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Room to Rise: the Lasting Impact of Intensive Teen Programs in Art Museums
ROOM the lasting impact of intensive teen programs in art museums to rise Room to Rise: The Lasting Impact of Intensive Teen Programs in Art Museums Danielle Linzer and Mary Ellen Munley Editor: Ellen Hirzy Whitney Museum of American Art, New York Copyright © 2015 by the Whitney Museum of American Art, New York. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Whitney Museum of American Art 99 Gansevoort Street New York, NY 10014 whitney.org Generous funding for this publication has been provided by the Institute of Museum and Library Services. Project Director Danielle Linzer Lead Researcher Mary Ellen Munley Editor Ellen Hirzy Copyeditor Thea Hetzner Designers Hilary Greenbaum and Virginia Chow, Graphic Design Department, Whitney Museum of American Art ISBN: 978–0–87427–159–1 Cataloging-in-Publication Data is on file with the Library of Congress. Printed and bound by Lulu.com Front cover: Youth Insights, Whitney Museum of American Art, New York (top); Teen Council, Museum of Contemporary Arts Houston (bottom) Back cover: Walker Art Center Teen Arts Council, Walker Art Center, Minneapolis (top); MOCA and Louis Vuitton Young Arts Program, The Museum of Contemporary Art, Los Angeles (bottom) PREFACE 6 INTRODUCTION 8 1: DESIGNING 16 THE STUDY 2: CHANGING LIVES 22 3: CHANGING 58 MUSEUMS 4: SHAPING OUR 64 PRACTICE PROGRAM PROFILES 76 NOTES 86 ACKNOWLEDGMENTS 90 Room to Rise: The Lasting Impact of Intensive 4 Teen Programs in Art Museums PREFACE ADAM D. -
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
Zaynab Abdi, Student
MINNESOTA WOMEN’S PRESS POWERFUL. EVERYDAY. WOMEN. Places & SPaces Nekessa Julia Opoti: The Story of Immigration Green Card Voices: Where Do I Belong? Minnesota Authors Explore Place The Women of Outward Bound: 1965 SPaces Issue womenspress.com July 2018 Issue 34-7 MINNESOTA “In the exhilaration of natural wonders, absorbed in our own WOMEN’S PRESS survival goals, we come through the POWERFUL. EVERYDAY. WOMEN. fog. We find vistas of peace and one- ness with each other, comfort, and acceptance.” — Devvie Cersine What’s inside? Editor Letter 4 Finding Place in the Space We Share COURTESY CRAIG WIKLUND CRAIG COURTESY Reader Response 5 Where Have You Felt at Home? Grounded 6 Smooth Sailing at Age 105 GoSeeDo Calendar 8 Places & Spaces 12-19 • Minnesota: A Place of Refuge? Pat Marble takes Up Kayaking, page 6 • Nekessa Julia Opoti: Arbitrary Borders • Act Now: Immigration Welcome Steps Contact Us MWP team • Green Card Voices: Where Do I Belong? 651-646-3968 Owner/Editor: Mikki Morrissette • Think: Immigration Facts & Data Send a letter to the editor/suggest story idea: Business Development Director: Shelly Damm [email protected] Managing Editor: Sarah Whiting Ism Schism 20 Subscribe: [email protected] Jessica Ostrov: Why Green Spaces Are White Contributors: Zaynab Abdi, Nancy Breymeier, Advertise: [email protected] Devvie Cersine, Maxine Davis, Shannon Drury, Linda BookShelf 25 LeGarde Glover, Kelly Gryting, Nekessa Julia Opoti, Minnesota Authors Explore Place: Wildflowers, Events listings: [email protected] Jessica Ostrov, Kelly Povo, Veronica Quillien, Maya Onigamiising, and Bakken Oil Fields Rao, Erica Rivera, Phyllis Root, Regina Santiago Our vision: There is much to be done, now Learning Life 30 more than ever. -
Frank Big Bear: Nativia
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | bockleygallery.com Frank Big Bear: Nativia Opening Reception: Friday, November 11, 6 to 8 pm Exhibition: November 10 through December 17, 2016 Gallery Hours: Wednesday through Saturday, Noon to 5 pm Bockley Gallery is pleased to announce its upcoming exhibition Nativia by Duluth-based artist Frank Big Bear. In his 12th solo show at the gallery, Big Bear continues to explore the complex issues in force at the intersection of Native American and American popular cultures. Running throughout this offering of new paintings, drawings and a single collage is the broader leitmotif of the human figure and, more specifically, the portrait. Of note is Big Bear’s Multiverse #1, a large-scale collage where the artist utilized 120 gallery exhibition invitations as a support to express his ideas and actions, which he then organized into a grid pattern. Big Bear approached each card individually as if chapters in a book, collageing onto each surface