre include Rob Ashford, Gabriel Barre, Michael Blakemore, Scott Ellis, Colin Graham, Sir Peter Hall, Michael Kahn, James Lapine, Stephen Lawless, Kathleen Marshall, Charles Newell, David Petrarca, Peter Sellars, Bartlett Sher, Stephen Wadsworth, Garland Wright, and Francesca Zambello. -
36Th Annual Lucille Lortel Awards Announcement
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 THE OFF-BROADWAY LEAGUE & LUCILLE LORTEL THEATRE TO PRESENT AN ORIGINAL FILMED PROGRAM FOR THE 36TH ANNUAL LUCILLE LORTEL AWARDS SPECIAL CELEBRATION OF THE OFF-BROADWAY COMMUNITY – ON-STAGE, BEHIND THE SCENES, AND IN THE AUDIENCE – WILL PREMIERE ON SUNDAY, MAY 2, 2021 New York, NY (April 14, 2021) – In an unprecedented year without live theatre to recognize, The Off- Broadway League and the Lucille Lortel Theatre will present the 2021 Lucille Lortel Awards as a celebration of all the people who create Off-Broadway excellence. The pre-taped special will honor the writers, actors, directors, choreographers, designers, musicians, stagehands, producers, theatre staff, and the audiences who all contribute to the incomparable magic of Off-Broadway theatre. Featuring testimonials from members of the community, as well as fun facts, video footage from past awards shows, the Lucille Lortel Vault, and more, the program will premiere Sunday, May 2, at 7:00PM on www.lortelawards.org and will, as always, be a benefit for The Actors Fund. The 36th Annual Lucille Lortel Awards will feature an appearance by Bebe Neuwirth, Vice Chair, Board of Trustees, The Actors Fund, as well as Quincy Tyler Bernstine, Tracee Chimo Pallero, Edmund Donovan, Scott Elliott, Will Eno, Stephen McKinley Henderson, Bill Irwin, Francis Jue, Judy Kuhn, Grace McLean, Annette O'Toole, Larry Owens, Tonya Pinkins, Daryl Roth, Kristen Schaal, Jeremy Shamos, Susan Stroman, Jason Tam, and more; a brand-new performance choreographed by actor and dancer Reed Luplau; comedy sketches by the improv group The Foundation; a monologue by Phillip Taratula as Pam Goldberg; a musical performance by Crystal Monee Hall, Allen René Louis, and Michael McElroy; and an original song by Bobby Daye in memory of Off-Broadway community members who lost their lives this past year. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
Past Productions
Past Productions 2017-18 2012-2013 2008-2009 A Doll’s House Born Yesterday The History Boys Robert Frost: This Verse Sleuth Deathtrap Business Peter Pan Les Misérables Disney’s The Little The Importance of Being The Year of Magical Mermaid Earnest Thinking Only Yesterday Race Laughter on the 23rd Disgraced No Sex Please, We're Floor Noises Off British The Glass Menagerie Nunsense Take Two 2016-17 Macbeth 2011-2012 2007-2008 A Christmas Carol Romeo and Juliet How the Other Half Trick or Treat Boeing-Boeing Loves Red Hot Lovers Annie Doubt Grounded Les Liaisons Beauty & the Beast Mamma Mia! Dangereuses The Price M. Butterfly Driving Miss Daisy 2015-16 Red The Elephant Man Our Town Chicago The Full Monty Mary Poppins Mad Love 2010-2011 2006-2007 Hound of the Amadeus Moon Over Buffalo Baskervilles The 39 Steps I Am My Own Wife The Mountaintop The Wizard of Oz Cats Living Together The Search for Signs of Dancing At Lughnasa Intelligent Life in the The Crucible 2014-15 Universe A Chorus Line A Christmas Carol The Real Thing Mid-Life! The Crisis Blithe Spirit The Rainmaker Musical Clybourne Park Evita Into the Woods 2005-2006 Orwell In America 2009-2010 Lend Me A Tenor Songs for a New World Hamlet A Number Parallel Lives Guys And Dolls 2013-14 The 25th Annual I Love You, You're Twelve Angry Men Putnam County Perfect, Now Change God of Carnage Spelling Bee The Lion in Winter White Christmas I Hate Hamlet Of Mice and Men Fox on the Fairway Damascus Cabaret Good People A Walk in the Woods Spitfire Grill Greater Tuna Past Productions 2004-2005 2000-2001