a range of images culled from magazines, books, graphic novels and catalogues. This cacophony of visual information integrates images, signs and symbols drawn from Native culture with those of popular culture figures, objects and events such as famous artists and artworks, celebrities, models, and even animals. The individual cards are then modified as needed and organized into the larger compositional grid. Of note is another collage in the Multiverse series, Big Bear’s monumental The Walker Collage, Multiverse #10 commissioned by Walker Art Center. It will be unveiled at the November 19 celebratory opening of the museum’s redesigned main entrance on Vineland Place. -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
March 2008 Cms Public File Report
Minnesota Public Radio - Classical Stations July 2007 - March 2008 KBPR 90.7FM, Brainerd Bemidji Area Chamber of Commerce Charter Fiberlink, LLC/Charter Business Cragun's Golf and Conference Resort Crow Wing Power Evergreen Press/Lake Country Journal Magazine Fifth Avenue Furniture Floor to Ceiling Store Good Samaritan Communities-Brainerd/Pine River Kodiak Investment Management Kurilla Real Estate Legacy Chorale of Greater Minnesota, The Madhatters Community Theatre Minnesota Heritage House Inc./Pequot Lakes Loc. Minnesota Power Nature's Touch Floral & Gift New York Mills Regional Cultural Center Nisswa Tax Service Nor-Son Incorporated Northern PCS Old Wadena Society Rainy Days Bookstore Reif Center, The St. Joseph's Medical Center/Brainerd Medical Ce Staples Area Men's Chorus Staples Motley Area Arts Council The Tree House KCCM Moorhead/Fargo A Center for the Arts Audrey and Dick Kloubec Avis Rent a Car Bemidji Area Chamber of Commerce Bernie's Wines and Liquors Boulger Funeral Home Braaten Cabinets Bursch Travel American Express-2 Celebration of Women Clay County Historical Society Country Insurance & Financial Services Eventide F/M Communiversity Fargo Moorhead Opera Fargo Moorhead Symphony Orchestra Fargo-Moorhead Area Youth Symphonies Harmon Glass Doctor Heritage Hjemkomst Interpretive Center Historic Holmes Theatre, The Hornbacher's Foods Hotel Donaldson ICS Energy Solutions Innovis Health Korsmo Funeral Service Krekelberg & Skonseng, PLLP Life's Footprint Michael J Burns Architects Minnesota Motor Company Moorhead Public Service -
NWS Grand Forks and Community
NWS Grand Forks and Community OFFICE HISTORY: The United States Weather Bureau opened a weather office at the Merchants State Bank in Moorhead Minnesota in 1881. The office then moved to the Dr. PH Lamb Cottage in Moorhead Minnesota in 1904. In 1920, the office moved to the U.S. Post office building in Moorhead, Minnesota. The office then relocated to Hector Airport in Fargo North Dakota in 1934 and renamed to the National Weather Service in 1970. In November 1994, the new modernized office building was completed on the west side of Grand Forks and began operations in the new facility and as part of the agency’s nationwide modernization effort. In the fall of 1995, WSO Grand Forks became a full fledged Weather Forecast Office (WFO). The staff totals 23 individuals: nine forecast meteorologists, one Hydrometeorological Technician, three Meteorological Interns, a three member electronics staff, an Information Technology officer, a Service Hydrologist, an Observation Program Leader, an Administrative Support Assistant, a Science & Operations Officer, a Warning Coordination Meteorologist, and a MeteorologistinCharge. The County Warning and Forecast Area covers 17 counties in North Dakota and 18 counties in Minnesota counties in northwest Minnesota with a population of about 660,000 people. WFO Eastern North Dakota/Grand Forks produces weather warnings and advisories, daily forecasts, and digital or gridded forecasts for use by emergency managers, law enforcement, fire departments, land managers, aviation, media, and the public. The WFO staff collects surface and remotelysensed weather data. All of these data streams are provided to the public via the web at www.weather.gov/grandforks, and to the National Centers for Environmental Prediction for use in the national meteorological forecast models. -
PROCEEDINGS of the CITY COUNCIL of the CITY of GRAND FORKS, NORTH DAKOTA June 17, 2019
June 17, 2019 PROCEEDINGS OF THE CITY COUNCIL OF THE CITY OF GRAND FORKS, NORTH DAKOTA June 17, 2019 The city council of the city of Grand Forks, North Dakota met in the council chambers in City Hall on Monday, June 17, 2019 at the hour of 5:30 o’clock p.m. with Mayor Brown presiding. Present at roll call were Council Members Weigel, Dachtler, Weber, Mock, Marshall, Vein - 6; absent: Sande - 1. Mayor Brown announced that anyone wishing to speak to any item may do so by being recognized prior to a vote being taken on the matter, and that the meeting is being televised. MAYOR’S ANNOUNCEMENT Mayor Brown commented on the following: • Great job that Public Works does for the community with the yard waste program. • Reminded everyone with it being the summer season to drive safely and keep children and bicyclists in mind. • Congratulated Tiffany Boespflug on being named North Dakota Health Worker of the Year. • Encouraged all interested to attend the Cheap Trick concert at the Alerus Center this evening. • First Farmers Market of the year was held this past Saturday and went well in its new temporary location on N 4th Street across from City Hall. Thanks to Global Friends for their participation in the programming. UPDATE – WASTEWATER TREATMENT PLANT UV DISINFECTION PROJECT Melanie Parvey, Water Works Director, gave a brief presentation on the project including the history and work done to date. EMPLOYEE RECOGNITION Mayor Brown recognized the following city employees celebrating employment milestones: • Melanie Parvey, Water Works, 20 years • Darin Johnson, Police Department, 15 years • Stacy Ferdon, Wastewater Treatment, 15 years • Tim Ward, Assessing, 5 years • Rick Hajicek, Police, 5 years • Doug Stern, Fire, 30 years • Nicole Shjerve, PSAP, 20 years. -
Theodore B. Wells and the Firm of Wells-Denbrook Architects in North Dakota; 1923-1978
Theodore B. Wells and the firm of Wells-Denbrook Architects in North Dakota; 1923-1978 historic context study prepared by Steve C. Martens; Architect Architectural Historian (August 29, 2015 Revised Final version with GF HPC comments and State Review Board comments addressed) for the Grand Forks Historic Preservation Commission and the State Historic Preservation Office, State Historical Society of North Dakota Executive summary/Abstract: Theodore B. (Burfield) Wells had established his architectural practice in Grand Forks by 1923. He was joined in practice soon after World War II by Myron Denbrook. In approximately 1949, Denbrook was offered a full partnership. The firm completed extensive work throughout the Upper Red River Valley and in northeastern North Dakota. To a lesser extent, their work is found throughout North Dakota and in the northwestern corner of Minnesota. Wells retired from active practice in about 1964 and Denbrook associated briefly with Edward Adams at about that time. This context focuses on North Dakota work designed by the firm of Theodore B. Wells and later as Wells-Denbrook, from the firm’s inception until Wells, Denbrook, Adams, Wagner Architects merged to form EAPC (engineers and architects) in 1978. Required components of the context study: 1. Context narrative 2. Research methodology for review of archival resources 3. Research methodology for evaluating extant buildings on-site 4. Criteria for evaluating a property’s merit for future inclusion in the National Register 5. Defined scope of work for a future intensive level survey of extant Wells-Denbrook buildings in the state of North Dakota Part 1: 1. Archival research and review of archival collections of work by Theodore B. -
Raymond Saunders 40 Years: Paris/Oakland
Andrew Kreps Gallery Raymond Saunders 40 Years: Paris/Oakland May 1 - June 12, 2021 657 Howard Street, San Francisco, CA 94105 1275 Minnesota Street, San Francisco, CA Casemore Kirkeby and Andrew Kreps Gallery are pleased to announce 40 Years: Paris/ Oakland, an exhibition of works by Raymond Saunders, presented across two locations in San Francisco. Since the 1960s, Raymond Saunders has developed a singular practice defined by an improvisational approach, as he culls eclectic ephemera, signage, detritus, and other materials from his daily life which reflect his living environment. A cult-like figure in the Bay Area art scene, Saunders’ paintings and installation-based works are loaded with rich swaths of paint, interwoven with found materials and his own notational marks, and white- pencil drawings. Blackboard surfaces, left visible through a heavy accumulation of marks and material, tie Saunders’ works inextricably to his role as an educator, as he handwrites simple equations, lettering, and childlike notes onto the work’s surface. Like jazz, dissonant at first, yet upon closer view, Saunders uses these diverse elements which seem to address the dualities present within life - plight and renewal, lack and abundance, innocence, and despair, as well as the individual and the community. Interweaving his own personal experience and anecdotes, Saunders aims to teach this full reality of the modern environment, the losses and victories, as well as the splendor that exists within the everyday. Spanning four decades of Saunders’ remarkable career, 40 Years: Paris/Oakland spans two locations (657 Howard Street, and 1275 Minnesota Street) and features rarely-exhibited works on canvas from the 1980s and installation-based works from the 1990s. -
Volume 46, Number 20: January 07, 2009 University of North Dakota
University of North Dakota UND Scholarly Commons Elwyn B. Robinson Department of Special University Letter Archive Collections 1-7-2009 Volume 46, Number 20: January 07, 2009 University of North Dakota Follow this and additional works at: https://commons.und.edu/u-letter Recommended Citation University of North Dakota, "Volume 46, Number 20: January 07, 2009" (2009). University Letter Archive. 62. https://commons.und.edu/u-letter/62 This Newsletter is brought to you for free and open access by the Elwyn B. Robinson Department of Special Collections at UND Scholarly Commons. It has been accepted for inclusion in University Letter Archive by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. The University of North Dakota | University Letter Main Navigation SEARCH UND Print this Issue ISSUE: Volume 46, Number 20: January 07, 2009 A to Z Index Map Contents ABOUT U LETTER Top Stories University Letter is published electronically weekly on Marketplace for Entrepreneurs conference is Jan. 14 Tuesday afternoons. Submissions are due at 10 a.m. Events to Note Tuesday. U LETTER Farewell reception honors Kevin Young U Letter Home Nationally known author David Linden to give lectures Jan. 15-16 Submit a Story Group exhibition opens at Third Street Gallery on Kittson OID announces On Teaching online Spring new student orientation is Monday, Jan. 12 University Within the University (U2) lists new classes Volunteer Recruitment Day is Jan. 22 John Michael Lerma is returning to UND Make your reservations for the Museum Benefit Dinner Feb. 7 Announcements UND academic catalog copy going to departments for biennial updating Applications sought for faculty research proposal writing fellowships Faculty, researchers invited to participate in New Knowledge Nosh Note new NIH policy on resubmitting of amended applications Code of Student Life changes sought Eric Kjeldergaard elected to Council of State Employees Santhosh Seelan named interim associate dean Rep. -
Walker Guided Tour Topics and Themes
Walker Guided Tour Topics and Themes GUIDED TOUR TOPICS For guided tours, please select your topic preference. (Note maximum number of participants.) Gallery Tour (max. 60) Familiarize yourself with contemporary art by exploring works of art in the Walker’s collection. Sculpture Garden Tour (max. 60) Explore concepts such as shape, scale, space, and texture in one of the country’s largest urban sculpture parks. The Minneapolis Sculpture Garden features more than 40 artworks, including the whimsical Pop Art icon Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Architecture of Expansion (max. 60) These tours introduce visitors to the expanded Walker Art Center through an in-depth exploration of its state-of-the-art spaces and the processes used by the architects Herzog & de Meuron for designing the 2005 building. Special Exhibition (max. may vary) Our special exhibition tours focus on a variety of topics and artists. For more information about exhibitions currently on view, click here: http://schools.walkerart.org/exhibitions.wac. Custom Tour (max. may vary) The tour program will work with you to develop a custom tour based on a theme or topic of particular interest to your group. We will contact you to make arrangements after we receive your request. In addition to a specially tailored topic, your tour can be enriched by an Art Lab or food and drink from D’Amico Modern Events (see additional tour components below). Pre-K Gallery Tour (max. 60) Children explore works of art in the galleries by focusing on basic elements such as color, line, shape, and pattern.